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Role played by community in one's life
Isolation eassy
The importance of community in society
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John Donne explains isolation best by saying, “No man is an island, entire of itself; every man is a piece of the continent, a part of the main” (455).1 Many individuals live daily in isolation, but in some way or another everything everyone does creates a significant impact that will play a role in someone else’s life. The aspect of community is unavoidable; community is the basis of life. Characters in every novel ever written are interwoven unbeknownst to each other. Although some believe they are in true isolation, all the character’s actions impact one another, creating a community. Silas Marner’s life of going back and forth from isolation to community expresses the importance of this theme to the novel. On the other hand Godfrey Cass’s enigmas isolate him even though community surrounds him his whole life. The effects of isolation and community are most apparent in the characters of Silas Marner and Godfrey Cass in George Eliot’s novel Silas Marner.
Silas Marner lives a life of repetition. He not only weaves fabric in his loom for a consecutive fifteen years, but also revisits community. Betrayals play an important role to the outcome of the novel, “In Silas’ story the central problem of community begins with betrayal” (Ermarth 98).2 Silas begins as being a part of the community of Lantern Yard, retreating to isolation because of a betrayal done by his best friend, and later returning to community, Raveloe. In Silas’ past he possessed a full life; “Marner was highly thought of in that little hidden world, known to itself as the church assembling in Lantern Yard: he was believed to be a young man of exemplary life and ardent faith…” (Eliot 6).3 Silas understood the importance of community in the early stages of his life. S...
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Holloway, John. “George Eliot.” The Victorian Sage Studies in Argument. New York: Norton, 1953. 111-153. Print.
Milne, Ira Mark and Sisler, Timothy, ed. “Silas Marner.” Novels for Students. Vol. 20. Detroit: Gale, 2005. 166-182. Print.
Shakespeare, William. Ed. Gayle Holste. Othello. New York: Barron’s, 2002. Print.
Shuttleworth, Sally. “Silas Marner: A dividend Eden.” George Eliot and Nineteenth-Century Science The Make-Believe of a Beginning. London: Cambridge UP, 1984. 78-95. Print.
“Silas Marner.” 1,300 Critical Evaluation of Selected Novels and Plays: Offprints of All the New Material from the 12-volume Revised Edition of Masterplots. Ed. Frank N. Magil. Vol. Four. Englewood Cliffs: Salem, 1978. 2073-074. Print.
Thale, Jerome. “George Eliot’s Fable for Her Times: Silas Marner.” The Novels of George Eliot. New York: Columbia UP, 1959. 58-69. Print.
McCabe, Michael E. “The Consequences of Puritan Depravity and Distrust as Historical Context for Hawthorne’s “Young Goodman Brown”.”
Paris, Bernard J. Experiments in Life: George Eliot's Quest for Values. Detroit: Wayne State University Press, 1965.
Stillinger, Jack, Deidre Lynch, Stephen Greenblatt, and M H. Abrams. The Norton Anthology of English Literature: Volume D. New York, N.Y: W.W. Norton & Co, 2006. Print.
Hawthorne’s Romantic writing ability allures his readers into deep thought of the transforming characters creating himself as a phenomenon. His ability to transform Puritan society in a dark world “attracts readers not only for their storytelling qualities, but also for the moral and theological ambiguities Hawthorne presents so well” (Korb 303). In “Young Goodman Brown” Nathaniel Hawthorne uses Romantic characteristics such as artificiality of the city, escape from reality, and the value of imagination.
Greenblatt, Stephen, and M. H. Abrams. The Norton Anthology of English Literature. 9th ed. Vol. A. New York: W.W. Norton, 2012. Print
Hawthorn, Nathaniel. "Young Goodman Brown" The Norton Anthology of American Literature. Vol. I. Shorter Seventh Edition. Ed. Nina Baym. New York: W.W. Norton and Co., 2008. 620-629. Print.
Through the character of Silas, Howells illustrates the themes of affluence, ambition, rise/fall as Silas undergoes challenges with social standings throughout the novel. One would think that as a result of Silas’ huge fortune attained through his work in the paint business, that he would rank high in the social standings. However, in giving the reader a clearer sense of the Lapham’s wealth, Howells states, “They went upon journeys, and lavished upon cars and hotels; they gave with both hands to their church and to all the charities it brought them acquainted with; but they did not know how to spend on society” (pg. 25). Howell’s parallel structure in repeating “they” followed with a distinct action- evidenced through the words went, lavished, and gave— emphasizes and builds momentum to the contrast seen in the phrase “they did not know” in referring to their inability to connect with society. Due to Silas’ extreme wealth in addition to his exceedingly strong desire to ...
Thomas Stearns Eliot was perhaps one of the most critical writers in the English language’s history. Youngest of seven children and born to the owner of a Brick Company, he wasn’t exactly bathed in poverty at all. Once he graduated from Harvard, he went on to found the Unitarian church of St. Luis. Soon after, Eliot became more serious about literature. As previously stated, his literature works were possibly some of the most famous in history. Dr. Tim McGee of Worland High School said that he would be the richest writer in history if he was still alive, and I have no choice but to believe him. In the past week many of his works have been observed in my English literature class. Of Thomas Stearns Eliot’s poems Preludes, The Journey of the Magi, The Hollow Men, The Waste Land, and Four Quartets, I personally find his poem The Hollow men to be the most relatable because of its musical allusions, use of inclusive language, and his opinion on society.
T.S. Eliot, The Love Song of J. Alfred Prufrock. The Norton Anthology of English Literature. 6th ed. Vol. 2. ed. M. H. Abrams New York, London: Norton, 1993.
Nathaniel Hawthorne’s “Young Goodman Brown” captivates the reader through a glimpse of the Puritan church. The story also shows the struggle of good versus evil in the main character Goodman Brown. The role of the Puritan church is crucial in shaping Goodman Brown’s personality and helping the reader understand why he was reluctant to continue his journey.
In the opening chapters of the book it clear that Marner isolates himself from the Raveloe community. Evidence of such self isolation is found in this conversation between Marner and Mr. Macy:
T.S. Eliot has been one of the most daring innovators of twentieth-century poetry. His poem“The Love Song of J. Alfred Prufrock”, is different and unusual. He rejects the logic connection, thus, his poems lack logic interpretation. He himself justifies himself by saying: he wrote it to want it to be difficult. The dissociation of sensibility, on the contrary, arouses the emotion of readers immediately. This poem contains Prufrock’ s love affairs. But it is more than that. It is actually only the narration of Prufrock, a middle-aged man, and a romantic aesthete , who is bored with his meaningless life and driven to despair because he wished but
Written in two different literary periods “My Last Duchess” by Robert Browning and T.S. Eliot’s poem “The Love Song of J. Alfred Prufrock” share various similarities with one another. While Browning can not be credited for inventing the dramatic monologue himself it was his fondness and skill for it that raised it to a highly sophisticated level. He also helped increase its popularity both with poets and the general public. His huge success with dramatic monologues served as inspiration for Eliot years later. Based on his work, Eliot was clearly influenced by the dramatic monologue style used by Browning. However, despite their similarities there are stark differences between the poems by Browning and Eliot. “The Love Song of J. Alfred Prufrock” shows a clear movement away from the Victorian style found in “My Last Duchess” and goes towards Modernism.
Abrams, M.H., ed. The Norton Anthology of English Literature. 6th ed. Vol. 2. New York: Norton, 1993.
Chapman, Raymond. The Victorian Debate: English Literature and Society, 1832-1901. New York: Basic Books, Inc., Publishers, 1968.