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The importance of symbolism
The importance of symbolism
Importance of Symbolism in literature
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RESPONSIVE ESSAY: The Power of a Picture - edited version - “The Restraints: Open and Hidden”, a picture captured by the photographer Gordon Parks in 1956 and then featured in Life Magazine, caught my attention instantly. There are several elements in the photograph that contribute to its overall compelling and moving entireness. In this essay, I will argue for the reasons behind my prompt appreciation of this photo. To begin with, the history behind “The Restraints: Open and Hidden” is important to recognize. Looking at the motif, one can see multiple doll-like sculptures of children with light skin inside a glass box of what looks like a museum. Just behind the foreground, in the center of the image, a woman is seen standing with a child. The two observants are both black, and this contrast is what creates the sense of history, truth and injustice of the photo as a whole. Gordon Parks capture has a melancholic light and a depth that pulls the viewer’s gaze towards the centre, drawing attention to the quiet knowingness in the child’s eyes watching the white dolls. The photographer’s perspective on the racism and inequality in America during this time, the 50’s, becomes quite obvious. He seems as though he wants to illuminate the segregation between black and white people and that he has a wish to influence this through photography. This the background of the powerful photo. …show more content…
Even though I have little in common with the pictured girls, Parks manages to create a deep feeling of association and empathy, which I believe was one of his main purposes. The realness and honesty of the motif portrays a restraining society with a lack of equality, humanity and civil rights overall. Therefore, I admire the challenging critique that is brought to light
In the etching, most of the people are unaware of the others. At the center, a partially dressed woman raises her arms and leans forward as if to display her body; in the foreground, another woman is reaching out to the clothesline, and right above her head shows a male figure’s silhouette, facing the windows across away. “Its subject is certainly voyeurism, but who is the voyeur? The man on the roof, the artist, the picture's viewer, or all three?” ( Zurier, 281) Looking at the work, it is hard to determine who is the spectator and who is being spectated, as the relationship between them is intricate and interactive. Here, Sloan not only portrays his observation, but also critiques the action of urban watching
Demos, John. The Unredeemed Captive: A Family Story from Early America. New York: Vintage, 1994. Print.
Anything from a police man leaning on a wall that gets lost in the crowd on busy days to a cleaning lady next to a garbage can. Duane creates life like art pieces that you can lose the fact that they are fake. The amount of detail along with the expressions on the figures’ faces tells the tale. The spectator creates a relationship to the piece because its the familiar look or feeling they receive from the experience. Duane uses the figures’ as they are portrayed to accomplish an everyday ordinary person moreover with that technique displays the ability to relate the viewers to the art
Hanging Captain Gordon is the story of the only man who was hung for the crime of being a slave trader. Not only was he the only man to be sentenced to death, not one other person was ever given more than a minor sentence or fine for the crime. The death of one man is not the real emphasis of the story, however. More importantly, it is the story of how the United States government failed to enforce the anti-slave trade laws, or prevent it from continuing.
It’s his compassion for his subjects and his commitment to them that surpasses the act of making a pretty picture. Spending days with his subjects in the slums of Harlem or the hardly developed mountains of West Virginia, he immerses himself into the frequently bitter life of his next award-winning photo. Often including word for word text of testimonials recorded by junkies and destitute farmers, Richards is able to provide an unbiased portrayal. All he has done is to select and make us look at the faces of the ignored, opinions and reactions left to be made by the viewer. Have you ever been at the beach safely shielded by a dark pair of sunglasses and just watched?
Kara Walker’s piece titled Gone: An Historical Romance of a Civil War as It Occurred b 'tween the Dusky Thighs of One Young Negress and Her Heart represents discrimination on basis of race that happened during the period of slavery. The medium Walker specializes in using paper in her artwork. This piece is currently exhibited in the Museum of Modern Art. Even though this artwork depicts slavery, discrimination is still an issue today in America, the country where people are supposedly free and equal. Even though slavery ended in the 19th century, we still see hints of racial discrimination for African Americans in our society. Walker uses color, image composition, and iconography to point out evidence of racial inequality that existed in the
Kara Walker’s Silhouette paintings are a description of racism, sexuality, and femininity in America. The works of Kara Elizabeth Walker, an African American artist and painter, are touched with a big inner meaning. A highlight of the picture displayed at the Museum of Modern Art in San Francisco will be discussed and the symbolism of the sexuality and slavery during the Atlantic slavery period will be enclosed. The modern Art Museum has works of over 29,000 paintings, photos, design and sculptures among others. The use of black Silhouette is her signature in the artistic career.
Photographers had begum to document and publicize the issues of the race problem and the struggle for equal rights in the United States in the early 1900s. Early photographs documented protests against lynching, Jim Crow laws, and captured protest...
Visceral. Raw. Controversial. Powerful. The works which Kara Walker creates have elicited strong and diametric responses from members of the art community. She manipulates the style of antebellum era silhouettes, intended to create simple, idealistic images, and instead creates commentaries on race, gender, and power within the specific history of the United States. She has also been accused of reconfirming the negative stereotypes of black people, especially black women, that the viewer and that the white, male dominated art world may hold. This perspective implies that both her subjects and her artworks are passive when confronted with their viewers. Personally, I believe that more than anything, Walker’s work deals in power -- specifically, the slim examples of power black individuals have over their
There was silence. Except for my dubious observation that it was indeed the display we were looking for. If the large black on white lettering describing the exhibit wasn’t enough, the black and white photography would alone have been a dead give away. I couldn’t help but think: ‘how cliché.’ There were a series of maybe six photos of two women: one white, the other black. The series showed them in confrontation over a chair. Who had the seat, or “power” so to speak. It wasn’t a terribly innovative piece in my mind. How many times have we seen the struggle between the two races in varying artistic genres? It was very straightforward and too simplistic for my tastes. The message was very blatant and clear, though, that the struggle between whites and blacks is indeed far from over.
Photography and portraiture is a powerful medium for art. Through photography and portraiture we are able to capture the essence and being of individuals and moments. Many artists that primarily work within these genres do so for that very reason. Famous photographer Robert Mapplethorpe was no different, using his photographs to capture portraits of the various characters that made up the fabric of his social existence as a gay white male living in New York City. Robert Mapplethorpe, as a member of a fringe lifestyle and culture within America, wanted to utilize his work to bring to the public conscious, recognition and appreciation of these fringe groups and cultures, even if it required shocking depictions and imagery.
middle of paper ... ... He attempts to convince the public that discrimination has gone on for far too long and it is time for a change. As for the photo, it mainly uses the appeal of Pathos, but it does not lack in power. The image is simple but communicates a powerful image revolving around discrimination.
No other artist has ever made as extended or complex career of presenting herself to the camera as has Cindy Sherman. Yet, while all of her photographs are taken of Cindy Sherman, it is impossible to class call her works self-portraits. She has transformed and staged herself into as unnamed actresses in undefined B movies, make-believe television characters, pretend porn stars, undifferentiated young women in ambivalent emotional states, fashion mannequins, monsters form fairly tales and those which she has created, bodies with deformities, and numbers of grotesqueries. Her work as been praised and embraced by both feminist political groups and apolitical mainstream art. Essentially, Sherman’s photography is part of the culture and investigation of sexual and racial identity within the visual arts since the 1970’s. It has been said that, “The bulk of her work…has been constructed as a theater of femininity as it is formed and informed by mass culture…(her) pictures insist on the aporia of feminine identity tout court, represented in her pictures as a potentially limitless range of masquerades, roles, projections” (Sobieszek 229).
Moreover, the woman in the ?eye of the Beholder? not only wanted beauty but she felt the need for acceptance. She was denied this when she was taken to a disability camp. It?s amazing how in the movie, people were separated and treated unequally because of their physical appearances, and as result, they could not share the same society. This is in fact is a metaphor for how discrimination was once in extreme existence in this society. For example, African Americans once had to use: different bathrooms, water fountains, and were even segregated to non-white school. They were even isolated to the worse parts of the cities.
It depicts a man who is part of a theatre production getting applauses by the audiences. There was no huge and obvious contrast such as the main photograph but the projection of the subject matter is similar. The differences lie within the color in the surrounding. This picture blends in well with the surrounding which is a good indication that the surrounding is with the subject matter but in the main photograph (the Lagos community), the surrounding lack saturation which makes the subject matter has the out-of-this-world feels to it.