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The role of Iago in the text Othello
Othello's dramatic flaw
Othello's dramatic flaw
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Recommended: The role of Iago in the text Othello
In Shakespeare’s play Othello, the main character Othello is typically victimized and portrayed as a mere scapegoat of the villainous Iago’s devious plans. However, Othello is not completely void of responsibility for the death of his wife. Othello, the tragic hero, is just as responsible as Iago for his premeditated murder of Desdemona due to his own internal flaws. Specifically, flaws such as his vivid imagination and his self over-idealization are brought to the surface by Iago, which consequently allows Iago to easily manipulate Othello.
Othello, a tragic hero full of hidden flaws, attempts to appear as a man of only logic and bravery, and not subjected to human emotions. His spectacle begins with his storytelling at Brabantio’s household. As Othello reveals to the Duke of Venice:
Her father loved me, oft invited me,
Still questioned me the story of my life
From year to year, the battles, sieges, fortunes
That I have past…
Wherein I spoke of most disastrous chances,
Of moving accidents by flood and field,
Of hair-breadth scrapes i’th’ imminent-deadly breach,
Of taken by the insolent foe
And sold to slavery, of my redemption thence…
And of the cannibals that each other eat,
The anthropophagi, and men whose heads
Do grow beneath their shoulders. (I.iii.127-144)
Othello states that Brabantio had been interested in stories of Othello’s courageous adventures and hardships he had overcame. To satisfy Brabantio’s desire to hear of such stories, Othello tells about his adventures on land and sea, his near-death experiences, being taken and placed into slavery, and then his emancipation. As Othello continues, he also speaks of cannibals and men with severe deformity, such that their head grew under their shoulders rather...
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... to his self over-idealization, that he wishes to remain hidden. Unfortunately, Iago uncovers these flaws and because the flaws are unique to Othello, Iago is able to manipulate Othello more easily than anyone else.
Works Cited
Bent, Geoffrey. "Three Green-Eyed Monsters: Acting as Applied Criticism in Shakespeare's
"Othello"" The Antioch Review 56.3 (1998): 358-73.Jstor.org. Web. 3 May. 2014.
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Kirschbaum, Leo. "The Modern Othello." ELH 11.4 (1944): 283-96. Jstor.org. Web. 3 May.
2014. .
Rogers, Stephen. “Othello: Comedy in Reverse.” Shakespeare Quarterly 24.2 (1973): 210-
20. Jstor.org. Web. 3 May. 2014. .
Shakespeare, William, and Edward Pechter. Othello: Authoritative Text, Sources and Contexts,
Criticism. New York: W.W. Norton, 2004. Print.
In Shakespeare’s play Othello, Othello is first seen as a man who has gone through many hardships. He worked his way up from being a captured and enslaved prince, t...
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Tragedy is an intrinsically human concept; tragic heroes are damned by what they themselves do. Othello is not so much felled by the actions of Iago, but by a quality all people possess-- human frailty. Accordingly, Othello is not a victim of consequences, but an active participant in his downfall. He is not merely a vehicle for the machinations of Iago; he had free agency. Othello's deficiencies are: an insecure grasp of Venetian social values; lack of critical intelligence, self-knowledge, and faith in his wife; and finally, insecurity-- these are the qualities that lead to his own downfall.
The play Othello by William Shakespeare has been argued to have been given the wrong name. The focus of the play is on Iago and the numerous tricks he employs to exact his revenge. Although Othello is a powerful and significant character, Iago is unparalleled in his manipulative nature, causing devastation to the lives of those who trust him. The hatred and jealousy Iago harbors towards Othello leads to the ruin of key characters. How does Iago manage to manipulate so many people in Othello?
This flaw allows Iago to manipulate. and persuade him to do whatever Iago wants him to do. In this scene. It is easy to see that Iago has a huge hold over Othello. already.
Nick Potter states: “Othello is a tragedy of incomprehension, not at the level of intrigue but at the deepest level of human dealings. No one in Othello comes to understand himself or anyone else.” Within Shakespeare’s Othello, no character fully understands themselves of one another. This is especially true in human dealings, where the intentions of characters and how others interpret them are often misaligned. Conflict, and eventually, tragedy arises in Othello due to the incomprehension between characters, as well as within the characters themselves. From the reader’s perspective, it is tragic to understand the reality behind all the incomprehension, since the characters are oblivious to what the readers are aware of.
Othello’s Physical and Psychological Journeys Othello is the tragedy, and, incidentally, the name of a Moor who served as a general in the Italian military. He spends the first act of Shakespeare’s play in Venice, but is ordered shortly to Cyprus to fight the Turkish invasion. His journey isn’t officially noticeable at all in the game. One moment he’s defending himself in the Senate of Venice, the next he’s in Cyprus, taking credit for being victorious in a battle the storms fought for him against the Turks. The story unravels from there.
Iago has a very elaborate strategy when it comes to seducing Othello into thinking that his wife is having an affair with his lieutenant. Though the final result is successful toward the end of the scene, it is throughout the scene itself that Iago marks himself as a very smart person with lots of manipulative power up his sleeve. He brings down the regaled general while at the same time bringing himself to the power and prestige he so long wanted (but it is still not at the level he desires). He figures that since he can never be the general Othello is he can bring Othello down to his level. With Othello’s transformation, Iago inarguably succeeds to that end.
The play “Othello” by William Shakespeare was written in 1604 during the Elizabethan era. Othello is one of the most extraordinary characters in all of Shakespeare’s dramas. He enjoyed unheralded success in the combat zone, which gave him the reputation as one of Venice’s most competent generals. Even though he has great success on the battlefield, he has a dramatic flaw that causes a downfall in his life. The dramatic flaw that caused his downfall is jealousy.
Othello is a man who comes from a hard life. In the time period the play is set in, racism is common and Othello is a target for it due to his dark skin. He fought in many battles and was put into slavery for a time. Now he is a high ranking General in the army. Othello, for all that he has been through, is also kind, caring, and trusting of those close to him. He cares and trusts his comrades and is loving and kind to his wife, Desdemona. Othello is also r...
One of the first impressions gained of Othello is that he is a great war hero. Before much else is said of him, tales of his skill and valor in battle are illustrated and he is shown to be a great and famed warrior. He naturally possesses many attributes typically associated with soldiers. From the beginning Othello is noble, quick to act, judicious, trusting, and gives much weight to the importance of duty. These are all traits that serve to make him great at the beginning of the play, and later, ironically become key elements in his downfall. These aspects can be considered the internal causes of Othello’s tragic flaw. “Othello's nature is all of one piece. His trust, where he trusts, is absolute…. Love, if he loves, must be to him the heaven where either he must leave or bear no life. If such a passion as jealousy seizes him, it will swell into a well-night incontrollable flood.” Othello is pure an...
On closer examination, throughout the play we see Iago manipulating all the characters in turn; this shows that he is an expert master manipulator for everyone to be deceived by him. When reading this play we don’t expect Othello to be as easily manipulated by Iago as he was.
Gardner, Helen. “Othello: A Tragedy of Beauty and Fortune.” Readings on The Tragedies. Ed. Clarice Swisher. San Diego: Greenhaven Press, 1996. Reprint from “The Noble Moor.” British Academy Lectures, no. 9, 1955.
The first quality that Aristotle believes tragic heroes acquire is character of noble status and greatness. Othello was not essentially born into wealth, but he is described as someone that was dignified and a leader and well respected among the citizens of the town. Shakespeare is often known for creating characters that are dominating leaders, such as Hamlet and Macbeth. Othello is one of Shakespeare’s great leaders, and one prime example of this in the story is when he arrives towards the beginning of the play of Act I. One of the senators said, “Here comes Brabantio and the valiant Moor,” (Kennedy ...
Of the 38 plays Shakespeare has produced over his lifetime, his tragedies are the most heart-wrenching, horrifying productions the theater has ever seen. In these tragedies, there are gruesome ideas such as lethal love, megalomania, and the absolute corruption of heroes that were originally considered to be wholesome. The latter theme can especially be seen in the play Othello. In this tragedy, there is an ongoing theme of corruption in a considerable amount of characters in the play, the most significant change being in Othello. Othello undergoes a shocking transformation, as he starts off as the storybook hero, a reputable soldier who illustrates great passion towards his wife, but transforms to become a twisted