Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The management of grief
The management of grief
Management of grief
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Holy Sleeper is located in a small city with vast land and a population of less than a thousand. It’s an often visited cemetery from people who travel hundreds of miles just to visit and the ideal place to be sent to when dead. Rows upon rows of headstones and gravestones which once used to shine under the sun, but soon became dull after years of silence. Some were dated all the way back to the beginning of the twentieth century. Every once in a while came a single person or a group with faces holding frowns or tight muscles and tears which spilled no matter how much they didn’t want it to. No one pried in each other’s business. There were no screaming curses at the sky like in the movies unless it was an old person soon to die themselves every once in a while. The children ran up and down the hill laughing, their parents too tired to scold them due to the heavy guilt burdening their back. There were red rose petals scattered around some or mixed flowers bundled together which were sold on the edges of the freeway about a mile away from the entrance gates. Others were artificial plants showing their life lasting dedication to the person’s sentimental mindset, or how they make up their inability to come back and visit in the future. …show more content…
It was always quiet, even the birds dared not to fly over the cemetery.
In rare moments some people even came for the scenery and the silence. Others would say that this place was only meant for mourning the loss of others; a final goodbye and a permanent rest for the dearly departed. They would lay on the fake grass which was more like an itchy surface on dirt in an open area away from others and look up at the sky. In the evening time the sky would vary from colors such as blue and purple mixing together like in a watercolor painting and at night it would be pitch black. The stars were only visible if the person really tried to see them rather than mindlessly stare
up. In the abandoned part of the cemetery which was deeper than anyone intended to go, there was moss covered mausoleums and rocks the size of a small child. It reeked of dog crap inside, some caskets inside were partly opened or cracked presumably by pranks or careless workers. The stench of rotten flesh had been kept in the small space for decades and when opened it would spread out in the atmosphere. Often there would be a low layer of fog just below a person’s knee. From faraway it could be mistaken for the ghosts of soldiers who lost their lives in battle and the wealthy who died unhappily, but rest with the money they worked for their entire lives. It was a muffled parting from the rest of the area, but more than that it was separated from color just like the rest of this perimeter. The wind would howl on the nape of someone’s neck sending chills throughout their body and it would just reach their ear. It felt like an eerie whisper from a nightmare.
Suter, Keith. “Roadside Memorials: Sacred Places in a Secular Era.” Contemporary Review 292.1692 (Spring 2010): 51+. Psychology Collection. EBSCO: Academic Onefile. Web. 24 Mar. 2011.
“The Sleeper” uses Greek and Latin mythology to enhance the poem. This gives readers a tremendous level of insight on this poem. This helps readers perceive: how Irene had lived and died, what the griever is feeling, what the griever is trying to say and do, and grasp the underlying Greek and Latin lore. Because of the writing of Edgar Allan Poe, “The Sleeper” was written in dark romanticism and adds a supplementary twist to the mythologies.
The deathly ringing of the clock resonated throughout the chambers and faded away like they always had. But this time, the festivities did not flare back to life, for the new figure had control over the attention of everyone. This unique figure was shrouded in a robe as black as a void that covered all of his body except for his face, which was concealed by a peculiar mask. Contrary to the darkness of the robes, the lean mask was a pure, ghostly white with two blood red, curved lines, thicker at the top of the mask and thinner towards the bottom, through the eyes which were void holes. The air around him was cold and stale, like death lingered around him, waiting for its next victim. From the outskirts of the crowd, he moved in closer to the revelers, with each step echoing unnaturally loud. People shuffled away from him, afraid some terrible fate may befall them if they get close in proximity to him, as he strolled toward some unknown destination.
But later, after the boy's crush on Mangan's sister has been introduced, this dead priest's room takes on a very different character. This is the place where the boy retreats on a stormy night while his emotions are churning inside him. It is no longer a place to explore, but has taken on almost a "sacred" character. Here the boy experiences his most impassioned moment of "strange prayers and praises," pressing the palms of his hands together "until they trembled, murmuring: 'Oh Love! Oh Love!' many times." You can almost feel the presence of the dead priest in the room on this "dark rainy evening" as the boy is praying, in a way that you would not feel his presence if he were merely on vacation.
When children are young, it can be difficult for parents to teach them certain skills and lessons to live a good life. For example, toilet training a young person is something all parents suffer through and most of the time it is hard for them to teach their young ones how to use the bathroom. Several methods have been developed by psychologists, pediatricians, and other scholarly people on the toilet-training process. In addition to this, children’s books are published that are strictly directed at teaching children about their own bodily functions, and using the restroom. The language used, the illustrations, and the delivery of the language, is directed at children. Even children’s bibles are made because children cannot comprehend, or hold the attention to the King James version on the Bible, and so the stories of the bible and its teachings are rewritten in a language children can understand, as well as presented in a manner that will hold a child’s attention. This same approach is used for Catholic stories of their saints in order to teach children about them and their lives that they lived, which reflects how the Church instructs its followers to live in order to go on to everlasting life with God, Jesus, and the Holy Spirit. Each children’s story evaluated, although directed to teach children, or to help the parents teach the child, also contains a certain sub-text, and by comparing the same children’s stories to those written for adults and the general public about saints, and by examining the authors intent, as well as the intent of the Catholic church, the importance of these different story styles and their purpose will be determined.
Death’s whisper traveled in my ear, wrapping around my mind, “I can take you away from this madness. Beyond this hell, that is life.” “Will it be more peaceful there?” I asked. “As serene as heaven above.” Possessive Depression responded. My heavy heart fluttered at the thought of serenity. No more painful days, or lonely, restless nights. No more of this living death. Anxiety murmured all my insecurities tempting me to make the decision, as every tick-tock from the clock he held, echoed in my brain, putting fear in me of things that will never happen. I thought about the invitation to eternal sleep, “I would finally be able to extract this smiling mask…” Thus, I decided to join the dance of death, done dealing with my dilemmas.
Part A: The Premature Burial is an imperfect clerestory literal by Edgar Allan Poe where he exhibit the rehearsal venerate of being hidden unexpired by psychoanalyze sample of this conclusion. The anecdotist interpret how frighten it was for him being prematurely hidden. The planting charm location in the intermediate of the 19th hundred at the saver’s asylum in Richmond, Virginia. At the consequence of the clerestory, the chronicler expound how, “There are moments when, even to the regular observation of Reason, the mankind of our downcast Humanity may presume the show of a Hell—but the conceit of subject is no harmless, exploring its every cav is not without venture. Alas! the ghastly multitude of mortal terrors cannot be remark as wholly visionary—but, they must slumber, or they will gobble us—they must be support to sleep, or we decrease.” The narrator's name resolve that it is unwholesome to harp on alarm. If one focalize too much on solicitude in a indirect distance, then nothing will ever go upright. Fear is an unlovely trepidation purpose inducement by opinion that someone or something is hazardous. People all around the circle see the moral code of dread and the consequences that direction to it. If nation center too much on venerate
The inside of my body resembles that of a sieve. The biggest whole is buried deep beneath my aching soul. The rhythm of my heart seems to skip a beat with each breath that my lungs consume. As I stand at the front of the church entrance, I can feel the weight of my body shift from side to side. At any moment my legs may give way and buckle beneath my emotionally tired body. The warmth of the bodies from the room brushes past my face sending a flash of heat down my spinal cord. My plain, black suit hugs tightly against my body, constricting each movement that I take. I force my lips to replicate that of a smile as I greet the mourners at the door. I am the one that they are worried about the most; I am the one who has suffered the greatest loss and you can see this concern printed across their faces.
In a small village that is located in Madagascar, they have similar beliefs on what it means when someone passes away. Astuti mentions how, “adults and children’s conception of death appear to be antithetical to vezo ancestral beliefs, whom claims that when an individual dies that his or her body stops functioning and all his or her mental processes also cease” (Astuti et al., 728). Once we lose someone that was close to us, the process of bereavement or morning usually begins. Kastenbaum mentions how, “we are bereaved when someone close to us dies, and how grief, denial or anger is a common response to bereavement” (Kastenbaum, 342-343). Kastenbaum also mentions how, “morning is the culturally patterned expression of the bereaved person’s thoughts and feelings” (Kastenbaum, 345). An example of bereavement or morning within this culture would be, in this small village, Astuti mentions how, “in Betania, funerals are frequent for which the adults are expected to participate in a wake and two communal meals daily” (Astuti et al., 717). Astuti mentions how, “when an elderly individual passes away, the corpse may be kept for three or four days in the village, for which requires for the villagers to give up on their sleep and normal food for many nights and days” (Astuti et al., 717). Within these funerals, Astuti
The feeling of my blade against the ice was bewitching. The rocky texture of the ice against the smooth blade of my skate dance together almost rhythmly. The freezing cold temperature of the ice rink brought frost bite to my bundled up body, the mixture of hot and cold sent my body into over drive as I tried to nail a perfect triple axel and failed miserably. Not wanting to accept defeat I got up and twirled again and missed; again I screamed at myself, now was not the time for mistakes. Pushing myself up I got in position, I raced around the rink trying to build up speed but instead I was slapped in the face with the slush my blade had created. I glided toward the end of the rink and lifted myself up as if I was a bird who just learn to spread her wing and fly. I landed on the tip of my toes and twirled then jump and jumped again. When I got down from my high I saw the mark of a perfect triple axel printed into the ice. A heavenly gasp left my lips as my brain came to accept the fact that I did it, I made a triple axel. The sound of sarcastic clapping brought ...
In the apartment where he sits, the slight movement of the black draperies unnerves him, but seven burning candles hearten him, like rescuing angels, until nausea overcomes him as he realizes the hopelessness of his predicament. He begins to long for the "sweet rest there must be in the grave." Suddenly, the judges disappear, the candles go out, and darkness and stillness prevail.
As I walked through the watchtowers and the barracks, the dense silence carried me along. What I saw next was something that still makes me tremble: red roses, a picture, and a note. It hit me; I was standing on grounds designed for thousands to suffer.
Secondly, The Dream of Rood helps readers value truth concerning human and divine nature. For instance, the cross recounts gruesome details about Jesus’ crucifixion that depicts the cruel nature of unredeemed human beings, “They pierced me with dark nails: the wounds are seen on me, open gashes of hatred…They mocked us both together” (1). According to the scriptures Jesus endured abuse and public humiliation during his crucifixion; (1) the perpetrators offered Jesus a narcotic as he hung on the cross (AMP Matt. 27:34); (2) his murderers gambled for Jesus’ clothing (vs35), meaning Jesus was hanging on the cross half-naked; (3) a sign that read “This Is Jesus King Of The Jews” hung above Jesus’ head as he awaited his final breath (vs37); Jesus
I never thought I’d be here, didn’t know this was allowed honestly. The last time I was in this old church was a week ago...doesn’t seem that long to me but for everyone else I can only imagine how long it’s been. 7 little days in scheme of things doesn’t seem that important. 72 hours even more so, it passes in the blink of an eye for most...but for me those 72 hours felt like they would never end. I didn’t even know how long I was there at first, it was so dark...I can hear the piano being played, they’re playing my favorite song I and I can almost hear my mom’s tears hit the ground though the door. I’ve been standing in front of these doors for what seems like forever now waiting...just waiting. Waiting for my moment, I don't know when it will be, that only my Daddy knows….Finally the doors are opening and everyone in the chapel turns to see who is coming in late. They are all looking right at me, each with their own set of bloodshot eyes and tear stained faces. I almost feel like crying myself, never knew how many people actually cared.
One afternoon, a little boy and his friend entered a terrifying graveyard, 2 miles away from their town.