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The hero of tragic hero
The hero of tragic hero
A discussion of the concept of the tragic hero
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Tragic Heros and Their Downfalls in “Othello”
Northrop Frye once said, “Tragic heroes are so much the highest points in their human landscape that they seem the inevitable conductors of the power about them, great trees more likely to be struck by lightning than a clump of grass. Conductors may of course be instruments as well as victims of the divisive lightning.” Othello is the pillar of tragic heros, first playing the part of a loving husband with a beautiful wife, then being manipulated into believing his wife was cheating on him and killing her. Throughout the play, he played the part of the protagonist, everyone hoping he would figure out Iago was lying to him. Othello being the protagonist made the fact he was also a villain bittersweet. His apparent love for his wife Desdemona, his ‘just’ reasoning for killing her, and Iago’s deserving end all contribute to the tragic work as a whole.
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According to John Ruskin, “It is better to lose your pride with someone you love rather than to lose someone you love with your useless pride.” Pride is a main component in Othello, with the main character Othello being so full of pride that he cannot even ask his wife if she is being faithful to him. He claims he loves her but he has to know and be comfortable with his wife Desdemona, and that means talking to her about her alleged cheating, not jumping to conclusions and killing her. He could not look into his wife’s eyes and smother her if he truly loved her. Othello only loved the idea of his wife, someone who only loves him and worships his every word. When his wife didn’t fit his perfect image, he felt his only option was to kill her, when it clearly was not. He tried to convince himself he had to kill her, but when the realization hit that he was wrong again he felt the need to take drastic measures. While it is no longer acceptable to hit your spouse, there was a time when anyone could commit domestic abuse and it was socially acceptable. In the time of Othello you could accuse your wife of anything and have a ‘just’ reason for killing her. Just because Othello thought his wife was cheating on him he thought it gave him the right to execute her. He became the judge, jury, and executioner, all without a trial or evidence in Desdemona’s defense. Had Othello simply asked Desdemona about her alleged affair, she would have explained her innocence and it would have prevented numerous deaths. Some tragic fates are well deserved, and Iago’s fate is one of these cases.
Iago was the cause of his own demise by manipulating everyone around him and not caring who he hurt in the climb to the top of power. He only made decisions based on if it benefited him, not thinking, or caring, if it caused other’s pain. The fact Iago ended up in jail only reinforces the idea that the punishment fits the crime. Instead of getting to end his suffering and be reunited with his wife in death, Iago had to live his life in jail, thinking about what he did and never getting to feel freedom again.
Dictionary.com defines a tragic hero as “a great or virtuous character in a dramatic tragedy who is destined for downfall, suffering, or defeat,” Othello is the obvious contender for the tragic hero in Othello, but Iago could also be considered a tragic hero. He starts off as a possible protagonist, but we quickly learn due to his antagonistic qualities that he is destined to be defeated in a grand way. Iago was eventually defeated in a grand way, he was sent to jail for
life. Jane Austen wrote, “Vanity and pride are different things, though the words are often used synonymously. A person may be proud without being vain. Pride relates more to our opinion of ourselves, vanity to what we would have others think of us.” Othello cared much more about what other people like Iago thought of him because Cassio was having an affair with his wife than the actual ‘affair’ his wife was having. Had Othello actually cared about his wife, he would do everything he could to get to the bottom of the apparent affair, not just plan her death. His vanity was the cause of his downfall, had he not cared so much about what others said about him, he would still have a wife, a job, and be alive. Jealousy can be deadly if you don’t know how to deal with it. Othello did not know how to deal with Desdemona’s apparent cheating, he was very jealous of Cassio for having an affair with his wife, and Iago for having a stable relationship with his own wife. So jealous in fact that he calls Cassio a “monster in his thought too hideous to be shown” (3, 3, 123-124) to proclaim his mistrust of Cassio and his thoughts about Desdemona. Othello is the perfect example of a tragedy, with the theme of the play being don’t jump to conclusions. The main character, Othello’s actions lead to his own downfall, which would make him a tragic hero and add to the already tragic nature of the drama. He made others suffer, and even killed his wife over an unproven allegation of cheating. If Othello had just made rational decisions, and not been an instrument of destruction by killing his wife, himself, and setting off a chain reaction of anger and killings, he would have not made the play a tragedy, it would have a happy ending. Othello’s emotions were being manipulated by Iago, and it is ironic that Iago was also feeling the same manipulated emotions as Othello. Both were feeling jealous, betrayed, and angry, but for different reasons. Othello was being tricked into these feelings while Iago was selfishly finding reasons to be like Othello. A lot of emotions fueled Othello’s overall rage, one of the most prominent being a sense of betrayal. He thought had a loving, faithful wife but when he thought she was cheating he felt betrayed, that is when he really first felt the need for revenge. That feeling hurt Othello so much he thought the only way to get rid of the feeling was to get rid of his wife. Iago too felt betrayed, but for selfish reasons, he wanted a promotion someone else got at work. That is when Iago too felt the need for revenge, but his was more sinister than Othello’s in the fact that he meant to hurt Othello and anyone else who got in his way with no remorse. Iago was a bit of a psychopath, and no one seemed to notice until the very end of the play when they figured out the plot behind Desdemona’s alleged affair. It is suspicious that a group of military leaders did not notice Iago’s mental problems, and it was not even brought up by his wife. The relationships Iago had were so broken that they did not pick up on any signs that Iago had a mental disease, or the plan to get Othello to murder his wife and Cassio just for Cassio’s job. The feelings of people Iago had a relationship with allowed them to overlook him. The entire scheme of Iago’s should have been figured out, and the fact that it wasn’t only makes the argument that emotion clouds judgement stronger. Othello could have prevented his tragic downfall by not thinking only of himself, recognizing that he did not love Desdemona, and not using drastic measures to solve his problems. If he had simply tried talking to her, Othello would have found out Desdemona was not in fact cheating on him, and the whole ending of the play, and countless deaths could have been prevented. Othello feeling that it was okay to kill Desdemona, Iago getting the ending he deserved, and Othello trying to convince himself he loved Desdemona contributed to the overall tragic nature of Othello.
Tragedy is an intrinsically human concept; tragic heroes are damned by what they themselves do. Othello is not so much felled by the actions of Iago, but by a quality all people possess-- human frailty. Accordingly, Othello is not a victim of consequences, but an active participant in his downfall. He is not merely a vehicle for the machinations of Iago; he had free agency. Othello's deficiencies are: an insecure grasp of Venetian social values; lack of critical intelligence, self-knowledge, and faith in his wife; and finally, insecurity-- these are the qualities that lead to his own downfall.
Othello, a play written by William Shakespeare in approximately 1603, focuses on two opposite characters named Othello and Iago. Othello is a respectable army general who tragically dies in the end. The readers believe that his flaw is jealousy, which ruins his calm and makes him believe Iago, a character nobody should trust. The antagonist of the play, Iago, is a cunning liar who lies and tricks almost every other characters in the play to ruin and manipulate Othello. The play starts on the street of Venice where Iago convinces Roderigo to plot against Othello by planning falsely accuse Othello’s wife, Desdemona, of cheating. Interestingly, another specific detail critics usually look at is that Shakespeare choose to make the character of Othello a dark-skinned man, which was not a common feature a hero should have during the Elizabethan. Some of the common themes in Othello are the role of race and racism, the effects of jealousy, and the differences between genders during the Elizabethan.
The character of Iago has traditionally been viewed as the most infamous villain in all of Shakespeare. The conniving ringmaster of the tragedy of Othello, Iago serves as a necessary catalyst for the action of the play. He takes such a principal role in the drama that the play has commonly been described as Othello’s tragedy, but Iago’s play. Scholars have disagreed, however, as to whether or not Iago can simply be described as an ingenious villain lacking all regard for morality. Many have seen some of his most inhuman or evil qualities as the very thing that makes him human; others have attributed his manipulative ambition to a deep-seeded psychological need to belong and have drawn clear parallels between Iago and the play’s tragic hero, Othello. Clearly there is more to Iago than a simple lack of a moral compass. In the process of becoming the vehicle for the tragic actions of the play, Iago also brings about his own downfall. He is the second tragic figure of Othello, and the undoings of both Iago and Othello demonstrate both the extents and limits of human potential as well as Shakespeare’s implication that no single man can ever be greater than the world around him.
Dictionary.com defines a tragic hero as a great or virtuous character in a dramatic tragedy who is destined for downfall (“Tragic Hero”). Aristotle defined a tragic hero as a literary character who makes a judgment error that inevitably leads to his own destruction (“English IV Class Discussion”, 2016). A tragic hero must be physically or spiritually wounded by his experiences, often resulting in his death; intelligent so he may learn from his mistakes; have a weakness, usually it is pride; and be faced with a very serious decision that he must make (“Tragic hero as defined by Aristotle”). Achilles, Hector, Beowulf, and Hamlet all exhibit these characteristics and, as a result, can be seen as prime examples of tragic heroes.
Othello as Tragic Hero I would agree that it is helpful to an understanding of Othello's character to think of him as a tragic hero. On the surface, the opinion may be different because he kills his wife and commits suicide to end his anguish. However, if we look deeper the suffering that Othello has to go through, and the way that this powerful and heroic character is tricked and knocked off his high perch by Iago (a lower status member of the army) he can be seen as a tragic hero. All Shakespeare's tragic heroes seem to have certain qualities that put them in this category.
In the play, Othello, written by William Shakespeare Iago is one of the most unique and interesting characters. Not only is Iago a main character, but he is also one of the most controversial, causing more drama and quarrels than any other character in the play. Shakespeare does a good job with the character of Iago by creating an atmosphere where Iago can keep the reader's attention on each and every individual scene throughout the entire play, as one tries to figure out Iago's true intentions. When reading the play it is easy for an individual to view Iago as an evil person who gets pleasure from malicious acts he inflicts upon others around him.
In Shakespeare’s Othello, Iago is the antagonist and villain who causes all the trouble and disorder. Othello is the protagonist, and is the main person Iago’s destruction and revenge is aimed towards. Othello is naïve and gives everybody his trust even though he may not know them or they haven’t earned his trust yet. He often refers to Iago has “Honest” Iago, which is a direct showing of irony because Iago is not honest at all (Shakespeare, I, iii. 289). Iago is so angry that Othello didn’t give him the promotion that was given to Cassio that he plans to seek revenge against Othello. He seeks his revenge against Othello by manipulating and lying to all of the people around him including his closest friend Roderigo, Cassio, Othello’s wife Desdemona and even his own wife Emilia. In the end, Iago’s lies and manipulation led to the deaths of Roderigo, Emilia, Othello and Desdemona. This isn’t the first time many of these individual characteristics have shown up in one of Shakespeare’s plays.
Shakespearian tales always leave us with a plethora to ponder about the Elizabethan age and Shakespeare himself. “Othello” is no break in this mold, leaving us to ponder the roll of Iago within the harsh tale of love and murder. Iago is the one to tell Othello of his wife’s betrayal with Cassio, hence making up a story that will work to his favor yet betray those around him. Iago betrays his wife, Emilia, but not only her as he drags Othello, Desdemona, and Cassio into the mix of lies and the hatred he is spreading to improve his rank with Othello. But were Iago’s acts unjust and done for the sake of it? Is he a heartless man who’s only happiness is to bring sorrow upon others? No, Iago has a just reason for what he does, even though he causes the deaths of Cassio, Emilia, and Desdemona in his search for revenge; Iago is not a heartless fiend, just a man wronged.
Othello: The play's protagonist and hero. A Christian Moor and general of the armies of Venice, Othello is an eloquent and physically powerful figure, respected by all those around him. In spite of his elevated status, he is nevertheless easy prey to insecurities because of his age, his life as a soldier, and his race. He possesses a "free and open nature," which his ensign Iago uses to twist his love for his wife, Desdemona, into a powerful and destructive jealousy
As Iago's role in the play begins to define itself, the plays main theme, which is jealousy, also begins to develop. Iago's role is unclear to the reader in the first scene. He appears to be an honest, trustworthy soldier who was angry because he was overlooked for a promotion. However, the reader later finds out that he is a "malignant and destructive plotter" and would do anything to destroy Othello and anyone close to him (Epstein 381). The fact that he is an evil character remains undetected by the rest of the characters in the play. "The other characters actually call Iago honest fifteen times throughout the entire play" (Campbell 156). Iago is jealous and resentful of Othello in everyway and uses this festering hatred to infect and destroy Othello. He filled Othello's mind with thoughts of deceit and betrayal until his unwarranted jealousy towards his beautiful, trusting, and innocent wife blinded Othello himself.
He has a very strong character of virtue and nobility that is intact up to the horrid end. Iago’s deceit and trickery are more the cause of Othello’s tragic fall than any fault of Othello himself. This innocence and greatness of the tragic hero, unequaled in any other Shakespearean tragedy, is what gives the play its terrible irony and passion. Othello plays on the most powerful of all human emotions: faith and love, both embodied to the fullest in the great and honest Othello.
Shakespeare’s Othello consists of the themes betrayal, love and dishonesty. At the centre of this play is the tragic downfall of Othello at the hands of his so called friend Iago. In this essay I will be discussing the reasons for and against Othello being responsible for his downfall through looking at critical interpretations of his character and actions.
Othello became someone he was not and did things he never would have imagined because of his relationship with Iago and the influence he had over him. Iago’s deceptive ways and knowledge of Othello’s weakness’ were too much for Othello’s trustworthy, loving nature which led to his downfall. This relationship of the antagonist Iago and the protagonist Othello throughout the play develop the writer's purpose that the words of others can affect and change you significantly. Things are not always as they seem so you must always fully look into a situation to not act wrongfully and later regret it as Othello did because of his relationship with
Othello, by William Shakespeare, is one of the many plays that captures the phenomenal writing of Shakespeare. Similar to many of Shakespeare’s plays, Othello is a tragic tale of how a noble figure, Othello, goes from the peak of his life to the lowest point of his life because of miscommunication and manipulation. Every character in this story plays a significant role in the outcome of the story especially the antagonist Iago. He demonstrates that the most intelligent people are not always the nicest of people. Iago manipulates all of the main characters by using philosophical ideas to obtain his personal desires such as money, a higher job position, or gaining revenge on Othello’s wife. Othello becomes one of Iago’s main targets because Iago
Shakespeare uses Iago and Othello as the main characters of the play, showing how Iago manipulates Othello into believing his wife is cheating on him. Iago, or “honest Iago”, the villain of the play, a perfectionist at manipulation, that manages to influence people into thinking his deceitfulness is an act of honesty. He spends all of his time plotting against Othello and Desdemona, eventually convincing Othello that his wife has been cheating, despite the fact that Desdemona has been completely faithful. Othello, Venice’s most competent general, and the protagonist of the play. He was a noble and respected war hero, and a loving husband, however he was the target of Iago’s atrocities, which lead him to become an irrational, violent, and insanely jealous husband who murders his own wife at the end of the play.