Poets.org defines confessional poetry as “the poetry of the personal or ‘I’” (Academy of American Poets). Confessional poetry is personal; it offers close first-person narratives into the poets’ struggles. It reveals private experiences and feelings regarding taboo subjects, such as death, trauma, mental illness, and gender and class consciousness, and is often autobiographical (Academy of American Poets). Much of the poetry written by Lucille Clifton, Sylvia Plath, Adrienne Rich, and Anne Sexton is confessional poetry. Lucille Clifton’s poem, “homage to my hips” deals with a situation related to gender consciousness, while also briefly touching on the topic of slavery and the oppression of women. The poem focuses on the narrator’s hips, which she describes as “big” and “magic”. Part of what separates her from men is her big, magical, and powerful hips. The narrator also describes her hips as being free; her hips “have never been enslaved / they go where they want to go / they do what they want to do” (Clifton). She is a free woman; she is …show more content…
Her poem describes three different types of women or three different things women experience, and each stanza of the poem focuses on one type. Each stanza has seven lines and follows the same pattern. The first five lines describe how the narrator is like a certain type of woman, and the sixth line offers some sort of general idea about that type of a woman: “A woman like that is not a woman, quite”; “A woman like that is misunderstood”; “A woman like that is not ashamed to die” (Sexton). She then ends each stanza with the line, “I have been her kind” (Sexton). None of the women she describes are women who would be considered good or normal, such as the “possessed witch” in the first stanza. However, these types of women are all types that most women can relate to. Women are all different; very few would fit the current description of society’s ideal
The poem is written in the style of free verse. The poet chooses not to separate the poem into stanzas, but only by punctuation. There is no rhyme scheme or individual rhyme present in the poem. The poems structure creates a personal feel for the reader. The reader can personally experience what the narrator is feeling while she experiences stereotyping.
The readers are apt to feel confused in the contrasting ways the woman in this poem has been depicted. The lady described in the poem leads to contrasting lives during the day and night. She is a normal girl in her Cadillac in the day while in her pink Mustang she is a prostitute driving on highways in the night. In the poem the imagery of body recurs frequently as “moving in the dust” and “every time she is touched”. The reference to woman’s body could possibly be the metaphor for the derogatory ways women’s labor, especially the physical labor is represented. The contrast between day and night possibly highlights the two contrasting ways the women are represented in society.
... she is indeed angered and fed up at the fact that there is a stereotype. The way in which she contradicts herself makes it hard for readers to understand the true meaning or point to her poem, the voice was angry and ready for change, yet the actions that the individual was participating in raised questions of whether or not he actually fit the stereotype.
In the first few lines Clifton says, “these hips are big hips / they need space to / move around in”(lines 1-3). These lines immediately invoke an idea of hips, implied women, needing opportunities and room in this world to make a difference. Women will not fit into societies molds predetermined for them simply because of there gender. Instead, women need the same opportunities for advancement and success that men are given. These lines begin to allude to the fluid movement of the poem that is similar to hips swinging. The movement of the poem is amplified by the poet’s significant choice to use free form instead of a more traditional form. Clifton’s decision to use free form is another way for her to show women breaking tradition with success and grace. The movement and free form in this poem also symbolizes the way in which women are approaching the male dominated world. Women are attempting to break down stereotypes while proving they are capable and intelligent, in order to reiterate that gender has no affect on one’s intelligence or
She questions “why should I be my aunt / or me, or anyone?” (75-76), perhaps highlighting the notion that women were not as likely to be seen as an induvial at this time in history. Additionally, she questions, almost rhetorically so, if “those awful hanging breasts -- / held us all together / or made us all just one?” (81-83). This conveys the questions of what it means to be a woman: are we simply similar because of “awful hanging breasts” as the speaker of the poem questions, or are we held together by something else, and what is society’s perception on this? It is also interesting to note Bishop’s use of parenthesis around the line “I could read” (15). It may function as an aside for the reader to realize that the six year old girl can in fact read, but also might function as a wink to the misconstrued notion throughout history that women were less educated and didn’t
‘The woman’ of the poem has no specific identity and this helps us even further see the situation in which the woman is experiencing, the lost of one’s identity. Questions start to be raised and we wonder if Harwood uses this character to portray her views of every woman which goes into the stage of motherhood, where much sacrifice is needed one being the identity that was present in society prior to children.
It's about sisters named Katharina and Bianca. Out of the two sisters Bianca is the more desirable one. She has what men want in a girl and she plays all the roles she should as a women. On the other hand there is Katharina who is the exact opposite of what a man wants. Bianca is quiet, humble, caring person. Katharina is loud, rude, crazy and violent. No man wants a woman who is not the “ideal woman”. “I say, a devil. Thinkest thou, Hortensio, though her father be very rich, any man is so very a fool to be married to hell?”(stanza 100)Gremio sees that Katharina is evil and no one will want her, while everyone wants to be with sweet Bianca.”Gentlemen, that I may soon make good What I have said, Bianca, get you in: And let it not displease thee, good Bianca, For I will love thee ne’er the less, my girl.”(stanza 87) This says“good Bianca” showing what the men like in a women. The authors purpose is to show that people can change and truly fall in love even though it may take time. This poem ties into gender roles because it shows what men want a women to be. Women are supposed to be nice, quite, polite, respectful and more. These are all gender roles that Bianca does play. It also shows what women are not supposed to be which is rude, loud, obnoxious, hateful, violent and all the traits that have anything to do with any of
She tells the girl to “walk like a lady” (320), “hem a dress when you see the hem coming down”, and “behave in front of boys you don’t know very well” (321), so as not to “become the slut you are so bent on becoming” (320). The repetition of the word “slut” and the multitude of rules that must be obeyed so as not to be perceived as such, indicates that the suppression of sexual desire is a particularly important aspect of being a proper woman in a patriarchal society. The young girl in this poem must deny her sexual desires, a quality intrinsic to human nature, or she will be reprimanded for being a loose woman. These restrictions do not allow her to experience the freedom that her male counterparts
In Anne Sexton’s poem “Her Kind” the speaker appears to be woman who is dealing with constant feelings overwhelming her as being an outcast. These feelings the speaker portrays throughout the poem causes the speaker to not to fit into the guidelines society expects and forces the speaker to become a poor misunderstood woman. However, upon further review the reader observes the speaker actually embracing the negative stereotype of liberated and modern women and transforms it into a positive image. All the while two voices throughout the poem, the voice of the speaker and the voice of society, dual about the issue of the stereotype in modern women.
In stanza one people talk about her wanting to have fun and not being very smart. Also, in stanza two people are talk about her going out with too many guys and that none of the guys think she is worth being serious over. In addition in stanza three she is not going to let what others think change
of the difficulty in acceptance. In the first few stanzas the poet creates the impression that she
Sexton uses the poem “Her Kind” to describe her own emotions through another woman’s perspective on her place in society with the use of diction,
In the second stanza, the poet says that women are the cause that make her write poems because of the stereotypes against them, which give her a strong desire to challenge. Therefore, she takes women’s stories and writes them in poetry. She describes herself as a “seamstress” and without the dresses of women, she would be a seamstress without work, but her friends give her their dresses (their stori...
In chapter two, the narrator goes to the British Museum in search of answers. During research, she uncovers that women are common topics of literature. However, none of the literature written about them is penned by women. When she reveals her findings for the definition of woman, she uses words such as weak, inferior, vane, and etc. that define woman. I think the narrator uses these words to emphasize the way men perceive women as being the weaker sex.
This, in fact, is an example of “dynamic decomposition” of which the speaker claims she understands nothing. The ironic contradiction of form and content underlines the contradiction between the women’s presentation of her outer self and that of her inner self. The poem concludes with the line “’Let us go home she is tired and wants to go to bed.’” which is a statement made by the man. Hence, it “appears to give the last word to the men” but, in reality, it mirrors the poem’s opening lines and emphasises the role the woman assumes on the outside as well as her inner awareness and criticism. This echoes Loy’s proclamation in her “Feminist Manifesto” in which she states that women should “[l]eave off looking to men to find out what [they] are not [but] seek within [themselves] to find out what [they] are”. Therefore, the poem presents a “new woman” confined in the traditional social order but resisting it as she is aware and critical of