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Dracula blood symbolism essays
The impact of the Victorian era literature
The impact of the Victorian era literature
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I wish I would have written in the conclusion of my Dracula essay that Dracula, by Bram Stoker, along with Pollution and Redemption in Dracula, by Anne McWhir gave insight into Victorian values. I’ve previously stated that I was so focused on the events in Dracula that deeper themes and connections went over my head. Having to write the essay provided a better understanding of the period. Most of the actions carried out in Dracula are because of each character’s strong sense of duty and rationality. Jonathan Harker shrugs off the villagers warning because he does not believe in superstitions. He continues to the castle because he has a job to do. The novel really captures the hypocrisy of the Victorian Era through Lucy’s transformation. The
own will, which embodies the fear of Stoker. The corruption of science can be view in many parts in the novel, such as the scene when Dracula forces Mina to drink his blood as an act of rape, “Her face was ghastly, with a pallor… eyes were mad of terror.”(Stoker 301). Nevertheless, one can view it as an act of technological creation and is a characteristic of a scientist. In this act Mina Harker is turned into a medium of connection for his sound and enables him to extend his manipulation. Stoker represents the corruption of science through human experimentation since it is seen as a taboo. One can say she was converted into a telephone, which is how Dr. Seward describes her functions, “same power that compels her silence may compel her speech”
The novel Dracula by Bram Stoker has plentiful examples of key concepts we have examined in class including: Purity and impurity, magical thinking, strong emotions such as disgust and shame, , formalization, and myth. In this essay I will summarize events that take place within the novel when the protagonists deal with Dracula and then relate these events to the key concepts to demonstrate why the characters view him as dangerous, and therefore something to be avoided completely.
Podonsky, Amanda . "Bram Stoker's Dracula: A Reflection and Rebuke of Victorian Society." RSS. Student Pulse: The International Student Journal, 1 Jan. 2010. Web. 6 May 2014. .
Dracula is a mythical creature designed to wreak havoc on the lives of mortals through the terror and intimidation of death by bite. Vampires are undead beings that kill humans for their blood to survive. Human blood is the vampire’s sustenance, and only way of staying alive. Throughout time, humans have come up with ways to repel vampires, such as lighting jack-o-lanterns on All Hallows Eve, placing garlic around the neck, a stake through the heart, sunlight, etc. Both beings have a survival instinct, whether it be hunger or safety, both are strong emotions. In the novel Dracula by Bram Stoker, the characters Lucy, John, and Van Helsing strive for survival, therefore killing Dracula.
show the audience that the film is in this style, such as the mise en
Bram Stoker’s legendary novel, Dracula, is not simply any literary piece of gothic-spawning fiction, but rather a timeline containing the popular thoughts, ideas, and beliefs of the Victorian era that paints a vivid description of what society was like for Bram Stoker’s generation.
From Transylvania to Hollywood, vampires have transformed from unfamiliar, mysterious personalities to one of the most dominant monsters in the horror genre today. Vampires are one of the oldest and most noted creatures in mythology, with many variations of them around the world. Although the most famous version is Bram Stoker’s Dracula, many variants have come before and after telling of the same legend with their own added ideas and modifications to relate to their cultures. Today, there is a multitude of literary and film works that convey and resurface peoples’ fear of vampires. As gothic works like Dracula, by Bram Stoker and Scooby-Doo! and the Legend of the Vampire directed by Scott Jeralds share certain traits reflective of the genre;
The Victorian England setting and culture of “Dracula” by: Bram Stoker attributes to many stylistic components and character behaviours in the novel. One of which is the behaviour and actions characters express that are a result of sexual repression. In Dracula, sexual repression is best expressed by the character’s desire to create. This desire is exemplified by the way Dracula creates other vampires, Lucy’s sexual desires, and the men’s expression of aggression. The creation of other Vampires is evident through events including Dracula’s aggressive encounters with Lucy and Mina, and the fact the Dracula is building up a Vampire army. Lucy’s sexual desires are exemplified through her longing to have sex with multiple men and how she compares
In the book, Dracula by Bram Stoker there are many characters that display qualities of good verse evil. The Count Dracula is a mysterious character who appears as an odd gentleman but the longer the story goes on Dracula shows his true self. Dracula started infiltrating the lives of anyone who crossed his path and he was not stopping his destruction of others’ lives. Many people were affect by Dracula’s actions but there were two people that Dracula caused an impact on during his rampage. Dracula is an evil, cunning, and selfish character who harms the life of a young man and ruins the future of an innocent woman.
The “Otherness” Dracula possesses reinforces our own norms and beliefs through his transgression that separates him from society and the polarity to Western norms and ideals makes him an effective device for extorting revulsion and horror. Stoker’s novel employs Gothic tradition, providing “the principle embodiments and evocations of cultural anxieties” from which the very Gothic mood and horror is produced, establishing the baseline used to distinguish the modern vampires, as part of vampire mythology within the Gothic (Botting Aftergothic 280). Differences Between Dracula and Twilight The similarities between the two novels are namely Gothic imagery and theme, but the Gothic mood predominates in Dracula over Twilight and it is this difference that makes Twilight not belong in the vampire canon. Horror is the element that Dracula possesses that Edward does not, and it is crucial in the interplay between transgression and limit.
A noticeable difference in the way movies have changed over the years is evident when comparing and contrasting two films of different eras which belong to the same genre and contain the same subject matter. Two vampire movies, Dracula and Bram Stoker's Dracula, present an interesting example of this type of study.
In gothic literature, many characters seem to not understand the abnormal things that happen throughout the novel. In Bram Stoker’s Dracula, the character Dr.Seward ignores the odd things that happen. He ignores the evil activities of Dracula and the people he bites. In Dracula, Dr.Seward adds to the gothic elements by ignoring the irrational events that happen right in front of him.
The word ‘monster’ derives from the Latin words ‘monere’ and ‘monstrare’. ‘Monere’ means to warn against something, while ‘monstrare’ means to show something. If these two origins are put together, the word ‘monster’ obtains the meaning of something that is shown to warn. In relation to Dracula, this would allow a whole series of question from what makes Dracula a monster to what does he warn the reader against. In this essay I will mainly deal with the question of what makes Dracula a monster; however I will bear other questions in mind such as why Dracula is seen as a monster by the crew of light. As Dr Seward puts it in his diary ‘the coming destruction of the monster’ (Bram Stoker, 1897, chap.20), I will analyse what means Stoker uses to make the reader believe that Dracula is the monster. In the end I want to see if Dracula is made into a monster by the crew of light or if he makes himself a monster by his actions. I also will have a look at what he warns the reader against, as the etymology of the word monster suggests me to do.
Imagine a world where there are no cellphones, televisions, or even a cure for the common cold. This is what life was like in the Victorian era. Throughout the novel Dracula, evidence can be found that is a constant reminder of the time period in which the novel takes place. The characters, setting, and plot all have a vast impact on the recognition of the Victorian era in the novel Dracula by Bram Stoker.
Over the years people have given new out looks on the original vampire, Dracula. He was a tall non-attractive looking man who would never come out during the day. Hollywood however has made new vampire stories such as Twilight, True Blood, and The Vampire Diaries/The Originals that have new ideas of a vampire. These novels/books all have differences, but some still have key characteristics of the original vampire.