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The theme of jealousy in winters tale
The winter's tale shakespeare romance
The winter's tale shakespeare romance
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The Winter's Tale
The Winter's Tale is one of jealousy, betrayal and redemption. While this story involves many characters and opens questions of the flaws in human nature and the power of forgiveness, there are two main characters of particular anomaly. The actions of Leontes and Perdita in this play are unique unto themselves. As King, Leontes' every decision weighs heavily upon the court and his country. As we have seen in several other plays by Shakespeare, when the King is in distress, Nature herself is disrupted. The cosmic connection between Leontes and Nature allows for the supernatural forces that are seen late in the play. He has the opportunity to use these forces to accomplish great things. Instead he chooses to let his own human nature interfere with the order of the Universe. Perdita, as descendent of Leontes, is also connected in a similar way. Perdita, however, does not act against Nature. She represents what was meant to be, what has been divinely decided. Even though they are father and daughter, they are complete opposites. Leontes represents our human ability to exercise free will, and Perdita represents the power of Fate over our lives.
Early in the play, Leontes shows his own fallible nature. He reveals himself to be a jealous, self-doubting tyrant. He brings about the his own demise, curses his family and dooms his own child to death. Though these characteristics are appalling, it is important to remember that Leontes chooses his own path. The actions he takes and the ghastly results they produce are of his own making. Leontes commits these acts of his own volition. Robert Grams Hunter supports these ideas in his book Shakespeare and the Comedy of Forgiveness. He compares Leontes to ...
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...e would have been no resolution. In the end, Hermione forgives his sins against her and the family. With the return of Perdita and the mercy of Hermione, Leontes is also exonerated by Nature. Hermione's act of forgiveness was necessary for his own redemption and also so that the restoration of the order of the Universe.
Bibliography
Brown, James Russell. Shakespeare and his Comedies. London: Methuen, 1962.
Hunter, Robert Grams. "The Winter's Tale." Shakespeare and the Comedy of Forgiveness. New York: Columbia University Press. 1965
James, Max H. Our House is Hell: Shakespeare's Troubled Families. Westport, Ct.:Greenwood Press, 1989.
Knight, G. Wilson. The Crown of Life. London: Methuen & Co. LTD. 1948.
Shakspeare, William. "The Winter's Tale." The Norton Shakespeare. Ed. Stephen Greenblatt, et al. Oxford: Oxford University Press. 1997. 2883-2953
Shakespeare, William. “The Tragedy of Hamlet, Prince of Denmark” Literature: An Introduction to Reading and Writing. Ed. Edgar V. Roberts. 9th Ed. New York: Pearson Longman, 2009. Print
In the play Hamlet by William Shakespeare, the theme of revenge is very palpable as the reader examines the characters of Hamlet himself, as well as Laertes, son of Polonius, and Fortinbras, prince of Norway and son of the late King Fortinbras. Each of these young characters felt the need to avenge the deaths of their fathers who they felt were untimely killed at the bloody hands of their murderers. However, the way each chose to go about this varies greatly and gives insight into their characters and how they progress throughout the play. Hamlet, Laertes and Fortinbras are similar in the fact that each had love, or at least respect, their fathers. Enough to make an attempt to wreak revenge upon their fathers murderers at the risk of their own reputation, freedom, and souls.
Mack, Maynard. Everybody’s Shakespeare: Reflections Chiefly on the Tragedies. Lincoln, NB: University of Nebraska Press, 1993.
Shakespeare, William. The Tempest. The Norton Shakespeare. Ed. Greenblatt, Stephen. New York: W.W. Norton & Co. Inc., 1997.
Shakespeare, William. The Three-Text Hamlet. Eds. Paul Bertram and Bernice Kliman. New York: AMS Press, 1991.
Shakespeare, William. Hamlet. The Norton Anthology of World Literature. 2nd ed. Vol. C. Ed. Sarah Lawall. New York: Norton, 2005. Print.
Cohen, Walter, J.E. Howard, K. Eisaman Maus. The Norton Shakespeare. Vol. 2 Stephen Greenblatt, General Editor. New York, London. 2008. ISBN 978-0-393-92991-1
Dutton, R., & Howard, J.E. (2003). A Companion to Shakespeare’s Works.(p. 9) Maiden, MA: Blackwell Pub.
...he sons: Fortinbras aims to gain honour for his country, Laertes seeks impulsive, cold-blooded killing, and Hamlet mostly ponders the morals of vengeance. Shakespeare’s impeccable characterization illuminates the human desire for revenge, and shows the various ways in which that impulse can be acted upon.
The idea of altering perception is a fundamental one in “The Winter’s Tale”, and art is seen as the way to make this alteration occur. While it is clear to the reader from the very beginning that Hermione is in fact innocent, Shakespeare introduces the reader to Leontes’s persistence to clearly show the beginnings of the conflict brewing. Despite Hermione’s clear innocence, Leontes has been written as a character so belligerent to ever see what is universally accepted as true in nature. The result is a conflict clear to the reader—a conflict of nature on its own merit, a question of truth, versus art, where perception is inherently flawed. Shakespeare creates a truly paranoid, conflicted character in Leontes, which works to make his objectivity, his desire to make truths out of falsities, even more apparent. Leontes speaks to the audience passionately upon his discovery, but his passion sounds so melodramatic, especially when we as readers a...
Mack, Maynard. Everybody’s Shakespeare: Reflections Chiefly on the Tragedies. Lincoln, NB: University of Nebraska Press, 1993.
Hamlet’s mourning about the death of his father and the remarriage of his mother drives him to madness. This is the main characters inner tragedy that Shakespeare expresses in the play. First he considers suicide but the ghost of King Hamlet sends him on a different path, directing him to revenge his death. Shakespeare uses Hamlet to articulate his thoughts about life, death and revenge. Being a moral character he must decide if revenge is the right thing to do. Shakespeare relays many scenarios of reasoning to the audience about mankind His hero sets the wrongs on mankind right again.
Hamlet’s tragic flaw was shown to him in a dream by the ghost of his father. His father tells him that he was murdered by his uncle, Claudius. In this scene, the tragic flaw was transferred and manifested itself in Hamlet’s actions. His obsession with revenge and death is all he can think about. He needs to act quickly and decisively but finds himself procrastinating about what to do. In Act III, Hamlet holds the knife over the head of his uncle, Claudius, but cannot strike the fatal blow. Instead, he writes a play about the same scenario to study the reaction of Claudius as to a clue of his guilt. After he decides Claudius is guilty of murdering his father, he still relents from taking his revenge. He says, “Haste me to know ‘t, that I, with wings as swift As meditation or the thought of love May sweep to my revenge.
Shakespeare, William. “The Tragedy of Hamlet, Prince of Denmark.” The Riverside Shakespeare. 2nd ed. Boston: Houghton Mifflin, 1997.