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An Essay under the topic . the importance of forgiveness
An Essay under the topic . the importance of forgiveness
An Essay under the topic . the importance of forgiveness
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“For if you forgive other people when they sin against you, your heavenly Father will also forgive you. But if you do not forgive others their sins, your Father will not forgive your sins.”(Matthew 6:14-15, NIV) Husain Haddawy’s The Arabian Nights discusses many situations in which individuals learn to forgive others for the wrong that they have done against them. The Bible refers to the idea of forgiveness as an act not only for the person that has wronged you but for yourself; in order to grow, we have to forgive because if we do not, God will not forgive us. Haddawy’s literary work emphasizes the importance of forgiveness through the stories relating to the Demon and King Shahrayar.
King Shahrayar and the Demon both feel as if shedding blood is the right path to getting even with the ones that has done wrong against them. There are similarities in the ways that King Shahrayar and the Demon’s mentality changes and how the idea of being able to forgive others is a better approach rather than bloodshed.
The Arabian Nights begins with King Shahrayar’s story. King Shahrayar’s brother King Shahzaman, informs King Shahrayar that his wife, the Queen, is cheating on him. Upon seeing this for himself, King Shahrayar kills his wife due to her disloyalty towards him. He then vows to marry a new woman each night and have her killed the next day. However, the King does not kill these women himself, he appoints his vizier to kill the women. What makes this story much more interesting is that the vizier has a daughter named Shahrazad, and she tells her father about her plan: “I would like you to marry me to King Shahrayar, so that I may either succeed in saving the people or perish and die like the rest.” (p.13) Shahrazad holds no responsibi...
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...f the stories that the old men told. Both King Shahrayar and the Demon learned that there are far worse things that people can do to you. Nonetheless, violence is not the only solution.
Forgiveness doesn’t mean that you have to become friends with the other person, rather it allows you to let go of that heavy burden you feel inside. It allows you to muddle through the difficulties in your life without causing another issue.
Works Cited
Haddawy, Husain, Muhsin Mahdi, and Daniel Heller-Roazen. The Arabian Nights. New York: W. W. Norton, 2010. Print.
Burgess, Olivia. "Forgiveness Is a Choice: A Step-by-Step Process for Resolving Anger and Restoring Hope, And: Total Forgiveness, And: Radical Forgiveness." Project MUSE. Johns Hopkins UP, 2010. Web. 19 Apr. 2014. .
The essay "Forgiveness," written by June Callwood, explores the concept of forgiving and how it influences people's lives for the better. Her work describes many components of forgiveness, such as how difficult it can be to come to terms with, why it is such a crucial part of humanity, and how it affects all people. Her essay aims to prove that forgiveness is the key to living peacefully and explains specific examples of people who have encountered extremely difficult situations in their lives- all of whom found it within themselves to forgive. To clearly portray this message in her writing, Callwood uses several strategies. She includes fear inducing statistics, makes many references to famous events and leaders, and uses a serious convincing tone, all of which are very effective.
Jerome Clinton’s article The madness and cure in the 1001 nights is intended to look at the psychoanalytic side of king Shahriyar’s problem with females and the way Shahrazard uses her wit and the art of story telling to stop her husbands murderous rampage. Clinton uses a female’s perspective on how the stories are viewed instead of the male’s perspective. Clinton also argues that the actions of king shahriyar are not just a brazen result both his brother’s and his own wives infidelity. Clinton uses the idea that king Shahriyar and his brother Shazaman have lost the “anima” in their subconscious mind because they have grown up in a world that gives women no importance but only to please men (Clinton 491-492). Therefore both are unable to form positive lasting relationships with women in their adult lives.
Ultimately, the stories of "1001 Arabian Nights" indeed leave readers no choice but to re-evaluate their classic perceptions of the gender-power relationship. In the stories discussed above, there is simply no question that the action of the stories and the important moments in each revolve entirely around the women. Those who regarded the gender-power relationship as a non-issue must now think again. It is difficult to disprove a widely spread notion such as the one at hand here, but one can always try. It seems clear, however, through these examples, that perhaps classic perceptions that the male is more powerful than the female really should be reconsidered.
Forgiveness is the intentional and voluntary process by which a victim undergoes a change in feeling and attitude regarding an offense; let’s go of negative emotions such as vengefulness, with an increased ability to wish the offender. Walter (1984) stated that forgiveness is a voluntary process that usually requires courage and multiple acts of the will to complete. In Walters' view, the person who has been hurt has two alternatives: to be destroyed by resentment which leads to death, or to forgive which leads to healing and life. Sonja Lyubomirsky calls forgiveness is a natural resolution of the grief process, which is the necessary acknowledgment of pain and loss. It is a powerful choice that can lead to greater well being and better relationships.
Arabian Nights was the first Romantic work promoting Orientalism. Literary work originated from Modern day Syria and Iraq. Determining a “master” copy of the text is unattainable, people believed it to be common folk tale instead of serious literary work. Modern versions of the text push large global political subtext.
In the novel She and in the stories of The Arabian Nights, both Haggard and Haddawy explore the expanding gender roles of women within the nineteenth century. At a time that focused on the New Woman Question, traditional gender roles were shifted to produce greater rights and responsibilities for women. Both Ayesha, from Haggard’s novel She, and Shahrazad, from Haddawy’s translation of The Arabian Nights, transgress the traditional roles of women as they are being portrayed as strong and educated females, unwilling to yield to men’s commands. While She (Ayesha) takes her power to the extreme (i.e. embodying the femme fatale), Shahrazad offers a counterpart to She (i.e. she is strong yet selfless and concerned with the welfare of others). Thus, from the two characters emerge the idea of a woman who does not abide by the constraints of nineteenth century gender roles and, instead, symbolizes the New Woman.
When a person becomes trapped in a situation that stems from an individual with greater authority, being manipulative can be a very promising method to escape. The Thousand and One Nights does a very good job of being a good example of someone in this situation that uses stories within a story to capture encapsulate the attention of the reader. Despite the many little stories that go into the text, the main story behind it all is about a king named King Shahrayar and how he goes insane after catching his wife having sexual relations with a slave. After he sees this happen, he realizes that he can never trust any woman again and none of them are trustworthy. By expressing his views on women, he decides to marry a different woman every night, then the next morning have them killed by beheading. This is an ongoing event that brings death to most of the women in the village. Soon after, the king’s Vizier’s daughter, Shahrazad, came up with a brilliant idea that will end up saving her fellow countrywomen and hopefully keep the king from murdering so many innocent people. Her method behind all this is by telling the kind a different story every night that leaves him on a cliffhanger, making him curious enough to keep her alive for another day to continue her story. Shahrazad keeps herself spared from the king because of her cunning, and compassionate personality.
Norris, H.T. "The Arabian Nights: A Companion." Bulletin of the School of Oriental and African Studies 58 (1995):148-149.
There are numerous times in the book where the characters are faced with the decision on whether or not to forgive someone. Forgiveness came easy to Hassan, he was loyal to his friends and family and was able to understand that he needs to forgive others in order to overcome a dispute. Amir however, struggles with the topic of forgiveness. He doesn’t always understand why people forgive others after conflict. Amir not only could not comprehend why Hassan forgave him of his poor decision but he also had an extremely hard time coping with how to forgive himself. Amir is haunted by his childhood decisions and has to battle himself everyday to try to forgive
King Shahryar decides to lie with a new woman every night, only to take her virginity and kill her the next morning (1001 Arabian Nights 11). For three years, King Shahryar stays on track, killing one thousand and ninety five women. After those three years, the king’s wazir was having trouble finding new women for the king to lie with, for they were all running in the opposite direction (1001 Arabian Nights 12). That is when the Wazir’s own daughter, Scheherazade, made a courageous move. Scheherazade had read one thousand histories, stories, fables, fairy tales etc. whatever one chooses to call them, Scheherazade was very well versed in story-telling. Through these tales, Scheherazade had the courage to offer herself up to lie with the king, well knowing that she would be dead the next morning (1001 Arabian Nights 12-3). Scheherazade had a plan to save herself, however, and it involved her younger sister, Dunyazad. Scheherazade was brought to the king by her father, the wazir (who only agreed to offer up his daughter because Scheherazad blackmailed him). Scheherazade’s courage from the fairytales empowers her, and it causes her to become incharge/a woman of action, which is not common in Islamic culture. Scheherazade defies the double standards/sexisms in 1001 Arabian Nights, and is refreshing to the book’s constant sexisms/standards. Scheherazade made love to the king, but started crying during their love-making.
We see it effects us in our communities as well: when warring gangs call for a cease-fire after years of senseless killings; when a spouse accepts into his or her home, a marriage partner who has repented from unfaithfulness; when a former addict becomes sober, makes amends, and is fully restored to family and community. Each time we witness an act of forgiveness, we marvel at its power to heal, to break a seemingly unending cycle of pain. Forgiveness is something virtually all Americans aspire to. Following September 11, 2001, Palestinian and Israeli officials issued orders to pull back from aggression and violence. The world is witnessing astonishing acts of forgiveness and of seeking forgiveness. Forgiveness is the key that can unshackle us from a past that will not rest in the grave of things over and done with. As long as our minds are captive to the memory of having been wrong, then we are not free to wish for reconciliation with the one who wronged us.
The parables interrupt the daily activities and plans of the king. The daily reality is interrupted with stories that create dilemmas, as well as questions. The actors within the stories will have to choose “between two loyalties, two lives, two worlds, two selves” (196), and so will the king. The king, as well as reader, can discover truth within the fiction, “if only fiction can reach below the misleading surface of reality” (185). The night stories interrupt the status quo, and show how different current reality could be (187). The night is seductive but it also reveals to King Shahrayar the possibility of choice in this conflict of the worlds of fiction and reality. The hope of Sharazad, and the moral of the night stories is to disclose truths within the parables, that “will in the end influence reality”
A strong Christian lesson on the true nature of forgiveness can be found in Christ’s Sermon on the Mount:
Forgiveness is freedom. There is a key that opens the door to healing, happiness and peace, that key is forgiveness. Forgiveness starts from you and it is the greatest gift you can give yourself. Forgiveness of both self and others is the most powerful tool we have, and it is readily attainable to all of us .Take a step of creating a kinder humanity by forgiving someone in your life. If you are convinced and ready to forgive, you may be wondering where to start. My suggestion is to start small by letting go of the grudges, bitterness and anger.
In the novel The Arabian Nights, translated by Husain Haddawy, Sharazad is the main character who narrates fables to delay her death each night and potentially save her own life, but also to influence the king to be a better man and ruler over his kingdom. Throughout this novel readers will learn two moral lessons. First, they should not take things for granted, and once things are said you can’t always take them back.