“How nice- to feel nothing, and still get full credit for being alive” (Vonnegut 181). In Kurt Vonnegut’s Slaughterhouse-Five the main character Billy Pilgrim experiences few emotions during his time in World War II. His responses to people and events lack intensity or passion. Throughout the novel Billy describes his time travel to different moments in his life, including his experience with the creatures of Tralfamadore and the bombing of Dresden. He wishes to die during most of the novel and is unable to connect with almost anyone on Earth. The fictional planet Tralfamadore appears to be Billy’s only way of escaping the horrors of war, and acts as coping mechanism. Billy seems to be a soldier with Post Traumatic Stress Disorder (PTSD), as he struggles to express feelings and live in his reality. At the beginning of the novel the narrator proposes his reason for writing the book is to explain what happened in the Dresden fire bombing, yet he focuses on Billy’s psyche more than the bombing itself. PTSD prevents Billy from living a healthy life, which shows readers that the war does not stop after the fighting is over and the aftermath is ongoing. Billy Pilgrim’s story portrays the bombing and war in a negative light to readers, as Vonnegut shows the damaging effects of war on an individual, such as misperception of time, disconnect from peers, and inability to feel strong emotions, to overall create a stronger message. Billy Pilgrim time travels to various moments in his life at random, which suggests he has no power over his mind and the memories that haunt him. He “is spastic in time, (and) has no control over where he is going next” (Vonnegut 43), as he struggles to make sense of his past. Billy’s ability to remember events in an erratic sequence, mirrors the happenings of war. War is sudden, fast paced, and filled with unexpected twists and turns. Billy cannot forget what he experienced during his time as a soldier, and in turn his mind subconsciously imitates this hectic quality of war. This behavior proves that although the war is over, “psychologically, Billy has never fully left” (Vees-Gulani). For many soldiers, especially those who were prisoners of war (POW), it is inevitable that their mind will not be like it once was (Vees-Gulani).
Slaughterhouse-Five is a story of Billy Pilgrim 's capture by the Nazi Germans during the last years of World War II. Throughout the narrative, excerpts of Billy’s life are portrayed from his pre-war self to his post-war insanity. Billy is able to move both forward and backwards through his life in a random cycle of events. Living the dull life of a 1950s optometrist in Ilium, New York, he is the lover of a provocative woman on the planet Tralfamadore, and simultaneously an American prisoner of war in Nazi Germany. While I agree with Christopher Lehmann-Haupt that Slaughterhouse-Five effectively combines fact and fiction, I argue that the book is more centralized around coping.
The human mind is a part of the body which current science knows little about. Trigger mechanisms, and other factors within the brain are relatively unknown to current humanity. Therefore, in order to produce a diagnostic on why Billy Pilgrim became “unstuck” in time, the reader of Slaughterhouse Five must come to terms with situations concerning the experiences described in the novel. Billy Pilgrim starts out, chronologically, as a fairly basic infantryman in the United States Army during the last Nazi offensive of the war, also known as the Battle of the Bulge (Vonnegut, 32). That battle resulted in fierce fighting, and also in massacres (such as the one that occurred near Malmedy, France), and the reader may be sure that there were men who became mentally unsound due to the effects of what they experienced there. Pilgrim is taken in by a group of soldiers who have found themselves behind the Nazi lines and are required to travel, by foot, back to friendly lines (Vonnegut, 32).
When Billy Pilgrim goes to war in Germany, he is soon captured by the Germans and taken to a prisoner camp. While there, he is mocked and ridiculed. He is a very passive character, and so is not bothered by this taunting, but when Billy realizes that the war doesn’t just affect soldiers and people, but all animals, such as the horses they find after the bombing of Dresden, his life is scarred forever. He sees that the horses are bleeding from their mouths and that they are in agony when walking. When Billy sees that his colleagues had mistreated the horses, he realizes that that is what war does to the entire world. Billy is forever changed and even weeps (197). This may have been the trigger for PTSD in Billy’s life to begin with.
Though he was able to escape war unharmed, Billy seems to be mentally unstable. In fact, his nightmares in the German boxcar at the prisoners of war (POW) camp indicate that he is experiencing Post-Traumatic Stress Disorder (PTSD): “And now there was an acrimonious madrigal, with parts sung in all quarters of the car. Nearly everybody, seemingly, had an atrocity story of something Billy Pilgrim had done to him in his sleep. Everybody told Billy Pilgrim to keep the hell away” (79). Billy’s PTSD is also previously hinted when he panics at the sound of sirens: “A siren went off, scared the hell out of him. He was expecting World War III at any time. The siren was simply announcing high noon” (57). The most prominent symptom of PTSD, however, is reliving disturbing past experiences which is done to an even more extreme extent with Billy as Slaughterhouse-Five’s chronology itself correlates with this symptom. Billy’s “abduction” and conformity to Tralfamadorian beliefs seem to be his method of managing his insecurity and PTSD. He uses the Tralfamadorian motto “so it goes” as a coping mechanism each time he relives a tragic event. As Billy struggles with the conflict of PTSD, the work’s chronological order is altered, he starts to believe
When Vonnegut created Billy Pilgrim, he made Billy subject to the experience of the war. In fact, Billy experiences it almost. exactly the same as Vonnegut himself had, including the experiences of being a POW and in the firebombing of Dresden. The. But in Billy's case, Vonnegut writes it with.
Based on Murasaki Shikibu’s “The Tale of Genji” the ideal man and the ideal woman of the Heian Court can easily be discerned as not truly existing, with the main character, Genji, being the nearly satirical example of what was the ideal man, and descriptions of the many women in the story as prescription of the ideal woman with the young Murasaki playing a similar role to that of Genji in the story.
In Slaughterhouse-Five, Kurt Vonnegut tries to make sense of a seemingly meaningless world by creating a novel whose narrative is more a conjunction of events instead of a linear story. Vonnegut beings his novel with a confession about why he wrote this book, he starts, “all this happened more or less” (Vonnegut 1). As a reader it is alarms are signaled when the author themselves makes an omission about the reality of the tale about to be told. He spends the first chapter giving an autobiographical view into what shaped his life and how this book needed to be written. Vonnegut says he thought he would have a lot to say about the bombing in Dresden that “all [he] would have to do would be to report what [he] had seen” (2). But instead “not many words about Dresden came from [his] mind then—not enough of them to make a book, anyway” (2). So here Vonnegut makes it clear this novel is not explicitly an anti-war book but rather an attempt at making sense of how life
However, the books present response to war in a contrasting way. The incorporation of repetition, balance, and the idea of little control of one’s fate display parallelism between Billy Pilgrim and the soldiers of The Things They Carried while still distinguishing the existing psychological and internal contrast between them. When Billy is leading a parade in front of the Dresdeners prior to the bombing, Vonnegut
In Vonnegut’s science fiction and dystopian novel Cat’s Cradle, the main character, John, demonstrates his personal growth and from that, his enlightened attitude towards the unnecessary horrors that war creates. In the beginning of the novel, John sets out to discover and gather information on what people’s lives were like the day that the atomic bomb dropped. Along his path of discovery, he meets the Hoenikker family, of which Felix was the patriarch and the creator of the elusive, dangerous material ice-nine. John then gets sidetracked of his initial quest and becomes infatuated on his pursuit for more knowledge about ice-nine. From there, he stumbles across more of the Hoenikker children as well as the Bokonon people and their peculiar faith. Once John is on the island he learns of the disastrous potential that ice-nine has, and by the end of the novel, witnesses it’s power as it kills virtually the entire human race. At the very end of the novel, John recognizes what his quest for ultimate truth led him to (destruction of humanity) and furthermore sees the cruel, blind and horrible nature of war (ice-nine/weapons of mass destruction). Vonnegut’s next book, Slaughterhouse-Five, another science-fiction novel that was written just a few years after details the life of Billy Pilgrim, a goofy, awkward, and incompetent guy whose life never seems to turn out the way he anticipates. When Billy was a young man, against his wish, he was drafted to fight against the Germans in World War II. As most men do in war, Billy experiences horrific sights on and off the battlefield. As a result he greatly traumatized for the rest of his life because of it. Then, in h...
Imagine experiencing the events of your life in a random order. How would you view your life if it seemed more like a collection of moments rather than a story? In Kurt Vonnegut’s Slaughterhouse-Five, Billy Pilgrim is a chaplain’s assistant during World War II who claims to be "unstuck in time." Billy seemingly jumps from one moment in his life to the next without his control or consent. Billy also believes that aliens, known as Tralfamadorians, abducted him. These events may seem silly considering all of the serious and grim experiences that Billy faces in the war, but they are far from comical. Billy Pilgrim 's time travels and experiences on Tralfamadore are not real experiences, but rather coping mechanisms Billy has created.
Billy Pilgrim is also not like Pilgrim who is the main character in the “The Pilgrim’s Progress”, although they have same last name. His experience is very horrible in the war, there are just have violence and cruel, like the soldier who is in the “Three musketeers”. Imaginary, a man who just naive and have a great lucky, how can he keep his life in the war, just lucky? It is funny. Thus, though the whole novel “Slaughter-Five” by Kurt Vonnegut, the main character, Billy Pilgrim is a contradictory person who has the naive and sane attitude together, in almost time he looks like a child, but his wise can “see” at his speaking and action, likes his speaking “So it goes.” (2) Not only is the indifference to the lives, or the hatred and
In each case, regardless actual or simulated data, when the contract knocked out early, profit ended positive. While in scenarios where the accumulator continued through duration, profit was continually negative. Using actual data, a 4.5% knockout yielded a positive profit, however, a 10% knockout returned a large negative loss. Fok et al (2012) went further to enhance their study by comparing various knockout percentages (2-7%) and discount percentages (4-15%). They found that lower knockout percentages and higher discount percentages yielded the highest cumulative profits. Market trend severely affects knockout percentage, discount percentage and standard deviation showing that accumulators offer a reasonable investment for investors in a neutral or upward, yet when the market trend is downward, accumulator contracts become substantially more dangerous. Concluding findings show that accumulator contracts are an unfair investment due to their limited upside profit potential and unlimited downside loss potential (Fok et al,
Kurt Vonnegut has built a universe for Billy Pilgrim in Slaughterhouse Five where Billy’s cruel, unforgiving reality is contrasted by a philosophical utopia where he has learned to operate without the pains of being human. Within this self-described ‘telegraphic’ and ‘schizophrenic’ novel, Vonnegut manages to swing the reader halfway across the galaxy to a planet inhabited by a plunger-like race called the Tralfamadorians, take them into the harrowing depths of a POW camp, and show you a man who is increasingly coming undone at the seams after having lived with the psychological terrors of the Dresden bombing. He accomplishes all of this while only leaving the reader with a slight case of jet lag and hopefully a new perspective on the American lifestyle. It does not change the way you think. It does not lend itself to warnings or explanations.
During this period, the attitude towards women gradually changed. For quite a long period of time, the important roles women played were ignored. In the society, they were viewed as the weaker gender. Women were easily related to the roles such as taking care of the family, childbearing and raising the children. It was considered as their natural job. As a result, morality was largely based along gender lines and responsibilities towards others instead of being focused on the culture of symbols, individual values and ideas. Materialism was largely used to construct gender aspects. Isecke (33) notes that materialism was largely relied on hence the overlooking of the important cultural system. As seen in my essay, the society contributed towards defying this norm through uplifting the state of woman, whereby she was viewed as an important figure in the society and who had equal rights as a man.
At times, women can take action to either preserve the reputation or emphasize the importance of some well-regarded man. In other situations, it is the actions of a man towards a woman that helps preserve or increase the influence that he has. Even symbolically, women have importance in defining the standing of man, as they highlight what made a man of value to the community. Neither the Greek nor Anglo-Saxon depictions of women are too positive; nevertheless, they are accurate depictions of the times these societies lived in and of a time when women were considered to be inferior to