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Relationships in a streetcar named desire
Themes in the streetcar named desire
Characteriztion through streetcar named desire
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Love and power are both and enticing; however, they both can end with disastrous results. Written by Tennessee Williams, A Streetcar Named Desire is a dramatic story of two sisters and a deadbeat husband who are drowned in troubles from the past and present. Throughout the play, two of the main characters, Stanley, the deadbeat husband, and Blanche, the crazed romantic, are thought of as polar opposites. On the other hand, if you look deeper, both are consumed by three simple things: attention seeking, affection, and an unrelenting desire for power and control. While Stanley and Stella are both contrasted fairly often throughout the play, they share a key similarity through their unrelenting desire for attention. From the time when Blanche …show more content…
Throughout the play, Stanley shows how badly he wants complete control over Stella and her family. When Blanche first arrives, he immediately questions her about Belle Reve, and says, “In the state of Louisiana we have the Napoleonic code according to which what belongs to the wife belongs to the husband and vice versa.” (163). This quote screams dominance and control mongering. Also, while Stanley’s friends are over for poker, he insists that Blanche turns the radio off, and demands that the girls keep quiet. When the two sisters do not comply, he goes on a rampage, hurling the radio out of the window. The same controlling manner can be said for Blanche, as throughout the story, she constantly summons Stanley and Stella to do things for her, such as starting a bath. She also expresses the same behavior to Mitch and the Paperboy. During their night out, Blanche forces Mitch to follow her around and do what she wants, and when the Paper Boy arrives to take some questions, she seductively insists that the boy should stay and kiss her. Control is a massive part of Stanley and Blanche’s lives, whether it be apparent or
He wants her to be truthful and "lay her cards on the table" but simultaneously would "get ideas" about Blanche if she wasn't Stella's sister (Williams, Street 40-41). Their relationship overflows with sexual tension as they battle for Stella. Stanley, the new south, defeated Blanche, the old south. After destroying her chance for security, his sexual assault erases her last traces of sanity. Similarly opposites are found in "Cat on a Hot Tin Roof."
When Stanley beats Stella in Scene 3, the abusive side becomes noticed and readers come to the conclusion that it was not the first time that this act of violence has occurred. (Williams 40). But Stella ends up coming back to him after he cries out to her, and their relationship resumes as it did in the times prior. He is also the one who investigates the protagonists’ (Blanche’s) past; as he knows there are things she is hiding. This need to know about Blanche’s history is driven by his hatred for her aristocratic ways. Furthermore, Stanley makes his dominance apparent through the expression of his sexuality. At the end of the play, he rapes Blanche as a way to regain his dominance in the household. Throughout the play, Blanche slowly gains some control over Stella, and causes disruption to Stanley’s
Throughout the play there are numerous examples of the power he possesses of her. Williams portrays Stella as a little girl who lives in Stanley’s world. She does what he wants, takes his abuse, yet still loves him. Situations like these may have occurred in the 1950’s and lasted, but in today’s time this would only end up in a quick divorce. The first scene of the play (pg. 14) Stanley has just thrown a piece of meat up to Stella as he turns the corner heading for the bowling ally.
As Stanley continues torturing Blanche and draws Stella and Mitch away from her, Blanche’s sanity slowly dwindles. Even though she lied throughout the play, her dishonesty becomes more noticeable and irrational due to Stanley's torment about her horrible past. After dealing with the deaths of her whole family, she loses Belle Reve, the estate on which her and her sister grew up. This is too much for Blanche to handle causing her moral vision to be blurred by “her desperate need to be with someone, with ancestors for models who indulged in “epic fornications” with impunity, [Blanche] moves through the world filling the void in her life with lust” (Kataria 2). She also loses a young husband who killed himself after she found out he was gay when she caught him with another man. After that traumatic experience she needed “a cosy nook to squirm herself into because ...
In A Streetcar Named Desire, by Tennessee Williams, Stella and Stanley use sexual advances in order to obtain power and control. While playing poker, Stella uses sexual advances in order to woo Stanley and make him subordinate to her. In another scene, Stanley uses sexual advances to take control of Blanche in the bedroom and rapes her. These sexual advances relate Stella as a wife, who wants to show that she is a woman of strong character and Stanley as the alpha male, who wants to be in control of everything.
However, there are also many instances where Stanley, a common working-class man, reveals his desire to be powerful and manly in his relationship with Stella, a woman who is of high class. Stanley is a man from a poor background and is married to a woman with a rich family history. Logically, Stanley may feel intimidated by Stella’s upbringing and feels that it is crucial to oppress her; it is hinted many times throughout the play as Stanley clearly demonstrates he is the one that holds the power by the way he treats Stella. Right from the start of the play, with Stanley’s introduction, he comes “around the corner… [with] a red-stained package from a butcher’s” (4), much like how an animal would bring its kill back home. With this, it is an analogy to a leader, Stanley, of a pack that brings back the food for the others to eat. The reliance of Stanley to bring back home the food broadcasts his will as the almighty alpha male that holds more importance than Stella. Furthermore, Stanley “heaves the meat at her (Stella),” (4) treating her as like a servant and also making a sexual innuendo. This action is one of disrespect and lets Stella know that she is under Stanley. This is an example of Stanley seeing Stella as a slave, a sexual object, under his control. Control is a large factor to Stanley as a husband and as a person. This is apparent when Stella explains that “Stanley doesn’t
The essential conflict of the story is between Blanche, and her brother in-law Stanley. Stanley investigates Blanche’s life to find the truth of her promiscuity, ruining her relationships with Stella, and her possible future husband Mitch, which successfully obtain his goal of getting Blanche out of his house. Blanche attempts to convince Stella that she should leave Stanley because she witnessed a fight between the two. Despite these instances, there is an essence of sexual tension between the two, leading to a suspected rape scene in which one of their arguments ends with Stanley leading Blanche to the bed. Branching from that, Stella has an inner conflict because she does not know whether to side with her husband or her sister in each situation. Blanche and Mitch ha...
As the play progresses, Stanley feels the disruption in his household. His privacy is being invaded with Blanche so close in the other room. Stella is standing up to his authority more often, with prompting from Blanche. Blanche continually berates him in front of Stella and his friends. He does not believe her story as to why she came. He also feels she is lying about most of her life story. This places him on a slow burn to find out why Blanche is in his home and how to get her to leave. He is determined to restore his household to its pre-Blanche condition. After he learns Blanche’s secrets, he plots to expose her and get her to leave. Due to his nature, he does not care if she is destroyed in the process. Blanche is depressed, lonely and just wants some peace. She has suffered through, death of a spouse, death of several family members, including mother and father, loss of their ancestral plantation, loss of her teaching job and finally loss of her dignity by selling herself for money. She strikes up a relationship with Stanley’s friend Mitch. She is not really interested in Mitch as a person. She just wants to be married, have a home to live in again and be at peace with her past. This in not to be, she is exposed and raped by Stanley, dumped by Mitch and has a psychotic
Stella represents an important part in this drama by providing a contrast to how life can change people when they go down different paths. In Contrast to her sister, Stella is bound to love. Although she fell in love with a primitive, common man, she most definitely loves him. Stella desires only to make Stanley happy and live a beautiful life together. She wants to find peace between her sister and her husband yet instead she finds conflict afflicting her on both sides. Blanche uses her dilutions and tries to sway Stella away from Stanley yet Stella takes all these slanders and belittles them. Stella does this because she loves Stanley and since she is pregnant with his baby.
3. How might we get to the bald truth/reality of Stanley and Stella 's relationship during the poker game? How are we supposed to understand Stella 's motivation for being/staying with Stanley, despite his physical abusiveness? (that is, on what is their relationship based/founded/sustained)? How does the discovery of these things affect the relationship between Blanche and Stella, and why is this important?
At the beginning of the play, there is an equilibrium, Stanley and Stella have been living happily together in Elysian Fields, however the arrival of Blanche acts as a catalyst and immediately she begins to challenge their way of life with her values.
Since Blanche’s arrival, Stanley has questioned Blanche’s lifestyle, accused her of theft and engaged in other verbal confrontation. As Mitch’s friend, Stanley deems it necessary to share what he has uncovered about Blanche’s deception and misbehavior with Mitch. After not attending Blanche’s birthday dinner, Mitch visits Blanche late in the evening. In this passage, Mitch reveals to Blanche what he now knows about her and tears off the paper lantern so that he can expose Blanche for who she is. This passage suggests that Mitch embodies the same masculinity already established in Stanley. Utilizing dialogue, characterization, and stage directions, Williams reveals the likeness between the two men.
Stella Dubois is unconcerned about her survival and is more concerned about her life with Stanley. The plot is introduced when Stella’s sister Blanche moves in with Stella and her husband. Blanche is a dynamic character and that causes conflict with other characters, revealing the other character’s true nature, including Stella’s. Blanche consistently comments to Stella about Stanley’s character stating that “he’s common… He’s like an animal…Yes, something- ape-like about him”(Williams, 82-83). Despite Blanche and Stella’s wealthy and privileged upbringing, she’s head over heels in love with Stanley, who even described himself as unrefined. In Scene three, Blanche stirs trouble with Stanley by turning on the radio when he told her to turn it off.
Stanley (Stella's husband) represents a theme of realism in the play; he is shown as a primitive, masculine character that is irresistible to Stella and on some levels even to his "opponent" Stella's sister Blanche.
Stella and Stanley’s relationship is one based purely on, as Blanche describes it, “brutal desire – just – Desire!” (81). They treat one another without respect, with Stella calling her husband offensive slurs like Pollack and him beating her. However, because of their deep desire for each other, Stella quickly forgives Stanley for his wrong doings, growing his power over her. When his desire for power builds and he is sure that Stella is dependent on him, he rapes Blanche. When Stella hears her sisters story she calls for Blanche to be institutionalized. While it is clear to the reader through her hesitation in sending Blanche away that Stella knows Stanley really did rape her sister, she cannot bring herself give up Stanley and acknowledge the truth. In this action, she has ruined any trust that Blanche had in her and forever destroyed their relationship because of her selfish desire for Stanley.