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The landlady summary on suspense
Literary devices and their use
Literary devices and their use
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It is clear that the author, Roald Dahl, utilizes a variety of literary devices in order to create an element of suspense in the text, “The Landlady.” An example of this would be Dahl’s use of foreshadowing in the text. The Landlady states in the text, “But my dear boy, he never left. He’s still here. Mr. Temple is also here. They’re on the fourth floor, both of them together” (Dahl 5). It is evident how this would contribute to the component of suspense for the reader. The use of foreshadowing throughout “The Landlady” is meant to hint towards Billy’s impending doom, and thus would compel readers to anticipate Billy’s fate, creating suspense. Foreshadowing contributes a great deal to the dark humor/mysterious aspect of Dahl’s style of writing.
In addition, Billy states in the text, “I’m a lucky fellow, he thought, rubbing his hands. This is a bit of all right” (Dahl 4). As the reader continues navigating through the story, it is obvious that Billy is infact, not a lucky fellow at all in any means. This is an instance of dramatic irony. The reasoning as to why irony forges suspense in the story is simple. Irony in the context of “The Landlady” allows the reader to imagine certain directions as to where the plot is heading towards, as well as to create suspense as the irony becomes more and more clear throughout the text. Dahl’s aspect of dark humor in his style can also be attributed to his use of irony as well. Thus, in conclusion, there is no doubt that Dahl fantastically utilized a variety of literary devices in order to fabricate the aspect of suspense in “The Landlady.”
In John Irving's novel titled, A Prayer for Owen Meany, suspenseful events are of abundance, and there are multiple ways the author creates this suspense. Among these methods of creating suspense, four that stand out are the use of setting, the pace of the story, the involvement of mysteries to be solved, and the ability of the reader to easily identify and sympathize with the protagonist. By placing a character in a gloomy or solitary place, uncomfortable feelings are created, which append to the suspense. Pace and structure of the story also play into the foundation of suspense, as shorter sentences and stronger, more cutting verbs and adjectives are often used to keep the reader highly interested and reading at a rapid speed. Of course, suspense could not be considered what it is if there were no mystery involved. The element of not knowing what is in store for the future and having the urge to find out is the essence of suspense. Also, if the reader cannot easily relate to and sympathize with the character in the suspenseful situation, a loss of interest can arise, and therefore spoil the spirit of the tension. Uncomfortable settings, pace and structure, use of mysteries, and capability to relate to the main character are four techniques that John Irving uses to create suspense.
It gives clues to the readers of what might happen next in the story or what the story can result in. In the "Sorry, Wrong Number" the narrator is foreshadowing when he dramatically says, "She overhears two men division a secret plan.” Foreshadowing is clearly introduced here when the narrator of this story gives hints to the reader that something is about to happen next. When there are two men plotting together making a secret plan, the readers know that they will find it out. This creates more suspense and intimidation within the reader. The wife in the story is fearful. She doesn’t know what the plan is, but she has an idea that it has to do with her husband. The foreshadowing builds suspense before she finds out what the plan really
2. Because this was a mystery novel, foreshadowing was very heavily used in the book. Foreshadowing is very useful in a mystery novel, because a mystery novel is all about suspense, and foreshadowing is a great tool to increase the suspense. One of the biggest foreshadows was the “big black hook” (pg. 148) on the ceiling of Vera’s room, which she will eventually use to kill herself. However, there were other examples of foreshadowing, including Vera’s first sight of Indian Island. She concludes it looks sinister (pg.16), and that hints at the troubles to come. Theres also the old man on the train that tells Blore that “his day of judgement is close at hand” (pg.11), which hints that Blore will soon die. And there's the very obvious “10 little indians poem” (pg. 22) which hints at the very near deaths of each of the guests on indian island.
The second example of foreshadowing that really caught my eye was in the passage “they passed a large cotton field with five or six graves fenced in the middle of it.” In the story, John Wesley and June Star both find the graves interesting.... ... middle of paper ... ... Once I opened my mind and looked at it from a different perspective, I felt as if O’Connor wanted the story to continue after the grandmother’s death.
“But no doors slammed, no carpets took the soft tread of rubber heels. It was raining outside. The weather box on the front door sang quietly: "Rain, rain, go away; rubbers, raincoats for today…" And the rain tapped on the empty house, echoing.” (Bradbury 01). This gives the reader a fore brooding feeling that, something bad could have occurred. The people whom live in the house aren’t there to answer to the mechanical voice. Lastly, for Bradbury's, ("The pedestrian"), a use of foreshadowing would be on the first page. “He stumbled over a particularly uneven section of sidewalk. The cement was vanishing under flowers and grass. In ten years of walking by night or day, for thousands of miles, he had never met another person walking, not one in all that time" (Bradbury 01). We grasp that, the character has been walking daily for 10 years without ever meeting anyone else walking. We also grasp that the nature of the society is in ruins and not maintained. This makes the reader question, what happened? it would give us the feeling of
The repetition Roald Dahl uses helps the scare factor in “The Landlady” and “Lamb of Slaughter”. In “Lamb of Slaughter”, Roald Dahl repeats the words “Sit down” and “eat something” in the story. For example, in the text it says, “Anyways, she went on. I’ll get you some bread and cheese.” and “ Sit down, he said. Just for a minute, sit down.”. These words being repeated makes you wonder why he doesn’t want to eat, especially after a long hard day at work. Also, it makes you wonder what he wants to tell her, but it never tells you so it kinda makes you think of what he tells her. In “The Landlady”, Roald Dahl repeats the words “Bed and Breakfast” and how nice it looked. For example, in the text it says, “BED AND BREAKFAST, it said, BED AND
In the society that Esperanza and her friends live in, love takes a back seat
Foreshadowing: Author hints at what can possibly happen in the story by using the text.
“The Landlady” is written by Roald Dahl. The tone of the story is mysterious, and creepy. The mood of the story is creepy, surprising, and scary. The author uses word choice in order to create this.
The landlady goes through a phase of wooing before the murders by winning over the character with a cozy looking house, the appearance of a harmless little old lady, and a low price to stay for the night. While the character was walking down the street trying to find a place to sleep, he stumbled upon a cozy looking bed and breakfast “ he went
In "A Good Man is Hard to find" by Flannery O'Connor, one is struck by the unexpected violence at the end of the story. However, if the story is read a second time, reader can see definite signs of foreshadowing that hints to the ending of the story. Through O'Connor's technique of strong imagery to foreshadow the people and the events in the story is very compelling. There are two significant times that she uses this technique. They are the description of the grandmother's dress and the graveyard.
In "A Good Man is Hard to Find," by Flannery O’Connor, one is struck by the unexpected violence at the end of the story. However, if one re-reads the story as second time, one will see definite signs of foreshadowing of the ending. In the course of this story, O’Connor uses strong imagery to foreshadow the people and the events in this story. There are three significant times she uses this technique. They are the description of the grandmother’s dress, the death of the family, and the conversation between the Misfit and the grandmother.
Billy picked his own path to his death. He should have foreseen that this bed and breakfast was not a good idea because it doesn't matter how comfortable and warm the place is, it shouldn't feel like home because home will always be home and it cannot be duplicated. For example, when Billy and the landlady were talking about Mr. Temple and Mr. Mulholland is dead, she mentions “‘But my dear boy, he never left. He's still here. Mr. Temple is also here. They're on the third floor, both of them together.’” this shows that she has both of the guys and they are dead because she has killed and stuffed them to be kept forever. Obsession has completely controlled her mind into not seeing that these beautiful creatures are humans too, just like her and she does not have the right to take their lives for her infatuated obsession over beauty. In the story the landlady indicated that Billy looked familiar to Mr. Temple and Mr. Mulholland. When Billy said his age was seventeen, the landlady said, “‘Oh, it's a perfect age! Mr. Mulholland was also seventeen. But I think he was a trifle shorter than you are, in fact, I'm sure he was, and his teeth weren't quite so white, you have the most beautiful teeth, did you know that?’” in this, she finds Billy looking similar and same age as Mr. Mulholland but she found Billy's teeth better from Mr. Mulholland. There was more and more
There are many examples of foreshadowing that helps the story have dramatic shadowing. Foreshadowing is an indication of a future event, that helps create suspense in a mystery novel. All the foreshadowing that Christie presents is giving the reader hints to predict the incoming events, and creating exciting anticipation. An example of foreshadowing that is presented is when Fred takes the visitors to the island. He says “Can’t land on Soldier Island when there is a
In The Umbrella Man the author used characterization to make you think the little old man was a nice gentleman who just wanted money for a cab ride home. The mother thought he was a gentleman because of his shoes, but is still suspicious. He makes a deal with her to trade his expensive silk umbrella for money. She gives in and makes the trade. He sprints away clearly not looking for a cab. The mother and daughter follow him. They see him walk into a bar and buy a drink with the money they gave him. When his is finished he grabs another umbrella from the coat rack and proceeded to play the same trick on another stranger. It wasn’t till the end that the mother and daughter realized that he was not who they thought he would be. In The Landlady the author opened the story by a man named Billy Weaver looking for a place to stay. He found a nice “Bed and Breakfast” and he rung the doorbell and the lady opened the door before he could even take his finger off the bell. She talked to him and made him sign a guestbook which had names in it from more than 2 years ago. He recognized the names and started to get suspicious. He noticed a couple of stuffed animals. The landlady did it herself. He continued to drink the tea and he got tired and then passed out. He woke up to the landlady getting ready to stuff him. He had been poisoned by the tea. In the end the plot revealed that she was a killer who stuffed things for her own enjoyment. The Umbrella Man and The Landlady both have plots that use false lead that makes you think that people are not who you assume they