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Faust a tragedy controverisal things in book
Johann Wolfgang von Goethe’s novel “Faust” essay
Enlightenment period literary criticism
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Faust: Extreme Lengths Johann Wolfgang von Goethe, the brilliant mind behind the 17th century’s “Faust”, illustrates a combining structure of desire and self-indulgence. As a brilliant poet and artiste during the Enlightenment Age; Goethe’s poetry debates on the far-reaching rationalism that man is willing to go above and beyond to achieve his goals. All throughout the poem, Goethe projected a sense of unrelenting dissatisfaction of how a man’s sense of inaccessibility, and his emotional need to come to a realization of the world he lives in. In the very beginning of the poem, The Lord and Mephistopheles are introduced in a very intricate conversation. While conversing with the Lord, Mephisto openly discusses how he loathes humanity and, “how mortals find their lives pure misery.”(pg.103). During this heated conversation, I speculated that the Lord was bewildered at Mephistopheles for only seeing the worst in the world. The Lord acknowledges Mephisto’s opinion, but retorts that it is natural for man to fall into trial. Yet, despite temptation man remains capable in making ethical and moral decisions. Subsequently, the bigger issue at hand; the wager between the Lord and the Devil (Mephisto). The bet between the spiritual beings were whether Faustus: the lone-representative of all humanity, will be able to shoulder the weight of good and evil. Nevertheless, how huge the temptation of personal gain. In this sense, I acquired that the Lord’s view of humanity: is imperfection isn’t absolute and man’s potential for the greater good can be refined. In Goethe’s poem, Faustus is illustrated to be an exceedingly sophisticated scholar and alchemist; a man of discontent, and is compelled to obtain a vast amount of the world’s knowledge ... ... middle of paper ... ...cting humanity is achievable, but requires tremendous determination to stray towards the path of temptation. Stated in the beginning of the poem by the Lord, “Impelled in this direction, then in that one, A good man still knows which way is the right one.”(pg.104) In a nutshell, this explains that a virtuous heart can ascend from vice, but iniquity shouldn't be incited to seek ways for finding goodness. Regardless of the acts she committed, Gretchen wasn't motivated by evil at all. She as any human being, acted on natural instincts. Contrast to Faust, whose actions are being steered unconsciously by “temptation”. Thus, clearly revealing that Faust was effortlessly influenced by Mephistopheles. Goethe’s idea was to capture the ideal image of good vs. evil. In the end of Part I, Faust is accountable for ruining Gretchen’s faith, through his pursuit of personal gain.
Throughout history, the Devil has constantly tempted people. That much can be agreed upon. However, the similarities between these two works also show that the reason the Devil has tempted people is actually constant as well, to enlarge his kingdom. Unfortunately, their motives for enlarging this kingdom are not so alike. When Dr. Faustus inquires as to what good his soul will do to the Devil, the demon Mephistopheles responds, “[to] enlarge his kingdom […] to have the human souls of men” (Marlow 2). The Devil from Dr. Faustus appears to cultivate his kingdom with the hope of increasing his own power and possibly challen...
In Goethe’s Faust, Faust demonstrates attributes of a romantic hero through his rejection of the academic system, his passion for experience and his spontaneity; this reveals the dominance of the individualist ideology of the time.
transformation of the lives of others as well as his own. In this respect, the lesson of the Romantic hero is comprised less of romance than of utility. Following the trends of the Goethe’s contemporary evolving society, the means by which Faust succeeds in accomplishing his goals are largely selfish, brutal, and unethical. This is perhaps Goethe’s single greatest reflection on the modern nature of heroism.
The protagonist in Goethe's Faust I is a controversial character. Doctor Faust's moral character is not clearly defined and as a result, it makes it difficult for one to determine if he is a good or bad person. Despite the ambiguities, several pieces of evidence throughout the play show that Doctor Faust is a negative figure. Firstly, although Faust's perspective and character most likely started off to be positive, they are generally negative at the beginning of the play. Secondly, Faust's actions are not acceptable according to society's standards, therefore making him an immoral person. In Goethe's Faust I, Doctor Faust is a negative figure because he is an immoral man shown by his attitude and personality, notably the characteristics that resemble the Übermensch.
Having attained all that he desires from the knowledge of man, Marlowe’s character Faustus turns to the only remaining school of thought that he feels he must master which is the art of necromancy. In his pursuits, he manages to summon the devil Mephistopheles, arch demon of hell, and strikes a deal to trade his immortal soul with Lucifer in exchange for being granted an infinite amount of power and knowledge that extends even beyond the limits of human understanding. However in the process of negotiating the terms of his pact, it becomes clear that Faust is in a constant state of uncertainty in terms of whether he should repent and forsake the arrangement or simply go through with it. This underlying theme of internal struggle is introduced very early and reappears in later acts with the appearance of established binaries that suggest a theme of division not only among the character of John Faustus, but within the written text as a whole. This suggests that Faustus is meant to serve as a symbol for the divided nature of man and the consequences of failing to negotiate the struggles that are a result of the divided self.
A conclusion that one may draw from analyzing these texts is that pride is where all evil begins because it creates the illusion that anyone can do anything at any point in time. This is seen in both Lucifer and Faustus as they go on throughout the story making wrong choices and thinking that there will be no greater consequence and this feeling of elevation is mainly attributed to arrogance. One of the biggest impacts that these works make is to illustrate the ‘falling’ part of temptation. When both Lucifer and Faustus decided to take the wrong way and go against God for their own interests, both of them fell from a very high place without any chance of returning. Lucifer who was one considered the angel of light fell into a pit of fire full of pain and agony. Similarly, Faustus who had once been a man of great knowledge in the matters of God brought damnation upon himself by choosing to side with evil instead of
For this paper Goethe’s, Faust will be compare and contrast with Kant’s, “Foundations of the metaphysics of Morals” and the relationship between human reason and emotion will be examined. Faust from Goethe is considered one of the greatest dramatic poems, and is divided in two parts; in the first half he uses reason and for the second part he uses passion. Even knowing that the history is based on a medieval man or medieval legend who sold his soul to the devil, we actually can say or treat this text as a modern man’s type of alienation and the need to be a part of the world where he lives in. In the other end, Kant’s “Foundations of the Metaphysics of Morals” discusses reason and emotion. For example, Kant wants people to think for themselves and ask themselves why they think, what they think, and question others before relying on them. Faust represents the “Enlightenment Scholar” that Kant says we can be and he is unhappy, stating thought is not a doer and believes nothing can fulfill his life and that now all his joys will come from the world. In Faust’s adventures between light and dark (light as for example heaven and dark as hell), in the search to find happiness or for Kant the search of moral, man must learn how to conquer the small things or elements of his own nature and always live constructively within the challenges and objectives imposed up on him. As Kant said, to find moral or happiness people need to stand up for their own beliefs and people do not need others to be a good moral person. So for this paper the following paragraphs will compare and contrast the ideas of Kant in the “Foundation of the Metaphysics of Morals” and the ideas of Goethe in the poem Faust.
Faustus' hunger for immediate gratification suggests immense self-torment and self-denial. Weighing his options at each instant of time, he maximizes his pleasure and minimizes his pain, apparently discounting the implications of his decisions on his prospects and happiness in the future. Rebelling against God, he invites the devil's temptations, hoping to obtain an offer like Satan's to Jesus in the desert wilderness. One understands why Satan imputes an infinite value to Christ's soul. However, why does Faustus' soul warrant twenty-four years of service by Mephostophilis?
Mephistophilis is the opposite of Faustus. Mephistophilis is the stereotype of the typical conniving Devil’s assistant. He is always pressuring Faustus to listen to his “bad angel” and act upon his desires instead of his intellect. Mephistophilis’ personality influences the entire pl...
Dr Faustus is a short play written by Christopher Marlowe. The play is a masterful insight into the paradoxical soul of mankind and its ironically self inflicted corruption. The play could be classified as a theological allegory. It can be assumed that the play specifically speaks to the religious motivations of the time, but can be adapted to the present as well. Marlowe portrays Faustus’ ambition as dangerous; it was the cause of his demise. Perhaps Marlowe used the theme of over-ambition as a warning to the audience, who would be likely to be wary of ambition - it was looked down on as a negative personality trait in Christian England (Calvinism) (Munteanu, Class notes). An on going theme within the story is the corruption of a soul which is played out through the use of religious beliefs. Specifically, the use of the seven deadly sins is a precursor to man kinds self inflicted death. Marlowe uses sin, redemption and damnation to get his point across to the audience. The sins that Marlowe specifically uses are those of: pride, covetousness, wrath, envy, gluttony, sloth and lechery. Theses sins are colourfully displayed through the character traits of Dr Faustus. In the process we view them and can adapt them to our own lives and how they are all parts to the corruption of our souls.
Thus, the Gretchen story is Goethe’s most famous addition to the Faust legend. Here we find the oldest core of the play, the most coherent sequence of scenes, realism, accurate psychology, a delicate grasp of social issues-in short, the culmination of the eighteenth-century love tradition and the great tragic love story of the nineteenth century. The “Gretchen episode” in Goethe’s autobiography enables us to achieve a clearer sense of Goethe’s
Unaware that he is guilty of committing these sins, pride first leads Faustus into being extremely greedy, and this greediness acts in opposition to the will of God. While ambition is admirable, it appears to be a negative trait when it is not used for good. It appears that Faustus wanted to gain this knowledge for himself and not for the well-being of all people. Being so adamant about gaining this power
Faustus was an exceedingly ambitious man, even in relation to what is considered to be ambitious by people in today’s society. In the prologue, The Chorus sums up Faustus’ background and early life, emphasizing his ordinary background and academic success. It seems that Faustus’ intellect made him become proud and this fired up his ambition. When Marlowe presents Faustus in scene 1, Faustus methodically shuns great authors and classically intellectual subjects, such as medicine and law because they hold little attraction to him, (line 11)
The first appearance of Faust in the story finds him having doubts about himself and the worth of his time spent in education. Undeterred by this depression, we see his pride has not diminished as he declares he is “cleverer than these stuffed shirts, these Doctors, M.A.s, Scribes and Priests, I’m not bothered by a doubt or a scruple, I’m not afraid of Hell or the Devil” (Goethe 633). Turning to magic to fill the void in his life, Faust conjures a spirit, but shrinks back from it in fear. In the ensuing argument between them, Faust asserts that he is the spirits “equal” (Goethe 637). Mephisto’s second visit at Faust’s residence leads them to having a drawn out discussion over the proposal of Mephisto serving Faust in exchange for his soul. Common sense might ask why a person would willingly discuss a deal with the devil knowing that it probably won’t end well. This instance would have to be answered that the imperious pride of Faust made him “so rash that he would give no heed to the salvation of his soul He thought the devil could not be so black as he is painted nor hell so hot as is generally supposed” (Fischer 107). In spite of his vast education, Faust’s pride pulls him into wagering his soul with Mephisto and causing the deaths of others and his
Looking at Faust, we can draw an analogy between love and a disease. If a person has vulnerabilities, love can exploit them and manifest itself in that person. When Faust kisses Gretchen’s hand, she says “How can you kiss my hand? / It is so ugly and so rough! / So much I have to scour and scrub and sand” (139). This shows us that Gretchen has a very low self-esteem. The act of Faust kissing her coarse hands reminds her of her own poverty. Faust notices and takes advantage of this, engaging her in conversation and throwing out subtle hints of his interest in her – “She was an angel, if she was like you” (140). Gretchen is confused as to what Faust sees in her, and says that Faust must be bold to think that “So light a girl would give him all he wanted” (142). She cannot understand that her body gives her what her lack of sophistication does not. She gets caught up in the fact that Faust is vastly superior in social status. This is apparent in her ...