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The study of Gothic literature
The study of Gothic literature
The study of Gothic literature
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The theme of good against evil is common in gothic fiction, and the
novels Dracula, by Bram Stoker (1897) and The Woman in Black, by Susan
Hill (1983), contain clear examples of this theme.
The novel Dracula contains an obvious example of evil, through the
main character- Count Dracula. Dracula is powerful and tyrannical and,
more interestingly, he is the only male vampire within this novel.
This emphasises his dominance, and the power that he has over the
characters as he alone is terrorising them. His name has evil
connotations; stemming from the Romanian word ‘dracul’ meaning dragon
or devil, this would have evoked fear in some as it suggests a threat.
When describing Dracula, Jonathan, the initial protagonist ‘could not
repress a shudder’.
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This suggests that he is looking at something horrifying, and initially is concerned by Dracula’s appearance. Imagery is used when he comments on Dracula’s long nails, saying they are ‘cut to a point’.
This imagery suggests violence and pain, as
though even Dracula’s nails are dangerous. Jonathan describes the
Counts teeth as ‘peculiarly sharp white teeth’. The adjectives used in
this phrase suggest animalistic qualities, as though Jonathan is
already seeing abhuman qualities in the Count.
Religion is also an important element of this novel, as it represents
the force of good that opposes Dracula, and vampirism. The ‘good’
characters within this novel believe that they are carrying out an act
of God, shown in the phrase ‘we are ministers of God’s own wish’. The
collective noun used in this phrase suggests that they are all now
ministers, despite and are willing to die for their cause; this is
shown through the phrase ‘if we fall, we fall in good cause’. The
repetition of ‘fall’ suggests that they doubt whether they will be
able to defeat this evil. When Dracula is finally defeated, he has a
‘look of peace’. This phrase suggests Christian redemption, as Dracula
has been defeated in the name of God, and it is as though with his
death he has been cleansed of his ‘sins’.
The theme of good against evil is not only made apparent through the
characters that oppose Dracula and theme of vampirism but
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also through the way in which women of the novel fall victim to the exaggerated power of men, and the views of a traditional Victorian society. Van Helsing uses the superlative phrase ‘A brave man's blood is the best thing on this earth when a woman is in trouble. You're a man, and no mistake.’ The repetition of ‘man’ in this phrase is used to emphasise a man’s power, suggesting that he is the best thing to help a woman. Van Helsing also describes Mina as ‘one of God's women’. This suggests perfection and purity, and he follows it with repetition and asyndetic listing in the phrase ‘so true, so sweet, so noble, so little an egoist’ to emphasise the traits in Mina that he sees as positive. However, it could also be perceived that women were also examples of evil within this novel, in particular when demonstrating the ideals of the ‘New Woman’. Lucy’s character in particular, clearly demonstrates these ideals through her expression of her own sexuality, with the phrase ‘Why can’t they let a girl marry three men, or as many as want her […]?’ This rhetorical phrase suggests that Lucy is advocating polygamy, which would have received a negative response at this time, as women were expected to be devoted to their one husband. Lucy goes on to use the declarative ‘I must not say it’ which emphasises how scandalous it would be to be polygamous, and how it shouldn’t even be suggested. In contrast to Lucy, Mina represents a feminine ideal, through her devotion to her husband and lack of expression of her sexuality. When speaking of the female vampires, Jonathan uses the phrase ‘Mina is a woman, and there is naught in common. They are devils of the Pit’. This phrase contrasts good and evil, and also suggests imagery of Hell, and that these female vampires, who are sexually aggressive towards Jonathan, are incredibly different to Mina, who is virtuous and pure. Jonathan’s reaction to the female vampires emphasises the negative attitudes towards women in a Victorian society who are sexually aggressive and forward. Setting is used effectively in Dracula, in order to create a sense of fear and evil, and it is initially narrated to us through the eyes of Jonathan as he travels through the unfamiliar, foreign Transylvanian setting. Personification is used in the phrase ‘great, frowning rocks’. This creates a sense of hostility, setting the tone and foreshadowing the events to later occur at Castle Dracula. Stoker also effectively uses the gothic theme of obscurity within the description of setting, in particular within the phrase ‘I could not see anything through the darkness’, as the preposition ‘see through’ gives the darkness a physical presence, as though it is deliberately concealing something from Jonathan. Personifying the weather is a common element in gothic literature, and is used in the phrase ‘rising wind, for it moaned and whistled’. This personification creates a sense of fear as it has monstrous and dangerous connotations. Not only would the description of the setting have had created sense of fear but also at the time the novel was written, the location of Transylvania would have had dangerous, evil connotations as it represented a foreign, unknown territory. Dracula, a foreigner from this country, would have illustrated Victorian anxieties about the destabilisation of British society, leading to his character receiving negative reactions before the reader knows about his vampirism. The Woman in Black also appears to have clear differences between good and evil, however, as the story goes on it becomes increasingly evident that the lines between good and evil in this novel have been blurred, especially in regards to the character Jennet – the ‘Woman in Black’. Jennet is a victim of the ideals of motherhood in a Victorian society- as her child was born out of wedlock, ‘pressure was being exerted upon her to give up the child for adoption’. When writing a letter to Alice Drablow, her sister who adopted her son Nathaniel, Jennet frequently used repetition of the possessive ‘mine’ emphasising how the child is hers, and will never belong to anyone else. Giving this insight into her past suggests that it isn’t entirely her fault that she is evil now, which is a clear example of the blurred lines between good and evil- she feels the need to take revenge as no one helped her, or saved her child. This is further reinforced when Arthur later uses the phrase ‘of someone’s evil and also of terrible grief and distress ’. This makes it seem as though he is beginning to understand the emotions of the Woman, which in turn allows the reader to begin to understand the emotions of the Woman as well. The Woman in Black and Dracula have similar settings, for example Jonathan Harker and Arthur Kipps both travel on a train, which is symbolic of their journey into the unknown, into a land they are not familiar with.
They also both feature deserted houses and graveyards,
as well as the encounters with mysterious strangers. Setting is an
important feature of this novel- Eel Marsh House is almost just as
important a character as Arthur or the Woman herself. It is a
traditionally gothic setting, its isolation and belligerent atmosphere
reflecting perhaps upon the nature of the Woman. The house is
personified; described as ‘rising out of the water’, ‘tall’ and
‘gaunt’. Giving the house human qualities adds suspense to the novel
as it seems like another character that could potentially harm Arthur.
The location is haunting, and causes Arthur to experience an ‘awful
ghostly repetition of the whole event’ or Nathaniel’s death. Imagery
and syndetic listing is used in the phrase ‘then, above it all, and
above the whinnying and struggling of the pony, the child’s cry, that
rose and rose to a scream of terror and was then slowly choked and
drowned; and finally, silence’. This phrase is effective in giving
background to the experiences that caused Jennet’s haunting and
allows the reader to understand why she is taking her revenge. The lexical set ‘cry’, ‘scream’ and ‘silence’ is effective as it creates juxtaposition, and allows the silence to create dramatic effect and tension as it changes so rapidly from screams. An interesting point about these novels is the future of the ‘evil’ characters. Dracula is eventually defeated, however in contrast to this; the Woman in black is not. This perhaps has deeper connotations; Dracula was not seeking revenge, whereas the Woman was.
Bram Stoker’s Dracula is not only a classic story of men and monsters, but a dramatic reactionary work to the perceived threats to Victorian society in nineteenth century England. In modern times there have been many film adaptations of the novel, each developing a unique analysis or criticism of the literary text within the framework of the society and time period in which it was created. The 1972 film Blacula is one of the most culturally specific variations on the story of Dracula, and highlights many of the themes and messages found in Stoker’s original text. Among the primary similarities between the novel and the film is the portrayal of race, sexuality, nationality, and culture, and the characterization in each work speaks to the fears and ideals of their respective dominant societies.
...but he was mindful of the great strength, the large gift God had given him and relied on the Almighty for favor, comfort and help. By that he overcame the foe, subdued the hell-spirit.
Hollywood in known for making literary adaptations, and such adaptations will exploit context. Movies bring literary properties to the public that otherwise would not bother to read them. However the "marriage" of literature and film holds their own separate qualities.
A noticeable difference in the way movies have changed over the years is evident when comparing and contrasting two films of different eras which belong to the same genre and contain the same subject matter. Two vampire movies, Dracula and Bram Stoker's Dracula, present an interesting example of this type of study.
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
Over the years people have given new out looks on the original vampire, Dracula. He was a tall non-attractive looking man who would never come out during the day. Hollywood however has made new vampire stories such as Twilight, True Blood, and The Vampire Diaries/The Originals that have new ideas of a vampire. These novels/books all have differences, but some still have key characteristics of the original vampire.
to Bram Stokers story as myself to a chimp. If it was named 'Parody Of
Dracula is a mythical creature designed to wreak havoc on the lives of mortals through the terror and intimidation of death by bite. Vampires are undead beings that kill humans for their blood to survive. Human blood is the vampire’s sustenance, and only way of staying alive. Throughout time, humans have come up with ways to repel vampires, such as lighting jack-o-lanterns on All Hallows Eve, placing garlic around the neck, a stake through the heart, sunlight, etc. Both beings have a survival instinct, whether it be hunger or safety, both are strong emotions. In the novel Dracula by Bram Stoker, the characters Lucy, John, and Van Helsing strive for survival, therefore killing Dracula.
does not save by sword and spear; for the battle is the Lord's and he will give
Similar to almost every piece of literature ever created, Dracula by Bram Stoker has been interpreted many different ways, being torn at from every angle possible. Just as one might find interest in interpreting novels differently, he or she might also find interest in the plot, prose, or theme, all of which ultimately lead to the novels overall tone. Throughout the novel, it becomes blatant that the novel contains an underlying theme of female incompetence and inferiority. Through a true feminist’s eyes, this analysis can clearly be understood by highlighting the actions of Mina and Lucy, the obvious inferior females in the book. Through Stoker’s complete and utter manipulation of Mina and Lucy, he practically forces the reader to analyze the co-existence of dominant males and inferior females in society and to simultaneously accept the fact that the actual text of Dracula is reinforcing the typical female stereotypes that have developed throughout the ages.
In reading Bram Stoker's Dracula, I find the treatment of the two main female characters-- Lucy Westenra and Mina Harker-- especially intriguing. These two women are two opposite archetypes created by a society of threatened men trying to protect themselves.
“They have seen my strength for themselves/ have watched me rise from the darkness of war/ dripping with my enemies’ blood…my hands/ alone shall fight for me, struggle for life/ against the monster. God must decide/ who will be given to death’s cold grip”(36-37).
In Twilight, Edward Cullen presents the question; “ But what if I’m not the hero? What if I’m the bad guy?” The role of vampires is very controversial. Back in the day they were evil, soulless monsters and people genuinely feared them. However, in the present day it seems that we have grown to love them and even hope to one day be them. There are a plethora of vampire stories and many of them have become immense hits. With so many vampire stories, it is not uncommon that readers are able to identify a vast amount of similarities. Although similar in aspects, there are still many differences between the classic and modern day vampires. Two highly popular stories, in which we can easily identify similarities and differences, are Bram Stoker’s Dracula and Stephenie Meyer’s Twilight.
Over the centuries vampires have been creatures of mystique and intrigue to our society. They represent danger, death, lust, and allure. They are immortal, and often sexualized beyond the bounds of the puritanical values that still guard modern society. Due to these traits they are practically irresistible to the reader and have fascinated society for centuries. While vampirism can take on multiple forms, with each form possessing its own specific set of traits that allow it to successfully prey on the living, the official definition for a vampire in literature is: “The vampire as ghost or revenant; as monster or deformity; and as reanimated corpse, revenge-seeking emanation of the dead. (Huggan, 192) Early mythological vampires date back centuries
He has won many battles over many Christians who live a life contrary to God’s Word.