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Cram.com historiography spanish civil war
Picasso painting essays
Cram.com historiography spanish civil war
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The Spanish Civil War (1936-1939) was a struggle of power between the Republican government and Nationalist insurgents. On April 26, 1937, German forces—allies of the Republicans—bombed the Spanish city of Guernica. Pablo Picasso’s Guernica artifactualizes the devastation of this bombing through its extensive portrayal of senseless violence and women seeking to grapple with the pervasiveness of death; since this depiction of suffering is applicable to any war or war crime, Guernica is a universal, timeless anti-war piece.
Through its striking, incoherent portrayals of violence and suffering, Picasso’s Guernica encapsulates the tragedy and chaos of the bombing of the city of Guernica during the Spanish Civil War. The distorted, overlapping
In the painting of the Liberation of the Peon, Diego Rivera depicts soldiers cutting down a naked man from a post. At first glance, the soldiers appear to have whipped and beaten the man. Without careful deliberation, viewers could easily interpret the scene this way due to the visible scars on the man’s body. However, through visual clues, viewers of the Liberation of the Peon can infer that this is not the case. In actuality, the soldiers are helping the man down from the post and providing him with a blanket.
This art analysis will define the theme of the universality of 20th century modern warfare in the context of modern works of art by David Levinthal and Roger de la Fresnaye. David Levinthal’s “Untitled” (1972) is commentary on the mass killing of modern warfare in the 20th century, which killed many millions of men during Hitler’s invasion of Europe. Levinthal’s childhood imagery of tanks, soldiers, and homes visualize the mass killing of war as a “universal” concept in the depiction of the modern psyche. Roger de la Fresnaye’s “Artillery” (1911) is also a commentary on cubist imagery that projects a military
George Gittoes (b.1949) creates works that that communicate the issue of the graphic horror of war. A social realist painter, photographer and filmmaker, his approach to art is that ‘he layers and accumulates material until, out of apparent chaos, there is a synthesis of idea, passion and image’ (Mendelssohn, 2014). As an eyewitness to the world's war zones, Gittoes clearly uses his work as a means of communication to society.
...l. “Ge-or-ge,’ she called in an exaggerated Gringo accent. He looked back. Tears were running down her rigid, expressionless face. ‘Cabron!’ she said. ‘Vendido sanavabiche!’” (Paredes 294) In this way, George – no longer Guánlito – has politically and culturally betrayed his people, and “is not is not the tragic hero who has died in defense of his people” (Mendoza 148).
· Packard, Fred M. The Effects of War on the Works of Two Spanish Painters -- Goya and Picasso. Master's Thesis for Kent State University, 1961.
Artists portray gruesome events in many ways including poems and videos. Gruesome events are portrayed in similar ways and also different ways including what is put in and what is left out. Whether it be leaving out who started the war, telling the whole story, or emphasizing elements in different ways the artist clearly portrays the Civil War of Spain as a gruesome and horrifying event. Both mediums clearly show how life was before the war and how people have been hurt. Both artists give the reader a sense of how the war affected everyone in Spain and eventually give the rest of the world a reason to “come and see the blood in the streets”(1/5 voices).
BOLIVIAN PARADISE Bolivia is an amazing country that is breathtaking and is similar to a paradise. Bolivia is an interesting country that practices an interesting style of living. Locals always have plenty to do. They can go out for pizza, go see movies, or simply sit and talk.
...s work The 3rd of May, 1808 is a very detailed and dramatic narrative within a collection of war themed works by the artist. I believe that by using the formal elements of color, texture, shape, lines, space, and the value I was able to sufficiently provide evidence that Goya offers a sequential order of direction for the audience to comprehend from their personal viewing. The twisted and grief stricken work creates a massive emotional connection and the artist plans for the viewers’ to grow and understand this message. The subject highlighted is obvious that Goya is passionate on his stance and outlook on war is suggested in the work. It’s obvious that Goya’s formal organization of his color palette, variation of brushes, repeating shapes, and play with lighting all correspond to depict man’s savage and at times monstrous actions are justified during war.
The Lamentation, or Pietà, is a common Christian narrative that depicts Jesus Christ’s family mourning over his body after he has been crucified. Many artists choose to interpret it and paint it in their own way, which is why I decided to use it for this paper. The Pietà, I found, is more of a detailed version of the Lamentation that is mainly only Mary mourning over her son. In general, the Lamentation includes Mary and other religious figures—“full” Lamentations include The Three Marys, John the Apostle, Joseph, and various other people such as angels and donor portraits. As time went on, some scenes became continuous narratives, showing other subjects adjacent to the Lamentation in the Passion of Christ. Meanwhile, others expanded in terms of their scenery and other specific details.
Jose Clemente Orozco was one of the most controversial and celebrated Mexican artists of the twentieth century. He provoked people through his outrageous metaphors and sparked the fuel to the fire of awareness, this being to change the blemishes of our society whether it be dictatorship, war, imperialism, religion, slavery, greed, alienation, and so much more. Even though he lost his left hand when he was just a teenager, he made dozens of major mural pieces that still provoke people’s principles to this day. When he wasn’t creating massive murals he was painting or drawing hundreds of new ideas about social reform, war, imperialism, etc. Both murals and easel paintings influenced generations to come such as Pollock, Guston, and Shahn. He painted the true lifestyle of real mexicans and their problems at the time but called for peasants and workers to change what he was painting so it could be apart of history, not part of the future. With his paintings he challenged authority, norms, and stereotypes of Mexico, Europe, and the United States. His creations are often dark rich colors that have splashed of white and depict tragedies with strong figures that resemble gods, average men, and past dictators/ imperialists. Jose opened peoples eyes in an unconventional way with his massive murals. His pieces are highly detailed and make us question our everyday life. His art made people question society, and once an artist got that question in peoples head, you’ve changed society. But Orozco always caused heated controversy and debates wherever he painted his striking eye-raising social analytical murals and paintings.
Preston, Paul. The Spanish Civil War: Reaction, Revolution and Revenge. New York: W.W. Norton &, 2007. Print.
Agnosia is a sickness that could happen when the patient have damage in certain area of the brain. Agnosia is the conscious inability to identify sensory stimuli not due to deficits in sensory, verbal, or cognitive abilities. (Pinel, 2007). There are many different form of Agnosia even though popular cases base on to memory and visual perception. There are many cases of Agnosia cause by different cortial area impacted.
...milar to its aspect of the 1930s. In many of his paintings Botero recalls both the mundane and the extraordinary events of life in such a town. In a painting such as the 1995 House, a woman stands in her doorway observing the passing scene. Nothing seems to change, but we know that any instant something amazing - wonderful or horrifying - could happen. In a 1994 composition we observe just such an occurrence. The Woman Falling from a Balcony portrays a young woman, dressed only in a green slip and green highheeled shoes, flying through the air as she is observed by a man standing below. Does this represent a terrible accident, a suicide or a vision of the observer? We can only know the ultimate outcome in our imaginations. In paintings such as this Botero seems to be creating visual analogues to the extraordinary imagination of Gabriel García Márquez who, in his novels and short stories, has created a world that may be described as both banal and wondrous. The imagination of the painter, like that of the writer, conjures up fantastical happenings in village settings in which, seemingly, little or nothing changes throughout the years.
All three of the bodies of literature deliver a detailed look into what took place during that era of massacres, but this essay will examine the work of Elena Poniatowska, Massacre in Mexico. The events that took place during the Mexican student movement, lasted from July until October of 1968. Within Elena Poniatowska’s body of work are a compilation of oral histories and photographs. Although Poniatowska’s work is different from the other two authors, they all share the same goal of displaying a search for truth, an importance of their memory, and insisting that the reader pay attention and always remember.
However neither of these artists would be as highly considered, as they are, if these were the only images in their works. Indeed, it is the ambiguity of these images that makes them so great. Picasso overlaid in Guernica the images of Harlequins. The largest is hidden behind the surface imagery and is crying a diamond tear for the victims of the bombing.