Henrik Ibsen’s A Doll’s House is a realistic drama that serves to highlight the hypocrisy and the cultural conflicts of the Victorian society. It portrays the state of women rights and the suppressed role of women in that period. Repressed by the society’s norms that dictates women to be submissive to the husband, the drama follows Nora’s path to self-realization and individual fulfillment as she goes against the social injustice. Furthermore, the drama shows the effects of poverty in women, whose lives as a result are dictated by circumstances rather than their own choices and actions.
Marriage at that period was a one way street where the husband dominated the family. The overbearing actions of Torvald includes even things of trivial nature such as forbidding Nora from having macaroons in the house. Similarly, Nora says, “Torvald wants me to go as a Neapolitan fisher-girl, and dance the Tarantella that I learned at Capri.” (Ibsen 35) Here, the fancy dress Nora wears for the costume party also shows submissiveness to Torvald. This suggests the husband and wife being in an unequal footing where Nora pretty much follows whatever Torvald says without questioning. She trusts him implicitly while the same cannot be said for Torvald. On the contrary, Torvald’s treatment of Nora is very condescending- she is given “housekeeping” allowance as if she were a child that needs guidance and furthermore he has a very myopic view with regards to what he views as roles of women. He considers women’s role in the family to be a good wife and mother to their children and be responsible for the children’s morality.
To Torvald a good reputation in the public is more important than morals and the well-being of his wife. Here, when Nora tells him abo...
... middle of paper ...
..., Mrs Linde, after the death of her husband, has had to come to Torvald for a job. She is at the mercy of someone else even when she is free. Therefore, even when a women is single and seemingly independent, the society still puts roadblocks to prevent further progress. Moreover, the jobs available to women were even less- only white collar jobs such as clerks, typists, and nurse being available.
As such A Doll’s House is a major piece of literature because it is one of the first drama that portrayed realism instead of just idealizing something. It both directly and indirectly led to more awareness and exposure regarding the blatant oppression on women rights and their role in the society. Furthermore, it criticized the shallowness of the society of the time where men were more worried about their appearance in the society rather than the well-being of the family.
When Nora decided to leave her marriage behind this ended up being a turning point in Torvald’s attitude to Nora. While at first he was convinced that she would not really go calling her actions insane and childish, he is now taking what she says seriously and even offering to change for her. This shows that there is a part of Torvald that does perhaps truly love Nora. Although Torvald doesn’t want her to go, the fact that he agrees to give her his ring and not argue with her shows that he finally respects her wishes and ability to make decisions for herself.
In the late 19th century and early 20th century, idea for the equality of women began to ignite a fire within the world. Women wanted to fight oppression and have a chance to experience the same rights as men. However, although suffragettes would not fight fire with fire until a couple of decades later, the idea of escaping societal roles and gain freedom within society and marriage possibly inspired literary works during this time period. These issues of the inequality between men and women in marriage and society plays strong roles in literary works. In “A Doll’s House” by Henrik Ibsen, “Trifles” by Susan Glaspell, and “The Yellow Wallpaper” by Charlotte Perkins Gilman all have something in common: the women are oppressed by the men and society, and ultimately pull away from their societal roles and break free.
Feminism is the advocacy of women’s right and is on the grounds of political, social, and economic equality to men. Centuries ago, women did not share the same equality as men. Men and women’s gender roles were practiced with greater acceptance than by today’s standards. More-over, gender roles among women decades ago, were wrapped within the limits of their political, economic, and social rights and freedoms. The man’s role was to work and to make important final decisions for the family. Were-as, the wives were to stay home with the kids and obey her husband. Feminism changed all those aspects in the world for men and women to be treated to have the same rights. “A Doll’s House” is a profound play to make direct connection on why feminism started. The main character in the play Nora is wife and a mother that struggling to gain equality in her life. In
Linde both broke the stereotypical societal binds that constrained most women than. For Mrs. Linde, breaking from those traditional ideals yielded a much more positive result; she gained a family to care for. Nora, however, had to leave hers. And for good reason; even though to most during the time period, Torvald’s attitude towards Nora was common between husband and wife, she saw it as just being an object for him to show off and have for his own enjoyment. We see this clearly all throughout the course of the play, as Torvald attempts to use terms of endearment in an affectionate manner when talking to Nora, he fails. “Frightened little singing-bird”, “squirrel”, and “skylark” are just a few pet names he uses that make it seem that Torvald sees Nora as helpless, fragile, and downright idiotic. He shows no respect for his wife whatsoever but has the audacity to become outraged when Nora announces she is leaving. Torvald felt like Nora was obligated to take his disrespect because that’s what every other woman did, but thankfully (and surprisingly) Nora had an epiphany, one very little females had (and even if they did, few acted upon it). For her to do such a thing, was groundbreaking, even if she is just a fictional character; she probably spurred on women who were in similar predicaments to confront their oppression.
The play A Doll’s House, written by Henrik Ibsen in 1879, recounts a story of a woman who is struggling to exist within the life she has accustomed herself to. The main character Nora is depicted as a woman that has accepted the way things were being held in her household without questioning the fairness or morals of the situation. Ibsen addresses the roles of woman in society and shines a new light on the concept of feminism in the time period. Nora represents the new light on feminism that was not quite popular during the time period in which Ibsen wrote the play. Nora’s character illustrates a concept that was foreign to most women during the time, and allowed for women to realize that they should be living to their full potential. Ibsen portrays Nora as childlike, tolerant, and loyal throughout the play, defining her true essence and eventually leading her to make a decision that would change the course of her life.
A contrasting difference in the characters, are shown not in the characters themselves, but the role that they play in their marriages. These women have different relationships with their husbands. Torvald and Nora have a relationship where there is no equality. To Torvald Nora is an object. Hence, she plays the submissive role in a society where the lady plays the passive role. Her most important obligation is to please Torvald, making her role similar to a slave. He too considers himself superior to her.
... They didn’t get any fair chances and had control of absolutely nothing in their life. The roles of women ranged from mother to wife, and went not far beyond. There was no way to gain any independence. Despite, the inferiority of Mrs. Linde, she defied the stereotypical ideas of women of her time and learned to be prosperous on her own.
Henrik Ibsen’s A Doll’s House is a three-act play significant for its attitude toward marriage norms. In the drama, Ibsen explores idealism between the wife Nora and her husband Helmer. Nora’s and Helmer’s idealism forces the pair to see themselves and each other starring in various idealist scenarios of female sacrifice and heroic male rescue. As a play, the scenes are act out on stage. The staging of a house reveals the dramaturgical aspects and dynamics of the play. The presence of the house is significant to the depiction of women on stage. The action of the play traces Nora’s relationship to the house. Ibsen’s play focuses on the aspect of the expected idealism of the wife and husband, and how the domestic abode can hinder freedom.
“A Doll’s House” gives the reader a firsthand view at how gender roles affected the characters actions and interactions throughout the play. The play helps to portray the different struggles women faced during the 19th century with gender roles, and how the roles affected their relationships with men as well as society. It also helps to show the luxury of being a male during this time and how their higher status socially over women affected their relationships with woman and others during this time period.
Lastly, the amount of deception and dishonesty between Nora and Torvald would have broken the marriage even without Krogstad’s extortion plot. Both Nora and Torvald are living in a world of lies, and both of them are not honest with each other and themselves. In the beginning of the play, Torvald and Nora are portrayed to be a perfect couple with a perfect life. Nora is seen returning home after a day of shopping and is greeted lovingly by her husband. Even though they seemed to have had some financial troubles in the past, Torvald just received a new job as a bank manager and everything seemed to be alright, but behind the scenes nothing was alright.
Unbalanced relationships in Henrik Ibsen’s A Doll’s House are shown through the symbolism of a doll. Characters in A Doll’s House live according to the assurance and pressure of society in the Victorian era. These unbalanced relationships shown through the symbolism of A Doll’s House is commonly displayed among the main characters, and minor characters, and can also be shown through social class. A Doll’s House is an empowering book that inspires women and educates men. The multiple “dolls” in A Doll’s House can connect to the audience on a personal level because there is a type of doll for
In its historical context A Doll’s House was a radical play which forced its audience to question the gender roles which are constructed by society and make them think about how their own lives are a performance for Victorian society.
Henrik Ibsen paints a sad picture of the sacrificial role of women throughout all social economical classes in his play “A Doll House”. The story is set in the late 19th century and all minor female characters had to overcome adversity to the expense of love, family and self-realization, in order to lead a comfortable life. While the main female protagonist Nora struggles with her increasingly troubled marriage, she soon realizes, she needs to change her life to be happy as the play climaxes. Her journey to self-discovery is achieved by the threat of her past crime and her oppressing husband, Torvald and the society he represents. The minor female characters exemplifying Nora’s ultimate sacrifice.
The story, “A Doll’s House”, holds very true to the time it was written in. Most of the themes reflect what was actually happening during the era and even what the era began to lead into. Reading these types of stories in today’s day and age, it is hard to imagine what it was truly like during those ages, but for them, it was an everyday
“A Doll’s House” is a play written by a Norwegian playwright, Henrik Ibsen. The play was published in 1879, and is a literary piece that triggered almost vigorous reactions from the audience. Moreover, the play was considered Ibsen’s masterpiece and he was determined to provoke a reaction from the public. His intention was to bring awareness to the problem of gender roles in the 19th century society: the role of women who were used as decorations of the household. The title this play, “A Doll’s House”, foreshadows the play’s protagonist, Nora Helmer, and her role in the household. The title of the play suggests that Nora is a doll in her own home.