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Rituals of intimate mournentg the immediate family
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Although communal mourning ended with the giveaway, it marked the beginning of the intimate mourning rituals of the immediate family. George Catlin witnessed these intimate mourning practices in 1832 and recorded his observations in his journal:
Fathers, mothers, wives, and children may be seen lying under these scaffolds, prostrated upon the ground with their faces in the dirt, howling further incessantly the more piteous and heart-broken cries and lamentations for the misfortunes of their kindred; tearing their hair - cutting their flesh with knives, and doing other pence to appease the spirits of the dead, whose misfortunes they attribute to some sin or omission of their own, for they sometimes inflict the most excruciating self torture.
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Outside observers described the practice as a sign of uncontrollable grief or a pagan custom of self-mutilation . For the Mandan and Hidatsa women, however, self-sacrifice was a deeply spiritual process and enabled them to beseech the spirits on behalf of their relatives. In addition to demonstrating their grief through the physical wounds inflicted by self-sacrifice, the women offered their flesh and fingers to Sun and the Woman Above, two spirits connected to death and the decay of the body. In some cases, the self-sacrifice was also ascribed to other spirits for guidance in restoring rest and peace to relatives who were murdered or died tragically. Virginia Peters’ Women of the Earth Lodge records a story of one such …show more content…
Women sat near the skulls of their children or husbands weeping and talking to the spirits. They brought their daily work like quillwork or hides to prepare, and shared part of normal life with their clan members. Before they left the circles, many women left food for their relatives next to their skulls. The Mandan and Hidatsa did not believe the dead needed food; rather it was a means of maintaining normalcy and including the dead in the practical components of familial life. By spending time with the skulls and bringing them food and conversation, the women continued their relationship with the spirits of their children or husbands. The spiritual world interacted with the physical, and as long there was a clan or village, the spirits belonged in their homes and with their families. Mourning in the skull circles was a period of healing for the women during which they transitioned from acute mourning and self sacrifice in the burying ground to a new normal without the physical presence of husband or child. Over time, mothers and widows spent less time in the skull circles and reintegrated into village life. Other children were born and widows remarried; however, there was always a profound connection between women and the spirits of the clan
The feast of the dead was a mortuary custom of the Wyandot people. It was a time of both mourning and celebration for the Wyandot people. This custom involved the unearthing or removal of relatives who had passed away from their initial graves and reburying them in a final communal grave. Many Wendats stood at the edge of an enormous burial pit. As they stood there, they held the bones of their deceased friends and family members. The bones that they held had been scraped and cleaned of corpses that had decomposed on scaffolds. Before dropping the bones into the pit they waited the signal of the master of the ritual. After the signal has been giving they can finally place the bones of their loved ones in the pit a...
Not only do sacrifices occur in mothers and daughters, but also in mothers and sons, as presented in “Night Women,” the fourth chapter of the book. The unnamed “night” woman displays
The gothic characteristics that are found in Edgar Allan Poe’s “The Fall of the House of Usher” and Nathaniel Hawthorne’s “The Minister’s Black Veil” delve into the dark side of the human mind where secret sin shrouds the main characters in self anguish and insanity. Both Poe and Hawthorne focus on how much of a burden hiding sins from people can be, and how the human mind grows weak and tired from carrying such a burden. Poe illustrates that with his perturbed character Roderick Usher who was rotting from the inside like his “mansion of gloom” (Poe 323). Hawthorne dives deep into the mind of one Mr. Hooper, a minister, a man admired by all, until he starts wearing a black veil to conceal his face because “ The subject had reference to secret sin” (Hawthorne 311) . An analysis of both Mr. Hooper and Roderick Usher show through their speech, actions, behaviors, and interaction with other humans, the daily strain of hiding sin from one another.
Reverend Dimmesdale has a similar experience on the scaffold. Troubled by his sins and his failure to confess them, the reverend ascends the pillory in the dead of night to "confess" his sins to the world. Even though on one sees him, Dimmesdale feels " .
Imagine that the person you love most in the world dies. How would you cope with the loss? Death and grieving is an agonizing and inevitable part of life. No one is immune from death’s insidious and frigid grip. Individuals vary in their emotional reactions to loss. There is no right or wrong way to grieve (Huffman, 2012, p.183), it is a melancholy ordeal, but a necessary one (Johnson, 2007). In the following: the five stages of grief, the symptoms of grief, coping with grief, and unusual customs of mourning with particular emphasis on mourning at its most extravagant, during the Victorian era, will all be discussed in this essay (Smith, 2014).
Deaths were a form of social event, when families and loved ones would gather around the bed of the dying, offering emotional support and comfort. Myth, religion, and tradition would combine to give the event deeper meaning and ease the transition for all involved. The one who was dying was confident in knowing what lay behind the veil of death, thanks to religious faith or tradition. His or her community held fast to the sense of community, drawing strength from social ties and beliefs. (“Taboos and Social Stigma - Rituals, Body, Life, History, Time, Person, Human, Traditional Views of Death Give Way to New Perceptions" 1)
Victorian Mourning was referred to by many as the “cult of death.” This type of mourning existed as early as 1800, but it was popularized by Queen Victoria in 1861 after the death of Prince Albert (“Victorian Days: Victorian Death and Mourning”). Queen Victoria mourned for her husband until she died, and most of England mourned with her for the whole 40 years (Mitchel 163). If one did not follow mourning customs to a tee, it was seen as an enormous sign of disrespect, and they ran the risk of being ostracized. While Victorians did not fear death, they did fear not being properly mourned (Flanders 378). Most mourning customs were based on primitive superstition, but even as the world advanced, the traditions stuck with families. Although there are some slight similarities between current mourning customs and Victorian mourning customs, Victorian mourning customs were radically different than ours today.
A child’s death is used as an example of tragedy throughout ancient texts such as those written by Herodotus and Thucydides. Parents took great measure to ensure their children’s survival. This is seen in the usage of amulets, dog dung, skin and teeth of wolves and many others to avert diseases and other misfortunes. In his article Golden references Lawrence Stones argument that “affection and love were not to be expected in pre-industrial populations because high mortality made emotional commitment, especially
The characters in Alice Sebold’s The Lovely Bones are faced with the difficult task of overcoming the loss of Susie, their daughter and sister. Jack, Abigail, Buckley, and Lindsey each deal with the loss differently. However, it is Susie who has the most difficulty accepting the loss of her own life. Several psychologists separate the grieving process into two main categories: intuitive and instrumental grievers. Intuitive grievers communicate their emotional distress and “experience, express, and adapt to grief on a very affective level” (Doka, par. 27). Instrumental grievers focus their attention towards an activity, whether it is into work or into a hobby, usually relating to the loss (Doka par. 28). Although each character deals with their grief differently, there is one common denominator: the reaction of one affects all.
In the short story “ A Dead Woman’s Secret by Guy de Maupassant, the basic theme is devoted to family and private relationships. The main characters in the story are Marguerite (the daughter), the judge (the son), the priest, and the deceased mother. Marguerite is a nun and she is very religious. The dead woman’s son, the Judge, handled the law as a weapon with which he smote the weak ones without pity. The story begins by telling the reader that the woman had died quietly, without pain. The author is very descriptive when explaining the woman’s appearance - “Now she was resting in her bed, lying on her back, her eyes closed, her features calm, her long white hair carefully arranged as though she had done it up ten minutes before dying. The whole pale countenance of the dead woman was so collected, so calm, so resigned that one could feel what a sweet soul had lived in that body, what a quiet existence this old soul had led, how easy and pure the death of this parent had been” (1). The children had been kneeling by their mother’s bed for awhile just admiring her. The priest had stopped by to help the children pass by the next hours of great sadness, but the children decided that they wanted to be alone as they spend the last few hours with their mother. Within in the story, the author discusses the relationship between the children’s father and their mother. The father was said to make the mother most unhappy. Great
‘sleep on! while at thy feet I weep’, giving the image of a tired, old
Elaine Scarry in her book The Body in Pain delves into this phenomenon; “that pain is so frequently used as a symbolic substitute for death in many tribes is surely attributable to an intuitive human recognition that pain is the equivalent in felt-experience of what is unfeelable in death” (Scarry 1987).Whether the conscious intent of the use of pain is to symbolize death can be contested, however the fact remains that pain, and therefore the recognition of death, is present within the initiation ritual. This gives new power to pain, Scarry reasons that physical pain has the ability to be all encompassing, meaning that it can obliterate all forms of psychological feeling, it has the power to “end all aspects of self and world” (Scarry 1987). Here is where the body and the individual intersect, the body is both the platform for which pain is inflicted and death is experienced as well as the place in which the individual is housed. The body is essentially the only thing that truly belongs to the individual, therefore the infliction of pain within the confines of the ritual demands that one sacrifice the self in order to be accepted within the desired societal group (Morinis 1985). The liminal state which the individual is forced into before the introduction of pain allows for the initiate to experience the new self-awareness
Holy Sleeper is located in a small city with vast land and a population of less than a thousand. It’s an often visited cemetery from people who travel hundreds of miles just to visit and the ideal place to be sent to when dead. Rows upon rows of headstones and gravestones which once used to shine under the sun, but soon became dull after years of silence. Some were dated all the way back to the beginning of the twentieth century. Every once in a while came a single person or a group with faces holding frowns or tight muscles and tears which spilled no matter how much they didn’t want it to. No one pried in each other’s business. There were no screaming curses at the sky like in the movies unless it was an old person soon to die themselves every once in a while. The children ran up and down the hill laughing, their parents too tired to scold them due to the heavy guilt burdening their back. There were red rose petals scattered around some or mixed flowers bundled together which were sold on the edges of the freeway about a mile away from the entrance gates. Others were artificial plants showing their life lasting dedication to the person’s sentimental mindset, or how they make up their inability to come back and visit in the future.
In popular Sufism, a pilgrimage is the “ritual that orients the cosmos around a holy place and provides a way for participants to integrate themselves around symbols of transcendence” (Ernst). Pilgrimages to holy places is commonly practiced in South Asian countries. Sufis believe when they visit the tombs, they would receive spiritual blessings from the saint, who rests in the shrine. According to Ala’al-Dawla, a Sufi master of Kubrawi order in central Asia, “pilgrimage to tombs increase one’s spiritual concentration through contact with the earthly remains of a saint” (Ernst). Additionally, the individual seeks the path of enlightenment because they realize the importance of the pilgrimage by experiencing its struggles throughout. Once the pilgrims reach the shrine where the saint rests, they “express their love and respect for them by kissing and touching their eyes to the tombs” (Ernst). Whenever an individual travels to cities near a holy place, they often visit the tomb to kiss the saint’s feet. In fact, the essence of the pilgrimage can be felt by the individual at that moment because they have received the spiritual blessings from the saint. In addition, Sufis are usually very eager to receive the saint’s blessing because they believe the “spirits of the faithful are near their tombs” (Ernst). The pilgrimage to the tombs of saints forms an
In ancient Indian society, people thought women are honorable when they did the traditional ritual, Sati. The word is come from the goddess Sati and first appeared during the Gupta Empire. It is a ritual that a woman has a practice of burningbecause her husband passed away or expected to dead in the war, following him even the grave. Sati is a symbol of virtue, constant and image of good wife in India. Also it means widow in Sanskrit.This religion is not allow remarriage so women had only two choices when her husband was dead, performing the ritual into a goddess or being widow.On the other hand, from the Colonialism, the British colonialists translated it into Suttee that is a self-immolation of widows in simplicity. They described the Indiancustom and people who supported the ritual as a kind of evil, such as murder, suicide. So they tried to stamp out the ritual and pointed out the characteristic of the Indian women who majority are lack of knowledge and power to control themselves in society. Some of feminists stated that it is an unfair force of Indian women and the