Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Chivalry in canterbury tales
Chivalry in canterbury tales
Chivalry in canterbury tales
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Sir Gawain and the Green Knight is a medieval romance that demonstrates the rights and wrongs of both the chivalric code and Christian morals as well as the objective of using them as a guideline in everyday life. In the poem, Sir Gawain represents this ideal and so “the pentangle was appropriate to that prince” (Green 623). However, the girdle, along with other situations, challenges the idea of following these codes and if Sir Gawain really is the definition of human perfection that everyone thinks he is. The principle behind this poem is structured around the struggle of: although the poem illustrates Gawain as a model of human virtues through the pentangle, the girdle demonstrates the limitations of human perfection.
The combination of
…show more content…
Christian morals and the chivalric code in the poem is defined through Sir Gawain as an exemplar model who displays Christian principles through the chivalric code. The chivalric code derives from the values of the Christian morals and is an effort to present these values in everyday life through ideal individuals such as knights like Sir Gawain. The distinction between the Christian moral and the chivalric code is necessary to understand and see Gawain’s pentangle as primarily a religious symbol that is afterwards taken up by the chivalric code. The pentangle is accepted as “a five pointed star [having lines that overlap] and links with the last so is ever eternal [...and] is known by the name of the endless knot” (628-630), it is observed at how the pentangle is a representation and assigned to Gawain as he is “these five sets of five were fixed [to this knight]” (656). The five virtues that the pentangle symbols are a direct representation of what Gawain aspires to be. Furthermore, the virtues that the pentangle symbolize are derived from Christian values (the first four) and the last virtue ties up all the rest to structure them into the perfect knight. Sir Gawain’s obedience to these virtues is tested throughout the poem. Staying faithful and keeping his deal with the Green Knight, being able to find Bertilak’s castle in the forest and having the privilege of staying at the castle, and resisting the temptation from Bertilak’s wife all three nights. Sir Gawain’s first display of having complete faith in God is when he prays to him so may have “some house where mass might be heart, and matins in the morning”(755-756). He fully places his trust in God as he asks him to “be near [him] in [his] need”(762). This is an example of the immense amount of faith that Sir Gawain had to his religion. Furthermore, by not falling for Bertilak’s wife, Sir Gawain proves himself once again to readers that he is staying true to his duties and remaining faithful to his faith. The pentangle is heavily religious and signifies that the person wielding the shield will be “flawless […], never at fault, […have his strength come from the thought of] the fortitude he found in the five joys which Mary had conceived in her son” (641-647). Because of his capability to hold onto the values that Mary, inside his shield, reminded of he was able to resist the Bertilak’s wife “looking her loveliest” (1187). Although Sir Gawain has been able to “not succumb” (1776) to Bertilak’s wife’s temptation, his ultimate downfall is when he accepts the “green silk girdle trimmed with gold” from her (1832). Before the girdle, anything she offered Sir Gawain he would politely reply with “I have nothing to give, so nothing will I gain” (1823). However, it is the fact that with the girdle Sir Gawain will be able to cheat death that intrigues him and brings him to his demise. Sir Gawain’s fear of death and, ultimately, his trust in a material object more than his religion and faith and God has him, at first, provokes him to think about how he would “be safe against anyone who seeks to strike him, and all the slyness on earth wouldn’t see him slain”(1853-1854). Sir Gawain’s pride and honour get the best of him as he begins to care too much about battling and whether or not he losses. Furthermore, he no longer wants to uphold and respect the challenge he had accepted from the Green Knight at the beginning of the year. Instead of putting his faith in God as he is supposed to as depicted from the pentangle, he hopes that “with [the] luck [from the green girdle] it might let him escape with his life” (1858). The pentangle calls for the noblest knight to have “his faith […] founded in the five wounds Christ received on the cross”, meaning to fully have their faith and trust grounded in Christ and how he saved this Earth (642-643). The girdle is a clear representation that everyone, even those whom may seem to be flawless and the perfect image of what everyone should aspire to be, cannot always be as perfect as they may seem. It is evidence of the limitations of human perfection. Gawain is an illustration of despite being known as the “prince who talked the truth: known as the noblest knight” can also make mistakes and have moments weakness. After receiving the girdle, Sir Gawain “did not leave off the lady’s lace girdle; for his own good, [he did not] forget that gift”, all he could think about was all the benefits that could come from the this gift and he did not feel a lot of guilt for not telling Bertilak about it, or for in someway dishonouring the challenge that the Green Knight has said (2030). Even with the plea from Sir Gawain’s servant to “for God’s sake travel an alternate track, ride another road, and be rescued by Christ” Gawain does not turn back and see the error of his ways by trusting the girdle more than in God (2119-2120). Despite having the girdle be Sir Gawain’s reason for not being able to stay faithful to his vows, he is ultimately not to blame.
The large amounts of values illustrated by the pentangle were upheld despite the temptation. It was because of the chivalric values he had that he did not sleep with Bertilak’s wife. The pressure of having to meet such high standards that everyone set for him were what caused his fear of losing his battle with the Green Knight. Seeing the girdle as an opportunity to return to King Arthur as the same honourable knight that everyone saw him as was not necessarily a negative thing. As said before, the girdle is a representation of the limitations of perfection. The fear of being “christened a coward [something that] could not be excused” was a bigger fear and burden for Sir Gawain, even more than the fear of losing is faith to God (2131). Sir Gawain rather “take [his] chances” than have to return to the kingdom empty handed and full of shame. The flawlessness that Sir Gawain had to his name was technically too good to be true; the girdle proves that there is no one that can resist all temptations, even the noble and faithful Sir Gawain. It is important that Sir Gawain shows that he is “shocked and ashamed” when he learns about the truth of the girdle (2370). It illustrates that although he did take the girdle and was going to use to for less than noble purposes, the fact that he feels shame shows that he does know what he did was wrong. He admits that he did a “terrible [mistake,] and [he] shall bear the blame”(2385-2386). Despite lying and cheating his way to win this challenge, his noble and truthful side still prevails as he admits his wrongdoings. Furthermore, in Christianity it is well known that although people may have sinned, as long as they are able to sincerely repent their sins and know what they have done wrong and try to change, God will ultimately forgive them in the end. The poet is trying to send across that message of the
forgiving side of Christianity, not just the black and white rules that everyone must follow. This romance illustrates the unification of both Christian morals and chivalric code into one great symbol: the pentangle. With its five overlapping lines, it is a direct metaphor for the chivalric goals of knightly hood that Sir Gawain strives to achieve. Although Sir Gawain faces many trials throughout the poem in order to try and remain true to the codes, the girdle is a representation of how there are boundaries to how far someone is willing to go until they must in the end break or bends their values that they abide by. Sir Gawain, the exemplary model of human virtues, is still able to make mistakes despite all the morals that he represents.
In the poem Sir Gawain and the Green Knight by Poet Pearl, Sir Gawain, knight of the Round Table, acts chivalrously, yet his intents are insincere and selfish. It is the advent season in Middle Age Camelot, ruled by King Arthur when Poet Pearl begins the story. In this era citizens valued morals and expected them to be demonstrated, especially by the highly respected Knights of the Round Table. As one of Arthur’s knights, Sir Gawain commits to behaving perfectly chivalrous; however, Gawain falls short of this promise. Yes, he acts properly, but he is not genuine. The way one behaves is not enough to categorize him as moral; one must also be sincere in thought. Gawain desires to be valued as
Despite being a knight, Sir Gawain sinned. He was greedy. He accepted a woman’s girdle because it would literally save his neck in the covenant he had with the Green Giant. The woman’s girdle was magical and saved people from every thrust or strike they would endure. Sir Gawain learned his lesson through all the guilt he feels when he was caught. Moreover, when Sir Gawain says, “Dread of the death blow and cowardly doubts meant I gave into greed, and in doing so forgot the freedom and fidelity every knight knows to follow,” (“Sir Gawain” 235). Even though Sir Gawain was a noble knight he still sinned against the knightly code and also against the Ten Commandments.
But in the end he conceals the green girdle that the Bertilak’s wife gives him from him, revealing that despite Gawain’s bravery, he values his own life more than his trustworthiness. When he finally reencounters the Green Knight, he realizes the problematic nature of courtly chivalric ideals. During this, Gawain confesses his fault, of hiding the girdle, to the Green Knight and pleads to be forgiven. Afterwards, he chooses to wear the girdle as a symbol of his mistake. He cannot accept his sin and free himself of it the same way the Green Knight had and he continues to do penance by wearing the girdle for the remainder of his life.
The tales of Sir Gawain and the Green Knight and Lanval offer their readers insight into a common knightly quandary. Gawain and Lanval are both faced with challenges that threaten their ability to protect, uphold, and affirm their very knightliness. The two knights repeatedly see several knightly traits--- each invaluable to the essence of a knight--- brought into conflict. While the knights are glorified in their respective texts, they are faced with impossible dilemmas; in each story, both reader and knight are confronted with the reality that knightly perfection is unattainable: concessions must be made--- bits and pieces of their honor must be sacrificed.
In the final scenes of Sir Gawain and the Green Knight, Gawain’s encounter with Sir Bertilak allows Gawain to perceive his own flaws, manifested in his acceptance of the Green Girdle. The court’s reaction to his personal guilt highlights the disconnect between him and the other knights of the Round Table. Gawain’s behavior throughout the poem has been most noteworthy; his understanding of his sin, one that many of us would dismiss since it was propelled by his love of life, enhances his stature as a paragon of chivalry.
The greatest part of these studies have involved the middle-English text Sir Gawain and the Green Knight. Extensive work has been done on this alliterative four-part poem written by an anonymous contemporary of Chaucer: feminists have attacked his diatribe against women at the end, or analyzed the interaction between Gawain and the women of Bercilak’s court; those of the D. W. Robertson school seek the inevitable biblical allusions and allegory concealed within the medieval text; Formalists and philologists find endless enjoyment in discovering the exact meaning of certain ambiguous and archaic words within the story. Another approach that yields interesting, if somewhat dated, results, is a Psychological or Archetypal analysis of the poem. By casting the Green Knight in the role of the Jungian Shadow, Sir Gawain’s adventure to the Green Chapel becomes a journey of self-discovery and a quest - a not entirely successful one - for personal individuation.
No matter where we go in the world, we will always be surrounded and tempted by sin. These temptations test our character and morality, and they prove that our human nature inherently causes us to fall to the sins that encompass us. Even though the world is a dark and immoral place to live, we all value our lives and are prepared to do almost anything to protect ourselves from harm’s way. In Sir Gawain and the Green Knight, the green girdle serves as symbol that highlights Gawain’s incessant love for life that tempts him to stray from his knightly code of chivalry.
This may seem to be the case at the beginning, but by the end of this literary work, Gawain begins to evolve as a character. Near the end of the story Gawain has gone from flat and unchanging, to a growing and round solar hero who learns from his poor choices. When it came time for Gawain and the Green Knight to reverse their roles and perform the rest of the game, the magic girdle that Gawain received worked as it was supposed to, in that Gawain would be wounded but not fatally wounded. This is when Gawain experiences the most growth as a character. He experiences growth through realization of his poor choices and that everything was all a plot to make an “All high and mighty, do no evil Knight of the Round Table” a fraud and make him lose favor in the eyes of the common people. It was a trick formed to make the commoners see that even the most righteous people in the kingdom could be
In the anonymous poem Sir Gawain and the Green Knight, the character of Sir Gawain is portrayed as the imperfect hero. His flaws create interest and intrigue. Such qualities of imperfection cannot be found in the symbol of the pentangle, which he displays on his shield. This contrast between character and symbol is exposed a number of times throughout the poem allowing human qualities to emerge from Gawain’s knightly portrayal. The expectations the pentangle presents proves too much for Gawain as he falls victim to black magic, strays from God, is seduced by an adulterous woman, and ultimately breaks the chivalric code by lying to the Green Knight.
Sir Gawain and the Green Knight is a medieval poem by an unknown author, written in Middle English in the 14th century. This poem is uncanny to most poems about heroism and knightly quests as it doesn’t follow the complete circle seen in other heroism tales. This poem is different to all the rest as it shows human weaknesses as well as strengths which disturbs the myth of the perfect knight, or the faultless hero. The author uses symbolism as a literary device in Sir Gawain and the Green Knight to give the plot a deeper and more significant meaning. Symbolism is used to emphasise the difference of this heroism story against others and therefore symbolism is of great importance in this poem. The importance of the following symbols will be discussed in this paper; the pentangle, the colour green, the Green Knight, the exchange of winnings game, the axe and the scar. This paper argues the significance of the use of symbolism as a literary device in the poem Sir Gawain and the Green Knight.
Sir Gawain and the Green Knight fit in with the concept of a romance; it has all the elements that would make one consider the text as so. The tale holds adventure, magic, a quest and an unexpected reality check that even those who are considered “perfect” are also just humans. The author used this story as a way of revealing faults in some of the aspects of knighthood through the use of intertwining chivalric duty with natural human acts; thus showing to be perfectly chivalrous would be inhuman.
Even court life need not be washed completely of human sin and the natural instincts all animals rely on, for being godly, as Gawain is, should not be viewed as the primary characteristic of being moral. There should be a balance between humanity and godliness, similar to Aristotle's idea of a golden mean, that all these knights seek. By showing that knights should achieve this balance, the author extends his message to the common people, who look to knights as role models of morality. Sir Gawain and the Green Knight challenges the contemporary ideals of morality, presenting instead a golden mean that the common people would not have associated with their knightly role models before.
The poem’s intricately balanced structure challenges the reader to seek out a resolution coherent with his or her own ethics. An admirable knight of King Arthur's renowned court, Sir Gawain is directed by a complex set of ethos, a collaboration of principles symbolized by the mystical pentangle. A five-pointed star composed of five interlocking lines; the figure represents a multitude of guiding tenets, representing both religious and knightly ideals. One can recognize that “the pentangle cognizance is explicated by the poet to signal Gawain’s complete Christian perfection, and for the reader to be aware of contemporary concerns about magical protective practices, hinting at human frailty” (Hardman 251).
When he meets the Green Knight in the Green Chapel, the Green Knight only distributes a small nick in Gawain 's neck with his axe. He does this because Gawain completes all of the challenges that were faced before him with honor and honesty, except when he accepted the girdle from the wife of the castle. Sir Gawain is disappointed in himself, even though to the Green Knight, Gawain passed all of the tests with flying colors. Gawain even goes as far as to say "Now I am false and unworthy, and have always dreaded treachery and deceit: may misfortune and grief befall both!" (2384-2384). Gawain has no pride in anything he has done throughout the tests from the Green Knight. The Green Knight makes him take the girdle back to Camelot as a symbol of how well he did, even though Gawain does not see it as that. He heads back to Camelot with only a nick in his neck and the green girdle. Everyone of the castle sees the nick in his neck and the girdle and congratulates him. They all respect him for what he has done. However, Gawain wants no praise whatsoever from his peers. He is extremely humble about the situation and does not boast at all because to him the scar on his neck and the girdle represent his failure in completing all of the tasks perfectly. The people of Camelot are so proud of Gawain and all start wearing green girdles in honor of Gawain 's brave act. Gawain stays humble throughout all of
In the early fourteenth century, knighthood represented respect and success for brave young men, and chivalry’s codes were necessary for those young men to uphold. In the book Sir Gawain and the Green Knight, the author constructs the young Sir Gawain by testing his character. These trials, given by the Green Knight, challenge Sir Gawain 's loyalty and bravery to people’s astonishment Sir Gawain 's achievement is muddled. During the test he breaks his promise and takes away the green girdle that he supposes to exchange with Bertilak just likes his bargain.