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This paragraph present a description of Iago Problems and Diagnosis. After close study of Iago case, Iago has been diagnosed with Antisocial Personality Disorder. This disorder where a person consistently shows no regard for right and wrong and ignores the right and feeling of others. People antisocial personality disorder often violate the law, becoming criminals. They show no guilt or remorse for their behavior (Legg). However, patients such as Iago who suffers from antisocial personality disorder, often violate the law, becoming criminals. They may lie, behave violently or impulsively and have a problems with drug and alcohol use. Symptoms of the condition include disregard for right and wrong, persistent lying or deceit to exploit others, …show more content…
One symptoms may include using charm to wit to manipulate other for personal gain or personal pleasure (Mayo Clinic Staff). In Iago case, there is lot of evidence to suggest that Iago is manipulating other people for his own benefits. First, Iago is convincing Roderigo, Who loves Othello’s wife that he can have Desdemona even though she is married and loves Othello. Iago use many manipulation through the play to convince Roderigo to help get rid of Othello. Iago tells Roderigo “Thou art sure of me. Go, make money. I have told thee often, and I re-thee again and again, I hate the Moor. My cause is hearted. Thine hath no less reasons. Let us be conjunctive in our revenge against him” (Shakespeare). Here Shakespeare's shows that Iago is trying to convince Roderigo to help him bring Othello down and Iago uses Roderigo into giving him money to win him Desdemona. Iago took advantages of Roderigo's feeling for Desdemona in order to fulfill his own desires. Iago reveals “Put money in thy purse”(Shakespeare). This shows that Iago is just using Roderigo so he can get his money and he don’t really care about
Iago was very blind to seeing the faults in his actions. At least the personal faults. He was able to identify certain characteristics of himself but just assigned them onto other people. In some case a psychopath can “Projects his own views and shallowness … upon others” excusing themselves from the responsibilities and pressures of theirself (West 30). This behavior could be one of the reasons that Iago says he hates Othello. He sees these things in himself, attributes he does not like and projects them on Othello, the person who most recently wronged him, as a way to fight those unliked characteristics. Iago “does not regard his own actions as horrendously evil” because he believes that it is deserved in a way (West 28). As if with the mentality of “What else can he expect from appointing someone who has no experience. He deserves it.” Being “egocentricity is his vanity” prevents himself from seeing his flaws (West 34). Although who is to say that in the brain of a psychopath if they see their actions as a flaw. This prevention of seeing and accepting these flaws results in a hindered reality of wrong and right. Because if vanity is a characteristic of a psychopath then no psychopath will see what they are doing as wrong, at least not the average one. This would cause an inverse of morals creating a backwards thought of right and wrong. To make matters more confusing Iago mockingly knows what he's doing in wrong and subconsciously contests it with sarcasm. He even if the entire arguments hold no ground he still has to knowingly be aware that he is lying to everyone and yet he still asks “as honest as I am” (II.i.220). Yes it could be sarcasm but that joking attitude alone lightens up the tone for the severity of what he has done. Joking can in some
At the same time, he condoles his victims, showing true empathy. Iago struggles with what seems to be multiple personality disorders. He is constantly flopping between several different viewpoints. To the faces of his fellow characters, he seems to show support and act as a loyal friend. On the other hand, he is very two faced, speaking with himself about the awful things he has done or plans to do to the people around him.
Manipulation is viewed in a negative light in society, but if used correctly, such as advertising, can be quite effective. Despite the fact that Iago is considered to be Othello’s right-hand man, he uses conniving and manipulation to get revenge, shaping every odd occurrence and event into his own cowardly schemes. Iago gets inside of Othello’s mind and uses his jealousy and persecution as the moor against him. He controls Rodrigo and ultimately destroys his reputation as well as influences Cassio when he is depressed. Iago figures out ways to manipulate multiple characters in Shakespeare’s play Othello, using their faults – jealousy, control, and pride – to obtain his wants and desires.
Iago’s Subconscious Motive Iago, the antagonist of Shakespeare’s work, Othello, is often considered purely evil or sociopathic. At first glance, Iago appears to be a static, two-dimensional villain, but he is much more. Shakespeare, renowned for his awareness of the human condition, leaves many important aspects of Iago’s life up to interpretation. In published works and critical interpretations, Iago is commonly associated with a myriad of mental illnesses and personality disorders. Because it seems that Iago’s life revolves around Othello and Desdemona, it is understandable how people may suggest that Iago is in love with Othello, or that he is a psychopath with no true motives.
	The first scene of Act I illustrates Iago's use of manipulation. Iago knows that Roderigo is upset about losing Desdemona to Othello. Iago himself is angry at Othello for being passed over for promotion to lieutenant for Michael Cassio. Realizing that by playing on Roderigo's jealousy he can gain an ally to work against Othello. Iago does this in a subtle manner. He explains to Roderigo that he was passed up for promotion by Othello. While doing this he makes Othello look inferior by reinforcing the fact that he is a Moor. By pointing out that Othello is a Moor Iago causes Roderigo to become even more jealous, because of the fact that he lost Desdemona to someone who he feels is of a lesser race. It even seems that Iago is toying with Roderigo when he reveals that he is a fraud when he says, "I am not what I am." (I.i.62) By using these tactics, Iago has almost gained total control of Roderigo.
In the light of the various descriptions of an unstable person, Iago is a psychopath with his manipulative choice of words. He tells people things that they want to hear and he says it in a manner that makes him appear exceptional. “ I humbly do beseech you of your pardon, For too much loving you.” (3.3.106) In act three, Iago pretends to be Othello’s confidant, and he wants Othello to suspect his wife is having an affair. Iago has a pseudo relationship with Othello the entire duration of the play.
manipulates people about Othello and his wife Desdemona. Iago starts manipulating people by hinting that Desdemona is having an affair with Cassio, and so in Act 3 scene 3 Iago puts his plans into action. starts manipulating people. Iago’s manipulation of Othello is admirable. Iago starts off very subtle.
The first symptom that Iago exhibits is deceitfulness. Iago spends the entirety of his time during the course of the play manipulation others and indulging in deceitful behaviors. Iago’s actions are constantly manipulative, self serving, and often proving harmful to others. The DSM 5 describes this trait as “indicated by repeated lying, use of aliases, or conning others for personal profit or gain”. Throughout the plays run Iago puts forth a facade, making himself seem trustworthy in order to get closer to characters like Roderigo, Cassio, and Othello, whom
The poet Coleridge appropriately described the character of Iago as being one of "motiveless malignity." Throughout the play Iago’s motives are secondary to, and seem only to serve as justification for, his actions. Iago is driven by his nature of character. To discuss Coleridge’s assessment we must look at Iago’s character—from Iago’s point of view and that of the other characters—his motives, methods, and pawns. Through some carefully thought-out words and actions, Iago is able to manipulate others to do things in a way that benefits him; all the while he is pushing Othello, Desdemona, Roderigo, Emilia, and Cassio to their tragic end.
Although the scandal that Iago came up with is a complete lie, Othello ends up believing him. Iago uses his ability to talk to people in order to accomplish his plan of destroying Othello because he wasn’t granted the position of the Venice army. (Sorto 1) A manipulative person gives himself the full-rights to do as they please without taking the rights of others into consideration, and they go about doing so by presenting themselves in the purest image of a good moral person, while they hide the true evil inside waiting for the right moment to dominate their prey. “They never recognize the rights of others and see their self-serving behaviors as permissible....
Iago would most commonly be referred to as dishonest, however beyond that he is also downright amoral and uses other’s weaknesses to manipulate them into doing what he pleases. From the very beginning we see how Iago manipulates Roderigo by pretending he is looking out for his best interests in the matter of Othello’s elopement with Desdemona. He makes Barbantio angry with Othello and Desdemona by telling him about their elopement then lying about the consummation of their relationship. He then leaves Roderigo to take responsibility for his (Iago’s) actions. In the meantime he goes off to inform Othello that Roderigo is accountable for telling Barbantio about the relationship and saying horrible things about Othello. Iago later brings Roderigo back into his quest for revenge when he tries to get Cassio fired from the position that Iago originally wished to obtain. Although Cassio knows it is against his better judgement to drink, Iago manipulates him into getting drunk then stages a fight between Roderigo and Cassio. He even goes as far as to try to make Cassio look bad by telling Montano that he gets drunk regularly. Upon Iago’s explanation of the situation Othello promptly fires Cassio from his position and Iago becomes more respected in Othello’s eyes. Roderigo is a prime example of how Iago uses people to fulfil his desires. Iago convinces Roderigo that he could win Desdemona’s love away from Othello and the only man that stands in the way is Cassio. In this way when he plans to humiliate Cassio it seems as if he is doing it to help out Roderigo when, in actuality, he is seeking revenge on Cassio for taking his position.
In William Shakespeare’s The Tragedy of Othello, Iago demonstrates a mastery of manipulation over people who had previously trusted and confided in him. His sudden turn from Othello’s loyal ensign to rage-filled villain seems indicative of a man who can no longer accept his position in life. Iago’s plotting of Othello’s demise starts as idle talk of a disgruntled 28 year-old career military man passed over for promotion. Iago believes that such a promotion may never come after Othello rejects his candidacy and makes it clear that he did not believe him suitable. He sees Othello is only concerned with personal and political gain with his choice of Cassio as lieutenant. When Iago teams with love-scorned and desperate Roderigo, he begins to construct Othello’s downfall. Iago is declaring an all-out covert war on Othello, Cassio, and anyone else who gets in his way. In Iago’s first speech in Act I Scene II, he proclaims hatred for Othello and lays out his plan for seeking vengeance. “After some time, to abuse Othello’s ears that he is too familiar with his wife (Shakespeare 1473).”
How does one create the perfect villain for a story? What qualities are needed in such a character? A good place to start when constructing a villain is to look at William Shakespeare’s villain in Othello, a man called Iago. Iago is wonderfully devious. Throughout the play, he not only poisons Othello’s vision of Desdemona, he does this with no one, excepting Roderigo, the wiser. There are several reasons that make Iago such a terrifying villain. Shakespeare gave certain qualities to his creation that made Iago more than just a evil character. These qualities transform Iago into the truly insidious character seen in the play. From the beginning of Othello to the time that Iago is revealed as the culprit, everyone trusts Iago and looks to him for advice. This gives Iago the means and opportunity to pull off his villainy.
The key to Iago’s deception is his ability to convince others that he is on their side. This first comes up when Iago gets Roderigo to “put money enough in [his] purse” to pay Iago for his services (1.3.316). Iago then tells the audience that he would “be time expend with such a snipe but for my sport and profit” (1.3.318-323). This sets the stage for the rest of Iago’s betrayal where he constantly tries to make himself the protagonist while being the antagonist behind the scenes. Furthermore, through Iago’s feeling that he needs to cover himself from seeming like the villain, it becomes clear that he thought out all the possible implications his act could bring upon him, which is ironic considering how little he cares for his action’s implication on others. Through the juxtaposition, Shakespeare demonstrates how Iago loses sight of humanity while still having enough reason to carry out his carefully planned betrayal. In continuation with the pattern of differentiating between thoughts and actions, Shakespeare again utilizes this juxtaposition when Iago convinces Cassio that he is “in the right,” while wondering to himself, “what’s he then that says I play the villain? When this advice is free I give and honest” (2.3.245-247). The juxtaposition
Finally, Othello was one of the worst cases of Iago’s manipulation. From start to end, he was manipulated, starting as a honest man who was sure of himself and brave. Iago, however, changed him. He became worried, and unsure, and ended up making many terrible mistakes. While he was changing, Othello was fooled by Iago, and begins to believe that Cassio is a drunkard who would fight, and is unfit for the job of lieutenant: