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Essays on ancient greek clothing significance
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I am a faience figurine of a Minoan Snake Goddess from the Aegean era. I was discovered by a British archaeologist called Arthur Evans in the year 1903 in the Temple Repositories. The Temple Repositories was located on the site of the palace of Knossos on the Aegean Island of Crete. I am a figurine that resembles a human being, many other statues of the Aegean Era have little resemblance to a human, but differently, from the other statues from my era, I actually look like a human. I am made of clay and my height is around 13½ inches or approximately 34.3 centimeters. I am dressed in “typical Minoan clothes, with a long skirt and a tight open bodice that leaves my breasts uncovered and I am holding a snake in each hand” (). Many still don’t
The first glance you’ve taken at those two statues, you just see a man standing there. They are not doing anything in particular, just standing there. That was only in the first glance of course. Now take a good look at each one. In the archaic Greek kouros figure, the pose of the figure is very frontal. The entire figure is relatively stiff with the exception of the left leg, which is in front of the body giving it the early contrapposto pose. Even though it does have a much more natural pose to it with the one leg out, the rest of the body is not in a pose as if the weight of the body was put into one leg. The head is stiff with the hair being geometric and with the hair falling back on the body. The physical stature of the body is moderately realistic. The muscles are not quite as well defined but they are still semi-realistic. They are portrayed as if they were tense. The arms are also at the side.
The Woman from Willendorf, just as the name suggest was discovered in Willendorf, Austria in 1908 during an archeological excavation of the area. The small figurine is heavily regarded as one of the most important Paleolithic discoveries. Carved in the round from limestone the figure the figure is undeniably female with it’s exaggerated features. Some of the most recognizable features of the rounded figure include the large pendulous breast, the
The Statue of a kouros depicts a Greek man in the nude. Although he looks like a man, the large scale, and the miss proportioned features makes it unnaturalistic. The toes are too long, the genetalia is unrealistically small, and the joint lines are exaggerated.
"Statuette of a standing maiden [Etruscan] (17.190.2066) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art." The Metropolitan Museum of Art - Home. N.p., n.d. Web. 16 Feb. 2014.
The Apollo statue consists of a garment that is shown in a pattern like manner. The robe does not display realism but symbolism due to its lack of variation in the folds. The Aule Metele however, shows a great deal of realism in the drooping folds and twisted shoulder strap. It looks as though the material is in fact freely moving and could be manipulated. The muscle structure of the Apollo statue also displays a great deal of generalization. The limbs are robust and irregularly plump in areas as can be seen in the calf area of the right leg. The Aule Metele displays a great deal of understanding of muscle as well as bone structure in the limbs as can be seen in the edges created in the extended right arm of the figure.
Sculpture is a medium that artists in ancient Greek commonly used to express spoken truths in an unspoken form. Every piece of ancient Greek sculpture has more than what the eye sees to explain the story behind the [in this case] marble.
And just like the Greek the statue are both big and almost human size. A great example of this is the “Augustus of Primaporta, 1st century C.E. (Vatican Museums).” It truly shows the evolution of art sculpting. It is a full size very detailed sculpture of Augustus. It very detailed from his hair showing every curl and split to the small details in his armor that also depicts a story as well is shows the god of the sky looking down on him and the goddess of the earth looking up towards him as they watch the Parthians surrender to him and returning the standards shows the great power that Augustus has, and not just that but also the sculpture itself is a symbol for how Augustus wanted everyone to see him as, as god like. And it even has a little small cupid on the side which is also detailed which shows that Augusts is decedent from a
This is a copy of the sculpture of Athena Parthenos, dressed in battle attire, that was originally created by Phidias during the period of 447-39 B.C. The statue of Athena Parthenos was to be constructed, not of bronze, but of gold and ivory. The face, arms, and feet of the statue were to be made of ivory and the clothing, of thickly plated gold. The statue was an enormous size that towered thirty-three feet tall. The costly nature of the materials out of which it was designed was intended to overwhelm the viewer, creating a sense of religious awe.
This stone sculpture is a naked human-like figure standing six feet tall. The body is in chiasmos stance with the left leg slightly bent and the left foot slightly behind the right. The head is turned slightly downward and to the right, and its size is approximately 1/6 of the body. The hair is cropped closely to the head with no part. The body has a defined musculature, however the forearms appear to be missing. There is an object behind and to the right of the right leg that is about 2 feet tall and 10 inches wide.
The trip to the metropolitan museum was a great trip to learn and to study art. What is art you may ask, well art is an expression you use to show a visual picture. It can be through painting or through sculptures. Some other example of art is music, literature and dancing. For today 's paper we will be talking about art as a sculpture. The two sculptures in this photo are King Sahure and a Nome God and Marble Statue of Dionysos leaning on archaistic female figure (Hope Dionysos). You can find these statues in the Metropolitan Museum of Art. King Sahure and a Nome God is an Egyptian art that was made in 2458-2446 BCE. The artist is unknown. It was during the 5th dynasty and it also belong to the old kingdom. The Marble statue of Dionysos Leaning in the archaistic female figure is a Greco-Roman art. Belonging to the Roman imperial period of the late first century A.D. Augustan or Julio-Claudian period 27 B.C., to 68 AD. It is classified as a stone sculpture and it is made out of marble. The height of the statues is 82 ¾ inches. There is no evidence who was the original artist.
The primary focus of ancient Greek sculptures was that of the human body. Almost all Greek sculptures are of nude subjects. As the first society to focus on nude subjects, Greek sculptors attempted to "depict man in what they believed was the image of the gods and so would come to celebrate the body by striving for verisimilitude or true – likeness (realism and naturalism!)."(Riffert) Not only did the Greeks celebrate the human form in their art but also in everyday life. (Riffert) One of the favorite topics for sculptors was that of the athlete. In Greek culture athletes were described as "hero–athletes". (Riffert) This shows that athletes were revered and looked upon as heroes. The influence of athleticism is evident in many famous sculptures. I will attempt to show how the human form influenced Greek art. It is important to note that many of the Greek sculptures discussed do not exist in their original form but rather in Roman copies of the original bronze sculptures. (Riffert)
The Nike of Samothrace captures the essence of the goddess in a dramatic pose. Her body leans forward as her robust wings heave upwards, creating a magnificent balance and sense of motion. Recovered in the Sanctuary of the Great Gods by a French explorer in 1863, the statue stands 8 feet tall. The deep lines and contrasting textures of the feathers, fabric, and skin allude to the elegance of past Greek style. Of all similar remains from ancient Greek art, this famous Hellenistic sculpture best reflects the sense of pride, honor, and victory associated with the goddess.
According to most Archaic Period Greek statues, it is easy to conclude that the Egyptian Culture influences Greek sculptures in two aspects: the medium that artists used and the style that artists followed. Still, the Kouros statue in the Metropolitan Museum is a perfect example. Like what this essay has conducted earlier, this figure is made of marble, a hard stone. According to the status description
The height of Tenea Kouros is 1.53 meters which is almost an actual life size sculpture with the medium of marble. As for the Tenea Kouros likes many other Kouros figure statues from the Archaic period, it’s embodied disparate of optimal of the aristocratic culture in Greece, it possessed the spirit of the technology in the Archaic period, the body proportion and muscle texture performance of Tenea Kouros is closely to realistic. The detail of anatomy had been increased the softness of the features of the face and how smooth the contours of the face are. However, it derived and evolved with the technology of Egyptian statues. First, Tenea Kouros was carved in an accurately symmetrical proportion to depict a human being on an immovable proportion. because of the upright posture, standing, made the statue became more stiff and arthritic. Tenea Kouros head is raised, eyes are straight ahead and its facing to the front, both arms are drooping, fist is clenched, also it emphasized the broad shoulders. Moreover, it’s inherited the technique of one-foot step forward, then other from Egyptian statues, Tenea Kouros statue is posed with left leg forward, both feet flat on the
In the Cypriot gallery, I came across the Limestone votary of a bearded male with a wreath. In this sculpture you can see different from across the Mediterranean Sea the Near East, Egypt and Greece has influenced the Cypriot style. From the Near East, stylistic features and iconographic elements were borrowed from the objects. From Egyptian art, the style of symbolism was incorporated into the sculpture of bearded man, he is wearing an ornate wreath of ivy leaves on his head and has a small Phiale in his right hand and branch in his left going to go make an offering. Along with the detailed symbols, we come to notice that idealization and naturalism is also seen in the created. In this life like creation, we see how detailed his head and body are. The definition of his facial feature also draw attention to classical time to Greece Culture along with the clothing that is worn. In this century, we tend to see men sculpted mostly with a naked body, but this Ancient Civilization incorporated the Hellenistic and Classical area of Greece, where clothing was used for the women only, but they used this style for the men now. The Hellenistic area influences the natural representation of the individuals in