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The iliad hector vs achilles
What does freedom mean to me
Hector vs. achilles
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W.B. Gallie coined the term “essentially contested topic” at the 1956 meeting of the Aristotelian Society. Gallie believed that while words like justice have a positive connotation in society, they have no legitimate basis as a word. Freedom is one of these words. Freedom is traditionally defined as the ability to act, think, or speak without being restrained. However, freedom is much more than the definition humans have given to conceptualize the meaning within a Webster’s dictionary. Freedom as a majorly contested topic is made especially apparent throughout two of the most famous Western war stories of all time, The lliad and The Aeneid, where Homer and Virgil inadvertently show the stark contrast in what the word “freedom means” to each of them respectively, to other Ancient Greek and Ancient Roman writers, and between the Ancient Greek and Ancient Roman cultures as a whole. The Iliad defines the essentially contested concept of freedom through interactions between humans and the gods. From a modern day perspective, it seems very possible that humanity within The Iliad has no “freedom” at all. But how would characters within The Iliad have seen things? From the first lines of Homer’s epic poem, Homer is begging the Muse to show “how the will of Zeus was accomplished” (Homer 1). This line is a consistent undertone throughout the entirety of the poem; freedom to Homer and subsequently to his characters is “freely” fulfilling the will of the gods as a human. Examples of this are apparent throughout all of The Iliad, including when Achilles decides to give Hector’s body back to Hector’s father, Priam after the gods express their anger with Achilles. But this Achilles - first he slaughters Hector, He rips away the... ... middle of paper ... ...her Ancient Greek and Ancient Roman writers, and ultimately illuminating the differences between the Ancient Greek and Ancient Roman cultures. Works Cited Aurelius, Marcus. Meditations. London, England: Penguin, 2006. Print. Cicero. "Against Lucius Sergius Catalina." Political Speeches of Cicero. N.p.: n.p., n.d. 93-109. Political Speeches of Cicero. Web. Homer, Robert Fagles, and Bernard Knox. The Iliad. New York, N.Y., U.S.A.: Viking, 1990. Print. Livy, and Selincourt Aubrey. De. The Early History of Rome. Harmondsworth: Penguin, 1960. Print. Plato, and G. M. A. Grube. Republic. Indianapolis: Hackett Pub., 1992. Print. Tarnas, Richard. The Passion of the Western Mind: Understanding the Ideas That Have Shaped Our World View. New York: Ballantine, 1993. Print. Virgil, and David Alexander. West. The Aeneid. London, England: Penguin, 1990. Print.
Homer, The Odyssey, The Norton Anthology of World Masterpieces, ed. Maynard Mack, Expanded Edition, (New York: W. W. Norton, 1995), pp. 219-503.
A twenty-first century reading of the Iliad and the Odyssey will highlight a seeming lack of justice: hundreds of men die because of an adulteress, the most honorable characters are killed, the cowards survive, and everyone eventually goes to hell. Due to the difference in the time period, culture, prominent religions and values, the modern idea of justice is much different than that of Greece around 750 B.C. The idea of justice in Virgil’s the Aeneid is easier for us to recognize. As in our own culture, “justice” in the epic is based on a system of punishment for wrongs and rewards for honorable acts. Time and time again, Virgil provides his readers with examples of justice in the lives of his characters. Interestingly, the meaning of justice in the Aeneid transforms when applied to Fate and the actions of the gods. Unlike our modern (American) idea of blind, immutable Justice, the meanings and effects of justice shift, depending on whether its subject is mortal or immortal.
Homer. The Odyssey: Fitzgerald Translation. Trans. Robert Fitzgerald. New York: Farrar, Straus and Giroux, 1998. Print.
Heubeck, Alfred, Stephanie West, and J.B. Hainsworth. A Commentary on Homer's Odyssey. New York: Oxford UP, 1988.
Homer. The Odyssey. Norton Anthology of World Masterpieces. Vol. 1. Trans. Robert Fitzgerald. New York: W.W. Norton and Co., 1995.
Homer. “The Odyssey”. The Norton Anthology of World Literature. Ed. Martin Puncher. New York: W. W. Norton & Company, 2012. 475. Print.
Schein, Seth L. The Mortal Heroes: An Introduction to Homer's Iliad. Berkley: U. of California P, 1984.
Homer. The Odyssey. Trans. R. Fitzgerald. Bedford Anthology of World Literature Book. Ed. Davis, Paul et al. Vol. 1. Boston: Bedford/St. Martin’s. 2004. 487-579. Print.
Homer. "The Odyssey." The Norton Anthology: World Literature. 2nd ed. Vol. 1. New York: W.W.
Schein, Seth L. The Mortal Hero: An Introduction to Homer's Iliad. Berkeley: University of California Press, 1984.
Homer. The Illiad. The Norton Anthology of World Masterpieces: Expanded Edition?Volume I. ed. by Maynard Mack. New York: W.W. Norton & Company, 1995.
This epic poem by the ancient Greek poet Homer, recounts some of the significant events of the final weeks of the Trojan War and the Greek siege of the city of Troy. All of the places where Homer’s stories took place were in areas that had been significant in the Bronze Age of Ancient Greece. Excavations at Troy and Mycenae have revealed that affluent kingdoms did indeed exist there. The Iliad provides examples of the culture and traditions that took place in Ancient Greece. The warrior culture that is presented in The Iliad is based on honor and bravery, a good example of this is when Diomedes is trying to rally his fellow warriors in says, “I know only cowards depart from battle. A real warrior stands his ground. Whether he is hit or hits another.” This society was strongly against cowardice; bravery was the only option in these times. The Iliad preserves the Ancient Greek’s views on masculinity and what it meant to be a “real warrior” in their times. The evolution of what people consider honorable and brave is evident, for The Iliad has conserved past views that can be juxtaposed with more modern
Schein, Seth L. The Mortal Hero: An Introduction to Homer's Iliad. Berkeley: University of California Press, 1984.
1. Dunkle, Roger. "Homer's Iliad." AbleMedia LLC - A Knowledge Company. Web. 31 Mar. 2011. .
The ancient Greeks were mainly concerned with the relationship between fate and free will. This concern weaves in and out of the culture's most highly regarded literary works, including one of the earliest and most well-known texts ever written - the Odyssey. Homer's thrilling tale of King Odysseus' trials and tribulations on his homeward voyage from Ilium is littered...