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Recommended: Essay about emotion
From the first storytellers to the most recent Poet Laureate, inner emotion has always fueled the creators of language art. Without inner conflict, and emotion stemming from that conflict, there is no wood to make the fire burn, no motivation behind the words. While all artistic authors have emotion as an inspiration for their works, and all poets use emotion as the stimulus for or subject of their writings, the sentimentalists took the most intense standpoint on the emotional spectrum in artistic writing. Because of their almost melodramatic use of emotion, and their willingness to delve into the most intimate of feelings, the sentimentalist writers like Johann Wolfgang von Goethe, were perhaps the best authorities on writing about emotion.
Emotion is the flame that powers the human experience and Goethe exemplifies this extreme passion characteristic of sentimentalism. Out of all of the sentimentalist works, Goethe complies to every feature of this literary movement: the immediate logging of feelings experienced, the intensity in which these feelings are described, the use of nature as a reflection of human nature, and the plot driving the emotions. Goethe's novel The Sufferings of Young Werther, contains every one of these aspects of sentimentalism.
The Sufferings of Young Werther is an entirely epistolary novel, where Werther documents his every emotional experience. Each time he has an experience, he is swayed by an intense feeling, chronicles it, and sends it in a letter to his friend Wilhelm. This is an immediate and effective expression of his sentiment, characteristic of the power of sentimentalism. Because this novel is roughly autobiographical, it is a perfect reflection of emotional impact on humans. Goethe and W...
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...tion causes emotion which causes more action. Human nature is to be emotional, and expressing that emotion- often in a powerful way- is the best way to release that emotion. Although melodrama is not particularly accepted in modern society, when an emotion swells within a person, it must be released. The more powerful the release of a feeling, the more effective the release is. Emotion is like a Chinese finger trap: the more you pull away from it, the tighter a grasp it has on you; if you push into it as hard as you can (express it in the fullest way), then you will be freed. The best authors on emotion are those who reveal it in the strongest way and, although overdone in terms of modern norms, Goethe is the unrivaled leader of this. When looking at my previous examples, there is no parallel for the level of expression by any other author we have studied thus far.
Benjamin, Walter. The Origin of German Tragic Drama. Trans. John Osborne. London: n.p., 1998. Print. fourth
Each literary work portrays something different, leaving a unique impression on all who read that piece of writing. Some poems or stories make one feel happy, while others are more solemn. This has very much to do with what the author is talking about in his or her writing, leaving a bit of their heart and soul in the work. F. Scott Fitzgerald, when writing The Great Gatsby, wrote about the real world, yet he didn’t paint a rosy picture for the reader. The same can be said about T.S. Eliot, whose poem “The Lovesong of J. Alfred Prufrock,” presents his interpretation of hell. Both pieces of writing have many similarities, but the most similar of them all is the tone of each one.
In conclusion, The Sorrows of Werther opened the creatures eyes to the immediate world around him and the pains associated with life especially when one is rejected by the people they love.
Introduction Franz Kappus, a 19-year old student, wanted to solicit a career advice and a literary critique for the poems he had written (“Rainer Maria Rilke: Letters to a Young Poet” 1). Kappus solicited the advice and critique of Rainer Maria Rilke, a pioneer Austrian poet (“Rainer Maria Rilke: Letters to a Young Poet” 1). Rilke wrote ten letters in order to provide assistance to the needs of Kappus. These letters were in Rilke’s work, entitled, “Letters to a Young Poet. ” There are numerous advantages and complication in the humanistic approaches to the study of psychology.
Goethe, Johnann Wolfgang von. The Sorrows of Young Werther. Trans. Elizabeth Meyer and Louise Bogan. Forward by W.H. Auden. New York: Vintage, 1990.
(6) Rhetoric. 1378a20. "The emotions are all those feelings that so change men as to affect their judgements, and that are also attended by pain or pleasure. Such are anger, pity, fear and the like with their opposites."
At First the article Touches on the questioning of what Faust is. In summery, Faust is the protagonist of an old German story about a guy who is actually really successful, but at the same time is somewhat dissatisfied with his life life. He had a serious lust for earthly happiness, alo...
Discuss the relationship between individual and society in Goethe’s The Sufferings of Young Werther. What features of Werther’s individuality make him incapable of taking up a “normal” position within society? It is accurate to suggest that an interdependent relationship exists between the individual and society. It is also accurate to state that in order for both the individual and society to flourish, the two entities must complement one another in values, beliefs and needs. It may be perceived that through carefully constructed characterisation throughout his eighteenth century novel ‘The Sufferings of Young Werther’, Johann Wolfgang von Goethe holistically depicts the way in which the relationship between society and the individual can shape the individual, how the individual, having been rejected from society, can become a body of self destruction and the way in which relationships throughout society can be shaped in response to conflicting perspectives of the individual and society as a whole.
Von Goethe, Johann W. “The Sorrows of Young Werther.” Romanticism. Ed. John B. Halsted. New . . York: Walker Publishing Company, 1969.
For this paper Goethe’s, Faust will be compare and contrast with Kant’s, “Foundations of the metaphysics of Morals” and the relationship between human reason and emotion will be examined. Faust from Goethe is considered one of the greatest dramatic poems, and is divided in two parts; in the first half he uses reason and for the second part he uses passion. Even knowing that the history is based on a medieval man or medieval legend who sold his soul to the devil, we actually can say or treat this text as a modern man’s type of alienation and the need to be a part of the world where he lives in. In the other end, Kant’s “Foundations of the Metaphysics of Morals” discusses reason and emotion. For example, Kant wants people to think for themselves and ask themselves why they think, what they think, and question others before relying on them. Faust represents the “Enlightenment Scholar” that Kant says we can be and he is unhappy, stating thought is not a doer and believes nothing can fulfill his life and that now all his joys will come from the world. In Faust’s adventures between light and dark (light as for example heaven and dark as hell), in the search to find happiness or for Kant the search of moral, man must learn how to conquer the small things or elements of his own nature and always live constructively within the challenges and objectives imposed up on him. As Kant said, to find moral or happiness people need to stand up for their own beliefs and people do not need others to be a good moral person. So for this paper the following paragraphs will compare and contrast the ideas of Kant in the “Foundation of the Metaphysics of Morals” and the ideas of Goethe in the poem Faust.
With full diction such as “violent and aggressive “and “feelings of exclusivity” he appeals to our deepest emotions for the sake of conveying the importance of humanism and the things we are able to feel. However, with feelings as options instead of something everyone has whether liked or not, society would overlook the importance of experiencing these emotions because of the invincibility we would have above the sense of heartbreak or grief. Although we would all love to skip the arduous times, enduring them is not only what makes us human, but also what makes us grow. We may not realize that feeling makes up society today, which is why the author reaches out at these emotions to show how Transhumanist views may make us feel better as individuals but as a whole, the social aspects of the world will
...is ten year gap of philosophical and historical study exhibited new qualities that were not present previously. His later plays embodied his newly developed aesthetic theories on his claim of “naïve” works of art and “sentimental” works of art. “Naïve” works are moral whereas “sentimental” works have a moral. Schiller is considered by most Germans to be Germany’s most vital classical playwright.
... emotion, nature, and imagination which he used as effective tools in an exploration of humanity and memory, in hopes to reveal the true temperament of the human individual, or the search for the definitive nature, man, and so goes the quest of the romantics, and their focus on the individual; and thus “Nature will not stop writing” (Bloom 131).
Johann Wolfgang von Goethe, the brilliant mind behind the 17th century’s “Faust”, illustrates a combining structure of desire and self-indulgence. As a brilliant poet and artiste during the Enlightenment Age; Goethe’s poetry debates on the far-reaching rationalism that man is willing to go above and beyond to achieve his goals. All throughout the poem, Goethe projected a sense of unrelenting dissatisfaction of how a man’s sense of inaccessibility, and his emotional need to come to a realization of the world he lives in.
The Romanticism period is marked by changes in societal beliefs as a rejection of the values and scientific thought pursued during the Age of Enlightenment. During this period, art, music, and literature are seen as high achievement, rather than the science and logic previously held in esteem. Nature is a profound subject in the art and literature and is viewed as a powerful force. Searching for the meaning of self becomes a noble quest to undertake. In the dramatic tragedy of “Faust” by Johann Wolfgang von Goethe, we find a masterpiece of Romanticism writing that includes the concepts that man is essentially good, the snare of pride, and dealing with the supernatural.