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Literary techni8ques in othello
Iago's solioquy
Literary techni8ques in othello
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If Iago is evil personified, cite specific incidents that help us to see and explore his physiological deviousness. Do you believe that Iago’s lack of promotion is the main cause for his deviousness, or is that just a reason for Iago to act the way he does? Since the publication of Othello by Shakespeare, in 1622, there have been many other simplifications of it published, however all staying on the original story. But there’s gotten to be some of controversy over many parts of the book, and relates to what the rest of the essay will discuss. “The theme of sacrifice is prevalent throughout all of Shakespeare’s writings, and is embodied as sacrifice for the greater good, sacrifice for an ultimate gain, and sacrifice to keep a …show more content…
Iago plays on Othello’s personal insecurities to bring out the monster inside. Othello is visibly an outcast being the only black man in a white society. Throughout the whole book he was referred to as “The Moor”. His skin color results in negative assumptions, referring to him as evil and savage animal characteristics. Whenever Othello and Desdemona went and got married, her father Brabantio accused Othello of drugging Desdemona, he says that’s the only way she could ever love him. “Against all rules of nature, and must be driven / To find out practices of cunning hell / Why this should be. I therefore vouch again / That with some mixtures pow’rful o’er the blood, / Or with some dram (conjur’d to this effect) / He wrought upon her.” (I iii, 101- 106). As a result of society’s prejudice, Othello’s self-esteem diminishes, allowing Iago to capitalize on his insecurity to invoke the feeling of jealousy in Othello. To start off Iago insinuates that Desdemona in unfaithful to Othello, as she prefers only people of her ‘type’, a class Othello will never belong. Iago convincingly states, “As (to be bold with you) / Not
Act iii, scene iii, lines 108-131 of William Shakespeare’s “Othello” unquestionably shows Iago’s trickery and deceptiveness which is masked through his reputation for honesty, reliability and direct speaking. This section not only shows Iago’s slow but powerful act of deception, but also shows the jealousy and insecurities slowly depriving Othello’s inner peace and balance.
Iago is not an irrational, mentally unstable sociopath who goes around killing people for pleasure. Yet, it also can’t be agreed that Iago is quite physiologically sound. He is an extremist who has reasons for his misdemeanors, though they aren’t necessarily the ones he claims. Some of his faults can be connected/traced to environmental factors, his life lived unloved and self-doubt as a result.
If Othello had not been so troubled by jealousy then their relationship may have survived. In Shakespeare’s Othello, the character Iago is fairly successful in fulfilling his ambitions however he did not do it purely himself. He played on others weaknesses so as to get what he wanted. His success would have been far greater if it had not caused so many casualties and fatalities.
Like with many evil personalities in history and literature the question is always asked did he really plan to make this happen or was it just luck and convenient circumstances, was it intentional or just circumstantial. To determine how good Iago really is at plotting and whether it is really his own influence or just lucky circumstances that cause events I will examine his asides, soliloquies and interaction with key characters because they give an extra insight into his character.
Touching on the impact that Iago’s actions had on Othello. As the play shows Othello was not a jealous
In this first scene we see Othello, a general of Venice, has made Cassio his new lieutenant. Iago feels he truly deserves his promotion as he says "I know my price, I am worth more than a place." "(l.i.12) Iago over here is confused why Othello has made such a stupid decision. Iago is a man with a tremendous ego who knows, sometimes overestimates, his worth. Roderigo, a Venetian gentleman, understands Iago when Iago said that he is "affined to love the Moor. " (l.i.41-42)
jealousy which moves him to do many evil things in the play. He pays Iago large
From this point on, Othello insecurity manifests into a seemingly irrational fear of being cuckolded, and his self-perceived worth diminishes exponentially. Othello comments on the likelihood of Desdemona cheating, by explaining how it may be “for [he is] black / And have not those soft parts of conversation / That chamberers have…” (3.3.280-282) Othello’s frustration with the threat of being cuckolded puts strain on his relationship with Desdemona, and she quickly becomes a victim of domestic abuse. For example, Othello acts as an interrogator, demanding to see the handkerchief which he gave her that symbolizes faithfulness and commitment towards Othello. (Quotation) When she is unable to produce their symbol of trust, Othello’s anger manifests inside him. The audience is shown a stark contrast to Othello’s typically cool, collected and composted nature. This abrupt and irrational change in behaviour is emphasized when Othello strikes Desdemona in front of Lordovico, (4.1.245) Othello’s
changes, he gets angry easier, and he is manipulated by Iago. Othello gets so deep into Iago’s
In fact, Desdemona holds herself in such high regard that she almost seems incapable of believing that anyone else may not. Luckily for her, Othello similarly holds her in high regard, at least until Iago begins to manipulate him. Even before Othello, Desdemona’s own father, Brabantio, thought highly of her. When she elopes with Othello, he never believes that she ran away from home willingly. He believes that Othello had enchanted her until she herself says otherwise. Upon this realization, Brabantio, warns Othello against Desdemona, telling him:
In this tragedy, Othello, Shakespeare, has created a villain who behaves in this manner. Iago’s hatred, method of revenge, and vengeful hatred are the reasons for the lives lost in this play and the reasons that led to Iago’s downfall. Iago’s hatred of Othello and Cassio causes him to seek revenge, and he is able to succeed because his victims are too innocent to suspect him. Iago is a Machiavellian Shakespearean character who cunningly convinces his victims of his full moral support and proves his innocence in a way that his victims do not suspect him. When Cassio finishes his conversation with Desdemona about how he will not have his job back, Iago unfolds his mischievous plan against Desdemona when he says that, “so will I turn her virtue into pitch, And out of her own goodness make the net that shall enmesh them all” (Shakespeare, 49).
Desdemona is the daughter of Brabantio, the senator of Venice. She ran away and decided to get married with Othello with the approval of her father. Thing may be the only unfavorable thing she did, but she had no choice because Brabantio would certainly disapprove. Her character is is portrayed as a kind and innocent woman who seems to be another victim in part of Iago 's ploy against Othello. She is been the victim of lies, trust, and belief all, against her. In a article written by Galić Kakkonen and Ana Penjak which brings ecofimnestic critical thinking to Shakespeare 's female characters, they write, "By applying ecocriticism, we have investigated how Juliet, Cordelia and Desdemona have been pictured in oppression" (Kakkonen 30). The authors suggest that Desdemona 's character as a female receive unjustified treatment. Her husband loses trust in her slowly and she is unaware of why this was happening. Towards the falling action of the play she tries to explain to Othello that she has always been faithful to him but Othello takes her life anyway without believing her. Desdemona still blames herself for what had occurred without realizing the truth that Othello was being misinformed and also was not willing to trust
“I am not what I am,” proclaims one of Shakespeare’s darkest and most enigmatic villains, Iago, in the tragedy Othello. Iago’s journey for revenge enables him to become capable of immoral acts, and whilst his malevolence excites us, we are no more intrigued by his attributes than we are of the play’s tragic hero, Othellos’. Rather, both characters’ confrontation with jealousy and their subsequent moral demise as a result of failing to control such an emotion provides the true excitement for audiences. Iago’s spiteful manipulation of Othello makes him a multifaceted character — whose corrupt attributes make the audience examine their own morality. However, the same can be said of Othello; his failure to withstand Iago’s ‘pouring of pestilence’
Iago’s magnificent intelligence and superiority make him a very intriguing character. Iago is not just any villain that comes into a town, with a black cape and knife that scares everyone, he destroys and “kills” by using creative tactics that could only be thought of by someone who is brilliant. He deceives, strategizes, and twists the truth with amazing ease. Iago maintains his on point intelligence by staying completely unconflicted about being evil. Iago is completely committed as he states, “[He will] turn her virtue into pitch, / And… make the net / That shall enmesh them all” (II. Ii. 366-368). Iago is considered a cross between God and the Devil, as shown in the, “Divinity of Hell!” (!!. ii. 356)
Corruption overcomes the Venetian society as Iago uses his crafty skills of deceit. The plan to have Othello turn against the ones he loves is the perfect example of evils nature. The power struggle is evident between these two. This situation is the start to Iagos plan to corrupt the society and take Othellos place. The root of Iagos evil is jealousy indeed, in turn changing into a power hungry manipulator. Iago is tired of acting like one "courteous and knee-crooking knave" like he always appears to be [I. i. 46]. Since Iago is reluctant to choose to be a master, he is the servant that bites off the fame and "keep yet their hearts attending on themselves," still showing his service to his master but instead is more self-preserving with no attachments at all towards the master [I. i. 52]. Irony is used diligently in Shakespeares unique language style.