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Essay on time travel in fiction
Essay on time travel in fiction
Essay on time travel in fiction
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What is the point of time travel? The phenomena of having the ability to go to any point in time seems to fascinate modern cultures, and the realm of literature is no stranger to this. The concept of time travel appears to be a popular trope to explore throughout not just science fiction, but in general fiction, as it branches out into multiple genres, with a famous example being in the worldwide bestselling fantasy series, Harry Potter by J. K. Rowling, with the existence of a magical timepiece. Spanning years and crossing over genres, why exactly do authors and readers keep coming back to this style of storytelling? Through various example texts including H. G. Wells’ The Time Machine, Kurt Vonnegut’s Slaughterhouse-Five, and other shorter works, …show more content…
readers can easily identify the various ways authors utilize time travel in their works based on the author’s interpretation of time travel and how they intend to incorporate it into their story. A paramount examples of early time travel literature, The Time Machine by H. G. Wells tells of the Time Traveler, who recounts his journey to the year 802,701, where he discovers the evolutionary result of the human race becoming two separate species: the Eloi, who are peaceful, childish beings who live in delicate luxury, and the Morlocks, who are vicious, carnivorous, and moderately clever creatures who work underground in darkness. When given the context of when Wells wrote this novella, which is referenced by the Time Traveler himself, parallels can be drawn between the future with the Eloi and the Morlocks and Wells’ present with the heavy social division between the wealthy and the working class respectively. “So, in the end, above ground you must have the Haves, pursuing pleasure and comfort and beauty, and below ground the Have-nots, the Workers getting continually adapted to the conditions of their labour.” (Wells, Ch. 5) With this information accounted for, the novella suddenly becomes a social commentary on these classist tendencies, providing radical examples of how things might end up if these tendencies, past and present, continue. Meanwhile, writers such as Vonnegut use very unique variations of time travel.
The beginning of Slaughterhouse-Five makes this immediately clear. “Listen: Billy Pilgrim has come unstuck in time.” (Vonnegut, Ch. 2) With a non-linear progression, the novel follows Billy Pilgrim—or rather, his conscience. This interpretation of time traveling throughout one’s own timeline is quite different from the standard mechanical method presented by Wells. Billy is constantly traveling throughout his own life, his conscious halting at random points of his life. “Billy is spastic in time, has no control over where he is going next, and the trips aren't necessarily fun. He is in a constant state of stage fright, he says, because he never knows what part of his life he is going to have to act in next.” (Vonnegut, Ch. 2). Because of Billy’s endless journey, he learns that life is structured and nothing can be changed. Time travel is used in Slaughterhouse-Five to express this philosophy that life is just an inevitable series of events we cannot change, but we can change how we live our lives, choosing to embrace the better moments in life instead of worrying over the tragic times, seeing as it is all simply a part of life. So it
goes. Between these two drastically different examples of time travel in literature, there are a myriad of other examples of ways authors have used it in their works. One example is in Ray Bradbury’s famous short story, A Sound of Thunder, where the whole idea is that we can indeed change time, intentionally or not. One displaced step could unravel the future, in theory (Bradbury). Another example would be from T. E. D. Klein’s Renaissance Man, in which the overall idea challenges our expectations for the future, that maybe everyone is not as advanced as we suspected, at least not to our expectations, by pulling some by random out of the future for interrogation (Klein). These are just a fraction of examples from an expansive selection of stories, each with their own stories to tell and ideas to share. What is the point of time travel in literature? Just from four works alone, it is clear that, as a story element, it allows exploration; exploration of ideas, different issues and scenarios, and many ways to present a griping story. There have been so many applications and revisions of this fantastical idea of exploration through time. Wells used it for commentary, Vonnegut used it to heavily explore an idea, and if past trends continue, the ways time travel can be applied into literature do not seem to be ceasing anytime soon.
The human mind is a part of the body which current science knows little about. Trigger mechanisms, and other factors within the brain are relatively unknown to current humanity. Therefore, in order to produce a diagnostic on why Billy Pilgrim became “unstuck” in time, the reader of Slaughterhouse Five must come to terms with situations concerning the experiences described in the novel. Billy Pilgrim starts out, chronologically, as a fairly basic infantryman in the United States Army during the last Nazi offensive of the war, also known as the Battle of the Bulge (Vonnegut, 32). That battle resulted in fierce fighting, and also in massacres (such as the one that occurred near Malmedy, France), and the reader may be sure that there were men who became mentally unsound due to the effects of what they experienced there. Pilgrim is taken in by a group of soldiers who have found themselves behind the Nazi lines and are required to travel, by foot, back to friendly lines (Vonnegut, 32).
In Kurt Vonnegut’s Slaughterhouse-Five, Billy Pilgrim becomes “unstuck” in time. The question here is, why? The fact of the matter is that he does not actually begin to time-travel. Billy “becomes unstuck” as a coping mechanism to deal with his traumatic experiences during the war. Billy attempts to reorganize his life’s events and cope with a disorder known as post traumatic stress (PTSD).
Though he was able to escape war unharmed, Billy seems to be mentally unstable. In fact, his nightmares in the German boxcar at the prisoners of war (POW) camp indicate that he is experiencing Post-Traumatic Stress Disorder (PTSD): “And now there was an acrimonious madrigal, with parts sung in all quarters of the car. Nearly everybody, seemingly, had an atrocity story of something Billy Pilgrim had done to him in his sleep. Everybody told Billy Pilgrim to keep the hell away” (79). Billy’s PTSD is also previously hinted when he panics at the sound of sirens: “A siren went off, scared the hell out of him. He was expecting World War III at any time. The siren was simply announcing high noon” (57). The most prominent symptom of PTSD, however, is reliving disturbing past experiences which is done to an even more extreme extent with Billy as Slaughterhouse-Five’s chronology itself correlates with this symptom. Billy’s “abduction” and conformity to Tralfamadorian beliefs seem to be his method of managing his insecurity and PTSD. He uses the Tralfamadorian motto “so it goes” as a coping mechanism each time he relives a tragic event. As Billy struggles with the conflict of PTSD, the work’s chronological order is altered, he starts to believe
Billy Pilgrim time travels to various moments in his life at random, which suggests he has no power over his mind and the memories that haunt him. He “is spastic in time, (and) has no control over where he is going next” (Vonnegut 43), as he struggles to make sense of his past. Billy’s ability to remember events in an erratic sequence, mirrors the happenings of war. War is sudden, fast paced, and filled with unexpected twists and turns. Billy cannot forget what he experienced during his time as a soldier, and in turn his mind subconsciously imitates this hectic quality of war. This behavior proves that although the war is over, “psychologically, Billy has never fully left” (Vees-Gulani). For many soldiers, especially those who were prisoners of war (POW), it is inevitable that their mind will not be like it once was (Vees-Gulani).
The most significant journeys are always the ones that transform us, from which we emerge changed in some way. In Paulo Coelho’s modern classic novel The Alchemist, and Robert Frost’s poem The Road Not Taken, the journey that is undertaken by the central exponents leaves both with enlightening knowledge that alters their lives irrevocably. In stark contradiction to this, Ivan Lalic’s poem Of Eurydice , delves into the disruptive and negative force of knowledge, in contrast to The Alchemist which details an antithesis of this point relative to knowledge. In all journeys, the eventuality of knowledge is a transformative one.
One Flew Over the Cuckoo’s Nest and Fahrenheit 451 share two main characters that are seemingly lost in the unknown. Both Chief Bromden and Guy Montag are protagonist in the respective novels. These two characters both have a false sense of reality; however, this is the only reality they know. Bromden and Montag have little sense of what the world they live in has to offer. However things start to change for both of these men when they start to receive guidance from their counterparts, Randle McMurphy and Clarisse McClellan. Both of these characters become the catalyst for the freedom and liberation that Bromden and Montag come to find.
Throughout, SlaughterHouse-Five, Billy, is randomly time traveling. Whenever, Billy want to not deal with reality, he has an out-of-body experience. In his time-traveling, Billy knows the outcome of many events. He can change the outcome, yet he chooses not to.
Although Slaughterhouse-Five may not be filled with delightful satire and comical scenes, there are accounts which the force the reader to laugh. In one instance, an extremely drunk Billy Pilgrim is searching desperately for the steering wheel of his car: "He was in the backseat of his car, which is why he couldn't find the steering wheel," Vonnegut writes (47). In another episode, Billy becomes "unstuck" in time while watching television, so that he sees a war film backwards and then forwards. The most humorous sequence takes place when Billy travels from the zoo on Tralfamadore to his wedding night with his wife, Valencia. He wakes up to find himself in the German prison camp. He then finds himself back with Valencia after returning from the bathroom. He goes to sleep, then wakes up on a train on the way to his father's funeral.
With a spout of kerosene and a flick of a match, a fireman sets fire to a house and all the books inside it, not waiting for the heat to reach 451 degrees farhenheit; the temperature in which it is said books ignite. This may seem a strange thing, a fireman setting fire, but in the futuristic world author Ray Bradbury created in his work Farhenheit 451(1951) this is the norm. A fireman's job is to hunt those with books and set destroy all the books with thier flames. In the Bradbury's book, the government has deemed books and all who possess them public enemy Number One, and society has accepted that with no questions asked. Books represent knowledge, difference of opinion and ideals that are now unsavory in the public's eye.
Much can happen in a matter of minutes; a man can go from thinking he is happy to thinking his life is falling apart, or can change from hating someone to loving them. These experiences sound outlandish, but they happened to Guy Montag, the main character in Ray Bradbury’s Fahrenheit 451, and Winston Smith, the main character in George Orwell’s 1984. These two dystopian novels are about the characters discovering major problems in their societies, and then trying to fix them. Montag lives in a society where television controls people’s lives and books have become illegal. On the other hand Smith lives in Oceania, a territory led by a totalitarian regime. This regime is headed by Big Brother and is referred to as the Party. By examining Fahrenheit 451 and 1984, it is seen, not only through the dehumanized nature of society, but also through the theme of lies and manipulation that both Orwell and Bradbury wish to warn of a horrifying future society.
“Slaughterhouse-Five” is an anti-war novel. It describes a flesh-and-blood world. Main character is Billy Pilgrim, he is a time traveler in this book, his first name Billy is from the greatest novelist in the USA in 19 century’s novel “Billy Budd” ; and his last name is from “The Pilgrim’s Progress” by John Bunyan. Differently, the main character in “The Pilgrim’s Progress” ’s traveling has meaning and discovering, Billy Pilgrim’s traveling just has violence and escape. In the novel “Slaughterhouse-Five” by Kurt Vonnegut ’s main character, Billy Pilgrim is sane and his time travel is half in his mind half is real. He is looked so innocent and weakness, there is a sentence which is spoken by Billy Pilgrim “So it goes.” (2) This quotation shows that a poignant sense of helplessness.
Time concept is a complex idea that resist full understanding thus we can only percept it and determinism is a belief that is adopted by whose can percept time better than the others. In Slaughterhouse-Five, Billy Pilgrim is kidnapped by Tralfamadorians, who are aliens that can see the fourth dimension. While he was explaining the notion of time to Billy, he uses simile “seeing all time as you might see a stretch of Rocky Mountains.”(85). Kurt Vonnegut indicates that what people live in the present is just an allusion of time. He juxtaposes Billy with Tralfamadorians to show this allusion. While Billy only sees in three dimensions, Tralfamadorians can see the fourth dimension as well. And in the mountain example Billy can only see the 3 side of the mountain, whereas Tralfamadorians see 4 side of it, but they all live in an allusion, because time is such an idea that it is made of infinite sides. It is impossible to dispose of this allusion and see the whole perspective. Vonnegut uses the symbolism in order to show that free-will is jus...
Slaughterhouse-Five by Kurt Vonnegut is about a man named Billy Pilgrim who becomes “unstuck in time” meaning he travels back and forth between key moments in
In Slaughter House Five, Vonnegut introduces the Tralfamadorians concept of time, which emphasizes the cyclical return embodied in Billy’s time travels (Wayne D. McGinnis, 118). Vonnegut believes that people perceive life in terms of an old fashion story book, “With leading characters, minor characters … and a beginning, middle, and an end” (215). However Vonnegut proves in his novel, Breakfast of Champions, that this is certainly not the case. He states, “I resolved to shun storytelling. I would write about life. Every person would be exactly as important as any other. Nothing would be left out” (215) and that is exactly what he does. Vonnegut believes that “People have this illusion that when beginning, middle, and end are strung together in one story, a causal and teleological development is implied, and the identification of the cause driving events is what gives meaning to the story” (Daniel Cordle). Vonnegut’s goal is to eliminate this illusion and attempt to prove to his readers that it is not the structure of time or events which gives meaning to the story, it is all the moments combined which give the story its meaning.
Time travel is a theory that has been mentioned in movies for decades. In those movies, even the tiniest change can affect the future. Even though time travel movies are categorized as science fiction, the idea of changing one aspect of the past resulting in major repercussions in the future is possible. Take Steve Jobs as an example. He dropped out of Reed College and created the Macintosh computer. This inspired him to start his company, Apple, today almost all of the products we use are made by Apple -- but what if Steve Jobs had not dropped out? He probably would not have started Apple, and we would not have the devices we do today. In the book Thirteen Reasons Why, Hannah Baker’s life was changed by three details. Hannah’s change in self-identity,