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Multi-cultural aspects of grief
Cross cultural grief
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Mourning rituals can be associated with the grieving process in today’s society through actions and expressing grief. Mourning is the social performance of a grief that is aligned with social and cultural rituals while grief is an internal emotional experience of a loss (Knox, Lectorial notes, week 3, 2017). The grief is developed by the social and culture structure (Walter, 2007). The process of allowing oneself to feel the pain is thought to be beneficial in the normal resolution of mourning. Rituals offer people ways to express their grief. Similar to Walter’s perspective, my experience of the grieving process is that my family and I wore dark colours for 40 days after my grandmother’s death as a cultural ritual. Mourning rituals help people
to acknowledge the sadness of the loss while offering a social support, structure and reaffirmation of life. It involves an action with the grief that helps the person come to terms with the loss of a loved one. Ritual mourning practices are the expression of the bereaved. Grievers respond emotionally to a loss can be wisely controlled by mourning rituals (Walter, 2007). The process of dealing with the grief is that often involves mourning rituals. The powerful effect that grieving rituals can play in helping people copes with the often chaotic impact of the loss. People use rituals when loss someone to restore the feeling of control and make it easier for them to cope with grief. The entire emotional process of coping with a loss accepts and adapts to find ways to come to terms with the death of their loved one. Therefore, the process of dealing with grief involves mourning practices that understand the expression of grief as a period of time.
Sylvia Grider. “Public Grief and the Politics of Memorial.” Anthropology Today (London), June 2007, 3-7. Print.
“In most human society's death is an extremely important cultural and social phenomenon, sometimes more important than birth” (Ohnuki-Tierney, Angrosino, & Daar et al. 1994). In the United States of America, when a body dies it is cherished, mourned over, and given respect by the ones that knew the person. It is sent to the morgue and from there the family decides how the body should be buried or cremated based on...
...ral differences in patterns of behavior and of social support includes each culture’s sense of what is sane and healthy, as opposed to life- and health-threatening. Thus, what people do protects the bereaved and in some senses everyone around the bereaved form. The cross-cultural emphasis, in fact, is a kind of metaphor. To help effectively, we must overcome our presuppositions and struggle to understand people on their own terms (i.e., not having the intention or the reason why the man placed a rose over Bella J. Bhukhan’s name).
"The AIDS quilt raises the question of the purpose of mourning. For whom do we mourn when we mourn? The foregrounding of the needs of the living and the creation of a community through the quilt point to mourning not simply as a process for remembering the dead and marking the meaning and value of their lives but also an attempt to create something out of that loss." (Sturken 199)
According to a study, many difficult cultures have the tendency to establish their methods of coping, whether it is through religion, culture, or/and personal ideologies (Chen, 2012). Mourning and burial ceremonies play a pivotal role for Lossography due to individuals having the ability and liberty to express melancholy and sometimes jubilation during the times they once had with their loved one. These types of beliefs and practices used as coping mechanisms can be very meaningful and profound for the comfort of the individual who’s going through a mournful experience (Chen, 2012). These types of coping mechanisms is important for Lossography, due to the fact that individuals are able to convey emotions through traditional practices, archaic arts and crafts, and spiritual rituals to fully find meaning with the death of their loved one. In addition, having established beliefs can definitely change the perception of what death signifies based upon religious and cultural expectations of the afterlife. However, not all cultures and religions put much emphasis into the afterlife. For instance, the monotheistic religion Judaism does not contain any interpretation of what happens after someone dies. Judaists believe that nothing happens after death, death is considered a taboo and not something that is commonly talked about for these religious individuals. Lossography, in religion may take on many forms for how death is perceived and for what actions can people take to ensure that their death will bring them to a place of peace, joy, and everlasting life. Lossography regarding religion, gives individuals hope that death is not the end, it gives them hope that knowing that person may not be here with us in the flesh, but that person is somewhere smiling down. Lossography in religion,
While they have been recently popping up throughout the Western world, they do demonstrate cultural norms through the materials left behind at the memorial site; often times, they replicate structures similar to ones at old gravesites, RIP, messages on tombstones and recitals like those at traditional funerals. In this sense traditional represents a memorial and funeral in a religious setting. These new memorials often times do not find meaning in religious settings after a sudden and tragic death has occurred. Proxemics in this case is displayed by the surviving families feeling that their loved ones death spot belongs to them; identity is constructed through the items left behind. To the ones left behind, they do not want the death to go unnoticed and want to connect to the last place a loved one was alive. They feel empowered to do so through the tragic event that has occurred there. After such tragedy has happened, a common public place spaces become a private place of tribute. Whether is it through pictures, personal messages or a cross, the items left behind reflect how the deceased influenced his or her surviving friends and family. The difference becomes more evident when it done through a civil body ...
African American reactions to death and loss can be traced to their African roots, their centuries of slavery, their commitment to Christianity, and their post-slavery treatment in American society. Among those to explore death and dying in twentieth-century African America is author Karla FC Holloway. In her book Passed On: African American Mourning Stories: a Memorial Collection, Holloway thoroughly investigated the myths, rituals, economics, and politics of African American mourning and burial practices, and found that ways of dying are just as much a part of black history as ways of living.
Imagine that the person you love most in the world dies. How would you cope with the loss? Death and grieving is an agonizing and inevitable part of life. No one is immune from death’s insidious and frigid grip. Individuals vary in their emotional reactions to loss. There is no right or wrong way to grieve (Huffman, 2012, p.183), it is a melancholy ordeal, but a necessary one (Johnson, 2007). In the following: the five stages of grief, the symptoms of grief, coping with grief, and unusual customs of mourning with particular emphasis on mourning at its most extravagant, during the Victorian era, will all be discussed in this essay (Smith, 2014).
Deaths were a form of social event, when families and loved ones would gather around the bed of the dying, offering emotional support and comfort. Myth, religion, and tradition would combine to give the event deeper meaning and ease the transition for all involved. The one who was dying was confident in knowing what lay behind the veil of death, thanks to religious faith or tradition. His or her community held fast to the sense of community, drawing strength from social ties and beliefs. (“Taboos and Social Stigma - Rituals, Body, Life, History, Time, Person, Human, Traditional Views of Death Give Way to New Perceptions" 1)
For the Torres Strait Islanders, death is something that is not taken lightly. The people of this indigenous community do not fear death; however, the death of friends and family members brings extreme grief, just as it does with any other society. In some ways the Torres Strait Islander’s death ceremonies are no different than ours, they mainly consist of a burial and a mourning period. Although there are some similarities, there are many more differences.
It is common for those experiencing grief to deny the death altogether. Many people do this by avoiding situations and places that remind them of the deceased (Leming & Dickinson, 2016). However, by simply avoiding the topic of death and pain, the mourner only achieves temporary relief while in turn creating more permanent lasting agony (Rich, 2005). In this stage, mourners will begin to feel the full weight of the circumstance. Whether the death of a loved one was sudden or long-term, survivors will feel a full range of emotions, such as sadness, guilt, anger, frustration, hopelessness, or grief. While many of these emotions can cause serious suffering, it is important for the survivor to feel whatever emotions come up and deal with those feelings, rather than trying to suppress any
One of the most famous statements made by Buddha is, “life is suffering.” What this implies is that simply by living one will experience some type of suffering. The death of a loved one or bereavement is one way in which humans suffer in their life. The following will discuss the topic of bereavement. More specifically culturally sensitive bereavement focusing on the African American population. A comprehensive literature review with culturally relevant information, the Diagnostic and Statistical manual V changes regarding bereavement, potential issues and symptoms, and forms of treatment will be discussed.
The characters in Alice Sebold’s The Lovely Bones are faced with the difficult task of overcoming the loss of Susie, their daughter and sister. Jack, Abigail, Buckley, and Lindsey each deal with the loss differently. However, it is Susie who has the most difficulty accepting the loss of her own life. Several psychologists separate the grieving process into two main categories: intuitive and instrumental grievers. Intuitive grievers communicate their emotional distress and “experience, express, and adapt to grief on a very affective level” (Doka, par. 27). Instrumental grievers focus their attention towards an activity, whether it is into work or into a hobby, usually relating to the loss (Doka par. 28). Although each character deals with their grief differently, there is one common denominator: the reaction of one affects all.
People cope with the loss of a loved one in many ways. For some, the experience may lead to personal growth, even though it is a difficult and trying time. There is no right way of coping with death. The way a person grieves depends on the personality of that person and the relationship with the person who has died. How a person copes with grief is affected by the person's cultural and religious background, coping skills, mental history, support systems, and the person's social and financial status.
While the end of life experience is universal, the behaviors associated with expressing grief are very much culturally bound. Death and grief being normal life events, all cultures have developed ways to cope with death in a respectful manner, and interfering with these practices can disrupt people’s ability to cope during the grieving