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Recommended: Analysis of shrek
Shrek
Place yourself in a fairy tale setting, with trees and singing birds and cute woodland creatures. Now, think of your ideal hero, prince or true love in your fairy tale. You chose someone with external beauty; (you know) muscles, strong chin, or maybe a fair madden. However, the hero of the story I will talk about isn’t exactly handsome, this hero of course is Shrek, the hero of a typical storybook fairytale with a weird and hilarious twist. My purpose is to explain why this Academy-Award winning animated film is better than the “Disney Princess” movies thanks to use of satire, great cast, and its moral messages.
The humor is able to make not only children laugh but also any adult with a sense of humor. The jokes are usually centered on farts, slap-stick violence, and a few we understood once we got older. Also, it purposefully make fun of Disney films like Beauty and the Beast, Peter Travers of the Rolling Stone goes into detail about Dream Works’ chief’s revenge on his former Disney boss by creating Lord Farquad’s kingdom into a theme park, along with Farquad’s hate for fairytale creatures (1).
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In addition, its moral message helps Shrek stand out against other princess films.
Where other princess movies only focus on finding true love, Shrek ends with a twist. Despite Fiona’s main wish was to be fully human, she chose Shrek and that side of herself.
The cast of Shrek is nothing more than outstanding! Mike Myers portrays the crude ogre with the Scottish accent we all love. Eddie Murphy voiced Donkey, a sassy sidekick Shrek did not ask for, and Cameron Dias is Princess Fiona, a damsel in distress with what seems to be a black belt in karate. Elvis Mitchell of The New York Times describes their improvisational skills in combination with the writing, as hard hitting and to the point (p.
7). In summary, the use of satire to subtlety parody Disney, a surprisingly positive message, and top of the line cast brought this film to its popularity it still has today. I hope you see this movie above other princess movies as I do. Are there any questions? Thank you.
The film stars the famous voices of, Mike Myers supplying the rough Scottish twang for 'Shrek', Eddie Murphy's motor mouth 'Donkey', Cameron Diaz as Princess Fiona, and John Lithgow as 'Lord Farquaad'. The directors of this film were Andrew Adamson, Vicky Jensen and Victoria Jenson. DreamWorks (the distributor) has tried to poke fun at Disney wherever possible. '
In this essay I am going to analyse the characters of shrek and Lord Farquaad, and write about how filmmakers use different camera angles, lighting, music and setting to create an unusual fairy tale. The giant in jack and the beanstalk is what we expect of giants/ogres. In traditional fairy tales ogres are normally man-eating beast, at the beginning of shrek, shrek is what you expect him to be like. When the farmers go to his swamp and the meet shrek. When shrek is shouting at them the low angle camera shot makes shrek look intimidating to the crowd and audience.
playing and the voice of Shrek as a narrator as he reads part of a
In the essay i am going to focus on the characters of Shrek and lord Farrquaad, the fairytale genre is subverted from the usual ogre being a man eater and the prince saving the princess to the ogre becoming the rescuer and the prince being evil person who sends the ogre to do his dirty work and rescue the princess.
Film analysis with a critical eye can give the viewer how animation giant Disney uses literary element to relay key messages to the audience. Walt Disney’s “The Princess and the Frog” is a perfect example how different literary theories like ‘the Marxist theory’ and ‘Archetypal theory’ can be embedded in the simplest of the fairy tales. The different literary elements in the movie, shows a person how characters like ‘the banker’ and the setting of the houses helps to portray the socio-economic differences in New Orleans at that time. Applying ‘the Marxist theory’ and ‘the Archetypal theory’ to the plot, characters and the setting, shows how movies can be a medium to confront social issues and to prove that all fairy tales are of the same base.
Since the days of mythological origin to the origin of pop culture, various mythological stories have been adopted and presented to newer generations. Some of these presented adaptations of mythological stories have significantly been modified in order to be deemed entertaining by audiences in a pop culture generation. Thus, my study will seek to compare mythological hero's during their time to how they have been depicted in modern day. Moreover, my study will analyze the similarities and differences between the Greek hero Heracles and his replica character, Hercules, depicted in Disney's adaptation of this myth. Although there are few similarities between the two versions, the differences between Heracles and Disney's Hercules are prominent. These differences help modern day audiences relate more easily to the characters in the story. Furthermore, the alterations have enabled a new aspect of heroism to emerge since Disney tailors it's movies towards youth who can seek valuable lessons from animated movies. Disney's choices through these alterations will be determined by focusing on the main plot, characters presented in the movie, peripheral details, and the notion of being a "true hero" that Disney presents.
There is no arguing Walt Disney practiced what he preached. In fact, he did what he did so well that people continue to bring others to see what he did to this day, that being Disneyland. First, we’ll start by learning about the background history of Disneyland. Next, we’ll compare Disneyland from when it first started to what it has developed into. And finally, we’ll explore all the eight parks and what they have to offer.
If children or adults think of the great classical fairy tales today, be it Snow White, Sleeping Beauty, or Cinderella, they will think Walt Disney. Their first and perhaps lasting impression of these tales and others will have emanated from Disney film, book, or artefacts (Zipes 72)
...le. Movies like this resist gender stereotypes that say women have to be beautiful and ladylike to live like a princess. There should be more films like Shrek because it breaks norms and teaches people that the only thing that matters is what’s on the inside.
The widely popular film Shrek, produced and distributed by DreamWorks in 2001, grossed a total of $484,409,218 in worldwide sales (Box Office Mojo). The success of the film has led DreamWorks to create several shorts, companion films, and sequels. From its memorable characters to its whimsical, edgy humor, Shrek was an amazing, highly successful animation that would pave the way for DreamWorks to make billions off the franchise. Shrek’s success can be attributed to three main factors: the range of ages it appeals to, its creative use of intertextuality, and its ability to cover a wide range of the fairy tale functions proposed by Vladimir Propp.
The animated film Shrek is a Dreamworks fairy tale that teaches us to look beyond what we expect to see, by completely subverting the traditional fairy tale concepts of gender, appearance and beauty. The characters in Shrek are vastly different from what we would expect to see in their appearance and behaviour. With unexpected plot twists, the directors of Shrek create important messages and morals that would not usually be conveyed, using techniques such as humour. The techniques have been placed strategically to result in an entertaining and educational film.
When the word “fairytale” is mentioned, nearly everyone thinks of light-hearted stories with friendly characters and happy endings. However, these are not the ideas that classic fairytales originally sparked. In fact, numerous modern Disney movies were based off stories that were not so sugar coated. In the 19th century, the Brothers Grimm were responsible for multiple of these popular children’s tales. The Disney remakes of classic fairytales such as Cinderella, Tangled, and Snow White exclude the dark, twisted themes that are significant in the Brothers Grimm fairytales, because society tendencies continue to evolve toward sheltering and overprotecting young children.
In today’s modern age, young children are being raised by their TV screen. Reining from the original tales of Perrault and the Grim Brothers, the Disney princess line has been a staple on the screens since the 1930s (Do Rozario 1). However, these princesses have gone through dramatic changes to remain relevant to todays youth. The effects that can be influenced by the roles expressed in these types of films send mixed messages to the audience, causing them to ask themselves whether or not they should believe what the princess is expressing on the screen.
We all grew up hoping that we were the princesses who met the dreamy prince and lived ‘happily ever after’ like in a fairytale.People debate over whether or not Disney fairytales are beneficial for children. Like Melissa Taylor the author of the piece ‘10 reasons why kids need to read non disney fairy tales’, I am against disneyfied fairy tales. In this essay I will argue on why kids should not only watch disney fairytales but also the real versions.
A person can take a story and look at it from many ways. Fairy tales represent the transformation of young people. Beauty is transformed into a young woman; she passes through the stages successfully and in turn is able to love. Every story teaches a lesson and in this case more than one lesson is taught. Not only is the lesson of sexuality and maturity taught, an even more important lesson is taught. Beauty and the Beast shows that true love comes from within the inside and if it is meant to be it will prevail.