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Recommended: Iago and villainy
Iago's Hatred for Othello in William Shakespeare's Play
"Though I do hate him as I do hell pains."
In Shakespeare's play "Othello", Shakespeare introduces one of the
most complex villains ever seen in the world of literature. Iago's
pure hatred for Othello convinced his own mine to tamper with
Othello's life, manipulating him into causing the ultimate tragedy.
Iago is portrayed to have many motives into why he does what he does
to Othello. He is shown to be racist towards Othello, due to his black
skin, Iago is also shown to be jealous of Othello because he has a
better life style than himself. Because of this, Iago seeks to have
revenge against Othello, and is obsessed with hurting him. Iago is
also shown to be power crazed, and because of this he wants to remove
any threat to himself and his job. This makes himself seem as though
he has lost his grip on reality, and maybe a little mad. This could
also be the reason why he is portrayed as a Machiavellian villain. All
of these motives are in one human being - Iago; this suggests that
iago could have been written into Othello as the Devil, as he enjoys
bringing pain and suffering to other's lives.
The Orson Welles "Othello" film shows Iago's character as power
hungry, as he controls everyone else in the film. Whereas the Olivier
version of Othello, interprets Iago as the Devil. This suggests that
Iago's character is pure evil and that he has no intention of being
good to others around him.
Iago was originally written into Shakespeare's play "Othello" as a
form of entertainment for the audience. The Merchant classes and the
ordinary people were often the only spectators of t...
... middle of paper ...
...d by Iago's
"ordinary wisdom of the male world", this shows that Marilyn thought
little of Iago's character and that all the men in the world are like
him. The comment made by Marilyn is not right because many men in the
world do not kill for the fun of it.
Other people have different opinions about why Iago did what he did,
none really know why Iago did it, as at the end of the play iago says-
"Demand me nothing; what you know, you know. From this time forth I
never will speak word."
Iago says this and shows that he has total control still as he is the
only person who knows the truth of why he did it. Shakespeare wrote
Iago to say this to hide the truth, and to let people make up their
own minds. But the pure evil of Iago shows and the fact that he still
has total control portrays his character as the Devil.
where credit is due, Iago is very intelligent and he knows how to get his way.
In Othello, Iago is Shakespeare’s most malicious character and serves as a vehicle to these two themes. Iago despises Othello; he has a strong will to destroy Othello’s life, yet the motive behind his plan goes unexplained. Iago is a great manipulator of the tongue and lies to everyone in order to advance his plan; however, every character in the play considers Iago an honest character, and Othello even associates Iago with light and eyesight. Othello continuously asks Iago to explain or make something clearer. Until the very end, Iago appears to be honest and helpful to the other characters, but underneath this seemingly harmless façade, Iago is a demon with the strongest will; he will stop at nothing until he ruins Othello’s life. Iago uses a positive appearance to enact his
Most readers see Iago as the simple “deceptive villain” while neglecting to see that Iago represents an unprecedented flair for deception and making others suffer or, as Schwartz describes Iago, “an embodiment of the ineradicable evil in Nature and of the malevolence in human nature.” Iago’s
The play "Othello" by William Shakespeare is based on an Italian story in Giraldi Cinthio's Hecatommithi (Groliers). In "Othello" we encounter Iago, one of Shakespeare's most evil characters. Iago is an ensign in Othello's army and is jealous of Cassio's promotion to Lieutenant. Through deception and appearance, we see unfolded a plethora of lies and clever schemes. The astonishing thing about Iago is that he seems to make up his malicious schemes as he goes along without any forethought. Noted writer Samuel Taylor Coleridge describes Iago's plan as "motive-hunting of a motiveless malignity" (Scott 413). Iago seizes every opportunity to further advance his plan to his advantage. Greed plays a major role as a motive for his various schemes. Throughout the story, Iago portrays himself as a Satan figure. In many ways, Iago can compare with Satan.
The beginning of the play, Iago was just resentful and odious because of the the jealously he had
Like with many evil personalities in history and literature the question is always asked did he really plan to make this happen or was it just luck and convenient circumstances, was it intentional or just circumstantial. To determine how good Iago really is at plotting and whether it is really his own influence or just lucky circumstances that cause events I will examine his asides, soliloquies and interaction with key characters because they give an extra insight into his character.
In Shakespeare’s Othello, Iago is the antagonist and villain who causes all the trouble and disorder. Othello is the protagonist, and is the main person Iago’s destruction and revenge is aimed towards. Othello is nave and gives everybody his trust even though he may not know them or they haven’t earned his trust yet. He often refers to Iago as “Honest” Iago, which is a direct showing of irony because Iago is not honest at all (Shakespeare, I, iii. 289).
This paper will prove that Iago has one clear motive and reason for his madness. Iago is not looking for justification that causes him to act the way he does. There is much more to Iago. He is not a man of only excuses, he has goals with his motives, which causes him to act the way he does. As early as the first scene of the play, Iago shows us strong motives for his actions.
Iago is often referred to as "honest" Iago. This is because he is hiding behind an "exterior of the plain soldier and blunt, practical man of the world . . . " ( Tragedies 19). "Iago is the exact opposite of whatever he appears to be . . . " ( Eagleton 69). Iago's mask has grown to his face and is irremovable" (Evans 117). When a person appears to be so honest yet is so deceitful it seems hard that the person would not be exposed for whom they really are. "Iago does not put his mask on after the action commences, he has presumably worn it from birth onwards- or at least from the start of his military career" (117). It also seems hard to believe that Iago does not eventually believe what he says. "Step by step, Iago falls into his own gap of being, changing as he hears himself plot, improvising a drama that must destroy the dramatist as well ...
The poet Coleridge appropriately described the character of Iago as being one of "motiveless malignity." Throughout the play Iago’s motives are secondary to, and seem only to serve as justification for, his actions. Iago is driven by his nature of character. To discuss Coleridge’s assessment we must look at Iago’s character—from Iago’s point of view and that of the other characters—his motives, methods, and pawns. Through some carefully thought-out words and actions, Iago is able to manipulate others to do things in a way that benefits him; all the while he is pushing Othello, Desdemona, Roderigo, Emilia, and Cassio to their tragic end.
Iago has been excellent at saying the what is needed to get to people, he misleads them to get a reaction he wants out of them. He is clever with his words to avoid confrontation that can easily happen. “Othello 's confusion is the human experience of language. In other words, language itself, not the outside world, determines meaning” (Christofides 2). Iago uses his words against Othello to get him to do Iago’s doings. Iago has an eloquence with
Iago has everyone fooled into believing that he is a noble honest man. Without this
Moreover, Othello and Iago cannot coexist together because honesty and decency are dangerous for Iago. For instance, it is significant that Iago does not devote Rodrigo of his plan because he was just a tool. In pursuit of his goals, Iago is capable of any crime as it proves his night attack on Cassio. ' 'Iago can say "I am not what I am" because he sees home be a consequence of stories. The result is that he knows himself to be fictional and that he will always be housed by stories of his making ' ' (Wood
Iago’s magnificent intelligence and superiority make him a very intriguing character. Iago is not just any villain that comes into a town, with a black cape and knife that scares everyone, he destroys and “kills” by using creative tactics that could only be thought of by someone who is brilliant. He deceives, strategizes, and twists the truth with amazing ease. Iago maintains his on point intelligence by staying completely unconflicted about being evil. Iago is completely committed as he states, “[He will] turn her virtue into pitch, / And… make the net / That shall enmesh them all” (II. Ii. 366-368). Iago is considered a cross between God and the Devil, as shown in the, “Divinity of Hell!” (!!. ii. 356)
If Iago is evil personified, cite specific incidents that help us to see and explore his physiological