Influence Of The Bauhaus

1777 Words4 Pages

3. The Bauhaus had a major influence on modern art, design and architecture. Drawing from writings by and about the Bauhaus, and with reference to two or three visual examples, critically assess this influence and the ongoing relevance (or not) of the Bauhaus today.

Established in 1919 by the designer and architect Walter Gropius, the Bauhaus radically changed the history of art, design and architecture, shifting away from the old gothic style to a more simplistic approach of design which we know as modernism today. The Bauhaus, which directly translates to school of learning, employed the most recognized avant-garde artist of the time; these include well-known names such as Johannes Itten and maholy-Nagy. With the help of these masters and by the …show more content…

The Bauhaus aimed at a utopia where design would change the lives of people and unite society. They believed that this could be achieved by creating principles such less is more and form follows function the pinicle of design would be reached. These principles still stand today in 21st century design. The vorkurs which all students had to undergo taught the truth of materiality, colour, form and function. The school incorporated every aspect of artistic media, such as advertising, photography, furniture design and weaving as well as architecture which was seen as the highest goal of all artistic activity. Although architecture was onmly introduced in the later phase of the Bauhaus existence it may have the most visible effect on modern culture. It was the Bauhaus that introduced the idea that design could make thing better for others. This new way of thinking and the second industrial revolution after the First World War created an industrialized and a mass-production orientated school. The aim was to make designs cheap and functional.

Show More
Related

  • Cleveland Museum of Art – Breuer Building

    743 Words  | 2 Pages

    Marcel Breuer, born in the early 1900’s in Hungary, was one of the first and youngest students to learn under the Bauhaus style, taught by Walter Gropius. Breuer started his career designing furniture, using tubular, or “handle bar like”, steel (Dodd, Mead, and Company 32). One of the most popular of these furniture designs was his Club Chair B3designed in 1922. In the 1930’s, Breuer moved to the United States to teach and practice architecture. In the 1950’s, he received the Medal of Honor from the New York Chapter of the American Institute of Architects (AIA). Between 1960 and 1980, Breuer was honored with several honorary doctoral degrees from several universities around the world. After retiring in 1976 due to poor health, Breuer was awarded several other awards, and his work was displayed in exhibitions around the world. Breuer died on July 2nd, 1981, at the age of 79 (Marcel Breuer Associates 6).

    Read More

  • The World Geo-Graphic Atlas, published by Walter Paepcke

    817 Words  | 2 Pages

    Drawing on Bauhaus methods, Bayer supported the concept of a total work of art and the unity – painting, typography, and information design were all connected to each other. In addition, every element in design was there for a purpose – to inspire, inform, or both. The atlas was “an example of how Americans had adapted Bauhaus design principles to communicate simply, directly and possible forcefulness. Atlases of world resources produced before Bayer’s publication hardly utilized a modernist graphic language. This would change with environmentally informed atlases of the 1970s that borrowed extensively from Bayer in their integration of color, graphic and symbols.”

    Read More

  • Mies Van Der Rhoes and Paul Rudolph

    2349 Words  | 5 Pages

    It is the new decade after the end of world war two and modernism is a well-established practice. Its pioneers and spearheads are prevalent figures looming over the new architects and designers who are trying to make their mark in the shadows of such historically influential people. With new technologies and materials emerging from the world wars the next era of modernism had started to evolved, bringing with it philosophies and ideas which seemed far removed from those of the pioneers of modernism “What emerged in the late 1940s and 1950s was an expanding synthesis of questions utterly removed from the confident statements of the pioneers.”(Spade 1971,10) Two significant buildings were designed in the 50's, both of them for educational institutes and to house students of architecture, there were both designed in completely different styles and methods. The first is Ludwig Mies van der Rohes' Crown Hall, finished in 1956 and designed as a part of a campus master plan for the Illinois Institute of technology in Chicago. Mies' design for Crown Hall is one of his most realised expressio...

    Read More

  • Cubism Created By Pablo Picasso And Georges Braque

    1563 Words  | 4 Pages

    Cubism is like standing at a certain point on a mountain and looking around. If you go higher, things will look different; if you go lower, again they will look different. It is a point of view. Cubism was created by Pablo Picasso and Georges Braque. Picasso who admired the vitality and power in African American sculpture started sharing his ideas and influences with Braque, which caused them to chase an investigation that lead them to the creation of cubism. Cubism was created as a response in contradiction of realism in impressionist paintings. The artists would break the painting down to its most basic geometric shapes, and instead of drawing in all the details of the painting they drew harsh lines. Cubist painters were able to express

    Read More

  • Alphonse mucha - Cigarette Job

    1307 Words  | 3 Pages

    The purpose of this Essay is to discuss an example of design from the late 1800s, I will relate it to the social, economic, technical and cultural context of that time. . I intend on delivering details of the artist and his life experiences as well as his style and possible interests. I will also evaluate the subject with my own opinion, likes and dislikes, with comparisons of work and artists from within that period up to the present date

    Read More

  • The Art Of Pablo Picasso And Georges Braque

    1237 Words  | 3 Pages

    Cubism was a movement that started in 1908 and ended roughly by the end of the 1920’s and is often synonymous with the works of Pablo Picasso and Georges Braque, two of the most influential and important of the cubist painters, each coming up with their own first cubist painting near 1908. They tended toward the structural and architectural form of Cubism that was hinted at by post-impressionist Paul Cézanne, whose death would provoke an exhibition of work for future cubists and other modern painters to admire and learn from. On the other hand, near 1912-14, cubism took a different turn with the help of Picasso’s papier collé, (Golding 120, Green Synthesis 88, Gopnik 81). The collages produced by papier collé managed to change analytical cubism,

    Read More

  • essay

    1786 Words  | 4 Pages

    ...erfect atmosphere to convey speed, efficiency, and technology of the time. This open floor plan not only functions as an efficient visual element but also incorporates the idea of communal work. Customers, store leaders, associates, tech gurus etc. are all free to wander and work together without office walls or boundaries to separate them. The change in the use of light began during the Bauhaus era when lampshades which used to block light and create harsh separations were replaced with broad flood lights evenly spaced to create equal lighting throughout. The use of pure white walls and metal trim also make direct reference to the Bauhaus ideals. Likewise there is an egalitarian principle evoked in the designs. Built to human scale and made clearly for use by people rather than large monumental or overly scaled buildings that often promote power and authority.

    Read More

  • The Extent to Which World War I Influenced the Dada Artistic Movement

    1634 Words  | 4 Pages

    Rowland, Kurt F. A History of the Modern Movement: Art Architecture Design. New York: Van Nostrand Reinhold, 1973. 142. Print.

    Read More

  • Critical Analysis Of Eileen Gray's 'Villa E1027'

    1033 Words  | 3 Pages

    In the early twentieth century the Modern movement of architecture and industrial design came about. This movement was a reaction to the change within society and the introduction of new technologies. The ever changing world and technology meant artists to evolve alongside the changing world and this kind of ‘industrial revolution’ that was happening. Modernists ideas have seeped into every form of design especially architecture and design. Although most modernists insisted they were not following any style in particular, their work is instantly

    Read More

  • The Impact the Bauhaus had on Art

    890 Words  | 2 Pages

    The Bauhaus was a school in Weimer, Germany. It was founded in 1919 by a German architect named Walter Gropius. The goal behind the Bauhaus was to bring the arts together into a new age of modern art or, as Gropius described, “Architects, sculptors, painters, we must all get back to craft” (Borteh). Gropius expressed this idea in the Proclamation of the Bauhaus, a document by Gropius that stated the Bauhaus was a “utopian craft guild” that combined architecture, sculpture, and painting (Wilson). This idea attracted many highly experienced staff members.

    Read More

  • Artistic comparison

    1410 Words  | 3 Pages

    Modern art serves to immerse us more thoroughly in a scene by touching on more than just our sight. Artists such as Grosz, and Duchamp try to get us to feel instead of just see. It seems that this concept has come about largely as a way to regain identity after shedding the concepts of the Enlightenment. “Philosophers, writers, and artists expressed disillusionment with the rational-humanist tradition of the Enlightenment. They no longer shared the Enlightenment's confidence in either reason's capabilities or human goodness...” (Perry, pg. 457) It is interesting to follow art through history and see how the general mood of society changed with various aspects of history, and how events have a strong connection to the art of the corresponding time.

    Read More

  • Compare And Contrast Art Deco And Buhaus

    1160 Words  | 3 Pages

    Art Deco and Bauhaus are two of the most influential art styles that influenced modern America today. From the avant-garde decorations and design that is still present in Los Angeles, to the flat roof design and simplicity of houses and shops that can be seen almost anywhere, these two designs are still present in our communities. The two movements do have some comparative similarities, but are also very different in design and concept. One should now be able to distinguish the similarities and differences between Art Deco and

    Read More

  • The Bauhaus School

    1162 Words  | 3 Pages

    The ideology of the Bauhaus was conceived when Walter Gropius, a German architect, sought for a unification of the arts through craft. Gropius wanted to end the division between industry and art by training students equally in both crafts and fine arts. In 1919, the Weimar Academy of Arts and the Weimar School of Arts and Crafts merged together into what is known as the Bauhaus, or “house of construction.” Walter Gropius was appointed director and described the school as “a utopian craft guild combining architecture, sculpture, and painting into a single creative expression” in his Proclamation of the Bauhaus. Gropius soon developed a curriculum in which he combin...

    Read More

  • The Use of Traditional Styles in Contemporary Architecture

    1649 Words  | 4 Pages

    Abstract: Contemporary architects have a wide variety of sources to gain inspiration from, but this has not always been the case. How did modernism effect sources of inspiration? What did post-modernism do to liberate the choice of influences? Now that Contemporary architects have the freedom of choice, how are they using “traditional” styles and materials to inspire them? Even after modernism why are traditional styles still around?

    Read More

  • Pop Art Essay

    1001 Words  | 3 Pages

    Pop art is an art movement that questions the traditions of fine art and incorporates images from popular culture. Neo-Dada is an art trend that shares similarities in the method and/or intent to Dada art pieces. Both these movements emerged around the same time periods in history, the 1950s and 1960s, and artists from both generally got their inspiration from the Dada movement, which developed in the early 20th century. The movement altered how people viewed art, and it presented a variety of new methods and styles. Dada artists, also known as Dadaists, believed in showing their anti-war beliefs through their artwork. The Dada movement produced a different style of art, and pieces created controversy because they were outside the realm of what society considered art and what was expected and acceptable. This set in motion a chance for artists to be able to create the kind of artwork that inspires them, even though it was considered unorthodox. Even though they were controversial, many pieces that were created during Dada heavily influenced other styles of art to come after, such as Neo-Dada and Pop art. The influence of Dada can be seen in Robert Rauschenberg’s work, who was a Neo-Dadaist, and it can also be seen through Andy Warhol’s work, a Pop artist. Even though Dada affected both artists, they created very different pieces. This paper will analyze Warhol’s Campbell’s Soup Cans and Rauschenberg’s White Painting (Three Panel) and discuss how they were impacted differently by the Dada movement, and why they are each considered to be different styles of artwork. The time in history of each artist was the same, and the same movement influenced them both, but the outcome of the art that they each created was incredibly different....

    Read More

More about Influence Of The Bauhaus

Open Document