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This paragraph present a description of Iago Problems and Diagnosis. After close study of Iago case, Iago has been diagnosed with Antisocial Personality Disorder. This disorder where a person consistently shows no regard for right and wrong and ignores the right and feeling of others. People antisocial personality disorder often violate the law, becoming criminals. They show no guilt or remorse for their behavior (Legg). However, patients such as Iago who suffers from antisocial personality disorder, often violate the law, becoming criminals. They may lie, behave violently or impulsively and have a problems with drug and alcohol use. Symptoms of the condition include disregard for right and wrong, persistent lying or deceit to exploit others, …show more content…
impulsiveness or failure to plan ahead, deceitfulness and using charm or wit the manipulate other for personal gain (Mayo Clinic Staff). Clearly if a patient's ASPD have a mental health conditions that causes patterns of manipulation and violation of others around them. This conditions overwhelms their personality. Antisocial Personality Disorder may be caused by the way people view, understand and relate to the outside of the world, as well as how they see themselves and forms during childhood, shaped through interaction of inherited tendencies and environmental factors.
One symptoms may include using charm to wit to manipulate other for personal gain or personal pleasure (Mayo Clinic Staff). In Iago case, there is lot of evidence to suggest that Iago is manipulating other people for his own benefits. First, Iago is convincing Roderigo, Who loves Othello’s wife that he can have Desdemona even though she is married and loves Othello. Iago use many manipulation through the play to convince Roderigo to help get rid of Othello. Iago tells Roderigo “Thou art sure of me. Go, make money. I have told thee often, and I re-thee again and again, I hate the Moor. My cause is hearted. Thine hath no less reasons. Let us be conjunctive in our revenge against him” (Shakespeare). Here Shakespeare's shows that Iago is trying to convince Roderigo to help him bring Othello down and Iago uses Roderigo into giving him money to win him Desdemona. Iago took advantages of Roderigo's feeling for Desdemona in order to fulfill his own desires. Iago reveals “Put money in thy purse”(Shakespeare). This shows that Iago is just using Roderigo so he can get his money and he don’t really care about
Roderigo. A second symptom of antisocial personality disorder is deceitfulness as indicated by repeated lying, use of aliases, or conning other for personal profit or pleasure. In Iago case, there is much evidence to suggest that Iago is persistent lying or deceit to exploit other. In the play Iago says One of this kind is Cassio. In sleep I heard him say “Sweet Desdemona, Let us be wary, let us hide our loves” (Shakespeare). This shows that Iago lies to Othello that Desdemona and Cassio having affair. Iago says “I know not that, but such a handkerchief. I am sure it was your wife’s did I today. See Cassio wipe his beard with” (Shakespeare). Here Shakespeare's shows, that Iago telling Othello about Desdemona affair and the handkerchief is the initially object that make Othello believes Iago, that Desdemona having affair with Cassio. For creating this lie, Iago has really gained Othello trust and now Othello want to kill both Cassio and Desdemona. Iago continuously lying in a way that make people thoguht what he was saying is true.
Driven by an overbearing lust for evil that only a pure psychopath can have, Iago is not only one of literature’s worst villain’s, but he also is a heinous psychopath, whom possesses absolutely no capacity for human kindness or virtue. While Iago claims to be motivated by obtaining revenge of Othello and by jealousy of Michael Cassio, his actions suggest that of a diagnosis of psychopathic personality disorder, as his motivations contradict each other, and are not sufficient to constitute the level of destruction he employs. According to the Diagnostic and Statistics Manual of mental disorders, an individual can be diagnosed as a psychopath if they show a minimum of five out of eight of the following symptoms: 1) deceitful, conning, and manipulative behaviors, 2) absence of psychotic and neurotic symptoms, 3) lack of remorse, 4) lack of empathy, 5) inflated and arrogant self-appraisal, 6) pathological lying, 7) need for constant stimulation, and 8) glibness and superficial charm. Throughout the play, Othello, Iago displays all of these symptoms, and therefore is a psychopath. He especially manipulates and cons others, has a grandiose self-perception, and lacks empathy and remorse. He also needs constant stimulation.
The fascinating intelligence of Shakespeare begins with Othello, unlike other tragedies that begin with ancillary figures that point out the character that will turn out to be at the center of the tragedy, with his genius creation of truly evil Iago instead of Othello. Shakespeare gave Iago the honor of being a main character, an antagonist too, in one of his blood-soaked tragedies and made him survive the experience. Iago, the genius villain whose intrigues and deception brought the downfall of the main hero Othello, is considered in today’s society a true Sociopath. Sociopathy-as noted by Preston McAfee-is a personality disorder defined by certain characteristics such as manipulations, lack of empathy, sense of entitlement, and a grandiose sense of his own importance. Those traits were manifestly shown by Iago in Shakespeare’s tragedy Othello.
Iago was very blind to seeing the faults in his actions. At least the personal faults. He was able to identify certain characteristics of himself but just assigned them onto other people. In some case a psychopath can “Projects his own views and shallowness … upon others” excusing themselves from the responsibilities and pressures of theirself (West 30). This behavior could be one of the reasons that Iago says he hates Othello. He sees these things in himself, attributes he does not like and projects them on Othello, the person who most recently wronged him, as a way to fight those unliked characteristics. Iago “does not regard his own actions as horrendously evil” because he believes that it is deserved in a way (West 28). As if with the mentality of “What else can he expect from appointing someone who has no experience. He deserves it.” Being “egocentricity is his vanity” prevents himself from seeing his flaws (West 34). Although who is to say that in the brain of a psychopath if they see their actions as a flaw. This prevention of seeing and accepting these flaws results in a hindered reality of wrong and right. Because if vanity is a characteristic of a psychopath then no psychopath will see what they are doing as wrong, at least not the average one. This would cause an inverse of morals creating a backwards thought of right and wrong. To make matters more confusing Iago mockingly knows what he's doing in wrong and subconsciously contests it with sarcasm. He even if the entire arguments hold no ground he still has to knowingly be aware that he is lying to everyone and yet he still asks “as honest as I am” (II.i.220). Yes it could be sarcasm but that joking attitude alone lightens up the tone for the severity of what he has done. Joking can in some
Iago would most commonly be referred to as dishonest, however beyond that he is also downright amoral and uses other’s weaknesses to manipulate them into doing what he pleases. From the very beginning we see how Iago manipulates Roderigo by pretending he is looking out for his best interests in the matter of Othello’s elopement with Desdemona. He makes Barbantio angry with Othello and Desdemona by telling him about their elopement then lying about the consummation of their relationship. He then leaves Roderigo to take responsibility for his (Iago’s) actions. In the meantime he goes off to inform Othello that Roderigo is accountable for telling Barbantio about the relationship and saying horrible things about Othello. Iago later brings Roderigo back into his quest for revenge when he tries to get Cassio fired from the position that Iago originally wished to obtain. Although Cassio knows it is against his better judgement to drink, Iago manipulates him into getting drunk then stages a fight between Roderigo and Cassio. He even goes as far as to try to make Cassio look bad by telling Montano that he gets drunk regularly. Upon Iago’s explanation of the situation Othello promptly fires Cassio from his position and Iago becomes more respected in Othello’s eyes. Roderigo is a prime example of how Iago uses people to fulfil his desires. Iago convinces Roderigo that he could win Desdemona’s love away from Othello and the only man that stands in the way is Cassio. In this way when he plans to humiliate Cassio it seems as if he is doing it to help out Roderigo when, in actuality, he is seeking revenge on Cassio for taking his position.
At the same time, he condoles his victims, showing true empathy. Iago struggles with what seems to be multiple personality disorders. He is constantly flopping between several different viewpoints. To the faces of his fellow characters, he seems to show support and act as a loyal friend. On the other hand, he is very two faced, speaking with himself about the awful things he has done or plans to do to the people around him.
Iago is not an irrational, mentally unstable sociopath who goes around killing people for pleasure. Yet, it also can’t be agreed that Iago is quite physiologically sound. He is an extremist who has reasons for his misdemeanors, though they aren’t necessarily the ones he claims. Some of his faults can be connected/traced to environmental factors, his life lived unloved and self-doubt as a result.
	The first scene of Act I illustrates Iago's use of manipulation. Iago knows that Roderigo is upset about losing Desdemona to Othello. Iago himself is angry at Othello for being passed over for promotion to lieutenant for Michael Cassio. Realizing that by playing on Roderigo's jealousy he can gain an ally to work against Othello. Iago does this in a subtle manner. He explains to Roderigo that he was passed up for promotion by Othello. While doing this he makes Othello look inferior by reinforcing the fact that he is a Moor. By pointing out that Othello is a Moor Iago causes Roderigo to become even more jealous, because of the fact that he lost Desdemona to someone who he feels is of a lesser race. It even seems that Iago is toying with Roderigo when he reveals that he is a fraud when he says, "I am not what I am." (I.i.62) By using these tactics, Iago has almost gained total control of Roderigo.
In the light of the various descriptions of an unstable person, Iago is a psychopath with his manipulative choice of words. He tells people things that they want to hear and he says it in a manner that makes him appear exceptional. “ I humbly do beseech you of your pardon, For too much loving you.” (3.3.106) In act three, Iago pretends to be Othello’s confidant, and he wants Othello to suspect his wife is having an affair. Iago has a pseudo relationship with Othello the entire duration of the play.
manipulates people about Othello and his wife Desdemona. Iago starts manipulating people by hinting that Desdemona is having an affair with Cassio, and so in Act 3 scene 3 Iago puts his plans into action. starts manipulating people. Iago’s manipulation of Othello is admirable. Iago starts off very subtle.
It is recommend that Iago be diagnosed with Antisocial Personality Disorder because he exhibits deceitfulness, a lack of remorse, and exploitation and mistrust of sexual partners.
How does one create the perfect villain for a story? What qualities are needed in such a character? A good place to start when constructing a villain is to look at William Shakespeare’s villain in Othello, a man called Iago. Iago is wonderfully devious. Throughout the play, he not only poisons Othello’s vision of Desdemona, he does this with no one, excepting Roderigo, the wiser. There are several reasons that make Iago such a terrifying villain. Shakespeare gave certain qualities to his creation that made Iago more than just a evil character. These qualities transform Iago into the truly insidious character seen in the play. From the beginning of Othello to the time that Iago is revealed as the culprit, everyone trusts Iago and looks to him for advice. This gives Iago the means and opportunity to pull off his villainy.
In William Shakespeare’s The Tragedy of Othello, Iago demonstrates a mastery of manipulation over people who had previously trusted and confided in him. His sudden turn from Othello’s loyal ensign to rage-filled villain seems indicative of a man who can no longer accept his position in life. Iago’s plotting of Othello’s demise starts as idle talk of a disgruntled 28 year-old career military man passed over for promotion. Iago believes that such a promotion may never come after Othello rejects his candidacy and makes it clear that he did not believe him suitable. He sees Othello is only concerned with personal and political gain with his choice of Cassio as lieutenant. When Iago teams with love-scorned and desperate Roderigo, he begins to construct Othello’s downfall. Iago is declaring an all-out covert war on Othello, Cassio, and anyone else who gets in his way. In Iago’s first speech in Act I Scene II, he proclaims hatred for Othello and lays out his plan for seeking vengeance. “After some time, to abuse Othello’s ears that he is too familiar with his wife (Shakespeare 1473).”
Finally, Othello was one of the worst cases of Iago’s manipulation. From start to end, he was manipulated, starting as a honest man who was sure of himself and brave. Iago, however, changed him. He became worried, and unsure, and ended up making many terrible mistakes. While he was changing, Othello was fooled by Iago, and begins to believe that Cassio is a drunkard who would fight, and is unfit for the job of lieutenant:
Manipulation is viewed in a negative light in society, but if used correctly, such as advertising, can be quite effective. Despite the fact that Iago is considered to be Othello’s right-hand man, he uses conniving and manipulation to get revenge, shaping every odd occurrence and event into his own cowardly schemes. Iago gets inside of Othello’s mind and uses his jealousy and persecution as the moor against him. He controls Rodrigo and ultimately destroys his reputation as well as influences Cassio when he is depressed. Iago figures out ways to manipulate multiple characters in Shakespeare’s play Othello, using their faults – jealousy, control, and pride – to obtain his wants and desires.
The key to Iago’s deception is his ability to convince others that he is on their side. This first comes up when Iago gets Roderigo to “put money enough in [his] purse” to pay Iago for his services (1.3.316). Iago then tells the audience that he would “be time expend with such a snipe but for my sport and profit” (1.3.318-323). This sets the stage for the rest of Iago’s betrayal where he constantly tries to make himself the protagonist while being the antagonist behind the scenes. Furthermore, through Iago’s feeling that he needs to cover himself from seeming like the villain, it becomes clear that he thought out all the possible implications his act could bring upon him, which is ironic considering how little he cares for his action’s implication on others. Through the juxtaposition, Shakespeare demonstrates how Iago loses sight of humanity while still having enough reason to carry out his carefully planned betrayal. In continuation with the pattern of differentiating between thoughts and actions, Shakespeare again utilizes this juxtaposition when Iago convinces Cassio that he is “in the right,” while wondering to himself, “what’s he then that says I play the villain? When this advice is free I give and honest” (2.3.245-247). The juxtaposition