Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Iago's evil plot to destroy othello
Character analysis in the play othello
Iago's evil methods in manipulating othello
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Iago's evil plot to destroy othello
Othello as Tragic Hero
I would agree that it is helpful to an understanding of Othello's
character to think of him as a tragic hero. On the surface, the
opinion may be different because he kills his wife and commits suicide
to end his anguish. However, if we look deeper the suffering that
Othello has to go through, and the way that this powerful and heroic
character is tricked and knocked off his high perch by Iago (a lower
status member of the army) he can be seen as a tragic hero. All
Shakespeare's tragic heroes seem to have certain qualities that put
them in this category. The main tragic hero qualities are charisma,
military status and suffering. Shakespeare uses all these traits in
the portrayal of Othello, as well as in his depiction of other tragic
heroes such as Macbeth and Hamlet.
Othello's is a character of high status and stature and this is
reflected in his language. His charisma is built around his position.
During the first scenes of the play, while it is set in Venice, he
speaks mightily and confidently, undeterred by any threats put against
him by other characters. When confronted by Brabantio, Othello calmly
tells him to 'keep up your bright swords, for the dew will rust them'
(Act 1, Scene 2, Line 59) meaning Brabantio should not even attempt to
fight because he poses no match to the awesome Othello. He then says
'Good Signior, you shall more command with years than with your
weapons', which shows how Othello doesn't rate Brabantio as a fighter,
but recognises the fact that he is experienced in life.
Othello's charisma is echoed in the way he influences other
characters. For most people during Jacobean t...
... middle of paper ...
...t. This openhearted love of his fellow man makes Othello an
attractive and generous friend and adds to his heroic qualities. But
it also leaves him susceptible to Iago's scheming; Iago knows his plan
will work because Othello trusts him and has no reason to suspect that
his loyal lieutenant would scheme against him. Othello's confidence is
fragile, which is one of his tragic traits.
In conclusion Othello throughout the play shows that he is the typical
tragic hero. He is charismatic because he inspires emotions and
enthusiasm in his language, actions and manner. He has a long military
history that gives him the status he has in the law abiding, Christian
society of Venice. He is made tragic by the repercussions of Iago's
scheming, as well as his fragile conscience that jumps to conclusions,
and the pity this invokes.
The embarkation of the hero’s journey is more than a call, it is taking control of your life and discovering the hero who dwells inside you. Each hero who enters the journey is tested to the very end of the cycle, where the hero must choose rebirth or death. Othello is man of many fortunes, but he does not have what it takes to complete the Hero’s Journey.
Northrop Frye once said, “Tragic heroes are so much the highest points in their human landscape that they seem the inevitable conductors of the power about them, great trees more likely to be struck by lightning than a clump of grass. Conductors may of course be instruments as well as victims of the divisive lightning.” Othello is the pillar of tragic heros, first playing the part of a loving husband with a beautiful wife, then being manipulated into believing his wife was cheating on him and killing her. Throughout the play, he played the part of the protagonist, everyone hoping he would figure out Iago was lying to him. Othello being the protagonist made the fact he was also a villain bittersweet. His apparent love for his wife Desdemona, his ‘just’ reasoning for killing her, and Iago’s deserving end all contribute to the tragic work as a whole.
Tragedy is an intrinsically human concept; tragic heroes are damned by what they themselves do. Othello is not so much felled by the actions of Iago, but by a quality all people possess-- human frailty. Accordingly, Othello is not a victim of consequences, but an active participant in his downfall. He is not merely a vehicle for the machinations of Iago; he had free agency. Othello's deficiencies are: an insecure grasp of Venetian social values; lack of critical intelligence, self-knowledge, and faith in his wife; and finally, insecurity-- these are the qualities that lead to his own downfall.
He successfully controls the lives of everyone by using ethos, logos, and pathos to achieve his revenge. As Othello's most trusted friend, Iago has the upper hand when it comes to influencing him. When Othello passes him up for the position of lieutenant, he claims to be angry and ready to seek revenge. Othello and Iago have been through countless battles, and Othello feels he can trust Iago. When there is a problem, Iago is there to lend a helping hand.
Iago also has very strong persuasive techniques and is very skilled with them. allowing him to use language skills such as imagery to his advantage. Along with this, in true tragedy style, Othello has flaws, as does any. protagonist in a tragedy. He is flawed in that he takes people at face value and is extremely trusting.
Othello as A Tragedy of Outsiders The most obvious way of being an outsider in Othello is through being a foreigner, and a non-Venetian. Othello and Cassio are both outsiders in this sense, Othello is a black man, a "Moor", and Cassio is a "Florentine". Othello begins in Venice, in Shakespeare's time the great commercial centre of the western world. Venice was the place of great hustle and bustle, merchants and tradesmen from other lands were commonplace, and yet we see throughout the play how Othello and Cassio are ridiculed. Cassio is degraded as he is from Florence; Iago calls him "a great arithmetician".
Hamlet. Romeo. Othello. These men not only star in some of Shakespeare’s finest plays, but they are all classic examples of tragic heroes. A tragic hero is one who is courageous and admired but who has a tragic flaw that leads to his downfall. Othello was one of the greatest military men of the time. He was highly respected among his superiors for both his military prowess and level headed nature. This was a man who could be in the heat of a battle and would remain collected. Though this great hero also had great shortcomings. Othello was naive, jealous, and concerned with public appearance. Othello is truly a dynamic character. As the play continues and his jealous increases, Othello gradually changes from a flawless military general into
Othello has been described as one of William Shakespeare’s most popular plays because the play focuses on its themes of good and evil, military, politics, love and marriage, religion, racial prejudice, gender conflict, and sexuality; but the controversy and debate surrounding Othello is “Why is Othello a qualification for a tragedy?”
Othello is a classic Greek tragedy because it abides by Aristotle's definition of great tragedies, the place, time, and focus of a single plot throughout the entirety of the play. Othello is a tragic hero whose demise is brought forth by his own tragic flaw. He is susceptible to the manipulation of others do to his own insecurity with himself, and ultimately leads to his irrational murder of the only thing he treasured, Desdemona. Through manipulation and deception, Iago is able to become the puppeteer of Othello's life, controlling the course of his fate in a sense simply through the power of words. Iago proves to be a crucial factor in the destruction of Othello's world.
Texts and their appropriations reflect the context and values of their times. Within Shakespeare’s Othello and Geoffrey Sax’s appropriation of Othello, the evolution of the attitudes held by Elizabethan audiences and those held by contemporary audiences can be seen through the context of the female coupled with the context of racism. The role of the female has developed from being submissive and “obedient” in the Elizabethan era to being independent and liberated within the contemporary setting. The racism of the first text is overtly xenophobic and natural, whilst the “moor” is unnatural whereas the updated context portrays Othello’s race as natural and racism as unnatural. Therefore these examples show how Shakespeare’s Othello, and it’s appropriation, Geoffrey sax’s Othello, reflect the context and values of their times.
Othello as a Tragic Hero William Shakespeare's famous tragedy "Othello, the Moor of Venice" (c.1604, as reprinted in Laurence Perrine and Thomas R. Arp, Literature: Structure Sound and Sense, 6th ed. [Fort Worth: Harcourt, 1993]1060-1148) is arguably one of the finest, if not the finest, tragedies in the literary history of Western civilization. This paper discusses Othello as a "tragic hero" and compares him to the great Aristotle's concept of what a "tragic hero" actually is. First, we need to understand the characteristics of a so-called "tragic hero" as defined by the Greek critic, Aristotle. He indicates that a tragic hero must have these characteristics: (1) Be a nobleman, prince, or person of high estate; (2) Have a tragic flaw, and a weakness in judgment; and (3) Fall from high to low estate. (Hubele). Using the Aristotle criteria, we can easily classify Othello, the Moor, as a tragic hero. At the time, it was common practice for the Italian city-states to have a foreigner, with proven military capabilities, serving as the head of their Army. Othello, an African Moor of noble birth, is just such a character and held the highest ranking military position as Governor-General of Cyprus. The city of Cyprus was a city-state in the great state of Venice. His title alone, Governor-General, exudes an air of nobility, confidence, and strength. It defines someone who is held in tremendously high esteem by the people of Venice. During Act 1, Scene 3, the Duke and a few Senators are discussing issues around a table when Othello enters the room.
The Tragedy of Othello William Shakespeare’s, The Tragedy of Othello, the Moor of Venice, from the sixteenth century is an excellent example of Renaissance humanism. “A poet of unparalleled genius, Shakespeare emerged during the golden age of England under the rule of Elizabeth I.”(Fiero 3:98) He produced comedies, tragedies, romances and histories. According to Webster’s pocket dictionary, a tragedy is defined as a form of drama in which the protagonist comes to a disaster, as through a flaw in character, and in which the ending is usually marked by pity or sorrow. I would like to concentrate on the character Iago and the theme of deceit.
From the beginning, Othello is noble, quick to act, judicious, trusting, and gives much weight to the importance of duty. These are all traits that serve to make him great at the beginning of the play, and later, ironically, become key elements in his downfall. These aspects can be considered the internal causes of Othello’s tragic flaw. “Othello's nature is all one piece. His trust, where he trusts, is absolute.
The character Othello, from the tragedy Othello, is portrayed as faultless in many ways in the beginning. However, as the story goes on, many unattractive qualities are revealed through Othello’s actions. One flaw of his is that he is too trusting. Othello believes Iago’s lies and so unable to trust from then on. Such as, when he believes Iago when Iago tells him that Desdemona gave Cassio her handkerchief, although this is quite untrue. Later on, he does not believe Desdemona when she continually tells him that she is not cheating on him, as his trust has been destroyed. Another equally important flaw of his is jealousy. Othello is jealous of the suspicious relationship between his lieutenant Cassio and his wife Desdemona. This is ironic because there really is no such affair between the two. Othello has many flaws which allow him to seem more humanlike and connect to society.These many flaws of Othello allow for more genuineness to be seen within him, and as a result he appeals more to the public. Authenticity is imperative for the public to connect with the character Othello and really enjoy the Shakespearean tragedy. Othello is...
In conclusion the downfall of Othello was because of his own weaknesses. His traits were the reason why Othello was responsible for the plays tragic outcome. Iago was able to control Othello like a puppet because of his easily manipulated conscience. He chose to make the poor decisions, trusting the wrong people. His mind got clouded by the obsession and jealousy of Desdemona. Othello’s own weaknesses were what led the tragic hero to his tragic