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The character of iago
Character analysis of iago
The character of iago
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VENETIAN TIMES
The Murder-Manipulator of Cyprus Receives Justice in Venice
Iago, 28, of Cyprus has been returned to Venice under accusation for the responsibility for two murders on the war torn island. He was stationed in Cyprus as a part of the Venetian force to defend the islands from Turkish invaders. The murdered include his wife Emilia, and one Roderigo. Michael Cassio, governor of Cyprus, arranged for Iago’s trial in Venice this past Friday.
Iago has been charged and convicted in front of a grand jury with two counts of voluntary manslaughter, one count of attempted first-degree murder, and one count of conspiracy. Iago will face 40 years in prison, not-eligible for parole, and roughly $100,000 in fines. The trial packed the courtroom tight, as there were as many as one thousand spectators trying to witness this event of justice.
Iago’s lawyers had charges of domestic violence and aggravated assault lifted partly on account that the witnesses of those certain accused crimes are now dead. Other witnesses that attended the trial to testify against Iago were Governor Michael Cassio, Bianca, Lodovico, Montano, Graziano, and some onlookers who claim to have overheard conversations between Iago and others.
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The two counts of voluntary manslaughter come from the attack on his wife Emilia and friend Roderigo.
He killed Roderigo in the dead of night while the two of them were planning an attack on Michael Cassio. It was Iago’s hope that both Roderigo and Cassio would die that night, but sadly only Roderigo met that fate therefore convicting Iago of attempted first-degree murder. Letters later found on Roderigo and testaments told from onlookers suggest Iago conspired to rise against Othello and take power from the very beginning. Two women from the spectating audience of the trial rose and testified they heard Iago exclaim something along the lines of “For, sir, It is as sure as you are Roderigo, Were I the Moor, I would not be Iago. In following him, I follow but myself. Heaven is my judge, not I for love and duty, But seeming so, for my peculiar end. For when my outward action doth demonstrate The native act and figure of my heart In compliment extern, ’tis not long after But I will wear my heart upon my sleeve For daws to peck at. I am not what I am.” (Shakespeare, Act I, Scene I) to Roderigo in Venice a few weeks before the
incident. In trial, Lodovico produced letters found on the late Roderigo that revealed much of the situation. Governor Michael Cassio read the letters to the judge and jury, “There is besides in Roderigo’s letter How he upbraids Iago, that he made him Brave me upon the watch, whereon it came That I was cast. And even but now he spake, After long seeming dead—Iago hurt him, Iago set him on.” (Shakespeare, Act V, Scene II). Lawyers in Iago’s defense argued that Iago shouldn’t even have been put on trial for his accused crimes in Cyprus because Othello wasn’t. Othello committed suicide shortly after being told he would be stripped of his command and placed on trial when they return to Venice. Iago testifies to this and recounted Othello’s last words, “I kissed thee ere I killed thee. No way but this, Killing myself, to die upon a kiss” (Shakespeare, Act V, Scene II). This ‘coincidence’ or so it may be called was presented to the judge and jury in defense of Iago’s case. Lodovico also testified to this, repeating exactly what he said to Othello before he died, “You must forsake this room and go with us. Your power and your command is taken off And Cassio rules in Cyprus. For this slave, If there be any cunning cruelty That can torment him much and hold him long, It shall be his. You shall close prisoner rest Till that the nature of your fault be known To the Venetian state.—Come, bring him away.” (Shakespeare, Act V, Scene II). Though Iago’s lawyers were able to get some of the charges dropped, Iago will still face jail time and fines for his crimes. There is unrest amongst the people of Cyprus and Venice, as violence has unearthed and tainted the cities.
This paragraph present a description of Iago Problems and Diagnosis. After close study of Iago case, Iago has been diagnosed with Antisocial Personality Disorder. This disorder where a person consistently shows no regard for right and wrong and ignores the right and feeling of others. People antisocial personality disorder often violate the law, becoming criminals. They show no guilt or remorse for their behavior (Legg). However, patients such as Iago who suffers from antisocial personality disorder, often violate the law, becoming criminals. They may lie, behave violently or impulsively and have a problems with drug and alcohol use. Symptoms of the condition include disregard for right and wrong, persistent lying or deceit to exploit others,
Iago was the cause of his own demise by manipulating everyone around him and not caring who he hurt in the climb to the top of power. He only made decisions based on if it benefited him, not thinking, or caring, if it caused other’s pain. The fact Iago ended up in jail only reinforces the idea that the punishment fits the crime. Instead of getting to end his suffering and be reunited with his wife in death, Iago had to live his life in jail, thinking about what he did and never getting to feel freedom again.
dies, iago has no guilt ; even when iago was dieing , he doesn't have any
Though Iago is very unpleasant, he must be very smart to come up with a plan so devious that he could manipulate so many of the other characters into believing and following his plan. Iago’s character is unpunished in the end. His fate is left in Cassio’s hands. It was believed that he would be punished but it is left open for the reader to think whether he will try and get away with his devious plans.
	The first scene of Act I illustrates Iago's use of manipulation. Iago knows that Roderigo is upset about losing Desdemona to Othello. Iago himself is angry at Othello for being passed over for promotion to lieutenant for Michael Cassio. Realizing that by playing on Roderigo's jealousy he can gain an ally to work against Othello. Iago does this in a subtle manner. He explains to Roderigo that he was passed up for promotion by Othello. While doing this he makes Othello look inferior by reinforcing the fact that he is a Moor. By pointing out that Othello is a Moor Iago causes Roderigo to become even more jealous, because of the fact that he lost Desdemona to someone who he feels is of a lesser race. It even seems that Iago is toying with Roderigo when he reveals that he is a fraud when he says, "I am not what I am." (I.i.62) By using these tactics, Iago has almost gained total control of Roderigo.
Like with many evil personalities in history and literature the question is always asked did he really plan to make this happen or was it just luck and convenient circumstances, was it intentional or just circumstantial. To determine how good Iago really is at plotting and whether it is really his own influence or just lucky circumstances that cause events I will examine his asides, soliloquies and interaction with key characters because they give an extra insight into his character.
As early as the first scene of the play Iago shows us strong motives for his actions. In this first scene we see Othello, a general of Venice, has made Cassio his new lieutant. Iago feels he truly deserves his promotion as he says "I know my price, I am worth more no worse a place."(l.i.12) Iago over here is confused why Othello has made such a stupid decision. Iago is a man with a tremendous ego who knows, sometimes overestimates, his worth. Roderigo, a Venetian gentleman, understands Iago when Iago said that he is "affined to love the Moor."(l.i.41-42) What Iago really means is "I follow him to serve my term upon him."(l.i.45) Iago wants to use Othello for his personal goals. We also must put ourselves into Iago's shoes. He is a man whose self-esteem and professional carrier have just been torn apart. Iago makes his actions of revenge toward Othello almost immediately by informing Brabantio, a Venetian senator and father of Desdemona, that "an old black ram (Othello) is tupping (his) white ewe (Desdemona)."(l.i.97)
Iago is a man wronged by Othello in the fact that he was not chosen to be Othello’s lieutenant, which is what put the dastardly idea into Iago’s head to trick them all and bring them to their knees. As Iago tells Roderigo within the first act and scene of “Othello”, Despise me if I do not. Three great ones of the city,/ In personal suit to make me his lieutenant,... ... middle of paper ... ... n the end of the play.
was the one Iago wanted dead or out of his position. At the end of the play,
the possibility that his wife was cheating on him. Nobody suspects that Iago is a deceitful
90) and “(For I fear Cassio with my night-cape too)” (2.1.301). According to Jonathan Lear, Iago exemplifies “a hatred that cannot be rationalized, an evil not based on reason” (Schapiro 483). Knowing he cannot support his claims, Iago still insists on revenge against the Moor, using Cassio to wreak said revenge; however, it is not because of a supposed infidelity with his wife that seeks revenge. His sole purpose is to get vengeance on not receiving a position he believes he earned, he would care nothing about Emilia having an affair. Iago’s envy of Cassio comes from his intolerance of Cassio and Othello’s relationship. He simply cannot handle Cassio being the Moor’s Lieutenant, while he has nothing-not the position he wants, not the power he craves, and not the woman he desires (Desdemona) (Segan 4). Iago also projects himself onto Othello and evil forms. Harold Bloom insists that the shock of rejection is what truly makes Iago. He becomes the evil presence that is Shakespeare’s own creation (Schapiro 486).
none really know why Iago did it, as at the end of the play iago says-
Come, go with me apart; I will withdraw, To furnish me with some swift means of death For the fair devil. Now art thou my lieutenant.” (III,3,2167) Proof of Iago 's evil is easy to come by, but he is no more evil that when he uses his wife as a pawn in his twisted revenge plot.
These questions, endlessly fascinating, often discussed, stand no greater chance of being definitively answered today than they did two hundred years ago when Coleridge spoke of the motive-hunting of a motiveless malignity. In the final analysis, Iago, like all of us, does what he does because he is what he is: "Demand me nothing; what you know, you know '.) Indeed, Iago is young, but he is in the Venetian army already, his entire life correlated with military service. In the course of development activities, Iago possesses not only profound acting skills but also serves as a generator of the criminal spectacle. The mind and ability to mask his plans made characters are instruments of his intrigues. Iago had been jealous because instead of raising him Othello promotes Cassio, he was under the impression that he deserves more this position. Furthermore, Iago says that Cassio doesn 't have any experience at war and he was never on the battlefield. Consequently, his anger turns to the
Across the history of literature, we as readers have encountered many villains whom intrigue us. Iago from the play “Othello” is a prime example. Known as one of Shakespeare’s most sinister and manipulative villains, Iago commits countless betrayals without arousing suspicion. Throughout the play, we see Iago 's constant scheming to exploit lives- particularly Othello’s. Despite his malevolence however, Iago possesses a complexity that we find compelling and memorable. Our response to Iago’s character hence demonstrates the nature of humanity’s allure to darkness.