Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Renaissance and middle age
Renaissance and middle age
Renaissance and middle age
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Renaissance and middle age
The Renaissance (means; Rebirth) was a period in European history marked by a rebirth of interest in intellectual and cultural legacies, such as Greece and Rome. The Renaissance spanned from the late 13th century to the early 17th century. The Renaissance was a revival of classical learning, and individualized man, nature, rationalism, order, and symmetry. During the late Renaissance “Mannerism” arose. Mannerism is a term derived from the Italian word maniera meaning “style” or “manner”. In art history, the term style refers to a characteristics or representative mode, of an artist or period. Mannerism’s style is characterized by being stylish, cultured, and elegant. The Baroque movement was during the 17th century to the early 18th century …show more content…
This flower was planted by Zeus in a plot to help his bother Hades to take Persephone to be his wife (to be Queen of the Underworld). Once Persephone plucked the Narcissus flower the ground beneath her opened up and Hades appeared and took Persephone back with him to the Underworld. Demeter, went mad a cursed anyone and everything while looking for her daughter. Once Demeter learned of her daughter’s whereabouts, she begged for Hades to allow Persephone to come home (back to earth). Hades went to Zeus and after the two had spoken of the matter concerning Persephone the two agreed to allow Persephone to return home. Six months with Demeter on earth and six months with Hades as his Queen of the Underworld. Persephone eat four seeds of a pomegranate which allows her to remain two-thirds of her time on earth and four months with Hades in the Underworld. This cycle is connected with Spring and Winter. It is said that when Persephone comes to live on earth, it’s the season of Spring and once she returns to the underworld it’s the season of Winter.
Giambologna’s The Rape of the Sabine Women was first carved from cheaper material until he felt confident to use a much more permeant material. The final
…show more content…
Bernini’s carving is from marble and he created movement, and life and warmth in his sculpture, in which you can see in the caving of Proserpina thigh and waist, under Hades powerful grasp. The Rape of Proserpina represents the theatrical, drama, tension and texture of the Baroque art movement. Likewise, Giambologna’s The Rape of the Sabine Women represents the Renaissance and Mannerism with individualism, complex postures and elongated anatomy.
As beautiful and as compelling as it is to view Giambologna’s sculpture, he was not able to communicate marble as skin like, or project the curling of hair the way Bernini does. However, Bernini’s style does reflect the mannerism style. Both sculptures represent violence and the taken of something, and they both move upward.
When choosing to use mythology as an influence to carve a sculpture but artist picked the most heart-rending, plot turning events. Both sculptures are carved with a female being taken against her will, with a strong male behind the abduction. Ancient Rome was a man’s world, they were ruthless, and a Greek God was not to be messed with once you anger one you needed to prepare for the wrath, with that being said these women didn’t really stand a chance even though both are depicted in a struggle of trying to free
At first glance, the pottery appears to be somewhat simple but it does have a unique appeal. The calm, innocent, and humble appearance while in a painful moment is unprecedented, and it was enough to let the viewer admire and fall in love with this sculpture and its meaning. The distinctive character of glazed terracotta is the smooth, bright, often polychrome cover that has largely contributed to the success of such artifacts, and which recalls, in its plastic compositions, the works by Verrocchio and Filippo Lippi. However, Giovanni‘s art in this sculpture is elegant, remarkable, and a mix of the sophisticated religious themes with antique mannerisms and with the monumental emphasis.
Louise Bourgeois and Constantine Brancusi were both two artists that had very abstract pieces of art. Though the two artists had very different pieces of work they also shared a lot in common. Bourgeois and Constantine both had very visually dramatic styles of art that focused on sexuality and reproduction in forms of the human body. In this paper I will be talking about both artists backgrounds and works as well as what they share in similiarity and the underlying message of their work.
The pieces of sculpture are both carved using the subtractive method of sculpting from stone. However, the types of stone used were very different. The sculpture of Mycerinus and Kha-merer-nebty II was carved from a stone called greywacke, a dark colored, very hard stone the Egyptians prized for sculpture despite the fact t...
What does the word “renaissance” mean? It means “rebirth” or “revival” and the Renaissance was a period of change that began around 1350 to 1700. Before the Renaissance, there was the Middle Ages which people had little education and were more religious. Then, in the 1300s there was a movement called humanism which made people more educated and drew them into arts, literature, science, and medicine in the Renaissance. In the mid-1400s the printing press was made and gave humanism have even more momentum because more people could buy books. how did the Renaissance change man’s view of the world? The Renaissance changed a man’s view of the world in three ways: emphasis on individualism, emphasis on embracing this life(yolo), and emphasis on
Bernini’s sculptures transform people’s imagination into concrete marble. Two of his work, David and the Ecstasy of Saint Teresa, were based on texts that illustrate human imagination. Nevertheless, Bernini was able to show the characters’ appearance, motion and feeling simultaneously in a visible way, thus his sculptures are even more impressive and express the fancy imagination even more explicitly than the text itself. The further analysis about David and the Ecstasy of Saint Teresa will prove this point.
This sculpture of Adam by Lombardo shows the true craftsmanship and skill of sculptors in the 15th century. It stimulated my curiosity because of its realism and the important religious story that it depicted. After examining this sculpture I was encouraged to explore similar works throughout the museum. I also enjoy the variety of art found at the Metropolitan and plan to you to visit again to wander through the galleries that I may have just passed by.
In Persephone’s underworld there is an infamous river by the name of Styx, which dead men must journey across its toxic waters in order to enter the land of the dead. “Water is connected to the ocean which is the source of livelihood, transportation, and death for the seafaring people like the Greek; and water is a mysterious force that brings up vegetation from the earth. Thus it is not coincidental that the ocean borders Hades and other subterranean lands of the dead; the ambiguity of water is a perfect component of the dual nature of the underworld—a source of danger as well as fertility and wealth,” (Taylor 397). Water is very symbolic of rebirth and is often associated with the sacrament of baptism. The ancient cultures viewed the life bringing and death-dealing waters as a form of mysterious rebirth into the underworld (Taylor 397-399). Persephone herself was reborn in the underworld as a queen. After crossing the river Styx, Persephone became one of mythologies most notable queens. She also symbolizes the same aspects of water through her dual nature as life giver in the springtime and death incarnate during her reign in the underworld. Her personification in the Styx explores the journey between life and death that all mortals
Persephone, Hades’ wife, is the goddess of spring and the Queen of the underworld. She resides in the underworld for only six months of the year due to Hades kidnapping her. She was told not to eat anything for then she would have to remain in the underworld. While in the underworld, Persephone consumed six pomegranate seeds. Her mother Demeter, goddess of agriculture, threw a fit. Demeter complained to her brother Zeus. To be fair, Zeus stated that Persephone would have to remain in the underworld one month per seed each year. So, Persephone now resides in the underworld six months out of every year.
This essay will compare and contrast the work of two sculptors who use the human form as a basis of their artwork. The first sculpture “Apollo and Daphne” by Gian Lorenzo Bernini was created in 1622 and portrays a Romanian story. Where as “Two Women” by Ron Mueck is a hyper realistic sculpture made by an Australian contemporary artist.
The masculine and idealized form of the human body is an ever-present characteristic of Michelangelo’s sculpture. Many people over the years have speculated why this may be, but there has never been a definitive answer, and probably never will be. Through all of his sculpture there is a distinct classical influence, with both his subject matter and his inclination to artistically create something beautiful. In most cases, for Michelangelo, this means the idealized human figure, seeping with contraposto. This revival of classical influences is common for a Renaissance artisan, but the new, exaggerated form of the human body is new and unique to Michelangelo’s artistic style.
We find that, in conclusion, that these pieces are very similar in many ways. They are both originally created in the same style and time period. They are Hellenistic and dramatic, although in their own, individualistic way. Each sculpture was created in different mediums and have different stories. These are both very individualistic pieces of Greco/Roman sculpture that has influenced many artists throughout time and will
To further show how religion influenced sculpture during the Romanesque period, Toman also described the different uses of each sculpture. The way a sculpture was used depended on the type of sculpture. For example, stone-carved sculptures located above portals were usually used to deliver deep important messages. Toman used the example of “The Last Judgement” by Gislebertus, to extend on this idea. The sculpture portrayed the biblical scene of the Last Judgement by showing the two parallels, heaven and hell, with Christ in the middle acting as the judge.
Both Laurent de La Hyre’s Panthea, Cyrus, and Araspas (1631) and Bartolomeo Manfredi’s Cupid Chastised (1613) contain three central figures, two male and one female, and engage with classical information. Both of these rectangular oil paintings present ideas on the danger of love and repression of sexuality. However, each artist's construction of the body, action, and interaction colors these discussions. Through these modes, Manfredi presents a more physical conception of erotic love while De La Hyre presents a more detached idea of temptation.
Reni’s second period comes with a big transition revealed in the Atalanta and Hippomenes painting unveiled in the 1620s. Here Reni has reached a new level according to Witkower who states about the piece, “The eurhythmic composition, the concentration on graceful line, and the peculiar balance between naturalism and classicizing idealization of the figures, all reveal this work as an epitome of Reni’s art”. From this point on, his style has progressed into using mainly cool, even more subtle color palettes and simpler scenes. It was through the development of these characteristics along with a better understanding and familiarity with Baroque rhetoric that Reni’s later works possess an even more graceful flow and easy beauty which highlights
In this myth, it is said that Demeter was so furious that Hades had taken her only daughter. It is also said that Hades tricked Persephone to eat six seeds of a pomegranate fruit. That being that she had to spend 6 months out of the ear with him, and the rest with her mom. Since Demeter would mourn the absence of her daughter, this caused snow, and lack of harvest.