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Ancient greek sculpture and human form
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The analysis of Tenea Kouros Ancient Greek sculpture has been regarded as significance art history. Nowadays, many art works from Greek still have remained to continued to influenced the western civilization art and architecture model. It centralized how were Greek people thought of beauty, artistic sense and the intensive observation of the human bodies. In the period of Archaic, Greek female statues were called Kore, which is meant “girl”, and Greek male statue of this period was called Kouros, which represented the word of “young” in Greek. The purpose of Kouros could symbolize the act of dedication to the gods in the sanctuaries and as a grave monument, and even characterize the person making the offering. Tenea Kouros was found in Tenea …show more content…
temple sanctuary in Corinth and in the area of the ancient settlement of Tenea, it was built up at 570 BCE, which is from the Archaic period and discovered in 1846.
The height of Tenea Kouros is 1.53 meters which is almost an actual life size sculpture with the medium of marble. As for the Tenea Kouros likes many other Kouros figure statues from the Archaic period, it’s embodied disparate of optimal of the aristocratic culture in Greece, it possessed the spirit of the technology in the Archaic period, the body proportion and muscle texture performance of Tenea Kouros is closely to realistic. The detail of anatomy had been increased the softness of the features of the face and how smooth the contours of the face are. However, it derived and evolved with the technology of Egyptian statues. First, Tenea Kouros was carved in an accurately symmetrical proportion to depict a human being on an immovable proportion. because of the upright posture, standing, made the statue became more stiff and arthritic. Tenea Kouros head is raised, eyes are straight ahead and its facing to the front, both arms are drooping, fist is clenched, also it emphasized the broad shoulders. Moreover, it’s inherited the technique of one-foot step forward, then other from Egyptian statues, Tenea Kouros statue is posed with left leg forward, both feet flat on the …show more content…
ground and parallel to one another. as we looked on the side of Tenea Kouros statue, it shows a stiff posture of V- shaped groin capped by two inclined sides of thigh muscles, clench waist and swelling sides, in order to make the whole statue be able to hold it without falling, and more rigid and immovable.
And the frontage of Tenea Kouros, it exhibited the contour of armpit to from a triangle pectorals and it has a heavy contour of the parabola on its epigastric arch, and the square shaped chin had highlighted the features of symmetry form. Although all the muscles and contours were carved perfectly on the statue, it is impossible for real human to stand this irregular posture. In addition, compared to Egyptian statues, Greek male statues are always nude, because Greek believed that man’s body is sacred, and Greek believed that god like them visually. The Tenea Kouros statue was described as Apollo, which depicted as youthfulness, athletic, and with long flowing hair, most observers were content to accept that all such pieces were indeed representations of the god. It’s also impersonal representations of man and captured the flamboyant period of youth. Therefore, the Tenea Kouros statue was performed an entirely nude and resplendent in the erect glory of his beauty and bodily power. Finally, in the Archaic period, most of the statue features are puzzling, such as the “archaic smile.” It’s exactly having some kind of meaning and form containing reasons the Tenea Kouros has a slight smile, it was the significant of the facial expression on most of the statues from the Archaic period, it might have reflected a state of
ideal health and well- being. In fact, cutting and chiseling a smile on the flat stone might cause a technical difficulty, in order to fit the curved shape of mouth to somewhat block like head typical of Archaic sculpture. Therefore, the smile on Tenea Kouros is looked stiff and rigid to a real human. Since we have studied some of the Egyptian statues in class and looked at the Tenea statue closely, I found that Greek statues are unlike Egyptian statues given a great restraint, and because on the quality of the its nation, and the traditional shackles, the Greek Kouros statue has became an individual figure, because it’s represented the ancient political, social, economic and cultural fact to the ancient Greece.
There are many similarities between the sculpture of the kouros and King Menkaure and His Queen. Since the Greeks used the same technique as the Egyptians, the statue of the kouros is posed stiffly with his arms straight down at his sides in the same manner that Egyptian pharaohs were often depicted. His left foot is slightly in front of the right, just as King Menkaure’s left foot is. Both figures are looking straight ahead, have their feet planted on the ground, and have long hair. The kouros represented the ideal form of a young male to the Greeks, just as the figures of King Menkaure and his queen depict the ideal notion of beauty to the Egyptians. The kouros emulates the stiff pose
Around the time 530 bce a statue was carved out of marble and given the name Anavyos Kouros. It represents a male figure completely nude. It is a sculpture in the round and stands a height of six foot four inches. Starting from the top we see the man's head. His hair looks odd to that of a normal human, it does not look like it belongs on his head. Looking at his facial structure his eyes are large similar to art of ancient Egypt. His nose, lips, cheeks, and ears are well defined and proportional. His body is muscular and he looks to be in great shape. The sculptor who made this paid close
The first glance you’ve taken at those two statues, you just see a man standing there. They are not doing anything in particular, just standing there. That was only in the first glance of course. Now take a good look at each one. In the archaic Greek kouros figure, the pose of the figure is very frontal. The entire figure is relatively stiff with the exception of the left leg, which is in front of the body giving it the early contrapposto pose. Even though it does have a much more natural pose to it with the one leg out, the rest of the body is not in a pose as if the weight of the body was put into one leg. The head is stiff with the hair being geometric and with the hair falling back on the body. The physical stature of the body is moderately realistic. The muscles are not quite as well defined but they are still semi-realistic. They are portrayed as if they were tense. The arms are also at the side.
Carved from alabaster the over-life-sized statue shows a idealized depiction of ruler Khafre sitting eloquently in his throne. Riddled with indicative symbols and motifs the written language of the ancient Egyptians allows for historian to interoperate the meanings and purpose of the sculpture, and decipher the statements of divinity and the king power left behind by this ancient people. This funerary statue represents Khafre’s eternity a well as utilizing the expensive material as a testament of his importance and
The Statue of a kouros depicts a Greek man in the nude. Although he looks like a man, the large scale, and the miss proportioned features makes it unnaturalistic. The toes are too long, the genetalia is unrealistically small, and the joint lines are exaggerated.
...e of Knidos, created by Praxiteles, can only be found in copies today, but at the time was the first sculpture of a goddess nude. He had transformed marble into the soft and radiant flesh of the goddess of love and taking on a worldly sensuousness. Originally located in a rotunda where it could be seen from all angles. Female nudity was very rare to the Greeks, especially that of a goddess. The sculptor made it look like Aphrodite’s nudity was nonchalant, which made it more sensuous with a welcoming look on her face. With several copies, all being found to be slightly different, all still capture the goddess’s womanly beauty that is not too sexually aggressive. With he hourglass torso, sloped shoulders, large hips and thighs, slim calves and ankles, and small feet and hands, this statue is the polar opposite of any manly figure, which is why it is known to be luring.
Greek artists showed value for the individual. All people were portrayed in Greek art, from the sagging old woman to the ideal athlete. Although early Greek art focused on the human ideal, their later art shows that the Greeks appreciated all forms, and found the human body in general to be a beautiful thing. Even the gods in Greek art showed how highly the Greeks valued humanity. The gods were depicted as humans, and were made to human scale; no huge overpowering deity was ever portrayed in their art. The Greeks appreciated themselves in their art as much as they appreciated the gods. Even on the most famous temple of all time, the Parthenon, humans were portrayed. The frieze that adorned the upper face of the Parthenon depicted the human procession in honour of the god Athena.
...r. "Ancient Greece." Gardner's art through the ages the western perspective. 13th ed., Backpack ed. Boston, Mass.: Wadsworth Cengage Learning, 2010. 101, 123,129. Print.
Egyptian art is infamous across the world - classified by the monumental pyramids, and the Sphinx. Although these are both valid forms of Egyptian art, they do not make up the entire artistic history of the country. On the contrary, perhaps the most replicated example of classic Egyptian art, from the Old Kingdom, can be found in their rendering of the human form. An interest in portraiture developed early in Egypt. (Gardner, 75) Whether painted on pottery, or cut into rock, the figures all had notably Egyptian characteristics. "The seated statue is one of only a very small number of basic formulaic types employed by the sculptors of the Old Kingdom." (Gardner, 75)
This is a copy of the sculpture of Athena Parthenos, dressed in battle attire, that was originally created by Phidias during the period of 447-39 B.C. The statue of Athena Parthenos was to be constructed, not of bronze, but of gold and ivory. The face, arms, and feet of the statue were to be made of ivory and the clothing, of thickly plated gold. The statue was an enormous size that towered thirty-three feet tall. The costly nature of the materials out of which it was designed was intended to overwhelm the viewer, creating a sense of religious awe.
The primary focus of ancient Greek sculptures was that of the human body. Almost all Greek sculptures are of nude subjects. As the first society to focus on nude subjects, Greek sculptors attempted to "depict man in what they believed was the image of the gods and so would come to celebrate the body by striving for verisimilitude or true – likeness (realism and naturalism!)."(Riffert) Not only did the Greeks celebrate the human form in their art but also in everyday life. (Riffert) One of the favorite topics for sculptors was that of the athlete. In Greek culture athletes were described as "hero–athletes". (Riffert) This shows that athletes were revered and looked upon as heroes. The influence of athleticism is evident in many famous sculptures. I will attempt to show how the human form influenced Greek art. It is important to note that many of the Greek sculptures discussed do not exist in their original form but rather in Roman copies of the original bronze sculptures. (Riffert)
Sculpture is one of the most important parts of Greek art since it is almost the only art form that has survived in some quantity. The ancient Greeks were especially known for their sculpture because their sculptures were extremely life like and beautiful. It was important to the ancient Greeks to combine passion and reason in their sculpture. Greek sculptures were mostly of the human form since they looked at their gods as having a human form. All of the sculptures were nudes of males because society looked down upon female nudity until latter on in time when you started to see sculptures such as the Venus di Milo, which was modeled after Aphrodite (Wikpedia the free encyclopedia. Wikpedia.11 Nov 2004. 12 Nov 2004 http://www.wordiq.com/definition/Greek_art ). One of the most amazing sculptures is the colossus sculpture of Zeus in Olympia it was one of the 7 wonders of the ancient world. Ancient writers said that it stood 12.40 meters high, 6.65 meters long and 9.76 meters deep the body of Zeus was made of ivory followed by a robe made of gold topped with a silver olive wreath and his throne was decorated with mythological scenes painted by Panainos and Kolotis the statue itself was created by Phidos. Michael Lahanas. 25 Dec 2002. 11 Nov 2004 (http://www.mlahanas.de/Greeks/Arts/ZeusStatue.htm). Another great sculpture is the colossus Athena Parthenos. This sculpture just like the colossus statue of Zeus was made of gold and ivory and had various mythological engravings in her shield, helmet and pedestal.
Ancient Greek sculptures, as a whole, were not necessarily portraits, but instead resembled wide ranges of people, as stated by Hurl, Estrelle on chapter 1. Ancient Greek sculptures, according to, were really close to nature due to the sculptures nailing the look of the human form
While they might be in the same stiff stance, the Kritios boy is looser and more realistic. The Kouros Youth is thinner and very sharp. If you look at the legs of the Kouros Youth, you can see that the edges of the muscles are sharp in comparison to the very round legs and body of the Kritios boy. The Kritios boy is looking much more realistic and round. The hair between the two statues is also very different. While the Kouros Youth has long, stylized hair, the Kritios boy has shorter, fuller hair. We are getting closer and closer to the idealized Greek body with even the face on the Kritios boy, with the lips showing a Greek ideal. You can tell that the eyes in the Kritios boy would have been inlaid while the Kouros Youth would have
Many art works such as statues are placed throughout the world in different settings. The most common setting for statues is found in funerary settings. The importance of statues in funerary settings is that they are use to project the power the person had before his death. The seated statue of Khafre enthroned from Gizeh, Egypt, illustrates the idealized pharaoh. Another sculpture is Kouros, from Anavysos, Greece that depicts the heroism of Kroisos dying in battle. The Kouros and Khafre are similar in the way that they both radiate power and serve the purpose of honoring the dead men, yet Khafre has a greater significance because it illustrates the pharaoh in a flawless form and the audience can tell that he was a great ruler by the perfect cut sculpture.