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Australian aboriginal culture
Cultural analysis of australia
Australian aboriginal culture
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Australia, published in 2008 directed by Baz Luhrrman, is an Australian film starring Nichole Kidman as Lady Sarah Ashely, Hugh Jackson as The Drover and Brandon Walters as Nullah. Set on Faraway Downs, a cattle station in the northern territory of Australia, Lady Ashely and the drover set out to drove Cattle to Darwin to be sold for the army. Featuring events of the era, that is September 1939 through to 1942, including the bombing of Darwin during world war two. Australia is the third highest grossing film of all time, representing Australia to the rest of the world as a exiting, dangerous country and revealing the prejudice values against Aborigines and woman during that time. Lurrhman uses cinematography, mis-en-scene, and diegetic and …show more content…
Throughout the film the director uses extreme long shots, often panning with the movement of the drove, to convey the vast, dry land that the characters travel through. Revealing the dangerous heat but also conveying the landscapes majestic beauty. The Non-diegetic music that is coupled with these extreme long shots often have a indigenous Australia beat and majestic music with Australian connections. (Waltzing Matilda). The hills by faraway downs and the large canyon is used to show the majestic landscape, however since Gulapa or King George is often seen in these places they are conveyed as places with a spiritual …show more content…
Lady Sarah Ashely as an English Aristocrat is emphasised in this group. Introduced with posh english music, trotting on a posh pony. Her acting style reveals the Stubborn, bossy personality and Luhrrman uses close up shots on her face reveal her determined or dramatic, shocked expression as well as tracking midshots focussing on her posed, arrogant body language. She is dressed in an expensive, blue and white aristocrat dress and gloves carrying a matching umbrella and hat. Accompanied by many cases matching in colour and filled with underwear and
The Australia Outback is portrayed in films as vast and red. Of Course Australia is not completely this description. In the film, Crocodile Dundee, Sue Charlton (heroine character) is a New York journalist visiting Sydney. The Irony is the complete contrast between the desert landscape, shown as a bird’s eye view in the helicopter (Scene 2 Crocodile Dundee). In Priscilla, Queen of the Desert the imagery of a “never-ending” road reaffirms the idea that Australia is an isolated place. Similarly to Crocodile Dundee, Priscilla, Queen of the Desert exposition began in Sydney. The main difference between the films the ‘outback’ where both film plo...
This scene the director included non-diegetic sound such as their traditional Aboriginal music which represent their wise and their culture. The director of this film also carefully chose an elder that could represent Aboriginal people and depict their knowledge and understanding of their land. Costumes plays an important role in this scene as what they are wearing as an equal person who lives in Australia. The Aborigines are wearing traditional clothes while the kid wears their type of clothes which demonstrate that everyone is equal. This relates back to the traditional wisdom and what people should do when encounter an
Both ‘The Drover’s Wife’ and ‘The Loaded Dog’ depict life as an Australian during the Colonial period. ‘The Drover’s Wife’ depicts the everyday life of a bush woman and her
The line ‘The drover’s with cattle’ accepts the fact that Australia started off as simple rural communities and colonies which developed to become the advanced urban society we know today.
Australia has the terrible condition of having an essentially pointless and prefabricated idea of “Aussiness” that really has no relation to our real culture or the way in which we really see ourselves. We, however subscribe to these stereotypes when trying to find some expression of our Australian identity. The feature film, The Castle, deals with issues about Australian identity in the 1990’s. The film uses techniques like camera shots, language and the use of narration to develop conflict between a decent, old fashioned suburban family, the Kerrigans and an unscrupulous corporation called Airlink. Feature films like The Castle are cultural products because they use attitudes, values and stereotypes about what it means to be Australian.
...olours of the opening scenes combines with the horrid lifestyle of Vaughn and Lena, whilst the greens and clouded with droplets of rain as they drive over the range brings in the ideas of hope and a future for both of the characters. The vital role the changing images that surrounds the pair gives insight into the influence of settings on plot and character development.
Good morning everyone and what a pleasure it is to be able to open the Australia Day Film Festival. The two films that have been chosen to open this year’s festival are Bran Nue Dae and the Rabbit Proof Fence. Both of these films offer a unique insight into the experiences and perspectives of indigenous Australians. They reveal adversity faced by aborigines as a result of racism and are a timely reminder of our need to be more inclusive as a nation. These coming of age and culturally inspiring films, Rachel Perkins’s 2009, Bran Nue Dae and Philip Noyces’s 2002, Rabbit Proof Fence have become Australian classics, capturing the dark truth behind Australia’s history. Both directors introduce young indigenous people setting on their journey back home while discovering the harsh reality of being an indigenous person. Rabbit Proof Fence’s Molly, a young indigenous who is forcefully taken away from her home to be housed on mission school, where her sister and cousin will be introduce and educated to become servants for white settlers. Molly, her sister and cousin make a daring escape back home, challenging
The film Australia by Baz Luhrmann displayed numerous misrepresentation of Indigenous Australians. King George or better known as the “magic man” according to Nullah demonstrates an inaccurate and stereotypical view of Aboriginal Australians as being mysterious and spiritually powerful. Australia depicts Aboriginal Australians as being in touch with nature which is a positive stereotype. Nature plays an important role in the Aboriginal culture since they live off of the land by hunting, gathering, and farming the land. Aboriginal Australians were also portrayed as the “other” in this movie and their culture was viewed as being primitive compared to that of the white culture. Movies portraying Aboriginal Australians as being exotic, mysterious,
Another technique used throughout The Rabbit Proof Fence, is the use of music. Music can create many different moods, atmospheres and can set the scene for any type of movie. This movie had a variety of different songs and sound in it: many were traditional Aboriginal songs. Some of the music is a bit unsettling but since it is combined with other sounds it becomes less noticeable. There isn’t a very obvious tune to the music that was played. Instead it’s more of a sequence of synthesised sounds that don’t really have a climax. In my opinion most of the Aboriginal music sound a bit supernatural, like ancestral voices. The repetition of the dideridoo is present in most of the sounds. The most powerful song used was titled “Long Walk Home” by
“Johnno” the new mate in town, is a Canadian who has just moved over and for his first job, driving the local miner’s bus to and from work every day. The mateship between Johnno and the other workers begins to express over time. But they never treat Johnno with disrespect, they’re not rude, not mean, they show mateship. Mateship is an important part of Australians history. When either it’s your first day at a new job, first day at a new school, moving and meeting your new neighbours. Australians are kind and welcoming people. This is seen in the movie, multiple times. There is no fights (punch ups) there’s no bullying, everyone is friends with everyone and the bond that keeps them all connected is one such thing, a dog, Red Dog. The audience feels sympathy for Johnno and this connection will soften the harshness often associated with Australian
Through the director’s use of cinematography, The Man from Snowy River exhibits the magnificent landscapes of Australia such as the Snowy Mountains. In addition to the sandy beaches and the dry and dusty outback, Australia is also home to the untameable yet gorgeous high country. This film captures the beauty of these rugged mountains through aerial and extreme long shots, which display the landscape in its entirety. These shots reveal the vastness of the mountains and the bush, which appeals to tourists looking for a relaxing holiday away from the bustle and vibrancy of the city life. Highlighting the breathtaking scenery that our country has to offer, The Man from
When the film begins on the farm in Kansas, the scene is shot in black and white, creating a sepia tone of colour to represent the country dust in the air adding to the effect of the ordinary unsaturated colour of the Kansas landscape. In contrast to the Kansas setting, lighting is profoundly used by the director to enhance the overall emotions of the film. Fleming uses a combination of the set, lighting techniques, and colour to create a magical place with very bright colours and deep focus lens to bring the land of Oz to life. In the scene where Dorothy enters Oz, the lighting is positioned between Dorothy and the foreground plants. The director uses the three point lighting technique so both Dorothy and the colour plants are highlighted but no shadows visible. This shot was done with a background of the black and white house behind Dorothy. The Land of Oz is filled with beautiful colours to create the illusion of a happy world that enhances the feel of fantasy. The allusion of contrasts between the real world and the land of Oz support the central theme there’s no place like home. In this way, the director enhances the picture of the film by the use of colour to reflect a mood experienced by the character in the different places. This colour transition used by the director, incorporates two completely different Mise en scene
Therefore, the distinctive visual techniques employed by the composer provide a vehicle for the respondent to understand the ideas and themes prompted by people and their experiences. Tykwer’s film, Run Lola Run demonstrates the effect of the distinctive visual in Lola’s exploration of the themes of chance and time, whilst Mackellar’s poem ‘My Country’ provides the audience with an evocative experience of the Australian environment.
The film begins with a title card sequence upon a static backdrop of shrubbery, mountains and distant clouds; a lingering sight that doesn’t truthfully establish forthcoming events in Vienna’s saloon. Her saloon may be quiet, but it is always occupied, and whilst the opening sequence, in which we are introduced to Johnny Guitar, is filled with a bravado of horns and orchestral accompaniment, the saloon itself is inversely populated by the sound of wind, tumbleweed, and stark silences - something perhaps more associated with the western expanse in which the story takes place. Yet for this dichotomy in sound, the initial visuals after the credit sequence foreshadow the destruction of locale, and the audience takes the place ...
One motif which reappears in the film is the power of nature, especially in relation to the individual. In fact, the film begins with a majestic shot of the Rocky Mountains showing its beauty and height. The beauty of nature and even friendliness of nature changes as the film develops. As the movie progresses the snow still seems white and pure, almost virgin like, but nature becomes an isolating force, not providing the family with a retreat from the pressures of modern life, but forcing the family to turn in on its dysfunctional and psychopathic self. Imprisoned by the snow and the tall mountains , the family seems weak and vulnerable.