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Othello and the Force of Love
The William Shakespeare tragedy Othello features various types of love, but none compare to the love we find between the protagonist and his wife. In this essay let us examine “love” as found in the play.
In her book, Everybody’s Shakespeare: Reflections Chiefly on the Tragedies, Maynard Mack comments on the love that exists between the hero and heroine:
Magical in my view, though I know how far opinions differ on this point, as a way of asking us to recognize that the love these lovers share before Iago’s corruption sets in does indeed have magic in its web, contains a “work” (3.3.296) that a relationship like Cassio’s and Bianca’s can never match or “take out,” commands a power that sets it as far above the commonplace as Desdemona is in the radiant generosity and innocence that makes her vulnerable, as Othello is in the “free and open nature” (1.3.393) that makes him vulnerable, and in the courage and determination to do justice on himself that earns the closing accolade: “For he was great of heart” (5.2.361). (131)
In similar fashion, Lily B. Campbell in Shakespeare’s Tragic Heroes indicates the perfect type of love emanating from both the heroine and the general:
The simple and noble love of Othello and Desdemona is known to us all, but it must be noted that Desdemona, like Cordelia, loves both her father and her husband in reason. [. . .] That her love is the perfect love which philosophers found to blend the love of body and of mind is evident [. . .] That Othello’s love too is a love that is noble and perfect is evident in his simple:
She lov’d me for the dangers I had pass’d,
And I lov’d her that she did pity them. (155)
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...ngs on The Tragedies. Ed. Clarice Swisher. San Diego: Greenhaven Press, 1996. Reprint from Shakespeare: The Pattern in His Carpet. N.p.: n.p., 1970.
Gardner, Helen. “Othello: A Tragedy of Beauty and Fortune.” Readings on The Tragedies. Ed. Clarice Swisher. San Diego: Greenhaven Press, 1996. Reprint from “The Noble Moor.” British Academy Lectures, no. 9, 1955.
Mack, Maynard. Everybody’s Shakespeare: Reflections Chiefly on the Tragedies. Lincoln, NB: University of Nebraska Press, 1993.
Pitt, Angela. “Women in Shakespeare’s Tragedies.” Readings on The Tragedies. Ed. Clarice Swisher. San Diego: Greenhaven Press, 1996. Reprint from Shakespeare’s Women. N.p.: n.p., 1981.
Shakespeare, William. Othello. In The Electric Shakespeare. Princeton University. 1996. http://www.eiu.edu/~multilit/studyabroad/othello/othello_all.html No line nos.
In March of 1864 John Wilkes Booth, a Southern Confederate sympathizer, conceived a plan to kidnap Abraham Lincoln and deliver him to the Confederate Army, to be held hostage until the North agreed to continue exchanging prisoners. In late 1860, Booth had been initiated in the pro-Confederate Knights of the Golden Circle in Baltimore. He attended Lincoln's second inauguration on March 4, 1865, as the invited guest of his secret fiancée Lucy Hale, daughter of John P. Hale. On March 17, 1865, Booth informed his conspirators that Lincoln would be attending a play, Still Waters Run Deep, at Campbell Military Hospital. He intended that his men should join him on a nearby stretch of road in order to capture the President on his way back from the hospital. Booth found out that Lincoln had not gone to the play after all. Instead, he had attended a ceremony at the National Hotel in which officers of the 142nd Indiana Infantry presented Governor Oliver Morton with a captured Confederate battle flag.
... The sustenance of Timon, Pumba, and Nala, reaffirms Simba's need to reestablish the circle of life. Simba's fear of returning is now broken.
The Three Mile Island incident attracted hundreds of reporters. According to Wilborn Hampton, “there seemed to be more journalists than local residents.” (Hampton 46). Many people compared the Three Mile Island accident to a movie called “The China Syndrome” where almost the same thing happened (Levine 60). Metropolitan Edison failed to alert any state or federal of...
Powell; all who had served the confederacy to some level and have remained adherent to the rebel cause. Booth also forewarned Confederate Sympathizers in lower Maryland as a back plan if conspirators needed to transport Lincoln into Virginia. Conspirators would then begin analyzing maps of the White House, considering hidden passages and dwellings as well as surveillance of the President’s day to day activities. Mid-March, Booth and his conspirators were ready to act on their abduction plan however Lincoln would fail to emerge where they assumed he would be and the plan foiled. Following, O’Laughlin, Arnold, and Surratt would turn away from Booth and the kidnapping plot would descent all together causing Booth to drink heavily. As Lincoln continued to work to restore the Union and abolish slavery, Booth’s conduct became progressively agitated and perilous in nature. By Good Friday, after Lincoln’s reconstruction speech, Booth had constructed his final scheme to murder President Lincoln. He had directed Atzerodt and Powell, with the assistance of Herold, to kill Vice-President Andrew Johnson and Secretary of State
Mack, Maynard. Everybody’s Shakespeare: Reflections Chiefly on the Tragedies. Lincoln, NB: University of Nebraska Press, 1993.
The biblical characters are prophets and kings. In the narratives of the people of Israel, it is not difficult to see the pattern of almost all the kings. All but a few are corrupted, and get Israel in a lot of trouble with God. They help lead Israel to destruction. The role of the prophets is not only to warn the people of the coming punishment, but to also give hope and advice on how to make things right in the future. When looking at the Lion King, Scar embodies the kings and Simba embodies the prophets. Scar is a corrupt figure, and once he becomes king, the land becomes more desolate and the food supply starts running out. This resembles how the Israelites were to be punished for corruption. Simba comes
Mack, Maynard. Everybody’s Shakespeare: Reflections Chiefly on the Tragedies. Lincoln, NB: University of Nebraska Press, 1993.
Cohen, Walter, J.E. Howard, K. Eisaman Maus. The Norton Shakespeare. Vol. 2 Stephen Greenblatt, General Editor. New York, London. 2008. ISBN 978-0-393-92991-1
In the Shakespear’s play “Othello” it is clear to see that the relationship between him and Desdemona is a complicated one wrought with passion and confusion which leads to emotional trauma and physical abuse. At point and times in the story of “Othello” love was transmuted different. Othello was not as gentle and kind as Desdemona when it came to his lover he a times exhibited symptoms of insanity. He also at times exhibited lack of confidence that is found in the perceived unity of marriage. This was apparent that the two lover on loves battlefield were on two opposing sides, Desdemona was honest and faithful to Othello until their tragic end.
A.C. Bradley describes Othello as "by far the most romantic figure among Shakespeare's heroes"(Shakespearean Tragedy, 1). This is an unusual description of a man who murders his own wife. However, Othello's feelings of hate for Desdemona started as an overwhelming love for her when their relationship began. This transformation from love to hate also inflicted the characters Iago and Roderigo and like Othello their hatred resulted in the murder of innocent people. Roderigo's love for Desdemona was transformed into hate towards any man that he thought was loved by her. Iago's love for his job and his wife, Emilia changed into a destructive hatred of Cassio and Othello. As a result of their hatred Cassio, Emilia, and at the end themselves were killed. The connection between love and hate in William Shakespeare's "Othello" is the ugly feeling of jealousy that caused such transformations. Jealousy can be described as a fear of losing something or someone that is valuable (Godfrey 2). As minor as this feeling appears to be by that definition, it can take on varying degrees of damaging behavior. Othello, Roderigo, and Iago became paralyzed by jealousy. Their thoughts, actions, and behaviors were ruled by it. Jealousy caused their inability to the act rationally. They became paranoid and unable to love. This paper will examine the jealousy that caused love to turn into hate for Roderigo, Othello, and Iago.
Mack, Maynard. Everybody’s Shakespeare: Reflections Chiefly on the Tragedies. Lincoln, NB: University of Nebraska Press, 1993.
Mack, Maynard. Everybody’s Shakespeare: Reflections Chiefly on the Tragedies. Lincoln, NB: University of Nebraska Press, 1993.
Jones, Eldred. "Othello- An Interpretation" Critical Essays on Shakespeare's Othello. Ed. Anthony G. Barthelemy Pub. Macmillan New York, NY 1994. (page 39-55)
William Shakespeare (1564-1616) was a Renaissance poet and playwright who wrote and published the original versions of 38 plays, 154 sonnets, two long narrative poems, and several other poems. He is widely regarded as the greatest writer in the English language, and often called England’s national poet. Several of his works became extremely well known, thoroughly studied, and enjoyed all over the world. One of Shakespeare’s most prominent plays is titled The Tragedy of Romeo and Juliet. In this tragedy, the concept that is discussed and portrayed through the characters is love, as they are recognized as being “in love”. The general umbrella of love encompasses various kinds of love such as romantic love, the love of a parent for a child, love of one’s country, and several others. What is common to all love is this: Your own well-being is tied up with that of someone (or something) you love… When love is not present, changes in other people’s well being do not, in general, change your own… Being ‘in love’ infatuation is an intense state that displays similar features: … and finding everyone charming and nice, and thinking they all must sense one’s happiness. At first glance it seems as though Shakespeare advocates the hasty, hormone-driven passion portrayed by the protagonists, Romeo and Juliet; however, when viewed from a more modern, North-American perspective, it seems as though Shakespeare was not in fact endorsing it, but mocking the public’s superficial perception of love. Shakespeare’s criticism of the teens’ young and hasty love is portrayed in various instances of the play, including Romeo’s shallow, flip-flop love for Rosaline then Juliet, and his fights with Juliet’s family. Also, the conseque...
Shakespeare’s famous play Othello is a play of love that has turned bad by the unfounded jealousy of the protagonist character Othello. Arguably the contribution of Othello’s susceptibility to manipulation, his weaknesses and the manipulation of other characters tactics such as Iago each contribute to the downfall of Othello. However, to the extent of which each is more significant varies and this is what will be analysed in this essay.