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“I liked the haircut, and it made me actually look forward to my future fame.” “Two Kinds” is a short story adapted from the novel, The “Joy Luck Club”, which is written by Amy Tan. It focuses on the optimism of the dynamic protagonist, Jing-Mei (June). This short story follows the life of Jing-Mei as she lives her childhood in San Francisco with her strict and expecting mother, who left seek a better life away from the war in China. Her mother believed that she could be a prodigy and become anything she wanted to be in America and because of this her expectations has always been very high. Jing-Mei is often unhappy throughout the story due to this fact and often finds herself wanting to purposefully disappoint and let down her mother to prove …show more content…
This is the case for Jing-Mei who spends the early years of her life believing that what her mother said is true. That she could be a star, a sensation but as she nears her teenage years she realises that the world isn’t so kind. Pessimism becomes a defining personality trait and much evidence is given to support this. When her mother wants her to play the piano and gets her lessons Jing-mei is immediately angry at her and cries, “I’m not a genius! I can’t play the piano!” Although her mother is tough on her, before she even touches a key she decides that she can’t play the piano no matter how hard she tries. She claims she isn’t smart enough and that she will never be able to become the person her mother wants her to be. Everyone is used to blowing off some steam now and then. For Jing-Mei, it’s shown to be a regular occurrence. She struggles to contain her anger and blows it off on someone else. This type of anger is based on her failing to meet her standards, which lowers her self-esteem. Towards the bottom of the the second page, it all crumbles down. “When my mother told me this, I felt as though I had been sent to
Jing-mei Woo has to become a member of the Joy Luck Club in place of her mother, Suyuan Woo, who passed away. Before Suyuan's passing Jing-mei does not know much about her mother, as the story continues to develop Jing-mei realizes how much she did not know about her mother and learns more and more new things about her on her journey of finding her sisters. “Your father is not my first husband. You are not those babies” (26), this quote is from Suyuan Woo and shows Jing- mei that her mother has a lot of secrets that she does not know about. “Over the years, she told me the same story, except for the ending, which grew darker, casting long shadows into her life, and eventually into mine” (21). This quote shows how Jing-mei did not know much
I believe that Jing-Mei should have told the truth from before, instead of telling them later. For, this proves to Jing’s half sister’s unnecessary hope of seeing their mother again. If Jing would have told them earlier it would have been less heartbreaking, although it didn’t necessary mess up their joyful reunion; it might have psychologically affected her half sisters more than it would have done if they found out earlier.
Jing-mei 's mother wants Jing-mei to be a prodigy and get popular. Thus, the mother rents a piano for Jing-mei to help her achieve this. Many years later, Jing-mei finds the piano in a broken state, so she decides to have it repaired. She starts playing the song she used to play, “Pleading Child.” But to the right of “Pleading Child,” she finds a second song named “Perfectly Contented.” She starts to play both songs, “And after I [Jing-mei] had played them both a few times, I realized they were two halves of the same song.” (6) Jing-mei’s mother tells Jing-mei that there are two kinds of people: the respectful kind and the disrespectful kind. At that time, Jing-mei also finds out that there are two kinds of people inside her. She could choose to be the kind where the person is a prodigy and respectful, or be the kind that is ugly in the eyes of people. When she plays “Pleading Child” and “Perfectly Contented,” Jing-mei realizes that her identity had changed completely because of her laziness and beliefs. Jing-mei learns that there are two kinds of people in the world, and she should choose the right
Your identity is shaped by your desire to be who you want to be. You choose who you surround yourself with. You decide who you want to become, but in the novel the Joy Luck Club by Amy Tan, Jing-mei’s mother already had her identity planned out whether she likes it or not. According to her mother, “you could be anything you wanted to be in America.” Her standards for her daughter were nothing short of the American dream. She wanted her daughter to be a prodigy, to excel in anything, and at first Jing-mei was just as excited as her mother was. She wasn't sure where her daughter's talents rooted, but she was sure that she reeked of potential. Mrs. Woo tried to push her daughter to become an actress, but she soon found out that will get her nowhere. Then
Jing-mei realizes her mother was trying to help her out, but since their personalities clash, Jing-mei first believed her mother was forcing her to play piano. She thought her mother was setting up unrealistic expectations for her, when only she just wanted to see her daughter live the American Dream. She didn’t understand the Chinese way of thinking so she thought her mother was just being strict. Her mother wants her to be a strong, independent American woman. She just wanted her daughter to have all the opportunities she wasn’t able to have in China.
...r mothers death to meet her half sisters. While in China Jing-mei finds out that she did appreciate her mother although she was worried that she didn't and knew nothing about her. She also realizes that she did not have to prove her Chinese identity to her two half sisters, that she belongs to their family automatically because of Suyuan. After her trip to China she "found" her mother and stops feeling doubt of her and Suyuan's relationship with each other.
The two pieces of textual evidence I have to support this claim are both from paragraph #67 in the reading. The first one is whenever Jing-mei and her mother get into an argument about not wanting to play piano anymore. Jing-mei's mother shouts “Only two kinds of daughters!” and then she goes on to say “Those who are obedient and those who follow their own mind!” These two pieces of evidence from the text are crucial to the story as a whole. They are important because Jing-mei’s mother wants Jing-mei to follow the chinese culture, and play instruments, and to be a talented young girl like the ones on T.V. While Jing-mei’s mom wants her to follow the chinese culture, Jing-mei is growing up in america, and wants to follow her own mind, and she wants to do her own thing. This causes big conflict between the two during the story. So her mom does kinda force culture onto Jing-mei and that’s where culture is noticed, but Jing-mei also has personal experiences at school that make her want to express her own thoughts and be herself and do what she wants to do, making her not listen to her mom that
The narrator in Two Kinds is the daughter of a Chinese immigrant. Her mother believed that anybody in America could be a star. She believed that her
Jing-Mei was forced to take piano lessons; this only further upset her as she felt that she was a constant disappointment. Her mother was mad at her on a regular basis because Jing-Mei stood up for herself and explained to her that she didn’t want to be a child prodigy.
... her own person and wanting only to be accepted for who she is and not who she could be. Even though the argument was never discussed it still haunted Jing-mei. That is why Jing-mei was surprised when her mother offered her the piano for her thirtieth birthday, she took it as a sign of forgiveness.
The cultural ideals of the daughters and their mothers are different and difficult to reconcile, however this conflict, as shown in The Joy Luck Club and The Kitchen God’s Wife can be resolved through storytelling. One major tenet in Confucianism is filial piety which requires children to show absolute respect and obedience to their parents or guardians. However, in America, the relationship between a child and an adult is much more relaxed. In the Joy Luck Club, Jing-mei was forced by her mother to try to find something she was talented in such as piano playing. However, after a failed recital Jing-mei refuses to practice and her mother’s outburst epitomizes the cross-cultural differences, “Only two kinds of daughters...Those who are obedient
“Only two kinds of daughters,” “Those who are obedient and those who follow their own mind!”(476). When a mother pushes her daughter to hard, the daughter rebels, but realizes in the end that their mothers only wanted the best for them and had their best interest at heart. In the beginning, Jing-mei, is “just as excited as my mother,”(469). Jing-mei eagerly hoped to make her mother proud. However, her mother’s obsession with becoming a prodigy discouraged Jing-mei.
In her short story "Two Kinds," Amy Tan utilizes the daughter's point of view to share a mother's attempts to control her daughter's hopes and dreams, providing a further understanding of how their relationship sours. The daughter has grown into a young woman and is telling the story of her coming of age in a family that had emigrated from China. In particular, she tells that her mother's attempted parental guidance was dominated by foolish hopes and dreams. This double perspective allows both the naivety of a young girl trying to identify herself and the hindsight and judgment of a mature woman.
As the story unfolds, Tan suggests that the piano symbolizes different things. For Ni Kan, it is the unwanted pressure her mother inflicts upon. She argues, “Why don’t you like me the way I am? I’m not a genius! I can’t play the piano” (751). However, her mother sees it as a way for her daughter to become the best. Ultimately, the young girl decides to rebel against her mother’s wishes. During her piano lessons with Mr. Chong, her piano teacher, she learns easy ways to get out of practicing. Ni Kan discovers “that Old Chong’s eyes were too slow to keep up with the wrong notes [she] was playing” (751). As a result, Ni Kan performs miserably in a talent show where her parents and friends from the Joy Luck Club attend. Feeling the disapproval and shame from her mother, she decides to stop practicing the piano.
...ith Jing Mei and her mother, it is compounded by the fact that there are dual nationalities involved as well. Not only did the mother’s good intentions bring about failure and disappointment from Jing Mei, but rooted in her mother’s culture was the belief that children are to be obedient and give respect to their elders. "Only two kinds of daughters.....those who are obedient and those who follow their own mind!" (Tan1) is the comment made by her mother when Jing Mei refuses to continue with piano lessons. In the end, this story shows that not only is the mother-daughter relationship intricately complex but is made even more so with cultural and generational differences added to the mix.