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Psychological effects of pornography
Psychological effects of pornography
Psychological effects of pornography
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As I type this, part of me is fighting, screaming to stop, but the other half won’t let you go. I push you so far back in my mind, as you know and have had the displeasure of experiencing, I’m good at compartmentalizing. Not you Sarah, you surface constantly, be it anger or joy, your still there. If you're reading this then it's going two ways now, you’re either offended by my comments, or you're amused by the fact that you still haunt me. I would imagine that no matter the outcome if I were standing in front of you and asked, amused, would be the emotion portrayed. It will retain the idea of power as if you're enjoying some kind of control on me. This morning I woke up from a dream involving you that caused me to jump up and panic not knowing where I was. I won’t go into detail but what woke me was how real it all …show more content…
Four years now and you're scaring the shit out of me in my dreams, so I sit here with the idea of contacting you rolling around in my mind. Do I keep this to myself and just write this and never send it, or do I send this? I’m not naive to what will happen, I also understand that you like to think I’m stringing you along or I do this to open the wound. I wonder if that is your motive sometimes? You send me a random text, call, and make sure I know you did if I don’t respond. I’m not the victim by any means, I engage with you fully understanding what I’m doing. Last time we spoke you made it obvious what you wanted from me, to get laid. Look Sarah call me a bitch if you like, but that is what I felt. You gave into some of what I said, but I felt as if you were the jock saying “yeah baby you’re right, you’re right I was wrong can we just get together and fuck, it will all be ok” You know as much as I do, I wanted you. I wanted to drive to Savannah that instance and have my way with you. As much as I love you sexually though, my emotions
During the awkward reunion, the speaker fights an internal battle with her feelings. There is something inside of her trying to claw its way out, and the bottled up bitterness threatens to rip its way to the surface. Her suppressed emotions are personified in the form of a disobedient female dog, hence the name “Bitch”. When the woman is approached by the man, she refers to herself as a canine by saying things like “don’t start growling” (2). The command demonstrates the speaker attempting to restrain her feelings like trying to constrain a belligerent dog. She feigns a cool demeanor, and as her voice is saying one thing, the voice inside her is getting furious and yearns to express her true feelings, but fears her stability will be questioned.
Oh, how one as mighty as me be bewildered by a simple-minded beast. I am Gaston the best looking, strongest, and easily admired man in the whole town. My love Belle who is a little out of her mind if she thinks she could love a beast like him. I will show them. I force my whole enormous body at the beast making him slide off the edge of his balcony. As his large paw-like hands slip he catches himself by scrapping the shingles of the dark and gloomy castle. Weak. his claw grasps my shirt and my heart trembles. No, it can't be. Him a beast. For I am gaston the bravest of them all. But if belle could love him then. What does that make me? For who could ever love a hideous beast like me.
Dramatic Monologues The dramatic monologue features a speaker talking to a silent listener about a dramatic event or experience. The use of this technique affords the reader an intimate knowledge of the speaker's changing thoughts and feelings. In a sense, the poet brings the reader inside the mind of the speaker. (Glenn Everett online) Like a sculpturer pressing clay to form a man, a writer can create a persona with words. Every stroke of his hand becomes his or her own style, slowly creating this stone image.
Nolan narrowed his eyes at me, ready to retort but suddenly he shut his yap staring past me. I glanced over my shoulder and spotted our principal, Kay Pal, and his daughter, Janine. Next to her was a tall guy with black hair and dark blue eyes. I recognized him as Kayden Adams, Janine's boyfriend, according to Instascam--I mean Instagram.
I really hate that it had to come to this but i'm tired of being treated different and like an inconvenience. I've tried to talk to you and nothing has changed. Ive layed in my bed for the past 4 months crying to myself or Marcus because I had no one else to talk to. I felt like the only person i'm suppose to be able to talk to didn’t care whether I was alive or not. You hated on Marcus so much but he was the only one who stayed up with me while i cried. This seems dramatic but I really hated being at home. You really yelled at me all the time and half of the time i wasn’t doing anything. I was depressed most of the time which is why I slept all the time. To be honest I don't know if this will even bother you at all. But at least it will be easier and one less person to buy for.
Prologue “Everyone get into the pool!” Says billionaire Aiden Rayei of Rayei Industries. “Why?” Asks someone. “Just get in!”
Prologue Heat makes its way across my skin, the UV rays cascading across my face. Small beads of sweat fall down my face, as the luminous sun beats down on me. Thoughts run through my brain and I can see the sun through my closed eyes. The faint sounds of “Mambo Italiano” fill my ears as my mamma sings away in the kitchen beside me. The light breeze hits me and I let out a small smile as my mother lets out a small “Shit” as she drops something on the floor.
When I first met you, I didn’t think we were going to last as long as what we have. Actually, I didn’t think much of you at all when you and I first started talking. Of course, I thought you were attractive and you were fun to talk to. But at that point in my life I felt worthless. I was used by a guy before you and I didn’t believe any guy would ever have genuinely, good intentions for me. But Hunter, after the first date you and I had ever had, I went home feeling like there was something oddly different about you. Before you came and picked me up, I was worrying about my outfit and my hair constantly. I looked over myself for a good thirty minutes worrying I wouldn’t impress you. The amount of times I considered cancelling on you because I didn’t know what to expect was unreal. However, I felt this strange urge to keep pushing forward. I was scared you would think I was ugly because I had the gap in between in teeth, or some other dumb reason. But as I sat there in front of you at Moe’s, never had I ever had a guy look at me the way you did. Maybe, it was because you were equally as nervous as I was or maybe it was because you thought I was too good for you, just like I thought you were to good for me. But the way you
Depression I will fight you to stay in the present moment when I start to contemplate on the what if’s, I don’t fucking care how much rounds we are going to get up to but I don’t care I will take a deep breath and accept my fear for what It is. I’ve seen you at your worst and it was dark and black and scary. I am scared of going to a place that I never want to go back to and I am a bit stronger now than I was back then, I will hold on tight to both of those truths but thing I fail to understand but why do you love me so much I really used to think that you hated me and that was the reason why you ruin my life, but the more I think about it, I realised you actually love me because you won’t leave me alone. Every single time I think I’m doing better
I knew they would love you. My heart dropped. I felt desperate, broken. You always wanted to take me to Paris. We had always planned to go together.
PROLOGUE “I hear muffled footsteps coming toward me. Panic races through me. Between heartbeats, I hear him
“¨Hello?¨ I said, his voice quaking as the rusty door swung open and hit the wall resulting in a booming echo. I cautiously stepped into the poorly lit room, preventing me from taking in my whereabouts. Confusion clouded my brain as, little by little my hope died down ¨ Ahh Alexander, you're finally here. Haven't your parents ever told you that it’s rude to be late?¨the a powerful voice filled the room. I could hear the smirk in his voice.
Statuesque “You’re it!” would be words we liked to hear as children as we were enjoying our game of tag. Some call it ‘catchers’ or ‘touchers’. One child was nominated as ‘you’re it’ and got the game going by chasing after the rest of the players who ran away from ‘you’re it’ in order to stay in the game. The moment that you were touched by ‘you’re it’, you would have to sit down or leave the designated play area. This would continue until all the players had been caught, or until ‘you’re it’ gave up and selected one of the players who were out and called out “you’re it!”
You've given me so many good memories, I will cherish those memories forever. You've seen me at my worst and at my best, and you've always just loved me. I really wish you changed your mind because it's really hard to imagine not talking to you. I know I've been very selfish and done this to you, but I really, all I want is for you to be happy someday.
When discussing the poetic form of dramatic monologue it is rare that it is not associated with and its usage attributed to the poet Robert Browning. Robert Browning has been considered the master of the dramatic monologue. Although some critics are skeptical of his invention of the form, for dramatic monologue is evidenced in poetry preceding Browning, it is believed that his extensive and varied use of the dramatic monologue has significantly contributed to the form and has had an enormous impact on modern poetry. "The dramatic monologues of Robert Browning represent the most significant use of the form in postromantic poetry" (Preminger and Brogan 799). The dramatic monologue as we understand it today "is a lyric poem in which the speaker addresses a silent listener, revealing himself in the context of a dramatic situation" (Murfin 97). "The character is speaking to an identifiable but silent listener at a dramatic moment in the speaker's life. The circumstances surrounding the conversation, one side which we "hear" as the dramatic monologue, are made by clear implication, and an insight into the character of the speaker may result" (Holman and Harmon 152).