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World War 2 and how it affected the film industry
Cinema during world war 2 essay
World War 2 and how it affected the film industry
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Godzilla (1954) is the first movie I remember watching as a child. I admire Godzilla in all his incarnations. Furthermore, I love him as the lumbering rubber suit behemoth as an allegory for the superpowers during World War II, and as a protector of Japan fighting other monsters of galactic proportions. The creature is arguably the most well-known movie monsters to grace the silver screen (such as likes of King Kong and the Universal Frankenstein.); Moreover, it’s one of the most important foreign films out there, and I believe it is still a magnificent classic. That being said, with the help of three film reviews, I can better support and defend my judgement of the film to accurately review the original film released in 1954, Gojira, The film begins when a Japanese fishing boat is attacked by a mysterious volley of energy from under …show more content…
However, I greatly enjoyed the back and forth between depicting Godzilla’s various rampages and the fallout of said attacks. It really gave the viewer a sense of consequence. “Its roster of frightening images — cities in flames, overstuffed hospitals, irradiated children — would have been all too familiar to cinemagoers for whom memories of Hiroshima and Nagasaki were still less than a decade old, while its script posed deliberately inflammatory questions about the balance of postwar power and the development of nuclear energy.” The stomping of buildings and nuclear blasts were not just there to be flashy and action packed, there were severe consequences to Godzilla’s actions, as could be seen when we were given a close look at the many patients within a hospital. We see children with grave injuries, and the pain on the parents’ faces when they realize they may not make it out of this alive. It is a level of depth and emotion that I personally wish was displayed in more large-scale monster
Brothers’ appeals to ethos when he says “Godzilla is a film that deserves to be taken seriously, but to accept what the movie is saying on its own terms one must understand its subtle anti-American tone and dissertation of destruction” (612). This appeals to ethos by telling us although the American’s caused massive destruction in Japan, it was evident that they did not fully understand the devastation of the Japanese that they had caused. However, the Japanese made subtle remarks at the American’s throughout the Godzilla movie. Remarks about the bombing and how they truly felt about Americans after we caused so much destruction in their country. “While it has been argued that there never would have been a Hiroshima had there never been a Pearl Harbor, what is also true is that without Hiroshima there would have never been a Godzilla” (613). This is also appealing to ethos, because there is so much logic in that one sentence, that sentence is a very true fact from Peter H. Brothers’ perspective on the relationship between the bombing and Godzilla. One of the last appeals he makes is also to ethos. “The terrible irony in all of this is that if Godzilla is indeed the representation of the dangers of man’s tampering with atomic and nuclear power, it has more recently surfaced in such places as Three Mile Island, Chernobyl, and now in Fukushima, where at the time of this writing a possible nuclear-reactor meltdown threatens consequences beyond even the imagination of the men who brought such terrible fiction to life” (619). In this last appeal could maybe appeal to pathos also but it mostly appeals to ethos. Brothers uses logic when talking about how terrible it would be if Godzilla was really a movie based off something as terrible as the bombing in Japan. For someone to base a enjoyable movie off of something so
Jaws' is the original summer blockbuster, setting the standard by which all others are measured. It's the Michael Jordan of cinema: there will never be another 'Jaws,' simply because the film so profoundly changed the way movies are made and marketed.
Imagine waking one day to witness the tragic state of hundreds of thousands of homes being left in ruins, along with the ashes and rubble of major cities, and the casualties of millions of citizens. This was evident on August 6, 1945 in Hiroshima, Japan when the first ever atomic bomb dropped. A mere three days later, and Nagasaki, Japan was also bombed, and the world was taken by storm. Even though WWII is in the past, the long-term effects on Japanese citizens and the debate on possible outcomes of the war is still discussed decades after the events. According to Peter H. Brothers in “Japan’s Nuclear Nightmare: How the Bomb Became a Beast Called Godzilla,” these events inspired film director, Ishiro Honda, to create the monster movie Godzilla,
The horror genre of film captives the frightfulness of individual fear, horror is the only genre that is meant captive the terror of the audience. The horror- the genre has been around well over one hundred- years there has been an extension of different types of horror and how the audience perceives horror. Many would even argue that horror films often reflect the fear of society in that certain time period. The evolution of horror reflects the evolution of society’s fear.
Anyone who has had the chance to read Mary Shelly’s original Frankenstein and watch the movie Young Frankenstein is aware that there is quite a difference when it comes to the two of them. For one it is easy to point out that Young Frankenstein is set out to be a comedy while the original version of Frankenstein is made to be serious. Young Frankenstein is a 1977 film that tells the story of Victor Frankenstein’s grandson. The film adaptation is essentially a parody of the classic tale along with other versions of Frankenstein. It pointed out from the start of the movie that it would run directly parallel with the original tale when Fredrick Frankenstein was mentioned to be the grandson of the infamous Victor
Sex, love, depression, guilt, trust, all are topics presented in this remarkably well written and performed drama. The Flick, a 2014 Pulitzer Prize winning drama by Annie Baker, serves to provide a social commentary which will leave the audience deep in thought well after the curtain closes. Emporia State Universities Production of this masterpiece was a masterpiece in itself, from the stunningly genuine portrayal of the characters of Avery and Rose, to the realism found within the set, every aspect of the production was superb.
During the initial blast the A-bomb released about 85% of its energy as intense heat followed by a supersonic shock wave that is felt as a highly destructive high pressure air blast, which can easily demolish tall buildings, not to mention people. After the initial blast radiation covers the area, causing people, animals, and structures to practically disintegrate. Even years afterwards people were still dying and having health problems related to the radiation they were exposed to long before. There were many people that were strongly opposed to the using of nuclear weapons on Japan. But invading the is land instead of bombing would have taken perhaps 1 million us soldiers lives.
Saw is a American horror film directed by James Wan. The film is about a killer who calls himself the Jigsaw. He kills and/or “teaches” his victims to respect life. He watches his victims and then abducts them when learning their problems in life.
Han – a period of time in China in which the country was merge together (Dictionary)
The film The Liberator portrays the life of Simon Bolivar, an influential activist in the revolutions against the Spanish Empire in South America. The movie does a great job in displaying the many aspects of Simon Bolivar, what he stood for and the way he felt towards his people. Like the majority of films this The Liberator has its flaws.
The modern Godzilla now was greatly linked to science and the environment, an area that was increasingly indefinite and devastating. It represented our generations fears of the unknown and what according to Dendle "it means to be human"(Dendle 177). Throughout his essay, Dendle focuses on the changing nature of the Zombie monster as it gradually re-morphs itself upon newer audiences. In a sense, the changing nature of a monster represents the changing nature of humanity overtime. In the twenty-first century English remake of Godzilla by Gareth Edwards, the monster has drastically changed as Godzilla was now a millennial beast representing our own culture moment. Japan and Russia, now strong economic allies of the United States have simmered down tension, and negotiated peace, thus killing the 20th century Toho-produced Godzilla and the American Zilla that represented the terrors of the atomic bomb. This millennial monster now represented the events that cursed the Millennial generation like the spread of HIV/AID, an unheard of deadly disease that plagued Americans especially during its early development as it became a death sentence to those who were infected, the Year 2000 problem (Y2K), and the surge of the supernatural brought out by the imaginations of a well-informed, tech-savvy generation. In the 2014 film of Godzilla, the fears of the generation
The end of World War I, according to some European historians, occurred on May 8, 1945 or V-E Day. A day marking the change of the world’s enemy from Nazi Germany to Communist Russia. Fears of Communism, the totalitarian government of Soviet Russia, were invited through the use of propaganda in the media by the United States government. Illustrating this type of propaganda is the motion picture, The Red Menace released in 1949 by Republic Motion Pictures provides acumens of the fears and concerns on the minds of Americans during a period in America’s history known today as the Cold War.
People flock to horror movies each year. Usually to be scared. Another is to solve the question of Who done it? Unfortunately, a lot of these horror movies fail to scare people or make the killer so obvious the audience gets bored. Occasionally, there are a few horror movies that stick out. Scream, directed by Wes Craven, is one of them. Wes Craven is always toying with the viewer's fears. Always finding ways to scare the audience at every turn. He also plays with the viewer's head, and has them second guessing themselves. How does he do it? Well, as one of the characters in the movie exclaims, "There's a formula to it. A very simple formula. Everybody's a suspect!" This paper will discuss how Craven uses sound, camera shots, and mise en scene
Cinema Du Parc is a reportery theatre that showcases independent films, whether it be arthouse or international cinema. It is located on Parc Avenue in Downtown Montreal, specifically inside a plaza filled with institutions such as cofee shops, grocery and clothing stores...
The bombs had raised hell on earth for those few minutes and produced a tremendous amount of casualties. The way people had died was shocking...