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During his short life, Georges-Pierre Seurat was an innovator in an age of innovators in the field of art. This french painter was a leader in a movement called neo-impressionist in the late 19th century. Unlike the broad brushstrokes of the impressionist, Seurat developed a technique called pointillism or divisionism. In this method, he used small dots or strokes of contrasting color to create the subtle changes contained within the painting. Seurat was an art scientist in that he spent much of his life, searching for how different colors and linear effects would change the look or texture of a canvas. He was painstaking in his work, the technique he chose taking much longer to produce a work of art.
Pointillism is a form of painting in which small dots of color are grouped to create a sense of vibrancy, tending to interact and fuse in the spectator's eye (Roskill). It is very similar to Divisionism, but where Divisionism is concerned with color theory, Pointillism is more focused on the specific style of brushwork used to apply the paint. Originally developed by Neo-Impressionist Georges Seurat, the movement is also associated with Paul Signac and Henri-Edmond Cross (Artists).
When viewed from a distance, the points or dots cannot be distinguished, and blend optically into each other. This means that with the same set of primaries, pointillists generate a different range of colors when compared to artists using traditional colors or color-mixing techniques. The result is...
During Vincent Van Gogh’s childhood years, and even before he was born, impressionism was the most common form of art. Impressionism was a very limiting type of art, with certain colors and scenes one must paint with. A few artists had grown tired of impressionism, however, and wanted to create their own genre of art. These artists, including Paul Gaugin, Vincent Van Gogh, Henri de Toulouse-Lautrec, and Paul Cezanne, hoped to better express themselves by painting ...
Jean Piaget became fascinated with the reasons behind why children cannot correctly answer questions that require logical thinking. Piaget was the first psychologist to conduct an organized study of the intellectual advancement in children. Before Piaget’s study, many believed children were merely less efficient thinkers than adults. Due to his study, however, Piaget proved children think in remarkably different ways than adults. Children are born with a very primitive mental complex that is genetically inherited and learned on which all the following knowledge and learning is based (McLeod, 2015).
Northrop Frye once said, “Tragic heroes are so much the highest points in their human landscape that they seem the inevitable conductors of the power about them, great trees more likely to be struck by lightning than a clump of grass. Conductors may of course be instruments as well as victims of the divisive lightning.” Othello is the pillar of tragic heros, first playing the part of a loving husband with a beautiful wife, then being manipulated into believing his wife was cheating on him and killing her. Throughout the play, he played the part of the protagonist, everyone hoping he would figure out Iago was lying to him. Othello being the protagonist made the fact he was also a villain bittersweet. His apparent love for his wife Desdemona, his ‘just’ reasoning for killing her, and Iago’s deserving end all contribute to the tragic work as a whole.
Divisionism, which involved breaking down light and color into a series of stippled dots and stripes. Fracturing the picture plane into segments to achieve an ambiguous sense of depth. Futurist paintings were exhibited in Milan. The paintings featured threadlike brushstrokes and highly keyed
In the 1880’s the movement known as Impressionism was coming to an end. The eight and last Impressionist exhibition was held in Paris during 1886 (Time). Although Impressionism was coming to an end new forms of art arose to take its place. Some famous artists producing during this time include, Van Gogh, Georges Seurat, and Odilon Redon (Georges). Odilon Redon started his own movement known as Symbolism, which strives to give form to ideas and emotions (Odilon). Another painter responsible for creating a new style is Georges Seurat. Seurat was a French painter who popularized and developed his own style called pointillism.
A Sunday Afternoon on the Island of La Grande Jatte, located in the Art Institute of Chicago, is one of the most recognizable paintings of the 19th century, a painting made by Frenchman Georges Seurat. Finished in 1886, it has gained much of its recognition over the time of its completion; the pop culture of today has played a pivotal role into the popularity of it. An example of that is being apart in one of the most recognizable scene in Ferris Bueller's Day Off, where one of the main characters is solely staring at the painting until he can’t even recognize the artwork. This painting also gets much attention because it was an early example of the style of pointillism, at the time; pointillism was becoming a new way of expressing one self with the new technique. It also brought upon about the way we saw paintings, and what we gained from the artwork as whole. In all this painting has become an icon in the art scene, due to the technique it used, and how much of an impact it has had in today culture.
When the concept of murder is brought, it is thought of weapons being used for reasons such as crime and for justice. Nevertheless, what if a particular attribute exhibited by someone ends up being the root cause of somebody’s death? No doubt, Iago is a devious character who would get away with about anything to fulfill his obligation into acquiring a higher position of authority. The overall concept of the play can be perplexing to the reader when it comes to who is to blame for the death of several major characters – Othello’s inability to control his emotions or take other people’s feelings into account leads to death of his beloved with and himself; none of this wouldn’t happen if it weren’t for Iago who made this plan in the first place.
In conclusion, Othello put too much trust into his friend and dishonest friend, which caused Othello his life. Furthermore, Iago, seemed to have thought ahead of Othello, by planting seeds of jealousy into Othello’s mind. Furthermore,
In the story of Othello we see how the actions of one man go on to ruin the lives of multiple people. The villain Iago single-handedly creates the tragedy of Othello through his puppeteer like control of the other characters in the play. Iago captivates the audience as his plan progresses. Readers are anxious to know what will happen next in the play. What makes Iago so fascinating is his mysteriousness as a character, his fully devious ways, and how magnificently clever he is in organizing the demise of Othello.
In everyones life there is always the one person who you think you can trust, and later come to find that they have been playing you all along. This is the exact case for Othello. Iago, whom Othello thought was a person he could trust, betrayed him in many horrific ways.As you read the famous Shakespearian play, Othello, the Moor of VeniceI, you come to realise pretty quickly that Iago is the evil charecter in this play. The readers do not actually get to see a good side of Iago, if there is any, because he is constantly using and playing people. Readers will also come to learn that no matter how evil Iago may be perceived as that he is very much a coward, using other people to do most of his dirty work for him.
Tragedy is an intrinsically human concept; tragic heroes are damned by what they themselves do. Othello is not so much felled by the actions of Iago, but by a quality all people possess-- human frailty. Accordingly, Othello is not a victim of consequences, but an active participant in his downfall. He is not merely a vehicle for the machinations of Iago; he had free agency. Othello's deficiencies are: an insecure grasp of Venetian social values; lack of critical intelligence, self-knowledge, and faith in his wife; and finally, insecurity-- these are the qualities that lead to his own downfall.
In Shakespeare’s play Othello, the main character Othello is typically victimized and portrayed as a mere scapegoat of the villainous Iago’s devious plans. However, Othello is not completely void of responsibility for the death of his wife. Othello, the tragic hero, is just as responsible as Iago for his premeditated murder of Desdemona due to his own internal flaws. Specifically, flaws such as his vivid imagination and his self over-idealization are brought to the surface by Iago, which consequently allows Iago to easily manipulate Othello.
What should be noticed in particular is that, essentially, Shakespeare invented Iago; set him down in his dramatis personae with the single epithet “a villain”; and devoted most of the play’s lines and scenes to showing in detail the cunning, malignancy, and cruelty of his nature, including the cowardice of his murder of his wife. It seems to me therefore impossible to believe, as some recent critics would have us do, that the root causes of Othello’s ruin are to be sought in some profound moral or psychological deficiency peculiar to him. (137)
In many instances in literature, the flaws of characters lead into conflicts that arise and that the characters must attempt to overcome over the duration of the storyline. In some cases, the character facing these problems, typically the protagonist, is unable to triumph over such issues. This can cause their major character flaws to overwhelm them, and they can encounter even more troubles or even their own downfall. A comparable situation as the aforementioned is found in the Shakespearean tragedy, Othello, where the character flaws of the protagonist, Othello, cause weakness in his character, which ultimately leads to his downfall and death. One of the flaws that lead Othello to his downfall is the fact that he has very poor judgement, which is indisputably seen through the consistent trust that he finds in Iago. His downfall also occurs due to his overwhelming struggle against jealousy, which materializes primarily from the relationship that his wife has with Cassio. Furthermore, Othello’s insecurities cause weakness in his character, allowing the antagonist of the story, Iago, to use them in order to lead Othello into his downfall. With these faults in his character, it is evident that Othello’s downfall comes about due to his major character flaws.
Othello had the right idea in a lot of things in his life, but if you have tragic flaws like he did, he was doomed from the beginning. Iago may have had the last laugh, and orchestrated the madness, but in all honestly Othello was truly to blame because he was weak, controlled by jealousy, was an easy target, and eventually let Iago have complete control of him. Common sense should have saved the day, but Othello seemed to be lacking this critically. All in all, Othello was truly to blame for his own demise , his own destruction. He caused his own death, and well now, he isn’t coming back. This is a prime example of, “Think before you act.” Use your brain or your brain will use you.