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Essays on art education
Approaches to visual communication
Essays on art education
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I took this opportunity to observe an art activity at the Victor Valley Community College State Preschool classroom. When observing an art activity, I was really caught up between a cooking activity and a woodshop activity. Both, in which promotes a creative learning environment that coincides with art, science, math, and literacy. So, I have decided to write about the cooking activity. I believe art does not only pertain to paint and coloring. Art is something that allows children to express their creativity through language and literacy. That train of thought creates a learning foundation for the children that encourages them to use words to express their ideas and imagination.
The ages of the children involved in the cooking activity are three- to five-year old’s. For the cooking activity, there were nine children participating in the activity. So, they set up a long table so that all nine children could see the teacher and get involved in the activity. The pizza activity
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The library has a big giant sofa that children are able to climb up, and also a pink bean bag for others to use as cushion. There are two big book selves that is slanted as it goes down so that the front cover of the books is showing. There is a shelf close to the front of the sofa and has a flannel board. There is also a keyboard that is not plugged so that children can use for punching letter of the alphabet and symbols. The ten available books in the library that children have easy access to are, “The Tiny Seed,” by Eric Carme, “My Friends,” by Taro Gomi, “Just For You,” by Christine Lesson and Andy Ellis, “Planting a Rainbow,” by Lois Ehlert, “Oh, Kojo! How Could You!” by Verna Aardema, “Rain Talk,” by mary Serfozo, “Peek! A Thai Hide-and-Seek,” by Minfong Ho, “The Cat in the Hat,” by Dr. Seuss, “Germs Are Not for Sharing,” by Elizabeth Verdick, and “Where Do Insects Live?” by Susan Canizares and Mary
The Language of Art by Ann Pelo describes the inquiry-based studio practices in early childhood settings. When I started to read chapter six I traced a lot of words ,as going through the few pages I came across this word called “children’s pursuits” at the very beginning of the first question of how do we grow a culture of inquiry (Pelo,2007,p.109) . I choose this word because it is challenging for me during my first practicum placement, illustrates the heart of this chapter and guides me as an Educator to facilitate my learning for future preparation. It literally impacts our learning and pedagogical styles when we recreate art activities for children.
Rathnasambhava, the Transcendent Buddha of the South and Madonna Enthroned are very similar images that were produced by very different cultures. Both images were produced during the 13th Century. The image of Rathnasambhava, the Transcendent Buddha of the South was produced in Tibet during an interesting period of the country’s religious history. The branch of Tibetan Buddhism is led by a religious and sometimes political leader called the Dalai Lama. It was during the 13th Century during the reign of Kublai Khan, around the time of the production of this painting, that Tibet experienced the first incarnation of the Dalai Lama. One has to wonder if this painting is somehow related to that occurrence. According to one source, the reincarnation system for the Living Buddhas is the main point distinguishing Tibetan Buddhism from other forms of Buddhism.
The first painting analyzed was North Country Idyll by Arthur Bowen Davis. The focal point was the white naked woman. The white was used to bring her out and focus on the four actual colored males surrounding her. The woman appears to be blowing a kiss. There is use of stumato along with atmospheric perspective. There is excellent use of color for the setting. It is almost a life like painting. This painting has smooth brush strokes. The sailing ship is the focal point because of the bright blue with extravagant large sails. The painting is a dry textured flat paint. The painting is evenly balanced. When I look at this painting, it reminds me of settlers coming to a new world that is be founded by its beauty. It seems as if they swam from the ship.
Though most works of art have some underlying, deeper meaning attached to them, our first impression of their significance comes through our initial visual interpretation. When we first view a painting or a statue or other piece of art, we notice first the visual details – its size, its medium, its color, and its condition, for example – before we begin to ponder its greater significance. Indeed, these visual clues are just as important as any other interpretation or meaning of a work, for they allow us to understand just what that deeper meaning is. The expression on a statue’s face tells us the emotion and message that the artist is trying to convey. Its color, too, can provide clues: darker or lighter colors can play a role in how we judge a piece of art. The type of lines used in a piece can send different messages. A sculpture, for example, may have been carved with hard, rough lines or it may have been carved with smoother, more flowing lines that portray a kind of gentleness.
1. Choose two objects that have similar form (shape). One must be from nature and the other manifested
All five of the archetypal shapes are in my self-portrait. First of all, the outside appearance is that of a square of rectangle. I feel that people who do not know me do not perceive any of the characteristics that the other shapes represent. Stability is the only characteristic represented by the shapes that people perceive of me. Inside my stable world is a circle in the middle of the bottom of the box. Within the circle is a triangle. This represents how spirituality is the center of my inner self and I find balance within my spirituality. Coming up from the center of the box is a spiral. As the spiral reaches its apex, there is an equidistant cross. This represents how I am constantly growing in order to reach a critical decision-making time of my life (what I want to do for the rest of my life).
Hsiao, C. (2010). Enhancing children 's artistic and creative thinking and drawing performance through appreciating picture books. International Journal of Art & Design Education, 29(2), 143-152. doi:10.1111/j.1476-8070.2010.01642.x
The definition of art, according to Webster’s Dictionary, is human creativity. This definition does not take into consideration our desires to analyze, understand, and accept or reject what we see in front of us. The phrase, “art is in the eye of the beholder”, is a true statement, because everyone has an opinion on what they consider art. In my opinion, art does not need to be understood or accepted to be considered art. Art needs to invoke an emotional response, be translatable to our lives, be expressive of a period in time, and be bold. In order to clearly understand my interpretation of art, I decided to compare various creative works.
Art can be used to raise scores in every subject, “Students who took four years of art classes scored 91 points higher on their SAT exams than those who took half a year or less. Multiple studies also confirmed that there is a correlation between art engagement and students’ other achievements.” (Valeriya Metla) Even with the research linking art and better grades some educators think that it is more worth while to only focus on the core classes because it is more important to fund what is being tested than to help raise children who are creative.
Early childhood education is an issue that is examined both by media and academic professionals, both of which are represented by Alison Gopnik, a writer and professor (Gopnik, 2013). Gopnik (2011) found that over the years, parents and teachers work to their fullest to instruct children to read at very young ages. It can be Interpreted that reading skills take priority over creative skills, since children are instructed to read even in the womb (Gopnik, 2011). “Thus, the pressure is rising to make kindergartens and nurseries more like schools” (Gopnik, 2011). This pressure has come from the law since 2001, when preschools were pushed to become more academic (Gopnik, 2011). Creativity is a key component of success in later adulthood for problem-solving and cognitive abilities (Plucker, 2010). Creativity used to be the central focus of education studies (Plucker, 2010). At the turn of the century, and more recently, problem solving took first place along with creative thinking (Gruber, 2011). This essay will prove that the current education system tends to eventually pull children away from creativity. It will demonstrate how there is a greater amount of creativity in younger children as opposed to older children. This will be shown through the theories of Howard Gardner and Jean Piaget. In order to prove that education has moved away from a creative focus, this essay will examine the three phases of creativity, multiple intelligences and the U-shaped curve by Gardner, as well as Piaget’s constructivist theory and beliefs on retrogression, which is the idea of growing to show how we eventually pull away from visual art (Nolley, 2010). While this paper focuses on the development of visual arts in reference to the works of Howard Gar...
Integrating the arts in early childhood education positively impacts a child’s developmental capacity to learn through different mediums in all subject areas. It also strengthens and enhances the teachers lessons to bring diverse opportunities for students with different aesthetics to effectively comprehend and develop their cognitive skills. According to many childhood theorists, such as Piaget and Vygotsky, art is an essential tool that is important for the development of a child’s motor, cognitive and social-emotional skills. In addition, many believe integrating art into a classroom will impact their learning outcome and enhance their creativity, imagination, self-esteem and thinking inclinations.
I wanted to make my sketches have more depth so that people can experience this new way of seeing. Art can be used as a form of communication between anyone, it transcends language and can be experienced by anyone. Teaching art to children is important, as art is equivalent to a language that all people can experience; it can express how people are feeling, their experiences and even their ideas. So that the have can see “Arts as a language for communication and critical awareness” (Kindler).
The human mind is a very powerful tool and organ. There are however imperfections in the way it processes things. Illusions for example, are visual stimuli that trick the brain because the brain cannot process all visual images correctly. Why do we see puddles forming up the road while we are driving in our cars on a hot summer day? Why do some parts of a drawing look bigger when in fact they are smaller?
Art Education is not always valued in school settings. Although some may see it as an unnecessary use of school funding, there are many who believe it is beneficial to students in more ways than one. There are many different studies that have been conducted to test the effects that art education has on school-aged children. Some studies have proven that art education can help students to improve in other academic areas. In a journal article from Ohio State University’s “Theory in Practice,” Karen A Hamblen states, “There are linkages between art learning and learning in other subjects areas and that art study can promote creative behaviors, critical thinking skills, and academic achievement.” It has also been found that the arts can teach children better self-regulatory strategies, and even foster more confidence and self-efficacy in school which relates to confidence in academics. Overall, art education in schools has been very beneficial and has proven to ignite creativity, confidence, critical thinking skills, and academic achievement in students.
Creative Arts in early childhood education refers to children’s participation in a variety of activities that engage their minds, bodies and senses (Sinclair, Jeanneret & O’Toole, 2012; Kearns, 2017); to inspire all children with the opportunity for creative and imaginative expression. Duffy (2006) and Sinclair et al. (2012) state that creativity is the process where children use their imagination to problem solve, develop new ideas, independence and flexibility to accomplish tasks. Furthermore, when educators foster creativity, they are assisting children in making meaning through play and developing their growing capacity to communicate, collaborate and think critically to meet the demands of life in the 21st century (Duffy, 2006; Korn-Bursztyn, 2012; Sinclair et al., 2012).