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Essay on tribal culture
Essay on tribal culture
Essay on tribal culture
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The interpretative richness of Silko’s Ceremony
Leslie Marmon Silko’s Ceremony is the extraordinary tale of Tayo, a mixed-blood Native
American in his long quest to cure the suffering that afflicts him and his people. The novel is
complex enough that it can be interpreted in the context of starkly different paradigms, each
highlighting important facets of the story. For instance, in the article “Feminine perspectives at
Laguna Pueblo: Silko’s Ceremony,” Edith Swan offers a (symbolic) analysis of the plethora of
important female characters in the novel that is based on a deliberately unicultural, Laguna
worldview on the grounds that “[...] western presumptions must be set aside so that they do not
adversely bias or manipulate tribal structures of meaning. Native premises must be allowed to
stand on their own terms” (309). On the other hand, Dennis Cutchins, in his article “‘So that the
nations may become genuine Indian’: Nativism and Leslie Marmon Silko’s Ceremony”
advocates a politico-historical interpretation of the novel as a reaction against the overwhelming
influence of Western civilization on Native American culture. This reaction, Cutchins argues,
takes the form of a “revision” of history for the purpose of removing the Western influence and
adapting ancient traditions to better serve the needs of the present, thus resolving the conflict
between the two cultures. Cutchins’ interpretation therefore, is multicultural, focussing on the
historical relationship between Western and Native American cultures and providing a paradigm
(namely, nativism) that helps put it all in perspective. By utilizing divergent paradigms in
interpreting Ceremony, Swan and Cutchins both succeed in highlighting the many fascinating...
... middle of paper ...
...nse in the context of the outside world and the history of the
Native American people. The differing theses however, do not contradict each other. Rather,
they complement each other by providing a more complete picture through the simultaneous
consideration of socio-cultural as well as politico-historical perspectives of the novel.
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Works Cited
Cutchins, Dennis. “‘So that the nations may become genuine Indian’: Nativism and Leslie
Marmon Silko’s Ceremony.” Journal of American Culture 22.4 (1 Dec. 1999): not
paginated.
Silko, Leslie Marmon. Ceremony. New York: Penguin, 1977.
Swan, Edith. “Feminine Perspectives at Laguna Pueblo: Silko’s Ceremony.” Tulsa Studies in
Women’s Literature 11.2 (Autumn, 1992): 309-328.
Work cited from within Swan, Edith:
Allen, Paula Gunn. “The Psychological Landscape of Ceremony.” American Indian Quarterly.
5.1 (1979): 12.
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The novel Ceremony by Leslie Marmon Silko follows a young man, Tayo through his journey beginning when he returns home to the Laguna Pueblo Reservation, from World War Two; and is very ill. During the narrative Silko introduces us to Tayo's life before the war, which gives insight to reasons of why Tayo is ill. Through out his illness Tayo goes through many ceremonies both literally and metaphorically to try to cure his ailment. One of the ceremonies that is performed, is lead by Old Ku'oosh, the medicine man, where he performs a cleansing ceremony for someone who has killed someone in battle, even though Tayo doesn't recall killing anyone. However, he adds that this ceremony, which he has been performing for many of the returning war soldiers, has not worked for all of them. He then recommends another medicine man with the tools to cure and perform ceremonies, for the old ceremonies, since the white man had arrived, have not been able to cure the new diseases. Along with the medicine man ceremonies he also goes to American "white" doctors, which also acts as some what of a cleansing for him. In his case vomiting is can also be used as a ceremony for Tayo because he uses it to cleanse his body of the poisons and evil, both physical illness and mental illness. The ceremonies that Tayo goes through whether traditional through a medicine man or contemporary like visits to the psychiatrist and stays in the hospital, all add to his recovery, either through physical or mental cleansing.
Leslie Marmon Silko uses the idea of being speckled and/or spotless in her book Ceremony. To try to be spotless is the Laguna people trying to become a part of white society, hence, becoming separated from the Earth and from the roots, tradition, beliefs, rituals and customs of the Native American way. It is letting in white society with the belief that it can somehow improve you. It is destructive change that takes a person away from the Earth. It is change that specifies and names possessions and makes you question your own beliefs.
Eder, Richard. "Pain on the Face of Middle America." Contemporary Literary Criticism. Ed. Daniel G. Marowski. Detroit: Gale Research Publishing, Inc., 1986. 103.
Geoffrey C. Ward, Not For Ourselves Alone. (New York: Alfred A. Knopf, 1999) : 65. 7 Ward, 67. -. 8 Dubois, 75-79. pp.
The inherent desire to belong to a group is one that is fundamental to human nature. In his article “Evolution and Our Inner Conflict,” Edward O. Wilson writes, “A person’s membership in his group – his tribe – is a large part of his identity.” Wilson explores multilevel group selection and the proclivity for people to define themselves based on their belonging to the group. He goes on to say that people often form these groups with those who look like them and belong to the same culture or ethnic group. In the novels Ceremony by Leslie Marmon Silko and The Puttermesser Papers by Cynthia Ozick, the identities of the protagonist are predominantly shaped by the ethnicities and heritages that they identify with. The identity of Tayo, the protagonist of the novel Ceremony is largely shaped by his ethnicity as both a Native American and part white. Tayo’s background leads directly to his own identity as an outsider and is central to the storyline. In the novel The Puttermesser Papers by Cynthia Ozick, the title character Puttermesser’s identity and subsequently her story is also influenced by her Jewish heritage.
Haisla family living in a North American society. The main perspective of the novel is told
The story conveys a message that traditions may be valued so highly that those in their practice may do everything they can to ensure that they continue in accordance. From this, a question arises. How far would one go to ensure their sacred traditions remain unscathed? For many, change is a cause of ignorance. Most of us fear the idea of change.
Changes occur within societies, cultures, religions, or livelihood, people lose their sense of importance towards their roots and sense of being therefore redefining the meaning of humanity. However, as Ceremony teaches, being in touch with one’s roots and sense of being will bring about understanding of what is true or what is false. An individual should realize the meaning of their essence and in turn would bring the understanding towards the world. Ceremony’s world application evaluates and serves as a guide of how humanity should open their eyes and look at everything in a different a perspective to see it in the way of the ceremony: the way of life. The ceremony should be practiced and adapted throughout all the time, no matter the race, religion, culture or livelihood.
The symbols that encompass the novel underscore the theme that the American Dream, corrupt and unjust, eventually concludes in anguish. Money, greed, and lust overtake everything in their lives to the point of nothing else being of importance. The characters in this novel lost themselves to a fruitless dream that eventually brought and end to the “holocaust” that embodied their lives (162).
Bentley, Jerry H., and Herbert F. Ziegler. Traditions & Encounters: A Global Perspective on the past. New York: McGraw-Hill, 2011. Print.
...'s bias towards this novel's hero is central to the critique of belief in the 'American Dream'." The English Review 17.3 (2007): 9+. Literature Resources from Gale. Web. 14 Jan. 2014.
"Revisionism means nothing more or less than the effort to correct the historical record in the light of a more complete collection of historical facts, a more calm political atmosphere, and a more objective attitude." (2)
Tarnas, Richard. The Passion of the Western Mind: Understanding the Ideas That Have Shaped Our World View. New York: Ballantine, 1993. Print.
All throughout history, we see this dichotomy between tradition and modernity. On one hand, we have tradition, the force living perpetually in the past and refusing to change. On the other hand, modernity leaves tradition behind in favor of progress. These two concepts, much like oil and water, dare to divide but coexist as a debatable founding solution. Not only are the themes Western ideas, but they have been present and are found in literature all around the world, from China to Africa.
An American Tragedy is an intriguing, frighteningly realistic journey into the mind of a murderer. It is a biography of its era. And, it is also historical fiction. But what makes this novel a classic? While society has changed dramatically since 1925, Dreiser's novel, which shows the futility of "The American Dream" and the tragedies that trying to live it can cause, accurately summarizes social mores of this and any time period.