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The study of Gothic literature
The study of Gothic literature
The study of Gothic literature
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The theme of good against evil is common in gothic fiction, and the novels Dracula, by Bram Stoker (1897) and The Woman in Black, by Susan
Hill (1983), contain clear examples of this theme.
The novel Dracula contains an obvious example of evil, through the main character- Count Dracula. Dracula is powerful and tyrannical and, more interestingly, he is the only male vampire within this novel.
This emphasises his dominance, and the power that he has over the characters as he alone is terrorising them. His name has evil connotations; stemming from the Romanian word ‘dracul’ meaning dragon or devil, this would have evoked fear in some as it suggests a threat.
When describing Dracula, Jonathan, the initial protagonist ‘could not repress a shudder’.
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This imagery suggests violence and pain, as though even Dracula’s nails are dangerous. Jonathan describes the
Counts teeth as ‘peculiarly sharp white teeth’. The adjectives used in this phrase suggest animalistic qualities, as though Jonathan is already seeing abhuman qualities in the Count.
Religion is also an important element of this novel, as it represents the force of good that opposes Dracula, and vampirism. The ‘good’ characters within this novel believe that they are carrying out an act of God, shown in the phrase ‘we are ministers of God’s own wish’. The collective noun used in this phrase suggests that they are all now ministers, despite and are willing to die for their cause; this is shown through the phrase ‘if we fall, we fall in good cause’. The repetition of ‘fall’ suggests that they doubt whether they will be able to defeat this evil. When Dracula is finally defeated, he has a
‘look of peace’. This phrase suggests Christian redemption, as Dracula has been defeated in the name of God, and it is as though with his death he has been cleansed of his ‘sins’.
The theme of good against evil is not only made apparent through the characters that oppose Dracula and theme of vampirism but
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They also both feature deserted houses and graveyards, as well as the encounters with mysterious strangers. Setting is an important feature of this novel- Eel Marsh House is almost just as important a character as Arthur or the Woman herself. It is a traditionally gothic setting, its isolation and belligerent atmosphere reflecting perhaps upon the nature of the Woman. The house is personified; described as ‘rising out of the water’, ‘tall’ and
‘gaunt’. Giving the house human qualities adds suspense to the novel as it seems like another character that could potentially harm Arthur.
The location is haunting, and causes Arthur to experience an ‘awful ghostly repetition of the whole event’ or Nathaniel’s death. Imagery and syndetic listing is used in the phrase ‘then, above it all, and above the whinnying and struggling of the pony, the child’s cry, that rose and rose to a scream of terror and was then slowly choked and drowned; and finally, silence’. This phrase is effective in giving background to the experiences that caused Jennet’s haunting and
...but he was mindful of the great strength, the large gift God had given him and relied on the Almighty for favor, comfort and help. By that he overcame the foe, subdued the hell-spirit.
Bram Stoker’s Dracula is not only a classic story of men and monsters, but a dramatic reactionary work to the perceived threats to Victorian society in nineteenth century England. In modern times there have been many film adaptations of the novel, each developing a unique analysis or criticism of the literary text within the framework of the society and time period in which it was created. The 1972 film Blacula is one of the most culturally specific variations on the story of Dracula, and highlights many of the themes and messages found in Stoker’s original text. Among the primary similarities between the novel and the film is the portrayal of race, sexuality, nationality, and culture, and the characterization in each work speaks to the fears and ideals of their respective dominant societies.
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
to Bram Stokers story as myself to a chimp. If it was named 'Parody Of
does not save by sword and spear; for the battle is the Lord's and he will give
Similar to almost every piece of literature ever created, Dracula by Bram Stoker has been interpreted many different ways, being torn at from every angle possible. Just as one might find interest in interpreting novels differently, he or she might also find interest in the plot, prose, or theme, all of which ultimately lead to the novels overall tone. Throughout the novel, it becomes blatant that the novel contains an underlying theme of female incompetence and inferiority. Through a true feminist’s eyes, this analysis can clearly be understood by highlighting the actions of Mina and Lucy, the obvious inferior females in the book. Through Stoker’s complete and utter manipulation of Mina and Lucy, he practically forces the reader to analyze the co-existence of dominant males and inferior females in society and to simultaneously accept the fact that the actual text of Dracula is reinforcing the typical female stereotypes that have developed throughout the ages.
“They have seen my strength for themselves/ have watched me rise from the darkness of war/ dripping with my enemies’ blood…my hands/ alone shall fight for me, struggle for life/ against the monster. God must decide/ who will be given to death’s cold grip”(36-37).
From Transylvania to Hollywood, vampires have transformed from unfamiliar, mysterious personalities to one of the most dominant monsters in the horror genre today. Vampires are one of the oldest and most noted creatures in mythology, with many variations of them around the world. Although the most famous version is Bram Stoker’s Dracula, many variants have come before and after telling of the same legend with their own added ideas and modifications to relate to their cultures. Today, there is a multitude of literary and film works that convey and resurface peoples’ fear of vampires. As gothic works like Dracula, by Bram Stoker and Scooby-Doo! and the Legend of the Vampire directed by Scott Jeralds share certain traits reflective of the genre;
In reading Bram Stoker's Dracula, I find the treatment of the two main female characters-- Lucy Westenra and Mina Harker-- especially intriguing. These two women are two opposite archetypes created by a society of threatened men trying to protect themselves.
In Twilight, Edward Cullen presents the question; “ But what if I’m not the hero? What if I’m the bad guy?” The role of vampires is very controversial. Back in the day they were evil, soulless monsters and people genuinely feared them. However, in the present day it seems that we have grown to love them and even hope to one day be them. There are a plethora of vampire stories and many of them have become immense hits. With so many vampire stories, it is not uncommon that readers are able to identify a vast amount of similarities. Although similar in aspects, there are still many differences between the classic and modern day vampires. Two highly popular stories, in which we can easily identify similarities and differences, are Bram Stoker’s Dracula and Stephenie Meyer’s Twilight.
Over the centuries vampires have been creatures of mystique and intrigue to our society. They represent danger, death, lust, and allure. They are immortal, and often sexualized beyond the bounds of the puritanical values that still guard modern society. Due to these traits they are practically irresistible to the reader and have fascinated society for centuries. While vampirism can take on multiple forms, with each form possessing its own specific set of traits that allow it to successfully prey on the living, the official definition for a vampire in literature is: “The vampire as ghost or revenant; as monster or deformity; and as reanimated corpse, revenge-seeking emanation of the dead. (Huggan, 192) Early mythological vampires date back centuries
A noticeable difference in the way movies have changed over the years is evident when comparing and contrasting two films of different eras which belong to the same genre and contain the same subject matter. Two vampire movies, Dracula and Bram Stoker's Dracula, present an interesting example of this type of study.
Hollywood in known for making literary adaptations, and such adaptations will exploit context. Movies bring literary properties to the public that otherwise would not bother to read them. However the "marriage" of literature and film holds their own separate qualities.
Over the years people have given new out looks on the original vampire, Dracula. He was a tall non-attractive looking man who would never come out during the day. Hollywood however has made new vampire stories such as Twilight, True Blood, and The Vampire Diaries/The Originals that have new ideas of a vampire. These novels/books all have differences, but some still have key characteristics of the original vampire.
He has won many battles over many Christians who live a life contrary to God’s Word.