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The Chinese cultural revolution as history
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“Hibiscus Town” is a 1986 movie which depicts the constantly changing social structure of peasant life in the period leading up to and during the Chinese Cultural Revolution. The film looks at peasant life in a small town in China, Hibiscus Town, which acts as a microcosm of China where we are able to observe how the momentum of the Cultural Revolution moved to redefine and transform class boundaries. “Hibiscus Town” concerns itself with the life of Hu Yuyin, the film's protagonist, and how her new label as a class enemy dramatically changes her circumstances.
The film begins by introducing us to Yuyin and her husband Guigui as peasants whose hard work and long hours making bean curd have allowed them to accrue modest financial success within their town. However, their success coincides with the arrival of a work team that has been assigned to assess the inequalities of Hibiscus Town, which decides that Yuyin and Guigui are guilty of being rich peasants. This newly-prescribed label as “rich peasant” severely affects Yuyin and Guigui's status in their community, and they are subjected to sudden scrutiny and humiliation. Guigui's eventual suicide leaves Yuyin alone to deal with her newly-reduced position in society, and the rest of the story follows her as she adapts to her new role as a “bad element” in society. At the same time, the film also surveys how inhabitants of the town are affected by the ensuing power struggles and conflict that occur with the onset of the Cultural Revolution.
“Hibiscus Town” begins in 1964, two years before the start of the Cultural Revolution in 1966 and shortly after the end of the Great Leap Forward, which lasted during the three years from 1958 to 1960. The Great Leap Forward was a program of ma...
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...ganda responsibilities, and also supporting Yuyin in her quest for financial success. New movements are able to legitimize their actions and rise to power by placing local leadership in a negative light, which is exactly what the work-team in the film does. Interestingly, the work-team leadership is later similarly deposed during the Cultural Revolution by poor peasants and Red Guard, which further underlines the tendency of new movements to purge existing leadership in order to achieve political success.
“Hibiscus Town” is a testament to the volatile circumstances peasants in rural China faced during the years leading up to and during the Cultural Revolution under Chairman Mao's direction. It sheds light on some of the challenges China faced as a freshly communist society, and shows the effects of the radical political campaigns on relatively innocuous citizens.
“The Death of Woman Wang”, written by Chinese historian Jonathan Spence, is a book recounting the harsh realities facing citizens of Tancheng country, Shandong Province, Qing controlled China in the late 17th century. Using various primary sources, Spence describes some of the hardships and sorrow that the people of Tancheng faced. From natural disasters, poor leadership, banditry, and invasions, the citizens of Tancheng struggled to survive in a devastated and changing world around them. On its own, “Woman Wang” is an insightful snapshot of one of the worst-off counties in imperial Qing China, however when taking a step back and weaving in an understanding of long held Chinese traditions, there is a greater understanding what happened in
The Sun of the Revolution by Liang Heng, is intriguing and vivid, and gives us a complex and compelling perspective on Chinese culture during a confusing time period. We get the opportunity to learn the story of a young man with a promising future, but an unpleasant childhood. Liang Heng was exposed to every aspect of the Cultural Revolution in China, and shares his experiences with us, since the book is written from Liang perspective, we do not have a biased opinion from an elite member of the Chinese society nor the poor, we get an honest opinion from the People’s Republic of China. Liang only had the fortunate opportunity of expressing these events due his relationship with his wife, an American woman whom helps him write the book. When Liang Heng and Judy Shapiro fell in love in China during 1979, they weren’t just a rarity; they were both pioneers at a time when the idea of marriages between foreigners and Chinese were still unacceptable in society.
William Hinton, a US born member of a Chinese Communist land reform task force in 1948, noted that the peasants were challenging the landlords and money lenders in regards to overcharges and restoration of lands and property seized in default of debts (Doc 4). This was due to the newly found confidence in themselves through the defeat of the Japanese. Although Hinton was born into the communist party, his recount of the actions he saw concerning the peasants was simply from a look from the outside in. He personally did not experience this sudden upsurge of challenges, which gives the public a view of what the communist party thought of what looked like a move towards social equality. Although Hinton’s recount may not have been thoroughly verified, the communist party did indeed aid in fueling what was known as a struggle meeting, where Chinese peasants humiliated and tortured landlords, as seen in the picture, organized by the Communist Party as part of the land reform process, of a group of peasants at a meeting where in the center a woman is with her former landlord (Doc 7). Alongside the destruction of the landowning infrastructure that was previously followed, the Communist party also aided the peasants in a form of social reform. One important law that granted specifically women more freedom in their social life was the creation of the Marriage Law of the People’s Republic of China in 1950, where it states that the “supremacy of man over woman, and in disregard of the interest of the children, is abolished” (Doc 5). The newly introduced concepts of free choice in partners, abortion, and monogamy that derived from this law changed the societal position on women and peasants which greatly expresses the amount of new social mobility
Gittings, John. The Changing Face of China: From Mao to market. Oxford University Press, 2005.
There is no better way to learn about China's communist revolution than to live it through the eyes of an innocent child whose experiences were based on the author's first-hand experience. Readers learn how every aspect of an individual's life was changed, mostly for the worst during this time. You will also learn why and how Chairman Mao launched the revolution initially, to maintain the communist system he worked hard to create in the 1950's. As the story of Ling unfolded, I realized how it boiled down to people's struggle for existence and survival during Mao's reign, and how lucky we are to have freedom and justice in the United States; values no one should ever take for
The family's personal encounters with the destructive nature of the traditional family have forced them to think in modern ways so they will not follow the same destructive path that they've seen so many before they get lost. In this new age struggle for happiness within the Kao family, a cultural barrier is constructed between the modern youth and the traditional adults, with Chueh-hsin teeter tottering on the edge, lost between them both. While the traditional family seems to be cracking and falling apart much like an iceberg in warm ocean waters, the bond between Chueh-min, Chueh-hui, Chin and their friends becomes as strong as the ocean itself. While traditional Confucianism plays a large role in the problems faced by the Kao family, it is the combination of both Confucianism and modernization that brings the family to its knees. Chueh-hsin is a huge factor in the novel for many reasons.
A young socialist group was created by the name “Red Guards” are hunting down “capitalist-roaders” who are guilty of the “Four Olds” which is old customs, old habits, old thoughts, or old culture. This is shown when the village chef comes for Fugui to get rid of the puppets because everyone knows that they are part of the old culture and though the puppets remind Jiazhen of her son Yongqing, the family burns the puppets. The audience is shown that the Communist party has infiltrated people’s houses and propaganda is even in the marriage song between Fengxia and Erxi. It is known that by this time the Revolution is at it’s strongest. Education is depicted to not matter and that proves to cause a disaster as later in the film during Fengxia’s childbirth the doctors are all gone and only the students are left. It is noticed that these students are all young woman and the Communist party is trying to make gender roles equal for these young woman, however it is clear that since the doctors were the only ones educated to help this puts the death of Fengxia who dies of blood loss after giving birth to her son Mantou. Fengxia who is mute and considered back in China as a disability in Chinese culture as a “dishonor” since disabilities was considered that no doctor or nurse would that treat them, manly because they did not know how. This part in the film is symbolic to this part of China during that time as it shows both children, Youqing and Fengxia victims of the Communist Party polices. At the end, when Erxi buys a box full of young chicks for his son, which they decide to keep in the chest formerly used for the shadow puppet props. Implies the history of Puppetry in Chinese culture such as it was made for an emperor who had lost a loved one and so an Official made a shadow puppet of her and when presenting it to the emperor he was overjoyed that he could see his loved one again.
Chapter one, The Observers, in the Death of Woman Wang demonstrates the accuracy of the local historian; Feng K'o-ts'an, who compiled The Local History of T'an-ch'eng in 1673. The descriptive context of the Local History helps the reader to understand and literally penetrate into people's lives. The use of records of the earthquake of 1668, the White Lotus rising of 1622 and rebels rising vividly described by Feng the extent of suffering the people of T'an-ch'eng went through. Jonathan Spence stresses on how miserable the two-quarter of the seventeen-century were to the diminishing population of the county. The earthquake claimed the lives of nine thousand people, many others died in the White lotus rising, hunger, sickness and banditry. P'u Sung-ling's stories convey that after the loss of the wheat crops there were cases of cannibalism. On top of all of this came the slaughtering of the entire family lines by the bandits. The incredible records of women like Yao and Sun in the Local History present the reader the magnitude of savagery the bandits possessed. All of these factors led to the rise of suicides. The clarity of events Spence given to the reader is overwhelming.
Jealousy is an innate facet of humanity, an emotion universally felt during childhood. It is through this jealousy that we begin to resent the reality that we are given. In the article “Eat, Memory: Orange Crush,” Yiyun Li recalls how influential the western product “Tang” was during her childhood. Growing up, Li remembers a time where she was resentful of her lack of Tang, desiring the “Tangy” lifestyle which was symbolic of luxury and social status in China. Through the logos of Li’s father, Li’s appeal to pathos through her childhood experiences, and the disillusionment of Li’s utopian view of Tang, Li typifies the struggle a teenager undergoes as they grow up.
Jonathan Spence tells his readers of how Mao Zedong was a remarkable man to say the very least. He grew up a poor farm boy from a small rural town in Shaoshan, China. Mao was originally fated to be a farmer just as his father was. It was by chance that his young wife passed away and he was permitted to continue his education which he valued so greatly. Mao matured in a China that was undergoing a threat from foreign businesses and an unruly class of young people who wanted modernization. Throughout his school years and beyond Mao watched as the nation he lived in continued to change with the immense number of youth who began to westernize. Yet in classes he learned classical Chinese literature, poems, and history. Mao also attained a thorough knowledge of the modern and Western world. This great struggle between modern and classical Chinese is what can be attributed to most of the unrest in China during this time period. His education, determination and infectious personalit...
As the citizens of Matewan attempt to break free of their feudal chains, they are not only attempting to change their economic situation, but also their current social state as well. Rebelling against the all-powerful Stone Mountain Coal Company, the workers are fighting against a socially and culturally accepted norm- a feudal economic system professed as "right" and "just" by their oppressor. The clash between the company and the striking, pro-union workers is but one historical conflict that attempted to bring about positive social change. As the miners struggle to break free from thier economic oppression and form a union, they push forward a preferred economic state of capitalism.
Cao Xueqin’s Story of the Stone is a classic in Chinese literature, showcasing the life and exploits of the wealthy Jia clan during the feudal era. Through Cao’s depiction, the reader is afforded a glimpse into the customs and lifestyle of the time. Chinese mode of thought is depicted as it occurred in daily life, with the coexisting beliefs of Confucianism and Taoism. While the positive aspects of both ideologies are presented, Cao ultimately depicts Taoism as the paramount, essential system of belief that guides the character Bao-yu to his eventual enlightenment.
Mao’s Cultural Revolution was an attempt to create a new culture for China. Through education reforms and readjustments, Mao hoped to create a new generation of Chinese people - a generation of mindless Communists. By eliminating intellectuals via the Down to the Countryside movement, Mao hoped to eliminate elements of traditional Chinese culture and create a new form Chinese culture. He knew that dumbing down the masses would give him more power so his regime would be more stable. This dramatic reform affected youth especially as they were targeted by Mao’s propaganda and influence. Drawing from his experiences as an Educated Youth who was sent down to the countryside Down to the Countryside movement, Ah Cheng wrote The King of Children to show the effects of the Cultural Revolution on education, and how they affected the meaning people found in education. In The King of Children, it is shown that the Cultural Revolution destroyed the traditional incentives for pursuing an education, and instead people found moral and ethical meaning in pursuing an education.
Retrieved March 21, 2001, from the World Wide Web: http://english.peopledaily.com. Chinatown Online is a wonderful site with an abundance of information about China. http://www.chinatown-online.com/. Henslin, J. M. (1999). The Species of the Species. Sociology: A Down-to-Earth Approach (4th ed.).
Prior to the Cultural Revolution, the economic movement forwarded by Mao Zedong known as the Great Leap Forward took place from 1958 to 1960. The goal in this campaign was to modernize and industrialize China. After some degree of success in his Five Year Plan such as the increase in production of iron and coal, Mao further sought for his utopian socialist ideas by placing China’s great labor force into large collective farms called communes. However, since all factors of production benefited only the government, the peasants lost their enthusiasm toward working. As a result, agricultural failure led to famine, w...