Immediate Family Sally Mann Analysis

433 Words1 Page
bulb-icon

Recommended: Photographer personal narrative

As a photographer, I am very intrigued by the works of Sally Mann. Sally Mann is mostly known for her controversial, racy images which featured her own children. These photos are seen in Mann’s collection is Immediate Family (1992). I think all her photographs are representational. They either symbolize the destruction or vulnerability of youth, the fascination of the human body, and the fascination of certain landscapes. Immediate Family is filled with images of her children doing grown-up things and showing their journey for autonomy. Sally Mann is best known for Immediate Family, which is her third collection. The book contains 65 black and white images of her children, all under the age of 10. Majority of these photos, if not all, were

Show More
Related

  • Mary Cassatt Research Paper

    850 Words  | 2 Pages

    An influential American printmaker and painter as she was known for impressionist style in the 1880s, which reflected her ideas of the modern women and created artwork that displayed the maternal embrace between women and children; Mary Cassatt was truly the renowned artist in the 19th century. Cassatt exhibited her work regularly in Pennsylvania where she was born and raised in 1844. However, she spent most of her life in France where she was discovered by her mentor Edgar Degas who was the very person that gave her the opportunity that soon made one of the only American female Impressionist in Paris. An exhibition of Japanese woodblock Cassatt attends in Paris inspired her as she took upon creating a piece called, “Maternal Caress” (1890-91), a print of mother captured in a tender moment where she caress her child in an experimental dry-point etching by the same artist who never bared a child her entire life. Cassatt began to specialize in the portrayal of children with mother and was considered to be one of the greatest interpreters in the late 1800s.

    Read More

  • Analysis Of The American Family By Stephanie Coontz

    1138 Words  | 3 Pages

    Today 's generation have changed many ways since the beginning of the century. In “The American Family”, Stephanie Coontz discusses many situations that has occurred during the beginning of the 21st century and suggested solutions to solve those issues in the future. For instance, she argued that women are being treated unfairly, family are not discussing their problems openly, and institutions need to change to fit the families’ requirement. In “Complexity of Family Life among the Low-Income and Working Poor” Patricia Hyjer Dyk, argued that women still doesn’t have enough choices, low income families doesn’t have enough jobs, and Government are not helping many families. Dyk’s review of the scholarly research on low-income families support Coontz’ evaluations of the problems faced by 21st century families and the solutions Coontz recommends, like improving women 's lifestyle, discussing problems openly, improving institutions and changing institutions so it can to fit to fulfil families need. .

    Read More

  • Paul Delaroche's Portrayal Of Women In The 19th Century

    909 Words  | 2 Pages

    The painting depicts a mother and her four children, who are all leaning on her as she looks down solemnly, her tired, despondent expression suggests she felt trapped in her roles as being a mother and a wife. The woman and her children are clearly the focal point of the artwork as the bright colours used to paint them stand out impeccably against the dull, lifeless colours of the background. This painting appears to be centred around the ideology that women are home-keepers, whose main role is to satisfy and assist her husband while simultaneously minding the children and keeping the home tidy and ready for his return. The social consequences of this artwork could have been that the woman could have been berated for not taking pleasure out of being a mother and raising her children, as a woman should. She could have been made redundant as her husband may have felt as though she is no longer useful if she couldn’t adequately adhere to her roles as a mother and a

    Read More

  • Lawrence And Ashley Family Analysis

    622 Words  | 2 Pages

    A requirement in being an early childhood teacher, is to fulfill the needs, of the children and families I will work for. In chapter one, you have the Lawrence and Ashley Family. In the Lawrence family, they are a married couple, which means more income for the family. Whereas the Ashley family has one income. In addition, to the Ashley family, having one income and dealing with the state can bring heartache and struggles to buy food, clothes, housing, school supplies and other day to day activities. Therefore, I need to comprehend the lives of the families I work for and to be aware of the circumstances of the individual families. To the same degree. I need to respect the boundaries; of the families I work for. Trust is a must. With no trust, there is no communication and things get can get

    Read More

  • Compare And Contrast Frida Kahlo And Barbara Kruger

    1090 Words  | 3 Pages

    Art could be displayed in many different forms; through photography, zines, poetry, or even a scrapbook. There are many inspirational women artists throughout history, including famous women artists such Artemisia Gentileschi and Georgia O’Keeffe. When searching for famous female artists that stood out to me, I found Frida Kahlo, and Barbara Kruger. Two very contrasting type of artists, though both extremely artistic. Both of these artists are known to be feminists, and displayed their issues through painting and photography. Frida Kahlo and Barbara Kruger’s social and historical significance will be discussed.

    Read More

  • A Family Apart Analysis

    2079 Words  | 5 Pages

    their mother ( known as Ma) sends them out far away from their home in New York to the West,

    Read More

  • Analysis Of Cassatt's The Child And Mother Nursing Her Child

    1035 Words  | 3 Pages

    Aristotle once claimed that, “The aim of art is to represent not the outward appearance of things, but their inward significance.” Artists, such as Louise-Elizabeth Vigée Le Brun and Mary Cassatt, captured not only the way things physically appeared on the outside, but also the emotions that were transpiring on the inside. A part no always visible to the viewer. While both artists, Le Brun and Cassatt, worked within the perimeters of their artistic cultures --the 18th century in which female artists were excluded and the 19th century, in which women were artistically limited-- they were able to capture the loving relationship between mother and child, but in works such as Marie Antoinette and Her Children and Mother Nursing her Child 1898,

    Read More

  • Analysis Of Kara Walker's Silhouette

    1096 Words  | 3 Pages

    The pictures say a lot, however, with petite information. The artwork she displays are somehow complex, and one gets to understand their meaning over time as she uses vivid imagination to bring out facts and fiction together.

    Read More

  • The Lovely Bones Rhetorical Analysis

    995 Words  | 2 Pages

    Photographs capture the essence of a moment because the truth shown in an image cannot be questioned. In her novel, The Lovely Bones, Alice Sebold uses the language of rhetoric to liberate Abigail from the façade of being a mother and spouse in a picture taken by her daughter, Susie. On the morning of her eleventh birthday, Susie, awake before the rest of the family, discovers her unwrapped birthday present, an instamatic camera, and finds her mother alone in the backyard. The significance of this scene is that it starts the author’s challenge of the false utopia of suburbia in the novel, particularly, the role of women in it.

    Read More

  • What Is Georgia O Keeffe Essay

    553 Words  | 2 Pages

    greatest American artists of the 20th Century. She devoted a large part of her life to painting and

    Read More

  • The Work of Cindy Sherman

    2829 Words  | 6 Pages

    No other artist has ever made as extended or complex career of presenting herself to the camera as has Cindy Sherman. Yet, while all of her photographs are taken of Cindy Sherman, it is impossible to class call her works self-portraits. She has transformed and staged herself into as unnamed actresses in undefined B movies, make-believe television characters, pretend porn stars, undifferentiated young women in ambivalent emotional states, fashion mannequins, monsters form fairly tales and those which she has created, bodies with deformities, and numbers of grotesqueries. Her work as been praised and embraced by both feminist political groups and apolitical mainstream art. Essentially, Sherman’s photography is part of the culture and investigation of sexual and racial identity within the visual arts since the 1970’s. It has been said that, “The bulk of her work…has been constructed as a theater of femininity as it is formed and informed by mass culture…(her) pictures insist on the aporia of feminine identity tout court, represented in her pictures as a potentially limitless range of masquerades, roles, projections” (Sobieszek 229).

    Read More

  • Taking a Look at Frida Khalo and Cindy Sherman

    1278 Words  | 3 Pages

    Throughout history art has played a major role in society. It started out with paintings and went to photography and eventually to films. Artistic interpretation depended on whom the artist was and what he or she wanted to present to the audience. When it came to portraiture, whether it was paintings or photography, the idea of mimesis was very important. However important this may have been, the portraits were mostly products of the media and fashions during that time period. Whatever was popular during the time was used such as columns or curtains in the background. The face was the main focus in the painting and there was little focus on the body. Later on during photography the body was focused on more. Even though photography was used much later after paintings were used, it allowed the artist even more artistic interpretation because of the ability to play a different role and not having to be ones self. The artists that will be focused on are Frida Kahlo and Cindy Sherman. They lived during different periods and their artistic intentions varied because of that. They also had similarities in that they thought outside of the conventional roles. These women were both self-portraiture artists and although they were considered that their interpretations did not always make their portraits self-portraits. Traditionally the artist was an outsider, but when it came to self-portraiture they became the subject and the audience became the outsider. The similarities and differences of Frida Kahlo and Cindy Sherman’s art were tied into the strength and also vulnerability they had because of their roles as women. They wanted the audience to see a background story to the portraits and not just an image of a beautiful face.

    Read More

  • Reflection Of Family Genogram

    1031 Words  | 3 Pages

    Creating my personal genogram was a valuable experience for me. By mapping out my family’s structure, and considering the dynamics of the relationships therein, I am able to see how each member of my immediate family took on specific roles and that addictions are present on both sides of my family. My paternal grandmother, Ginny, was an alcoholic and passed this trait to my father. My mother demonstrated signs of substance abuse through smoking and drinking, and both parents passed these to my sister and me: Whitney struggled with various addictions, the most severe of which was methamphetamine and I have had an ongoing struggle with smoking and past experiences with anorexia.

    Read More

  • Family Photography Research Paper

    746 Words  | 2 Pages

    I have always enjoyed looking at photos of my family from before I was born and even from when I was younger. The photos give me an insight of what their lives were like; the celebrations, the emotions, the adventures, the family that they were and how the family has evolved over the years. The photograph periods range from my grandmother’s teenage years to about my first four years of life. Curiosity has always been a strong sense in me, so I always ask my mother about the people in the photographs.

    Read More

  • Comparing Families of Fifty Years Ago with Families of Today

    675 Words  | 2 Pages

    The definitions of a family today and a family in the past are far from similar. The definitions may have some similarities but they have changed dramatically in many more ways. 50 years ago, families had rules that were stricter and families were closer in the sense of a relationship. Although some families today are more distant from each other and have fewer rules to maintain order, there are still some that maintain the same styles of the families 50 years ago. Families have changed a lot but still have some similarities depending on their home-life.

    Read More

More about Immediate Family Sally Mann Analysis

Open Document