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Symbolism in good country people
Examples of foreshadowing
Symbolism of good country people
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The short story, “Good Country People”, by Flannery O’Connor, was built on the elements of both irony and foreshadowing. Throughout the story, the most ironic aspect was the phrase: “good country people” because after analyzing each individual character, all of them were uniquely flawed in their own way. In addition every character’s name was uniquely crafted to either foreshadow future behavior or ironically give the character a deeper meaning as a whole. The main characters, Hulga and Manley were both ironically portrayed as someone they are not until their true characteristics were revealed at the very end when they were alone together. Mrs. Freeman and Mrs. Hopewell’s name foreshadows how they will each individually act. Hulga’s …show more content…
At the end of the story, when Manley takes Hulga’s artificial leg he mentions that he has also taken a lady’s glass eye; which definitely does not an act done by a manly person. In fact, it hints more at insanity and lunacy. However, Manley’s last name suits him very well, because he pointed out all of Hulga’s insecurities such that, without the comfort of her own house and the support of her artificial leg, she is more or less helpless and extremely vulnerable. Throughout most of the story, Hulga was seen as an independent young woman who is highly educated, but at the end, with the help of Manley, all of Hulga’s dependencies were revealed and exposed. Lastly, Hulga’s name also has a deeper meaning. Although O’Connor gives a brief explanation on why Joy decided to change her name to Hulga, “Mrs. Hopewell was certain that she had thought and thought until she had hit upon the ugliest name in any language” there is actually a more meaningful reason. Ironically, Hulga is not just an ugly name, it also means holy and faithful; even though Hulga explicitly said “‘I don’t even believe in God’”. By changing Joy’s name to Hulga it foreshadows that she is going to be actively searching for religion, and that she wants to know more about faith. Both Hulga and Manley’s name played a crucially ironic role within the …show more content…
Finally, when Hulga demonstrated to Manley how to both attach and detach her artificial leg, the irony reached its paramount. Before this scene, Hulga was always seen as untouchable, but once her leg was exposed and removed she was no longer seen as an independent person. On the contrary, Hulga was suddenly transformed into someone who is constantly either dependent on something or on someone. When Hulga had her artificial leg, she was incredibly independent by “putting both hands on the ladder, she climbed it while he stood below, apparently awestruck”, however this actually proves her dependency on her artificial leg, because without it, she cannot carry out any of her daily tasks. When Manley took her leg away and she can no longer depend on her artificial leg, so she became dependent on Manley to return and attach her artificial leg again, by urging Manley to “‘Put it back on’”. But now Hulga has evidently lost her voice in the current situation. Finally, when Hulga sensed her own vulnerability she demanded for her artificial leg “‘Put it back on now’” but it was way too late. Other than the irony that is already within Hulga’s name; Hugla’s character as a whole has its own ironic elements, such as how can someone be seen as completely independent
“Good Country People” is a story about Joy Hopewell, a very well educated young woman living in the rural south. Joy lost a leg in a hunting accident when she was ten and since then had been forced to wear a wooden replacement. She also had a weak heart and it was this affliction that forced her to remain amongst these “good country people” whom she considered to be intellectual inferiors. Though she had great confidence in her intelligence she had very little self-esteem. Joys’ handicap made her feel ugly, so ugly that much to her mothers’ dismay, she had her name legally changed to the ugliest one she could think of, Hulga. One day a traveling bible salesman named Manley Pointer made a sales call and ended up having dinner with the family.
...she has also lost the foundation of her identity, her leg. She is faced with the realization that she has been naïve all along. In her pattern of being quick to make assumptions to build her own self esteem, Joy-Hulga has not used her intelligence in a socially beneficial way.
Hopewell’s daughter, Joy who renames herself to Hulga. Hulga who is also like Phoenix, a victim of circumstances, is highly educated, was shot in the leg while young, and thus has a wooden leg and is also sick in that she has a weak heart. Hulga, goes through these circumstances and takes them negatively, she is seen as not only rude but also always cross and insensitive to other people’s feelings or emotions an example of this is when she shouted at her mother, Mrs. Hopewell, at the table “Woman! Do you ever look inside? Do you ever look inside and see what you are not? God!” (Clugston,
Mrs. Freeman's name is ironic because she is burdened by the land that she works, so is not really free. Mrs. Hopewell?s name is also ironic, because she trys to provide hope, but is in fact empty in her talk. Each one of these characters names, Hulga, Mrs. Freeman, and Mrs. Hopewell, show the symbolism used by Flannery O'Connor. Hulga, the daughter to Mrs. Hopewell, was actually named Joy at birth. At the age of ten, Joy lost one of her legs in a hunting accident, and from that point on became a depressed realist.
Joy-Hulga and Dee-Wangero share the same motive and reasoning for changing their names, to gain autonomy while changing themselves. Joy changes her name to Hulga because it is ugly like her disposition and completely opposite of her given name. Joy-Hulga is not only trying to anger her mother, but also attempt to change herself. When Joy-Hulga turns twenty-one, she immediately leaves home and changes her name in an “attempt to redirect her life,” without telling her mother until after she does so (Feeley 236). Joy changes her name to Hulga, which Mrs. Hopewell is certain that she only chose because it was the “ugliest” name she had come across “in any language” (O’Connor 190). Joy chooses the name Hulga at first because of “its ugly sound” but then perceives it as one of her “major triumphs” (190). Joy-Hulga successfully changes her name, displeases her mother, and reestablishes herself. Conversely, Dee changes her name to Wangero to rebel against her heritage and...
Freeman, mother of Carramae and Gylnese and Mrs. Hopewell Hulga’s mother. Both characters have a major impact towards Hulga’s life. Mrs. Freeman, as described by O’Conner is seen more of a realist who speaks and thinks freely. She is a very passionate woman and “had a special fondness for the details of secret infections hidden deformities, assaults upon children”, which in this case applies to Hulgas state of appearance, her deformity the artificial leg. This quote shows the bond Hulga has with Mrs. Freeman since she is very passionate about deformity. Hulga appreciates Mrs. Freeman because she helps her distinguish a more realistic view of life and the world, rather than following the same old good Christian morals. On the other hand Mrs. Hopewell, joys mother is seen as a good woman who has good Christian values. O’Conner uses this symbolistic name of Mrs. Hopewell because she carries hope with her where ever she is. “People who looked on the bright side of things would be beautiful even if they were not” (173). She is a very optimistic good Christian and follows good country people morals. She is as well proud of her ability to see well in anyone she crosses and help any situation that is in a bad state. O’Conner’s usage of indirect characters like Mrs. Hopewell and Mrs. Freeman play a role in Hulga’s nihilistic life as an angel and a demon. Both constantly attempt to influence their beliefs without forcing their opinions towards
Joy/Hulga has two items that are used alternately to describe her, the eyeglasses that counter her weak eyes and are a sign of her intellectuality, and the wooden leg that she wields through sound and appearance as a weapon against her mother’s solicitude. When Manley Pointer removes her glasses and steals her wooden leg, she is left totally weak and vulnerable. The Bible salesman himself uses the illusion of Bibles as a symbol. He has claimed to have a suitcase full of Bibles to sell, but his moral laxness is revealed when he opens the case to reveal two Bibles, one of which has a hidden
Dress codes are essentials for all schools across America. Dress codes will set the tone for students to be safe because they will help reduce violence, increase student safety, and provide a positive learning environment.
...ated and had a Ph.D. in Philosophy. She could not call her daughter a schoolteacher, a nurse, or a chemical engineer and that bothered her. These people and episodes in Joy's life made her a very miserable person. They made her hate all that surrounded her, which included flowers, animals, and young men. This is why Joy changes her name to Hulga when she was twenty-one years old. She believed the name represented her as an individual. The name was fierce, strong, and determined just like her. The name reminded her of the broad, blank hull of a battleship. Joy felt the name reflected her inside and out. It separated her from the people who surrounded her that she hated the most.
For example, in the beginning of the story, the narrator starts by talking about Mrs. Freeman. “Besides the neutral expressions that she wore when she was alone, Mrs. Freeman had two others, forward and reverse, that she used for all her human dealings” (433). The irony in this first line is that she is a “Freeman,” yet only has three different expressions. Another example of an irony that is easily noticeable is when Mrs. Hopewell considered Manley Pointer as “good country people.” “He was just good country people, you know” (441). The irony in this line is that in the end, Manley Pointer, whom is supposedly is “good country people,” ends up being a thief who steals Hulga’s prosthetic leg and runs and not only steals, but admits that he is not a Christian, making the line, “good country people,” a dramatic irony. However, one of the most ironic characters in the story is Hulga herself as she understands little of herself, regardless of the high education she holds in philosophy. For example, Hulga imagines that Pointer is easily seduced. “During the night she had imagined that she seduced him” (442). Yet, when they kissed, she was the one who was seduced and having the “extra surge of adrenaline… that enables one to carry a packed trunk out of a burning house…”
Irony in a Good Man is Hard to Find Flannery O’ Connor’s story “A Good Man is Hard to Find” is the tale of a vacation gone wrong. The tone of this story is set to be one irony. The story is filled with grotesque but meaningful irony. In this analysis I will guide you through the clues provided by the author, which in the end climax to the following lesson: “A Good Man” is not shown good by outward appearance, language, thinking, but by a life full of “good” actions. The story begins with the grandmother trying to persuade the family not to travel towards Florida but perhaps go to Tennessee instead.
In Flannery O’Connor’s stories, “Good Country People”, “Everything that Rises Must Converge”, ”A Good Man is Hard to Find”, and “The Life You Save May Be Your Own”, there are many similar characters and situations. Few, if any of the characters are likeable, and most of them are grotesque. Two of the stories have characters that view themselves as superior in one way or another to those around them, and in some cases these characters experience a downfall, illustrating the old proverb, “Pride goeth before a fall” (King James Bible ,Proverbs 16:18). Two of the stories include a character that has some type of disability, three of the stories showcase a very turbulent relationship between a parent and child, and three of the stories contain a character that could easily be described as evil.
...cares for her and thus encourages her into letting down her guard and trusting him. This becomes Hulga?s downfall and the most important theme of O?Connor?s story: people aren?t always what they appear or ?you can?t judge a book by its cover.? Her narcissism allows Manley to talk her into removing her leg. He grabs it and runs off with it, but not before letting her know that he has played her for the fool. O?Connor?s comprehensive character development leads her readers into complacently judging Hulga as superior to the other characters in her story. She takes this a step further in her development of Manley Pointer as an innocent. Through this development, O?Connor lulls her readers into stereotyping the characters into the personas she wants them to see. Hulga?s epiphany is thematic. The ultimate irony is that not only is Hulga duped by Manley, her readers are too.
Parents and their children are constantly arguing about the way students dress in school. This debate has become a national conversation which has been going on for more than a decade. However, there still hasn’t been a final resolution. The questions “Why do I have to wear the uniform today?” or “Can I wear this t-shirt because the color matches with my school t-shirt?” have become part of our everyday lives. Before we go any further, we have to understand the difference between uniforms and dress codes. A uniform is simply a garment worn that is the same in all cases and at all times. Whereas, a dress code is a set of rules regarding the required manner of clothing in a certain context. For instance, a school might not allow students to wear
Flannery O'Connor's "Good Country People" is a story told through the examination of the relationships between the four main characters. All of the characters have distinct feelings about the others, from misunderstanding to contempt. Both Joy-Hulga, the protagonist, and Manley Pointer, the antagonist, are multi-faceted characters. While all of the characters have different levels of complexity, Joy-Hulga and Manley Pointer are the deepest and the ones with the most obvious facades.