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Critical analysis of stephen king's why we crave horror movies
Critical analysis of stephen king's why we crave horror movies
Dracula literary analysis
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There are many books involving horror, either identified as gothic, thriller, actual horror, fantasy, etc. To determine how this element is reached, one must look at scenes that are known to frighten the reader. Therefore I decided to choose two passages each from two books to analyze the elements that contribute to the horror and sinister features. Trying to pick an old and a rather new novel I chose Bram Stoker’s Dracula, one of the first modern gothic/horror novels that has been of great influence in horror culture and has inspired many film makers to realize the story on screen, and Stephen King’s IT, King might be the most celebrated horror writer since the originals like Mary Shelley, Bram Stoker, HP Lovecraft, etc, and IT has been labeled …show more content…
When the reader solely focuses on the use of words, there are many beautiful things to be found. This however puts the reader in a difficult position for there are different ways to read and understand the novel. Some of these ‘decorations’ though, do support the horror in this novel and this scene is particularly terrifying because of the literary additions and excessive use of descriptions.
The mood in this scene is strongly influenced by the many adjectives, especially the ones that are used more often than others, this use of repetition speaks to the heart of the reader. For example, words like ‘desperate’ or ‘in despair’ can be found several times throughout and near the scene. Jonathan feels his end is near and therefore loses faith in all values he has. Which is why the extreme caution he had before slowly fades along with the increase of danger. This is paired with the feeling of despair, it is also clearly stated by Jonathan:
“Then a wild desire took me to obtain the key at any risk, and I determined then and there to scale the wall again, and gain the Count’s room. He might kill me, but death now seemed the happier choice of
Hollywood in known for making literary adaptations, and such adaptations will exploit context. Movies bring literary properties to the public that otherwise would not bother to read them. However the "marriage" of literature and film holds their own separate qualities.
Batman beats the Joker. Spiderman banishes the Green Goblin. For centuries story tellers have used the basic idea of good beats bad to guide their tales. Stories of blood sucking, human possessions and other tales have been passed down generations and vary between cultures. Among the creators of the famous protagonists is, Bram Stoker, the creator of Dracula. This fictional character was soon to be famous, and modified for years to come into movie characters or even into cereal commercials. But the original will never be forgotten; a story of a group of friends all with the same mission, to destroy Dracula. The Count has scared many people, from critics to mere children, but if one reads betweens the line, Stoker’s true message can be revealed. His personal experiences and the time period in which he lived, influenced him to write Dracula in which he communicated the universal truth that good always prevails over evil.
What if in between good and evil did not exist? Where would you stand? Today, it is believed that everyone was born with the slightest bit of evil in them. In the Victorian Era, this theory would be considered very wrong, because one would either be all good, or all evil. In Dracula, by Bram Stoker, good versus evil was symbolised throughout the book as two antithetical forces without an in between. By clearly demonstrating the relationship between the dualistic ideas of intuition versus logic, good characters facing figures comparable to the devil, and symbolism within the natural world, Bram Stoker effectively recounts a “holy war” between the antagonistic forces of good and evil.
A noticeable difference in the way movies have changed over the years is evident when comparing and contrasting two films of different eras which belong to the same genre and contain the same subject matter. Two vampire movies, Dracula and Bram Stoker's Dracula, present an interesting example of this type of study.
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
Victorian Women were highly held back in their full potential. Their main role in the household was to “be happy - a sunbeam in the house, making others happy” (Hardy, E.J. 1887). On top of this, Women in the Victorian era were not allowed to display their sexuality or “tempt” men in public; they were meant to be submissive and meek (Causey S., 2008). The Victorian era lasted from 1837 til 1901, with women being punished everyday for crimes that are nowadays just part of living for a woman. Bram Stoker was born during this era and wrote his most famous novel, Dracula (Miller, E. unknown). One of the main discourses in this novel is that of Women and their Morality of the time.
has been defeated in the name of God, and it is as though with his
Bram Stoker's Dracula is highly acclaimed and has received many different interpretations which deal with complex symbolisms and metaphors. These interpretations often require a great deal of knowledge in psychology, political science, anthropology, and other non-literary disciplines. These interpretations may be valid, as they are related to the disciplines on which their arguments are based, but the true power of the novel is due to a very simple theme that lies beneath the other, more convoluted interpretations. This theme is the universal concept of identity: us versus them. This criticism sets aside outside disciplines and focuses on the literary motif of identity. John Allen Stevenson gives an in-depth criticism of this work based mostly on anthropological ideas, but he states that Dracula is a representation of "fears that are more universal than a specific focus on the Victorian background would allow" (141). He brings up the concept of "universal" ideas but fails to pursue them on a universal scale. The truly universal theme involves the perception that Dracula is a monster. But Dracula is not a monster - he is simply a persecuted outsider.
It can be argued that the theme of light VS darkness is used to good
When writing a story that is meant to scare the reader, authors use a variety of different literary elements to intensify fear. This is apparent in the stories “The Fall of the House of Usher,” “beware: do not read this poem,” and “House Taken Over”. It is shown through transformation in the character, setting, and sometimes even the story or poem itself, adding to the scariness that the reader feels when reading it. While there are some examples of transformation not being scary or not playing a role in stories meant to scare us, transformation plays a crucial role in making the reader of these stories scared.
Dracula is a mythical creature designed to wreak havoc on the lives of mortals through the terror and intimidation of death by bite. Vampires are undead beings that kill humans for their blood to survive. Human blood is the vampire’s sustenance, and only way of staying alive. Throughout time, humans have come up with ways to repel vampires, such as lighting jack-o-lanterns on All Hallows Eve, placing garlic around the neck, a stake through the heart, sunlight, etc. Both beings have a survival instinct, whether it be hunger or safety, both are strong emotions. In the novel Dracula by Bram Stoker, the characters Lucy, John, and Van Helsing strive for survival, therefore killing Dracula.
Suggesting that people are often blind to love, Bram Stoker, in his novel, Dracula, depicts the unwillingness of Arthur to believe the words of Van Helsing indicating that Lucy has become undead. Despite seeing the physical evidence of Lucy being undead, Arthur was still almost taken by Lucy’s vampirism when he saw her. His illogical action to run towards danger indicates his desire to ignore the truth. The perfect image of the woman he loves has become tainted and he refuses to acknowledge this. This indicates that love can deceive the minds of people. Instead of acting rationally, people may ignore the faults of their lovers and fail to see reality. Although love may be a beautiful emotion between people, love can also be fatal to one’s sense
to make us see how it would feel like, if there was a blood thirsty
Film Analysis of Dracula by Bram Stoker Bram Stoker’s Dracula was filmed and produce in 1992 by Francis Ford Coppola. Based on the infamous vampire novel Dracula in the 1890s. The film stars Gary Oldman as Dracula throughout the film, the hero Harker is played by Keanu Reeves. Winona Ryder play two parts of the film, one is the wife of Dracula the opening sequence and later plays the fiancée of Harker reincarnated.
How does death make the character’s more meaningful? Bram Stoker’s Dracula is a novel that shows the importance of character’s death by having symbolic significance. Dracula was written as a horror story based on the Prince of Wallachia, Vlad III or better known as Vlad the Impaler a nickname given to him for his favorite way of dispensing his enemies by impaling then on spikes and lining up the way to his home country with their corpses striking fear into the hearts of anyone who dared attack him. Before Vlad the Impaler though vampires had a different image being known all around as demonic beings, less human, and more morbid only existing to create chaos. Horror stories came from these inhuman actions and creatures but in every horror story