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Compare and contrast Genesis 1 and 2 from a literary perspective
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The Temptation and Expulsion of Adam and Eve by Michelangelo Buonarroti 1508 is a two piece fresco painting on the Sistine Chapel in Italy. The tree located in the middle of the fresco with the green serpent separates the two pieces. This painting tells a story out of the Book of Genesis about the fall of Adam and Eve and removal of Adam and Eve out the Garden of Eden. Color for this fresco is different on each side of that tree. On your left side of the tree you have more of a darker tone. The skins look more real. They have more of a flesh tone. The color of the grass on this side is a darker green. On your right side of the tree you have more of a pale tone. Adam and Eve are sicklier looking and life less. The grass on this side of the painting is more of a light shade of green. Also you notice the different tones in this painting. The left side of Temptation and Expulsion main use of light is only used to highlight the muscles of Adam and Eve. On the right side of the painting …show more content…
Nothing is going on toward the middle of the fresco and the back of the fresco. It is all open space. I believe the space in this fresco is to show a slight aerial view and the intersecting parts is used to give the fresco perception and a little bit of dimension. You can also notice the space in this fresco going from the left to the right, closed to open. The left side of the fresco is more tightly painted together. There is not much space between the bodies of Adam, Eve and the Devil. This back ground also is painted with everything touching. As you move your eyes more right you realize there is still not that much space between the bodies, however, they is not a background focusing your eyes on just Adam, Eve, and the Devil anymore you are now evenly focused on the space behind them and the bodies. The space really shows that they went from having a home to having nothing at all, just open
He also illustrates principles of design. If you were to place a vertical line on the picture plane the two sides would balance each other out. The painting can also be divided half horizontally by the implied divisional line above the horses head and the sword of the man who St. Dominic has brought back to life. Contour horizontal lines that give the expression that the dead man on the ground is sliding out of the picture plane, and dominate the bottom of the painting. On the top of the picture plane, behind the spectators is the brightest intermediate color, which is red orange that gives the impression of a sunrise.
The colors used in this painting are blue, white, yellow, brown, black, green, light blue. The colors Birch used seem dark in order to relate to the storm. By making it seem dark it really captures the mood of the composition. In general the quality of light in this painting is low.
Throughout the Renaissance, religion played a large role in the society. It was very common to make Christian-related paintings, for example, the crucifixion of the Christ or lamentations in late medieval Christ paintings at that time in order to spread the religion . Further explored by André Malraux, it is known within this period that art was made intentionally to tell a story, depicting a civilization through fiction, whereas their aesthetic value takes second place. One example that related to this argument is “The Lamentation with Saints and a Donor” by Bartolommeo Di Giovanni, a late Renaissance painting, made around 1480 – 1510 CE, a piece found in one ofs one of the collections at thein Art Gallery of Ontario Museum. This piece depicts
There is a lot of repetition of the vertical lines of the forest in the background of the painting, these vertical lines draw the eye up into the clouds and the sky. These repeated vertical lines contrast harshly with a horizontal line that divides the canvas almost exactly in half. The background, upper portion of the canvas, is quite static and flat, whereas the foreground and middle ground of the painting have quite a lot of depth. This static effect is made up for in the immaculate amount of d...
4).14 Painted on the ceiling of the Sistine Chapel in Vatican City between 1508 and 1512, Michelangelo’s series represent several narratives from the bible. This painting is considered to be the most outstanding series of illustrations depicting biblical stories that were ever produced. It has also been suggested that the figures in the frescoes reflect Michelangelo’s personal Humanist philosophies. He believed that “the body should be celebrated as a reflection of both divine beauty and the beauty of the human soul”.15 The Creation of Adam, in particular, demonstrates the exact moment when God stretches out his finger and gives life to Adam, the first human. In this image, Adam on the left is portrayed completely nude as he sits languidly on the Earth. On the right, God’s presence appears assertive while he floats amongst several biblical figures in the sky. As their fingers do not touch, it is indicated that Adam is yet to receive the gift of intellect and
In this painting there is a strong presence of the color element. There is a strong contrast in lighting between the mother and child and the angels worshiping on the outside. The mother and child are painted in a vibrant pinkish rose hue while the surrounding angels are a slightly darker mix of green shades. The painting also offers a good variation of saturation when it comes to the fading yellow brick background. The pallets used
Art, by definition, is “something that is created with imagination and skill and that is beautiful or that expresses important ideas or feelings”. Throughout history, one way that art has been used is to reflect a multitude of ideas and beliefs. Christian beliefs and ideas have been portrayed in artwork since the beginning of Christianity, although, it was not always acceptable to do so. The idea of the final judgement is a Christian idea that has been displayed in art repeatedly in a variety of ways. Michelangelo’s fresco the Last Judgment (1536-1541) is a piece that visualizes this idea. Since the time it was finished, this significant piece found in the Sistine Chapel has been continuously critiqued and analyzed. Many Christians struggle to interpret the event of a final judgment after reading it through Scripture. In analyzing Michelangelo’s piece, it is similar difficult to determine what he exactly meant to portray and what the various part of his masterpiece represent exactly. Many have examined this piece and made different regarding what exactly the various figures and objects are supposed to represent. The diverse interpretations of this work further shows the idea that when Christian ideas are reflected through artwork, it is hard to ascertain exactly what an artist intended to demonstrate. In addition, the controversies surrounding this piece represent the idea that when Christian ideas are revealed through art, there is potential for disagreement regarding what should and should not be included in Christian art. Michelangelo’s Last Judgment is just an example of what results when Christianity is brought into art.
It took him four years to complete the whole ceiling. The Sistine Chapel is located in Vatican City, Italy which is the headquarters for the Roman Catholic Church. Michelangelo started painting the ceiling at the top of the altar and made his way towards the other side and ended by the entrance to the chapel. The 65-foot wide ceiling was painted in a such a way that, the viewer had to be standing at the farthest side of the altar wall in order to get the “best viewing point.” The whole story line of the entire ceiling was centered around the Old Testament; Michelangelo began with painting the Creation of the world and he finished with the story of Noah and the Flood. Michelangelo painted 12 female prophets around the outer edges of the ceiling, and in the remaining strip of the Ceiling at the center, he paints nine Genesis scenes, which included: the Creation of the World, Adam and Eve, and Noah, with 3 scenes from each story. All of these scenes were framed by a grisaille molding and statues in order for them to stand out from the other paintings. The colors in the painting have brightened up the whole chapel as a whole. The ceiling itself was painted a grayish and whitish tone, while the figures are painted different colors from pale to gold-bronze to very tan; it all depended on the person portrayed in the painting. A lot of the figures that exist in the spaces between the frames have
Michelangelo was born in a time in which the church had a great influence on most things that people did in their everyday life. He grew up in a wealthy family and was exposed to people of high position. The paintings and sculptures that Michelangelo created were strongly related to the Bible, and showed his respect and knowledge of the religion and culture he was brought up in. Starting with the Sistine Chapel ceiling, it has paintings that start with the creation of the world all the way to the flood and drunkenness of Noah. Michelangelo took four years to paint the ceiling and broke down different aspects of the earlier parts of the Bible throughout the ceiling. The most prominent paintings that are on the ceiling would have to be where God’s hand reaches out to Adam’s hand. This shows that Michelangelo views man and God as having a relationship where they know each other. Man can reach out to God, while God reaches down to man. With that being said, I believe this shows that the way in which man encounters God in this painting was a form of the ontological type. In ...
Much of the art created during the Renaissance was geared toward religion, and with Michelangelo this was no exception. By th...
... the way that the artwork is resembled in the religious background of the gospel but reconstructed in to a celebrating impression. Throughout the fresco painting it depicts the myth of the Christ’s three fold temptations relating back to the article that “distinction between fresco and panel painting is sharp, and that painters are seen as competitors amongst themselves discriminating also, between the difference in genuine attempts in being better then the other.” Baxandall, “Conditions of Trade,” 26. in relation, the painting concerns the painter’s conscious response to picture trade, and the non-isolation in pictorial interests.
Art is important to religion in many different ways. Perhaps none has analyzed how art and religion have influenced and affected each other through the ages. Pictures painted of past events that help to bring back the feeling and importance of the past have been forgotten by some. To the one’s that haven’t forgotten are able to see the event’s as the bible says they happened. Not only can you see the events, but it also allows the younger students of the church to understand the events. The use of images of God became widespread after the second century. This religious art has defiantly been around for centuries and plays an important role to the history of religion as well as the future.
The painting Olive Trees, now at the Minneapolis Institute of Arts, is one of a series of ten or twelve paintings of olive orchards, which Van Gogh painted in 1889 while living at the asylum of Saint-Remy. This painting is a landscape accomplished in bright, complementary colors, with Van Gogh’s characteristically brisk brushwork. The image is divided roughly into thirds, with the middle zone, the trees, being highly capricious. The brushstrokes describe the lay of the land, the movement of the wind in the trees, and the rays of the sun. The sun itself is hugely misrepresented in size, and highlighted also by an outline of orange. It dominates the picture and takes on perhaps a “supernatural” aspect, possibly representing deity or faith. The curved trees all lean, even quiver, away from the center of the painting. They cast violet shadows which shouldn’t be possible, given the placement of the sun: Realism is sacrificed for the content. The most prominent of these shadows is at the center of the foreground, and is not associated with any one tree. One could see this central shadow as the thing from which the trees are bending. The base of each tree is painted with red lines that ambiguously outline where the shadows would fall if the sun were directly overhead. Both the ground and the trees have a singularly wave appearance, while the sun is more stable, and the distant mountains are still.
Michelangelo’s Sistine Chapel painting is one of the greatest pieces of art known to mankind. John Dixon, in his journal “Christology of Michelangelo,” breaks down in his articles the images that Michelangelo painted, he helps us understand why he painted them, in the order that he did, and what they mean. We will also look at how the Renaissance era influenced Michelangelo’s painting perspective on society and culture as described by Kimberly Abruzzo, in her text on “How the Renaissance Changed European Culture and Society.” The Sistine Chapel ceiling painting is one of Michelangelo’s greatest achievements, being a man of culture and influenced by his time, Michelangelo Sistine Chapel paintings reveals the value that his society of the
Michelangelo was so outstanding in his craft that he was called Divine. However, his father believed his son would not amount to anything more than a stone-cutter. This remark was constantly on Michelangelo’s mind and as a result he often signed his work “Michelangelo the stone cutter.” His most famous work is the painting of the Sistine Chapel in St. Peter’s Church in Rome. The Ceiling depicts nine scenes from the book of Genesis and took 4 years to paint under the most difficult of conditions. He was fascinated with the problems of representing the human body and dedicated himself completely to mastering it which lends itself to his most famous sculptor of the statue of David. (“High Renaissance”) Other works include The Last Judgment and