The stories on The Canterbury Tales by Geoffrey Chaucer often undermine societal hierarchies at the time. The tales Chaucer tells highlight aspects of authority that would otherwise never be questioned. In “The Miller’s Tale”, the notion of a clear useful economic hierarchy is challenged. Chaucer critiques chivalry in “The Knight’s Tale,” testing the value of the authority it provides. In “The Friar’s Tale”, Chaucer questions the benevolence of the church and its position hierarchy. By giving archetypal characters the freedom to act in opposition to their hierarchical roles, Chaucer calls the nature of authority into question. “The Miller’s Tale” opens with a blunt challenge to authority. When the Miller breaks with the hierarchy and demands to tell his story before the Monk, Chaucer makes the authoritative structure abundantly clear. Though the order of story-telling among acquaintances is a seemingly insignificant, far removed from the rigid hierarchy of medieval England, Chaucer is sure to fundamentally At the time of Chaucer’s writing, English knights had fallen out of favor as new forms of warfare began to take over. Still, chivalry remained an important aspect of authority, a model for behavior at the time. Chaucer brings in elements of chivalry to tell “The Knight’s Tale.” Palamon and Arcite fight an idealized, courtly battle for the love of a woman. Critique of authority in “The Knight’s Tale” is rather subtle, and appears through the use of fortune, which plays a large role. Though the knights are in a high station in their world, neither are immune to misfortune. By portraying fortune as the ultimate power in the world, Chaucer undermines constructed power of the knights and the court. Chaucer leaves these contradictions open for interpretation, allowing power to be questioned without outright dismissing
Life during the Middle Ages was full of social change, division, and classism. This feudal society of Britain was divided into three estates. (social classes) Within the second estate was the the knight who was a soldier for the king who fought in many battles. Even though the knight is expected to have the strength and the skills to fight in battle, all knights during the Medieval period additionally had a chivalrous aspect to them. Chivalry was the honor code of a knight which included bravery, courtesy, honor, and gallantry toward women. Within the stories of the “Wife of Bath’s Tale” and “Le Morte d’Arthur”, the code of chivalry was broken by knights which show the corruption of England’s feudal society.
In the movie A Knight’s Tale the two main knights were William Thatcher and Count Adhemar. They both showed chivalry and courtly love, but not correctly. More of chivalry was followed more and the right way. The movie is very loosely based on Geoffrey Chaucer’s book Canterbury Tales. His father always wanted him the change his stars so he would not live in poor life forever. Even though both knights were good, William was better because he followed chivalry, courtly love, and prowess in battle.
The Knight’s leadership is one quality that Chaucer values. The Knight is a wise, noble, modest, and brave man. Chaucer recognizes this when he writes, “To ride abroad had followed chivalry, / Truth, honor, generousness and courtesy. / He has done nobly in his sovereign’s war / And ridden into battle, no man more, / As well in Christian as in heathen places, / And ever honored for his noble graces” (ll. 45-50). Chaucer speaks highly of the Knight because he was well liked and the everyone looked up to him.
Within the larger context, the tales can be divided into groups. These ‘fragments’ are each cohesive, not in the least because of their treatment of a single overarching question or issue, as is examined in detail by structuralist critic Jerome Mandel, in Building the Fragments of the Canterbury Tales. Using Mandel’s premise as a beginning, one can further conjecture a structural similarity between the fragments; for the immediate purposes, a similarity between Fragments I (beginning with the Knight’s Tale) and III (beginning with the Wife’s Tale) is worth noting, in which an opening tale poses a serious question and partially addresses it, and a pair of lighter tales follows, each playing off the other to further examine the question. As the fragments progress, moreover, the questions as they arise encompass the previous question. Thus, the Wife of Bath’s Tale serves an important didactic purpose in encompassing the Knight’s, and heightening the level of the dialogue as Alice, the Wife of Bath, exams the validity of the question the knight poses in its entirety.
Chaucer's Canterbury Tales are filled with many entertaining tales from a variety of characters of different social classes and background. The first two tales told, by the knight and the miller, articulate very different perspectives of medieval life. Primarily, The tales of both the knight and the miller bring strikingly different views on the idea of female agency, and as we will discover, Chaucer himself leaves hints that he supports the more involved, independent Alison, over the paper-thin character of Emily.
In his Canterbury Tales, Chaucer fully explicates the cultural standard known as courtesy through satire. In the fourteenth century, courtesy embodied sophistication and an education in English international culture. The legends of chivalric knights, conversing in the language of courtly love, matured during this later medieval period. Chaucer himself matured in the King's Court, as is revealed in his cultural status, but he also retained an anecdotal humor about courtesy. One must only peruse his Tales to discern these sentiments, for Chaucer’s view of courtesy can seem shocking and, all together, obscene at times, it’s the similarity of the differences that make Chaucer’s tales superior. An example of this can be seen through Nicholas’ attempt at “courting” Alison versus Arcita and Palamon’s endeavors at courting Emily. Nicholas' anxious and lewd behavior, in conjunction with his explicit sexual connotation, demonstrates Chaucer’s more farcical side; where as, the manner in which Arcita and Palamon court Emily can seem more satirical. In the Miller's Tale, Chaucer juxtaposes courtly love with animalistic lust, while in the Knight’s tale, the subject of chivalry is held with much higher regard, and used as a florid, glorious attribute. These numerous references provide the reader with a remarkably rich image of the culture and class structure of late fourteenth century England.
Chaucer satirizes knights and chivalry in two different ways: in the prologue and in the Knight's Tale. The first way in the prologue is with the pilgrim Knight's character. Chaucer wanted to present a realistic knight, but he also wanted to give the Knight some very real, and obvious flaws, as a sort of social commentary on the way that knight's were perceived in the 14th century. To that end, he gave the Knight some qualities that could be termed as the antithesis of the qualities that a good and honorable knight should have. The second way I see Chaucer as satirizing chivalry is through the Knight's Tale. The Knight's Tale presents the "ideal" knights. They follow the codes of chivalry. They follow the graces of courtly love. They have duels. Have battle honorably. And, they also make fools of themselves on more than one occasion. Palamon and Arcita are so perfect, that they become parodies of the perfect knights. And, in the end of the tale, everyone ends up somewhat unhappy, and there is no clear winner. By writing this parody, Chaucer is trying to convey the idea that a lot of the ideals of chivalry are a bit silly. And, as all of the different tales reflect back on the characters of the pilgrims who tell them, the ideas in the Knight's Tal...
The Virtue of Men and Women in The Canterbury Tales People never change. In every town you will always be able to find the "rich guy," the "smart guy," the "thief," and the "chief." It has been that way since the first man was swindled out of his lunch. Throughout his life, Geoffrey Chaucer encountered every kind of person and brought them to life for us in "The Canterbury Tales," a collection of short stories written in the 1300's. There are tales of saints, tales of promiscuity, tales of fraud, and tales of love.
He also shows through the Pardoner that perhaps immoral people cannot guide people to morality, through subtle lines such as “For though myself be a full vicious man,/ A moral tale yit I you telle can” (GP 171-172). Through Chaucer’s portrayal of the Pardoner in this tale, the audience is able to see that the Pardoner is a self-absorbed, greedy man that mirrors what the author thinks of the Church, and that the Pardoner is the exact opposite of what he preaches, which also points towards the supposed corruption of the Church. The irony found throughout this work serves the important purpose of bringing attention to the dishonesty and fraud Chaucer believes can be found in the Roman Catholic Church at this time.
The structure Geoffrey Chaucer chose for his masterpiece, The Canterbury Tales, of utilizing a melange of narrative voices to tell separate tales allows him to explore and comment on subjects in a multitude of ways. Because of this structure of separate tales, the reader must regard as extremely significant when tales structurally overlap, for while the reader may find it difficult to render an accurate interpretation through one tale, comparing tales enables him to lessen the ambiguity of Chaucer’s meaning. The Clerk’s Tale and The Merchant’s Tale both take on the institution of marriage, but comment on it in entirely different manner, but both contain an indictment of patriarchal narcissism and conceit.
“The Canterbury Tales” was written in the 14th century by Geoffrey Chaucer. These tales constitutes a frame story which each pilgrim has to tell their own story to the Chaucer, the pilgrim; not the poet. As we know, the tale itself is a satire, but the stylistic structure in the tales creates a sense that can be a parody as well. To support this idea of parody, it is need to know the definition of parody and how Chaucer use this style to make his own ideas clear through the general prologue and the tales such as “The Miller’s Tale” and “The Knight’s Tale”.
“The Knight’s Tale”, for example, uses the concept of a knight not only to parody the concept of the hero, but also to question the well-established courtly love convention. This last concept refers to a set of ideas about love that was enormously influential on the literature and culture of the medieval times for it gave men the chance to feel freely. Also, it gave women the opportunity to be an important element in the story – not only decorative. However, when scrutinizing the tale, the readers can realise that all the aspects of a knight’s love are exaggerated and conveyed throu...
In today’s society the differences in morals between the rich and the poorer classes are virtually non-existent, but during Medieval times “morals and, above all, the virtues at its center, played an important role not only for distinguishing between good and bad, but, more importantly, even for the structuring of society” (Virtus 1). The aristocracy class and the immoral poor class had morals but how they demonstrated them varied; the aristocratic class used chivalry as the basis of their morals, while the immoral poor class did not. Chivalry was not only a code of conduct for those who followed it; chivalry was a way of life. ‘Chivalry first arose in Europe during the Crusades. Chivalry dealt with loyalty honor, and service to women on and off the battle field’ (“The Medieval Period: 1066-1485” 76). The Knight in The Canterbury Tales is the perfect example of someone who follows the code of chivalry. Chaucer describes him with much admiration as “a most distinguishable man, who from the day on which he first began to ride abroad had followed chivalry, truth, honor generousness and courtesy” (Chaucer, "The Prologue." 117). While Chaucer praises the knight for ...
In Geoffrey Chaucer’s The Canterbury Tales, a collection of tales is presented during a pilgrimage to Canterbury Cathedral. The pilgrims on the journey are from divergent economic and social backgrounds but they have all amalgamated to visit the shrine of Saint Thomas. Chaucer uses each pilgrim to tell a tale which portrays an arduous medieval society. The values, morals and social structures of the society can be examined through the fictitious tales, unravelling a corrupt, unjust and manipulative world, a world that is based around an ecclesiastical society.
One of Geoffrey's less believable main characters is the Knight, for reasons of chivalry. The knight displays many traits which make him seem almost too good to be true, and a true gentleman that rarely exists in reality. The narrator sums up the knights character by stating that "Though he were worthy, he was wys,/And of his port as meeke as is a mayde." (pg. 5, The Canterbury Tales) The knight holds four main admirable traits, making him the most liked traveler in "The Canterbury Tales," and also amplying the doubt of his realism. The reader is prepared to learn of each of his noble accomplishments and importance when the narrator remarks that" A knight ther was, and that a worthy man,/That fro the tyme that he first bigan/To ryden out, he loved chivalrye,/Trouthe and honour, fredom and curteisye." (pg. 4, The Canterbury Tales) From the characters impressive introduction, it is clear that this man is the most valued and honorable traveler among the group. This perfect gentleman holds a love of ideals that are often not displayed by people. First and foremost, he believes in the ideals of chivalry, and always stays true to its principles. He also feels that one should be honest, truthful and faithful, which many people are not all of these ideals. The knight thinks one should only do what is right, and what will gain him honor and reputation. This character also believes in freedom and generosity towards all, and displays this ideal repeatedly throughout the novel. And lastly, the knight also strongly feels that any proper person should display courtesy and elegance at all times. Another aspect of this character's life which makes him seem too prestigious to be truthful is his impressive military career. He fought in the holy war, known as the Crusades and was involved in 15 "mortal battles." In the prologue, the narrator informs the reader that "Ful worthy was he in his lordes werre,/And therto hadde he riden, no man ferre,/As wel in Cristendom as hethenesse,/And ever honoured for his worthinesse.