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The main principles of empiricism
Character analysis of grendel
The Principles of Empiricism
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Troy Capalbo
Ms. McClelland
Honors English IV
February 5, 2018
Chapter Twelve: Grendel’s Exposure to Pisces, Empiricism, and Isolationism
“Poor Grendel’s had an accident… so may you all” (174) were the last words uttered by Grendel, a monster with human-like traits, before he passes away following his fateful battle with Beowulf, a strong warrior from The Land of the Geats. The novel Grendel by John Gardner is inspired by epic Anglo-Saxon poem Beowulf, and is told through the perspective of Grendel, on his journey through life and his discovery of his purpose through the events he lives through. In this chapter, Grendel fights Beowulf, and meets his ultimate fate, freeing him from the endless, mechanical cycle in which he finds himself trapped.
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In the last chapter of Grendel, the main character explores his purpose by demonstrating the traits of Pisces, shows his values of empiricism, and explores the power of language and his isolationist feelings leading up to his imminent death. Beowulf, the powerful and smart warrior from Geatland, is the symbol of Pisces, the twelfth and final zodiac sign.
One characteristic of Pisces is portrayed by Grendel in this chapter when Grendel is on the brink of death. As Grendel is dying, he mutters out to the animals around him, “Poor Grendel’s had an accident… so may you all” (174). This shows that Grendel is feeling self-pity and sensitivity, two of the major characteristics of Pisces. He uses the word “accident” in an attempt to not lose his dignity and to say Beowulf is lucky. Grendel also shows more traits by seeing Beowulf during the battle as if he had wings. He says “...out of his shoulders come terrible fiery wings. I jerk my head, trying to draw out the illusion.” (169) This event shows that Grendel has become very imaginative and creative in his mind, another facet of Grendel’s discovery of Pisces. One final major trait of the Pisces is their impressionability. While Beowulf and Grendel are fighting, Beowulf whispers into Grendel’s ear, driving Grendel crazy with his language and speech. Beowulf proclaims, “And now something worse. He’s whispering - spilling words like showers of sleet, his mouth three inches from my ear” (169). “His syllables lick at me, chilly fire.” (170). In chapter twelve Grendel experiences new feelings and thoughts because of the symbol of Pisces in this chapter; Beowulf. Because of him, Grendel begins to show Pisces characteristics in his own notions and actions, which help bring …show more content…
Grendel towards his discovery of his own purpose. The philosophy known as Empiricism is brought forth in Chapter Twelve as Grendel fights Beowulf, and death looms over him.
One theory of Empiricism is that the origin of all knowledge comes from sense experience. In this chapter, there are so many senses and examples of deep imagery that show Beowulf is gaining knowledge of his surroundings first hand, with his own senses. Grendel says at one point in the novel that he “...sucks hot, slippery blood…” (168) from one of Beowulf's thanes, and that the “...napkins were sopping, and the dark floor steamed” (168). This intense imagery shows that Grendel picks up on more of his surroundings since he first emerged that dark cave, and he is learning through experiences such as these. Another aspect of Empiricism is that those who rely on sense experience have lesser skills when it comes to caution, as they have not experienced anything to make them be cautious yet. This can be seen when Grendel grabs Beowulf in the mead hall, thinking it will be just another human he can kill with ease. To his surprise, Beowulf has a grip so hard that Grendel voices, “Nowhere… have I encountered a grip like his”(168). Grendel’s lack of caution eventually leads to his death, and he is not cautious because he relies on sense experience, and he has never had a human battle him like Beowulf has, and he is not expecting it. A final aspect in this chapter that shows Grendel’s growth towards Empiricism is the conversation he has with Beowulf during their
fight. Beowulf speaks to Grendel and says, "'You make the world by whispers...Feel the wall: is it not hard?' He smashes me against the wall, breaks open my forehead..." (171). Here, Beowulf is making Grendel believe only in knowledge he gains from experience. He asks Grendel if the wall is hard, and then proves to Grendel that it is by smashing his head into the wall - making Grendel experience its hardness - showing Grendel the validity of Empiricism and further adding to his discovery of purpose. Grendel's discovery of the power of language and his isolationism has also led him to discover more about his purpose. While Grendel is fighting Beowulf, Beowulf uses his strong language abilities to get into Grendel’s head. Beowulf’s language hurts Grendel just as much as his actions do. Beowulf tells Grendel his time is now, and that “Time is the mind, the hand that makes… by that I kill you” (170). These words make Grendel “...sick at heart” (170), and even makes him call for his mother. Grendel discovers just how badly words can hurt him. He also finds out that he feels isolation and alone which leads to his development of purpose. Grendel is so glad that strangers have finally come, new people he can massacre, that he is overeager. He goes into the mead hall with so much confidence and he is experiences defeat. After his beating, Grendel stumbles back into the woods, feeling alone once again. He calls out for his mother, then realizes “...her love is history”(173). There he now feels blank. He is aware his death is to come, and aware his only interactions and only sense of purpose is what has sent him to his death - and that is the people he fights, and those who fight against him. As he is dying, animals who he cannot talk to gather to watch, further showing Grendel just how alone and isolated he is. Grendel’s final contribution to his own purpose is the defense of his dignity by defying Beowulf’s victory as an act of heroism. The novel portrays to us that Beowulf’s victory was one of a pure hero, but as Grendel dies he says this is not true. He says “It was an accident,” I bellow back. I will cling to what is true. “Blind, mindless, mechanical. Mere logic of chance” (173). By doing this, Grendel is trying to explain his loss and make himself feel better about it. He discovers that his purpose is fading, and needs this explanation to comfort himself.
The philosophies expressed in the Beowulf epic complement the exploration of existentialism throughout the modern work, Grendel, by John Gardner. Both works portray different perspectives of the same story, involving the same characters; Beowulf, the ancient Anglo-Saxon hero who destroys Grendel, and Grendel, the monster who terrorizes Hrothgar’s hall. Beowulf and Grendel act as archetypes that explore humanity’s perception of the world. In the Anglo-Saxon epic, Beowulf and his companions represent good, and the monsters, including Grendel, represent evil. When Beowulf kills Grendel, the world is less evil, but since Beowulf’s companions die in the struggle, the world is also less good. Ultimately, the two forces of good and evil will destroy each other, but the story maintains that God will interfere and save mankind from destruction. In Gardner’s story, the progression of society begins when mankind creates a monster and then creates a hero to fight the monster. Once the greater power of the hero had been established, once the conflict’s resolution strengthened society’s power, than a greater monster developed ...
This ‘beast’, the protagonist of the story, fights an internal struggle, of which is a part of the Hero’s Journey. Grendel is unable to decide what to make of himself and of the world surrounding him. He has only ever known the world as wild and mechanical, yet he is charmed by the artistic brilliance of the Shaper’s words. Grendel ultimately meets a brutal yet peaceful demise. Standing on the face of the same cliff he found himself in the beginning of the novel, surrounded by mindless eyes, he states, “Poor Grendel’s had an accident. So may you all.” (Grendel, John Gardner, pg.174) Previous to this, he questions if what he is feeling is joy. The reader is lead to believe that Grendel must feel nothing but peace. This, is the concluding moment of his
He lives in solitude in a cave at the bottom of the lake and is angered by the parties in the mead hall. To further emphasize the archetype, he is said to go on raids only during the nighttime. This shows more of his loneliness because he can not show his face in broad daylight. When his arm is ripped off, Grendel runs away. This shows his cowardice since he runs instead of finishing the fight on the spot. For the Anglo-Saxons, death in battle was the most glorious type of death, Thus Grendel running away would have been mocked by the crowd and re enforced the quality of courage. When the battle itself begins, Beowulf decides to fight Grendel bare handed. His comrades however stay to help him fight. This reveals the theme of loyalty. This theme is prominent during the main battle because Beowulf is shown to be, “Surrounded closely by his powerful thanes” (98). This ties into the theme of loyalty to one’s kin because although the weapons do no damage, Beowulf’s brethren stay by his side to help. This is also used to emphasize the Anglo-Saxon warrior culture, the battles serve as a way to show the listener the deep cultural significance of the kinship of the warriors. They are treated as one group,
John Gardener’s Grendel is another version of the epic Beowulf, except in a differing perspective. This story is retold from the viewpoint of Grendel. Gardener wants us to empathize with Grendel through his own thoughts and emotions. The way one sees the monster in Beowulf is completely different than how one would think of him in Grendel. One is forced to view someone else’s opinion versus getting to form an opinion for oneself.
The epic poem, Beowulf, coming from the years of 600 to 700 AD has been translated in many different styles. In these excerpts by Burton Raffel and Lucien Dean Pearson, provides a clear understanding of this epic poem. Reading the two different translations, Raffel tends to provide the reader with a better understanding of the evil nature of Grendel and the heroic characteristics of Beowulf.
While Grendel may possess a brute strength, his lack of wit and logic is what ultimately leads to his downfall and demise. In Beowulf, the actions and character that of Beowulf, or an Epic Hero, define the perfect Anglo-Saxon warrior. Epic heroes are indicated by a variety of traits, including that they, “must look like a hero, they must be noble, famous, strong, courageous, humble, prideful, thick-skinned, self-sacrificing, faithful, focused, be a leader, and have a tragic flaw” (Jones 3). Unfortunately, aside from the ‘tragic flaw’ and ‘strong’ categories, Grendel’s character is antithetical to all characteristics of an Epic Hero. This makes him quite the villain, and a generally despicable character. “Suddenly then, / the God-cursed brute creating havoc: / greedy and grim, he grabbed thirty men”
...n very human feelings of resentment and jealousy. Grendel was an unstable and saddened figure because of his outcast status. Though Grendel had many animal attributes and a grotesque, monstrous appearance, he seemed to be guided by vaguely human emotions and impulses. He truthfully showed more of an interior life than one might expect. Exiled to the swamplands outside the boundaries of human society, Grendel’s depiction as an outcast is a symbol of the jealousy and hate that seeks to destroy others' happiness and can ultimately cripple a civilization. This take on the outcast archetype ultimately exposes the Anglo Saxon people’s weaknesses, their doubts and anxieties towards the traditional values that bounded nearly every aspect of their life.
The only human brave and strong enough to defeat Grendel was the powerful Geat, Beowulf. Grendel watches Beowulf and his band of Geats land their ships on the shores of Hrothgar’s kingdom. Grendel observes Beowulf speaking to the coastguard, and notices that Beowulf’s eyes are “slanted downward, never blinking, unfeeling as a snake’s”(135). Grendel’s observations about Beowulf’s destructiveness are proven true as he engages in mortal combat with the Geat. When Beowulf takes hold of Grendel’s arm, Grendel feels as if Beowulf’s “fingers are charged like fangs with poison”(148). After this battle, Grendel’s arm is pulled off at the socket, and he retreats to his cave to die.
Grendel exhibits human feelings and characteristics in many ways. Although Grendel is a monster “forced into isolation by his bestial appearance and limited imagination” (Butts) he yearns to be a part of society; he craves companionship while he is isolated. With his “ear pressed tight against the timbers [of Hart]” (43), he watches and listens to the humans and what goes on in Hart, the meadhall of King Hrothgar, to feel like he is a part of civilization. He also has feelings in relation to specific humans. Just like the citizens of Denmark, he is extremely affected by the Shaper and his songs that are “aswim in ringing phrases, magnificent, golden, all of them, incredibly, lies” (43). Grendel is profoundly “moved by the power of the Shaper’s poetry” (Butts). Queen Wealtheow shows Grendel the feminine, sweet, and kind side of life. “She had secret wells of joy that overflowed to them all” and her peaceful effect on those around her is a main cause of Grendel’s almost obsessive fascination with her and in turn, drives Grendel to feelings of rage. Grendel’s humanlike feelings show that his personality is similar to that of a human, helping those who read his story to relate to him.
Grendal, a descendant of Cain, is one of the main antagonist of the poem Beowulf. He lives under an inherited curse and is denied God’s presence. Throughout the story Grendal causes enormous grief and fear to the people of Herot. After so much pain and agony the king of Herot, Hrothgar, sends for the protagonist of the poem, Beowulf. He is a Geat and the epic hero of the poem. The wide variety of distinctions between Grendal and Beowulf is what develops the climax of the composition. Beowulf kills Grendal, so he is honored by the people of Herot for his heroic act. Since Grendal and Beowulf play opposite roles in the poem, Beowulf, they let the reader know how contrasting characters can develop the plot of the story.
The battle with Grendel represents the youth of Beowulf's life. The typical youth is very brave and fights for fame. Beowulf shows how the battle with Grendel is a representation of the youth of Beowulf's life by going to Hrothgar and asking him if he can fight Grendel for him and his people. Beowulf shows this trait when he says,
The qualities of the three Monsters in the novel Beowulf, Grendel, Grendel’s Mother and the Dragon are that they all share almost the same image that people would put them or describe them as being. The reason for Grendel and his mother having human qualities are as mentioned in the poem. Grendel is a descendant of the biblical Cain so that means that he shares a common side or connection with human beings. In the poem Grendel also have rational thoughts as well as outbursts of emotions. He gets angry at happiness or when people are having too much fun and making noise. Even though his anger is taken to a not human-like level he portrays violence towards people and then is considered a danger / the enemy. In Beowulf he seems as the people he observes. Other than his nasty eating habits and his
As Grendel stalks the woods, he encounters a goat's attempt to ascend the cliff side near his den. Angered by the goat’s determination, Grendel yells at the creature. When the goat’s obvious response is nothing, Grendel reacts by throwing trees and stones at it. However, the goat continues to climb, even after its skull splits, and it appears to continue climbing even after its death. Unlike the ram, which frustrates Grendel, and the bull, which amuses him, the goat haunts him with its mindless persistence. As the goat keeps climbing toward its imminent death, it also foreshadows Grendel’s upcoming death. Just as the goat tragically falls to its death, so does Grendel. After witnessing the persistent ram, Grendel questions his place in the world. He ponders his social ranking in creation, and even begins to wonder what his purpose is in the world. These mind boggling thoughts only give him anxiety, as he has no sense of identity whatsoever. Though Grendel scorns the stupidity of nature, the reader must also ponder whether Grendel, who goes willingly to fight Beowulf regardless of the dangers, and the humans, who attempt to fight Grendel in the same way time after time, are merely other implements that simply function absentmindedly. Though Grendel faces isolation for a majority of the novel, what he does not realize is that he and the humans are much alike. Just as Grendel thrives for attention and
The story of Beowulf is a heroic epic chronicling the illustrious deeds of the great Geatish warrior Beowulf, who voyages across the seas to rid the Danes of an evil monster, Grendel, who has been wreaking havoc and terrorizing the kingdom. Beowulf is glorified for his heroic deeds of ridding the land of a fiendish monster and halting its scourge of evil while the monster is portrayed as a repugnant creature who deserves to die because of its evil actions. In the epic poem, Beowulf the authors portrays Grendel as a cold-hearted beast who thrives on the pain of others. Many have disagreed with such a simplistic and biased representation of Grendel and his role in the epic poem. John Gardner in his book, Grendel set out to change the reader’s perception of Grendel and his role in Beowulf by narrating the story through Grendel’s point of view. John Gardner transforms the perceived terrible evil fiend who is Grendel into a lonely but intelligent outcast who bears a striking resemblance to his human adversaries. In Grendel, John Gardner portrays Grendel as an intelligent being capable of rational thought as well as displaying outbursts of emotion. He portrays Grendel as a hurt individual and as a victim of oppression ostracized from civilization. The author of Beowulf portrays Grendel as the typical monster archetype as compared to John Gardner’s representation of Grendel as an outcast archetype.
There are three prominent monsters in the Beowulf text, Grendel, his mother, and the dragon. While the dragon proves to be the most fatale of foes for Beowulf, Grendel and his mother do not simply pose physical threats to the Germanic society; their roles in Beowulf are manifold. They challenge the perceptions of heroism, a sense of unrivalled perfection and superiority. Moreover, they allow the reader to reconsider the gender constructs upheld within the text; one cannot help but feel that the threat that these monsters present is directed towards the prevalent flaws in Beowulf’s world. Moreover, what makes these monsters is not their physical appearance; it is what they embody. Both Grendel and his mother have humanlike qualities yet their monstrous appearance arises from what their features and mannerisms represent. The challenge they pose to societal paradigms makes them far more terrifying to our heroes than any scaled flesh or clawing hand. These monsters provide the ‘most authoritative general criticism […] of the structure and conduct of the poem’. Their presence provides contrast and criticism of the brave society (Heaney 103).