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Study of literature and language
Study of literature and language
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Nathaniel Hawthorne’s version of the Faust Legend in the works of “Young Goodman Brown” is considered to be a significantly different version when compared to the common Faust Legend. The article that I found discussing this subject is, The Rewriting of the Faust Myth in Nathaniel Hawthorne’s, “Young Goodman Brown.” By Hubert Zapf. A brief summery as to what this essay is about, Zapf’s entire thesis is filled with information and facts that all leads up to the analyzing of the common use and application of the Faust legend in Nathaniel Hawthorne’s story “Young Goodman Brown”, and how it compares in contrast to other “Faust users”. The points made through out Zapf’s essay consist of what the Faust legend originally is and how Hawthorne used it differently in his story, “Young Goodman Brown”. Zapf is analyzing the similarities, differences, and symbolism of Hawthorne’s version of Faust compared to the traditional out look of the Faust as well as the differences when compared with “Young Goodman Brown”. The comparing of this information is a way for Zapf to show that, “Both the transgression and the price to be paid are symbolically expressed in the central element of the Faust Myth” and to really show that that Hawthorne was using his own version of Faust (19). My own opinion of this essay confides with the fact that I agree the use of the Faust legend in the works of Hawthorne has the foundation of Faust, however there are some differences as well.
At First the article Touches on the questioning of what Faust is. In summery, Faust is the protagonist of an old German story about a guy who is actually really successful, but at the same time is somewhat dissatisfied with his life life. He had a serious lust for earthly happiness, alo...
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...re of the Salem forest but also as a symbol of purity and passion. So in the woods when Young Goodman Brown saw his wife’s bow on the ground, that was a symbol of end of faiths purity, passion, and innocence. Even though at the beginning when Faith seemed so innocent, the information that has been presented in Zapf’s essay has made it clear that she was not the person that she seemed to be (Zapf, 35).
In Conclusion, this article really opened up my view of the entire story. I do agree to the fact that in the rewriting of the Faust legend in “Young Goodman brown” was based off of the legend, it showed a little twist of Hawthorne’s culture compared to Goethe’s version.
Works Cited
Zapf, Hubert. "The Rewriting Of The Faust Myth In Nathaniel Hawthorne's "Young Goodman Brown." Nathaniel Hawthorne Review 38.1 (2012): 19-40. Literary Reference Center. Web. 13 Feb. 2014.
McCabe, Michael E. “The Consequences of Puritan Depravity and Distrust as Historical Context for Hawthorne’s “Young Goodman Brown”.”
Hawthorne incorporates symbols into his story in a powerful way, however Irving’s symbols are not equally powerful. Hawthorne uses Faith’s pink ribbon to symbolize her purity. The ribbon is fitting because the color pink is associated with virginity and purity. The color is commonly worn by young girls when they are young and pure. The ribbon allows the audience to assume that Faith, like her name, is a religious young woman who lives her life by the holy bible. The action of the ribbon can even change it’s symbolism. While Brown is in the woods he sees Faith’s pink ribbon soar through the sky, symbolizing her loss of purity and entrance into the devil’s dominion. The second powerful symbol that Hawthorne incorporates is the staff that the old man offers Brown in the woods. The staff symbolizes Brown’s temptation o...
Nathaniel Hawthorne’s “Young Goodman Brown” is an allegory. Hawthorne’s moral story is told through the perversion of a religious leader, Goodman Brown. Goodman is a Puritan minister who lets his excessive pride interfere with his relations with the community after he meets with the devil. The result is that Goodman lives the rest of his life in exile within his own community.
The setting of Young Goodman Brown is in Salem, where the Salem witch craft trials were held in the 1600’s. This is the first symbol Hawthorne uses throughout the story as a test of who is innocent at this present time and who is not just as they did during the witch trials. Brown set off to the forest for an unknown ceremony leaving his new wife Faith behind. The name Faith symbolizes his personal faith in his own life and in his spirituality. Faith represents youth and innocence that was carried in his childhood. As we get further into detail the pink ribbons she wore in her hair were of some significance to the tale being conveyed. The pink ribbons exemplify the mix between red and white: red meaning evil and white innoce...
The ambiguity surrounding Young Goodman Brown's wife, Faith, immediately becomes apparent at the story's beginning. As Young Goodman Brown is leaving his comfortable and reverent Puritan home to embark upon this mysterious journey, Faith unexpectedly plunges her "pretty head into the street" allowing the wind to tousle and "play with the pink ribbons of her cap"(1199). Hawthorne uses natural imagery, such as the image of the wind "playing" with Faith's pink ribbons, to convey Faith's attachment to nature; the dark and mysterious part of life that is somewhere outside the constraints of Puritan society. In fact, the image...
Perhaps the most obviously recurrent symbol in "Young Goodman Brown" is the pink ribbons worn by Goodman's wife, Faith. T...
In Nathaniel Hawthorne’s “Young Goodman Brown”, Goodman Brown struggles with staying pure and not giving in to the devil. Hawthorne utilizes allegory and ambiguity to leave unanswered questions for the reader.
Nathaniel Hawthorne was an extraordinary writer who sought to describe the Puritan values he felt was lost. Nathaniel Hawthorne's "The Young Goodman Brown" is shown as an allegory of the threat essential in forsaking one's Christian conviction, even for one night. As one would assume, the story is infatuated with characters going through the endless trial of sin and guilt. There is a lack of subtlety in this theme, as the main character, Goodman Brown, hopes to accomplish something revolutionary in his travels. Hawthorne uses the theme of sin and guilt, the theme of the psychology of sin, and a nightly quest in order to display the controversies that overwhelmed Goodman Brown.
Hawthorne, Nathaniel. “Young Goodman Brown.” Literature: An Introduction to Reading and Writing. Ed. Edgar V. Roberts and Robert Zweig. 5th Compact ed. New York: Pearson Longman, 2012. 329-37. Print.
In 'Young Goodman Brown,'; Hawthorne makes the reader believe that Goodman Brown has learned that truth about the world and how evil it really is. In the story the accounts of Goodman Brown let you believe that he has truly seen the evil in the world and knows what lurks behind everybody masks. He makes you realize that even though the person may look holy and religious that evilness is all around us and most people will never ever find out the truth. The character Young Goodman Brown written by Nathaniel Hawthorne finds many issues of evil concerning the town's people in which he lives, about himself, and the reality behind the evil.
Goethe, Johann W. V. “Faust.” The Norton Anthology of World Literature: 1800-1900. Eds. Sarah Lawall and Maynard Mack. 2nd ed. Vol. E. New York: W. W. Norton, 2002. 774. Print.
The Romantic Hero in Goethe's Faust Works Cited Not Included Long hailed as the watershed of Romantic literature, Goethe’s Faust uses the misadventures of its hero to parallel the challenges that pervaded European society in the dynamic years of the late eighteenth and early nineteenth centuries. Faust is the prototypical Romantic hero because the transformation of his attitudes mirrors the larger transformation that was occurring in the society in which Goethe conceived the play. Faust’s odyssey transports him from adherence to the cold rationale of the Enlightenment to a passion for the pleasures that came to define the Romantic spirit. Faust not only expresses the moral contradictions and spiritual yearnings of a man in search of fulfillment, but also portrays the broader mindset of a society that was groping for meaning in a world where reason no longer sufficed as a catalyst for human cultural life. The period of German Romanticism in which Goethe wrote Faust was plagued with the same intrinsic turmoil that Faust himself felt prior to making his deal with Mephisto.
Having attained all that he desires from the knowledge of man, Marlowe’s character Faustus turns to the only remaining school of thought that he feels he must master which is the art of necromancy. In his pursuits, he manages to summon the devil Mephistopheles, arch demon of hell, and strikes a deal to trade his immortal soul with Lucifer in exchange for being granted an infinite amount of power and knowledge that extends even beyond the limits of human understanding. However in the process of negotiating the terms of his pact, it becomes clear that Faust is in a constant state of uncertainty in terms of whether he should repent and forsake the arrangement or simply go through with it. This underlying theme of internal struggle is introduced very early and reappears in later acts with the appearance of established binaries that suggest a theme of division not only among the character of John Faustus, but within the written text as a whole. This suggests that Faustus is meant to serve as a symbol for the divided nature of man and the consequences of failing to negotiate the struggles that are a result of the divided self.
“Marlowe’s biographers often portray him as a dangerously over–ambitious individual. Explore ways this aspect of Marlowe’s personality is reflected in ‘Dr. Faustus.’ ”
The first appearance of Faust in the story finds him having doubts about himself and the worth of his time spent in education. Undeterred by this depression, we see his pride has not diminished as he declares he is “cleverer than these stuffed shirts, these Doctors, M.A.s, Scribes and Priests, I’m not bothered by a doubt or a scruple, I’m not afraid of Hell or the Devil” (Goethe 633). Turning to magic to fill the void in his life, Faust conjures a spirit, but shrinks back from it in fear. In the ensuing argument between them, Faust asserts that he is the spirits “equal” (Goethe 637). Mephisto’s second visit at Faust’s residence leads them to having a drawn out discussion over the proposal of Mephisto serving Faust in exchange for his soul. Common sense might ask why a person would willingly discuss a deal with the devil knowing that it probably won’t end well. This instance would have to be answered that the imperious pride of Faust made him “so rash that he would give no heed to the salvation of his soul He thought the devil could not be so black as he is painted nor hell so hot as is generally supposed” (Fischer 107). In spite of his vast education, Faust’s pride pulls him into wagering his soul with Mephisto and causing the deaths of others and his