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Critical analysis on Dracula
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The character of dracula
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Film Analysis of Dracula by Bram Stoker
Bram Stoker’s Dracula was filmed and produce in 1992 by Francis Ford
Coppola. Based on the infamous vampire novel Dracula in the 1890s. The
film stars Gary Oldman as Dracula throughout the film, the hero Harker
is played by Keanu Reeves. Winona Ryder play two parts of the film,
one is the wife of Dracula the opening sequence and later plays the
fiancée of Harker reincarnated. And Anthony Hopkins play the priest of
the Christian church of the opening sequence and also does the
voice-over for the film.
Plot
The film starts out in 1462 where Muslim Turks try to invade
Transylvania with a massive army. Dracula, before becoming the
vampire, is the commanding officer of the defending Christians of
Transylvania. The eve before the battle Dracula says farewell to his
wife, Elizabeta. They battled on long and hard but in the end
Dracula’s forces ceases victory over the Turks. But the Turks wanted
revenge; they did this by shooting an arrow with message saying that
Dracula was killed in battle. And after reading the message she lunged
herself into the river thinking that there is no point in living with
your love.
As Dracula returns from the battlefield unknowing that his wife has
committed suicide for false reasons he shocked and then over whelmed
by rage. With this rage flowing through him he shout out that he
renounces God and will revenge or bring back Elizabeta with the powers
of darkness. He then stabs the cross of Christ with his bloodstained
sword. Just as Dracula does this, the cross starts to spurt out blood
and the candle fire turns from orangey red to midnight blue. Dracula
t...
... middle of paper ...
... slow threatening music that
gets louder and louder until there is a voice-over of a foreign mal
which show that you could be from a different country.
During battle
During the battle there are a number of dark chords or discordant
which are loud and repeating. Together with this and battle sounds
this makes the audience feel the violence and emotions of the battle.
Dracula’s return
As Dracula returns to the church the music rhythm stops. This makes it
sound like someone’s heat has stopped beating. Then just silence until
he is overwhelmed by the shock of his wife’s death. This is to
emphasis to drama and horror of it.
When Dracula stabs the cross a female’s voice or females’ voices
chanting a religious or holy type of music. As the title appears the
music gains volume until complete and utterly stop.
The crucifix and the empty cross are symbols of fear, loathing and danger to Dracula. There is a certain irony here as the cross is the ultimate symbol of redemption to all Christians. Sin or rather the dark side of humanity's turning from God is recognized and can be redeemed by coming to the cross. The cross is also a symbol of resurrection. The resurrection is the gift of eternal life through Christ to which all Christians can aspire. This is opposed to the Un-Dead nature of Dracula. He is immortal but it is not an eternal joyful thing. Indeed the eternity is always under threat by the very normalcy and goodness of people like the Harkers.
The play was very enjoyable. It brought to life many of the most interesting aspects of the book. There were however some differences, that, having just read the book, were very obvious to me. However, this altering of the Dracula novel, did not diminish my enjoyment of the play production. I was very impressed by the special effects and thoroughly enjoyed Friday night's play.
Comparing the 1931 version of Dracula, starring Bela Lugosi, with Frances Ford Coppola's Bram Stoker's Dracula 1993 version yields some similarities. Both films are of the same genre: Horror. Both films are set around the same time period. Also, both deal with a vampire coming to England and causing disruptions in people's lives. Beyond these few similarities are numerous contrasts.
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
The "True Blood" series takes a different approach on vampire fantasy fiction. All forms of society have been capitalizing on Vampires fiction for centuries. There have always been vampires stories in entertainment media. Some are well composed and timeless. Others are mediocre and ridiculous. The success of True Blood is based upon the societal interest in vampires, the well written script, and the exceptional cast of the film.
Similar to almost every piece of literature ever created, Dracula by Bram Stoker has been interpreted many different ways, being torn at from every angle possible. Just as one might find interest in interpreting novels differently, he or she might also find interest in the plot, prose, or theme, all of which ultimately lead to the novels overall tone. Throughout the novel, it becomes blatant that the novel contains an underlying theme of female incompetence and inferiority. Through a true feminist’s eyes, this analysis can clearly be understood by highlighting the actions of Mina and Lucy, the obvious inferior females in the book. Through Stoker’s complete and utter manipulation of Mina and Lucy, he practically forces the reader to analyze the co-existence of dominant males and inferior females in society and to simultaneously accept the fact that the actual text of Dracula is reinforcing the typical female stereotypes that have developed throughout the ages.
Dracula is a famous figure, a tale that has been told for hundreds of years. Countless generations have heard about this dreadful and mysterious vampire; however, with so many versions of his story, I believe we have come to the point where we don’t actually know why the most called “first vampire” was created to begin with. What if the legend of this vampire was created as a way to make people fear the new? Dracula is different from what was considered normal back to the nineteenth century, which makes the audience imagine if the whole story was meant to teach other people that they should fear and hate those who they do not yet understand or comprehend. People create all sort of stories and fairytales just so they can find an excuse to act the way they act towards someone who is somehow different from them.
No work of literature is ever written without consideration of the context of the time period of which it was constructed. Dracula, by Bram Stoker, and the film adaptation of the same text by Francis Coppola, differ greatly in attitudes, values and beliefs despite the fact that the film is based on the text. Furthermore, the added embellishments which no doubt make the film more pleasing to the viewer such as increased gore drown out the symbols of values and beliefs conveyed through the individual text. For this reason, the transition of medium and the change in context has highly warped the values and meaning imbued within Dracula.
Such a story as Dracula has been taken out of its nineteenth century context and into that of the late twentieth, early twenty-first century. Henceforth, gender roles are more equal and heterosexual and homosexual behaviors are no longer taboo to society. From Dracula’s beginning as a literary prototype, “vampirism” has been referenced in its coded articulations of desire and sexuality. On the opposite end of the spectrum, Coppola’s film adaptation of Dracula successfully incorporates elements of violence, sexual intercourse, and gore to his film, all elements of which the novel is devoid of. The likely explanation for this is the need to appeal to a modern, contemporary audience, rather than to an audience of 1897.
The protagonist and story of Bram Stoker's novel Dracula have been widely interpreted and adapted in films throughout many years. Despite almost a century of time since the initial publication, Dracula has maintained its ability to frighten and mesmerize readers. Francis Ford Coppola's Bram Stoker's Dracula; however, utilizes the erotic romance of the original novel in order to depict a tragic love story. The film accurately follows the general plot of the novel, yet presents the characters in a unique manner that provides for a different appreciation of the characters.
...t his victims want to be engulfed by him, they desire his bite, and willingly have their blood sucked. Renfield is the extreme case of a man who wants to be a vampire even before he comes into contact with one. It seems that Dracula speaks to some need in the people to merge with the "other". Perhaps this is because the "other" is the uncanny, the familiar in a different form, that it speaks to the people. That discussion, however, is beyond the scope of this paper. In this novel, people seem to be astonishingly ready to open their veins and give their blood to another. Dracula, by his very appearance in England, promotes the mixing of blood, that is a reflection of the blood-mixing that he carries out. Blood carries the characteristics of nationality, gender, age etc. Thus Dracula embodies a principle of cultural contact and mixture, and not one of separation.
There are many books involving horror, either identified as gothic, thriller, actual horror, fantasy, etc. To determine how this element is reached, one must look at scenes that are known to frighten the reader. Therefore I decided to choose two passages each from two books to analyze the elements that contribute to the horror and sinister features. Trying to pick an old and a rather new novel I chose Bram Stoker’s Dracula, one of the first modern gothic/horror novels that has been of great influence in horror culture and has inspired many film makers to realize the story on screen, and Stephen King’s IT, King might be the most celebrated horror writer since the originals like Mary Shelley, Bram Stoker, HP Lovecraft, etc, and IT has been labeled
This is almost like an epic poem. The theme in this case is of good
Dracula’s Guest introduces two central characters, an Englishman, whose name is not listed, and Johann. Currently located at a hotel in Munich, The Englishman decides to go for a ride. Before leaving, the hotelier wishes the Englishman a pleasant drive, and stresses to Johann, the driver, about what night is today. While driving, the Englishman stops and asks Johann what tonight is. Johann tells him today is Walpurgis Night and continues driving. Soon, the Englishman stops Johann again, and tells Johann that he would like to drive down a vacant road that is near. Resulting in a dispute, Johann tries to convince the Englishman not to endeavor down the route, however the Englishman is too intrigued to be concerned about Johann’s warnings. Johann
I wish I would have written in the conclusion of my Dracula essay that Dracula, by Bram Stoker, along with Pollution and Redemption in Dracula, by Anne McWhir gave insight into Victorian values. I’ve previously stated that I was so focused on the events in Dracula that deeper themes and connections went over my head. Having to write the essay provided a better understanding of the period. Most of the actions carried out in Dracula are because of each character’s strong sense of duty and rationality. Jonathan Harker shrugs off the villagers warning because he does not believe in superstitions. He continues to the castle because he has a job to do. The novel really captures the hypocrisy of the Victorian Era through Lucy’s transformation. The