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Roles of women as portrayed in A Doll's House
Relationship between helmer & nora at doll's house
Theme of gender in a doll house and example
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How did Henrik Ibsen’s A Doll’s House show the effects societal roles had on the men and women of the 19th century?
The effects of the societal roles in men and women from the 19th century are displayed through the actions and morals of the characters in Henrik Ibsen’s play, A Doll’s House. The play demonstrates through its main characters the demanding norms of society. When one does not abide the Victorian society norms they are shunned, pitied and left with almost nothing. Ibsen’s humanistic side is seen through this play as he creates realistic problems for fictional people to suffer through So, the effects of societal roles are seen in the character of Nora Helmer, who is the obedient, naïve wife that finds her true self and decides to rebel against societal prospects. It is also observed in Torvald Helmer, who displays the qualities of the stereotypical male of the Victorian era and this display of societal norms affects Nils Krogstad, who went from accepting the social order to rebelling against for the sake of his family. Each of these characters helps understand the concept of societal expectations and struggles to achieve them.
Effect on Nora by the Societal Roles
First, Nora Helmer is the figurative wife that all men of the 19th century want and work hard to get. She has the childish, naïve personality that helps her get along with her children and adapt to the Victorian society. The society’s demands are a routine to her as she mentions to Christine Linde, “Free. To be free, absolutely free. To spend time playing with the children. To have a clean, beautiful house, the way Torvald likes it” (Ibsen, Act 1). At the time of this play Queen Victoria is in rule, symbolizing the roles of a woman revolving around...
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Wilde, Oscar. "The Picture of Dorian Gray." Google Books. Bernhard Tauchnitz, 8 May 2009. Web. 21 May 2014. .
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Ibsen, Henrik. A Doll House (1879). Trans. Rolf Fjelde. Rpt. in Michael Meyer, ed. The Bedford Introduction to Literature. 5th edition. Boston & New York: Bedford/St. Martin's Press, 1999. 1564-1612.
In the play A Doll’s House by Henrik Ibsen, several literary lenses can be used to better help understand the storyline. The most prominent lens used throughout this play is gender. It plays a large role in the story A Doll’s House. Nora, the protagonist is faced with many challenges because of the normalities of 19th century society. She must overcome these difficulties throughout the play.
Isben, Henrick. A Doll?s House. 1879. Kirszner & Mandell. Literature Reading, Reacting, Writing. Fourth Edition. Harcourt College Publishers.
Ibsen, Henrik. A Doll's House. Ed. Stanley Appelbaum. New York : Dover Publications, INC. , 1879.
Nora Helmer was a delicate character and she relied on Torvald for her identity. This dependence that she had kept her from having her own personality. Yet when it is discovered that Nora only plays the part of the good typical housewife who stays at home to please her husband, it is then understandable that she is living not for herself but to please others. From early childhood Nora has always held the opinions of either her father or Torvald, hoping to please them. This mentality makes her act infantile, showing that she has no ambitions of her own. Because she had been pampered all of her life, first by her father and now by Torvald, Nora would only have to make a cute animal sound to get what she wanted from Torvald, “If your little squirrel were to ask you for something very, very, prettily” (Ibsen 34) she said.
Simonds, W. E. "Henrik Ibsen." Dial 10.119 (Mar. 1890): 301-303. Rpt. in Literature Resource Center. Detroit: Gale, 2011. Literature Resource Center. Web. 25 Mar. 2011.
Weintraub, Stanley. ""Doll's House" Metaphor Foreshadowed in Victorian Fiction." Nineteenth-Century Fiction 13: 67-69. Web. 6 Jan. 2011.
A Doll?s House presents a revolutionary change for Norway in the 1880?s. During this time period women were seen as second or even third class citizens, and though numerically this is not true, a minority . Ibsen presents his character Nora as a plaything, sorely manipulated by the men in her life. As the play pro...
The enforcement of specific gender roles by societal standards in 19th century married life proved to be suffocating. Women were objects to perform those duties for which their gender was thought to have been created: to remain complacent, readily accept any chore and complete it “gracefully” (Ibsen 213). Contrarily, men were the absolute monarchs over their respective homes and all that dwelled within. In Henrik Ibsen’s play, A Doll’s House, Nora is subjected to moral degradation through her familial role, the consistent patronization of her husband and her own assumed subordinance. Ibsen belittles the role of the housewife through means of stage direction, diminutive pet names and through Nora’s interaction with her morally ultimate husband, Torvald. Nora parades the façade of being naïve and frivolous, deteriorating her character from being a seemingly ignorant child-wife to a desperate woman in order to preserve her illusion of the security of home and ironically her own sanity. A Doll’s House ‘s depiction of the entrapment of the average 19th century housewife and the societal pressures placed upon her displays a woman’s gradual descent into madness. Ibsen illustrates this descent through Torvald’s progressive infantilization of Nora and the pressure on Nora to adhere to societal norms. Nora is a woman pressured by 19th century societal standards and their oppressive nature result in the gradual degradation of her character that destroys all semblances of family and identity.Nora’s role in her family is initially portrayed as being background, often “laughing quietly and happily to herself” (Ibsen 148) because of her isolation in not only space, but also person. Ibsen’s character rarely ventures from the main set of the drawi...
Women of the 19th century were trapped in their societal roles. There was no way out. Rights were unattainable: no matter how many rights movements occurred, such as the Norwegian Association for Women’s Rights. A women’s place in society was determined by their husband’s status; there was little to no way to obtain a job, a women could not even decide for herself whether or not she wanted to be married or have a child. The male role in the woman’s life took over all decisions and property. Women were seen as the property of men, like their dolls. This idea of a women being a doll was especially evident in Ibsen’s A Doll’s House. Henrik Ibsen was a Norwegian dramatist, he became known as the father of modern realistic drama. He became popular because of the ridicule he received for “revealing a women’s need for independence from male authority” (feminist literature). While most characters in the play remained obedient to their societal roles, one woman took her life into her own hands. Mrs. Linde, after the death of her husband, learned to stand on her own two feet with no ones help. She got a job, a house and learned to stand on her own two feet. Even though Mrs. Linde played a minor role in the play, her life became a model for the feminist movements because she defied female stereotypes for her time period.
..." A Doll's House," by Henrik Ibsen portrays the genders role of nineteenth century women and men in society. Torvald's perception of his wife of how she is a helpless creature shows the overall role which women fill. Women are responsible for the purity of the world through their influence in the home and through the upbringing of their children. They had to beg and ask for permission to do certain activities and essential things.
I find the metaphorical meanings in particular, quite supplementary to the overall plot, as well as the irony that sets us up for tense situations in which any drama should do. Directly after the title of the drama, we are immediately primed with the social standards of the time as the first character is listed: “Torvald Helmer - a lawyer,” and underneath his name: “Nora - his wife.” She above all else is first a wife and a mother; these titles assume her primary duties and responsibilities. Nora however is not much more than a “trophy wife” to Mr. Helmer and a playmate to her children. Torvald refers to her with what seem to be degrading nick...
Henrik Ibsen paints a sad picture of the sacrificial role of women throughout all social economical classes in his play “A Doll House”. The story is set in the late 19th century and all minor female characters had to overcome adversity to the expense of love, family and self-realization, in order to lead a comfortable life. While the main female protagonist Nora struggles with her increasingly troubled marriage, she soon realizes, she needs to change her life to be happy as the play climaxes. Her journey to self-discovery is achieved by the threat of her past crime and her oppressing husband, Torvald and the society he represents. The minor female characters exemplifying Nora’s ultimate sacrifice.
“A Doll’s House” is a play written by a Norwegian playwright, Henrik Ibsen. The play was published in 1879, and is a literary piece that triggered almost vigorous reactions from the audience. Moreover, the play was considered Ibsen’s masterpiece and he was determined to provoke a reaction from the public. His intention was to bring awareness to the problem of gender roles in the 19th century society: the role of women who were used as decorations of the household. The title this play, “A Doll’s House”, foreshadows the play’s protagonist, Nora Helmer, and her role in the household. The title of the play suggests that Nora is a doll in her own home.
Ibsen, Henrik. "A Doll House." Ibsen : Four Major Plays - Volume 1. Trans. Rolf Fjelde. New York: Signet Classics, 1992. 43-114. Print.